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Phil Tippett
Phil Tippett (born September 27, 1951) is an American movie director and Oscar and Emmy Award-winning visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation. Over his career, he has assisted ILM and DreamWorks, and in 1984 formed his own company, Tippett Studio. His work has appeared in movies such as the original '' Star Wars'' trilogy, '' Jurassic Park'', and '' RoboCop''. In 2021, he released his long-gestating stop-motion film ''Mad God'', which was funded through Kickstarter and distributed by Shudder. Early life Tippett was born in Berkeley, California. When he was seven, Tippett saw Ray Harryhausen's special effects classic, ''The 7th Voyage of Sinbad'', and his life's direction was set. Tippett completed a bachelor's degree in art at the University of California, Irvine, and went to work at the animation studio Cascade Pictures in Los Angeles. Career Stop motion In 1975, while still working at C ...
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Dennis Muren
Dennis Muren, A.S.C (born November 1, 1946) is an American film visual effects artist and supervisor. He has worked on the films of George Lucas, Steven Spielberg, and James Cameron, among others, and has won nine Oscars in total: eight for Best Visual Effects and a Technical Achievement Academy Award. The Visual Effects Society has called him "a perpetual student, teacher, innovator, and mentor." He has been identified as "a pioneer in bringing a new wave of visual effects films to the public, opening the doors for screenwriters and directors to tell stories never before possible with a new realism through the use of his skills in cinematic arts and advanced technologies." According to Spielberg, Muren "set the example at Industrial Light & Magic for visual effects excellence with effects that add strong, appropriate emotion to a shot and fit seamlessly into a movie."Steven Spielberg, "Industrial Light & Magic: Creating the Impossible" documentary by Leslie Iwerks, 2010 Earl ...
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Stop Motion
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (''clay animation'' or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation. Terminology The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion". Both orthographical variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatical ...
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Setpiece
In film production, a set piece is a scene or sequence of scenes whose execution requires complex logistical planning and considerable expenditure of money. The term is often also used more broadly to describe a sequence in which the film-maker's elaborate planning is considered to allow for the maximum pay-off for the audience, such as a thrilling action sequence or awe-inspiring science-fiction sequence. The term is often used to describe any scenes that are so essential to a film that they could not be edited out or skipped in the shooting schedule without seriously detracting from the enjoyability, intensity, impact, coherence or memorability of the finished work. Often, screenplays are written around a list of such set pieces, particularly in high-budget "event movies". The term is sometimes extended to refer to cinematic portions in video games. Set pieces are very often planned meticulously using storyboards, screen-tests, and rehearsals, in contrast to smaller scenes where ...
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Cinefex
''Cinefex'' launched in 1980, was a quarterly journal covering visual effects in films. Each issue featured lengthy, detailed articles that described the creative and technical processes behind current films, the information drawn from interviews with the effects artists and technicians involved. Each issue also featured many behind-the-scenes photographs illustrating the progression of visual effects shots – from previsualization to final – as well as the execution of miniatures, pyrotechnics, makeup and other related effects. ''Cinefex'' was made available for the iPad, enabling users to purchase digital copies of back issues of the magazine. Publication history The magazine was founded by Don Shay, who alone wrote and produced the first issue, which covered the effects work in the films ''Alien'' and '' Star Trek: The Motion Picture''. Earlier, Shay had written extensively on the stop-motion effects work in the original 1933 film ''King Kong'', published in the British p ...
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Craig Hayes
Craig Hayes (also known as Craig Davies) is a visual effects artist. He was nominated at the 73rd Academy Awards for his work on the film ''Hollow Man''. He shared his nomination with Scott E. Anderson, Stan Parks and Scott Stokdyk. During the 69th Academy Awards he won a Technical Achievement Award. He also works for Tippett Studio. Selected filmography * ''RoboCop'' (1987) * ''Willow'' (1988) * ''Honey, I Shrunk the Kids'' (1989) * ''RoboCop 2'' (1990) * ''Jurassic Park'' (1993) * ''RoboCop 3'' (1993) * '' Tremors II: Aftershocks'' (1996) * ''DragonHeart'' (1996) * ''Starship Troopers'' (1997) * '' The Haunting'' (1999) * ''My Favorite Martian'' (1999) * ''Virus'' (1999) * ''Hollow Man'' (2000) * ''Evolution'' (2001) * ''The One'' (2001) * ''Blade II'' (2002) * ''The Matrix Revolutions'' (2003) * ''Constantine'' (2005) * '' Sea Monsters: A Prehistoric Adventure'' (2007) * '' Red Cliff'' (2008) * ''Red Cliff II'' (2009) * ''Immortals Immortality is the ability to live forev ...
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Primetime Emmy Award For Outstanding Special Visual Effects
This is a list of the winning and nominated programs of the Primetime Emmy Award for Outstanding Special Visual Effects for a series, miniseries, film, or special. Since the award ceremony of 1998, the category has been divided into Special Visual Effects for a Series and Special Visual Effects for a Miniseries, Movie, or Special. In 1991, the Television Academy nominated four programs, but did not determine a winner. Before becoming well-known directors, Neill Blomkamp, Gareth Edwards, and Robert Stromberg were nominees for the award. Winners and nominations 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020s Programs with multiple awards ;7 awards * ''Game of Thrones'' ;3 awards * '' Star Trek: The Next Generation'' * '' Star Trek: Voyager'' ;2 awards * ''Battlestar Galactica'' * ''Boardwalk Empire'' * ''The Mandalorian'' * ''Star Trek: Enterprise'' Programs with multiple nominations ;9 nominations * '' Star Trek: Voyager'' ;8 nominations * ' ...
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Dinosaur! (1985 Film)
''Dinosaur!'' is a 1985 American television documentary film about dinosaurs. It was first broadcast in the United States on November 5, 1985, on CBS. Directed by Robert Guenette and written by Steven Paul Mark, ''Dinosaur!'' was hosted by the American actor Christopher Reeve, who some years before had played the leading role of ''Superman''. In 1991, another documentary, also entitled ''Dinosaur!'' though not related, was hosted on A&E by the CBS anchorman Walter Cronkite. Content Jointly with Reeve's narration, the documentary shows special effects scenes which reconstruct dinosaurs and their era, along with interviews with the most famous paleontologists at the time of the documentary shooting, including Jack Horner, Robert Bakker, Phil Currie, and Dale Russell. After a short introductory sequence and the subsequent opening credits the film starts with the mating of hadrosaurs, a species which in the documentary is identified as "hadrosaur", "the duck-billed dinosaur" or "duc ...
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Prehistoric Beast
''Prehistoric Beast'' is a ten-minute-long experimental animated film conceived, supervised and directed by Phil Tippett in 1984. This sequence is the first film produced by the Tippett Studio, founded by Tippett. Made with the go motion animation technique, scenes from ''Prehistoric Beast'' were included in the 1985 full-length documentary '' Dinosaur!'', first aired on CBS in the United States on November 5, 1985. Content Set 65 million years ago in what is now the Canadian province of Alberta, this short film depicts the chase and predation of a ''Monoclonius'' (also known as ''Centrosaurus'' --the synonym name-- see below) by a ''Tyrannosaurus rex'' (or a closely related genus; see below). The short opens with a tracking shot in the middle of a forest at night: the ''Tyrannosaurus rex'' is busy eating and finishing an '' Edmontosaurus'' carcass. The next morning, a herd of ''Monoclonius'' is seen grazing. One member wanders into the forest to find more food. It finds a field ...
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Return Of The Jedi
''Return of the Jedi'' (also known as ''Star Wars: Episode VI – Return of the Jedi'' is a 1983 American epic space opera film directed by Richard Marquand. The screenplay is by Lawrence Kasdan and George Lucas from a story by Lucas, who was also the executive producer. The sequel to '' Star Wars'' (1977) and ''The Empire Strikes Back'' (1980), it is the third installment in the original ''Star Wars'' trilogy, the third film to be produced, and the sixth chronological film in the "Skywalker Saga". The film stars Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew and Frank Oz. Set one year after ''The Empire Strikes Back'', the Galactic Empire is constructing a second Death Star to exterminate the Rebel Alliance. With intel that the Emperor will be onboard, the Rebel fleet launches a full-scale attack on the Death Star in hopes of both destroying it and the Emperor. Meanwhile, Rebel hero Luke Skywalker ...
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Dragonslayer (1981 Film)
''Dragonslayer'' is a 1981 American dark fantasy film directed by Matthew Robbins, from a screenplay he co-wrote with Hal Barwood. It stars Peter MacNicol, Ralph Richardson, John Hallam, and Caitlin Clarke. It is a co-production between Paramount Pictures and Walt Disney Productions, where Paramount handled North American distribution and Disney's Buena Vista International handled international distribution. The story is set in a fictional medieval kingdom, where a young wizard experiences danger and opposition as he hunts the dragon, Vermithrax Pejorative. It was the second joint production between Paramount and Disney, after ''Popeye'' (1980), and is more mature than most contemporary Disney films. Because the audience expected the Disney name to be solely children's entertainment, the film's violence, adult themes, and brief nudity were somewhat controversial though Disney did not hold the US distribution rights. The film was rated PG in the U.S. The special effects were ...
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Tauntaun
This is a list of creatures in the fictional universe of '' Star Wars'', a space opera media franchise. The types of creatures in this list are listed by category and then in alphabetical order. Humans and humanoid sentient species Humans Humans are a species in the fictional '' Star Wars'' universe. They are the most numerous and dominant species, with apparently millions of major and minor colonies galaxywide. Humans are native to many different worlds and are characterized by multidimensional complex personalities, that are both individual and unique. They are the only race accepted as pure by Emperor Palpatine. By the time the hyperdrive was invented, humans were already present on a few scattered worlds throughout the galaxy; according to the ''New Essential Chronology'', the humans of Coruscant managed to send out a number of 'sleeper ships' between the fall of the Rakatan Infinite Empire and the invention of the hyperdrive. ''Star Wars'' humans are mostly biologically ...
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AT-AT
All Terrain Walkers are armoured fighting vehicles from the ''Star Wars'' universe that traverse the landscape on mechanical legs. They are used by the Old Republic, the Galactic Empire, and the First Order for ground assault, reconnaissance or transport. Throughout the saga walkers have played a pivotal role in the fate of characters and the outcome of battles. Industrial Light and Magic (ILM) is responsible for their animation and design, often using models, stop-motion animation, and relevant matte paintings to depict their presence in the films. There are a variety of walkers: ''The Empire Strikes Back'' and ''Return of the Jedi'' introduced the All Terrain Armored Transport (AT-AT) and All Terrain Scout Transport (AT-ST). '' Star Wars: Episode II – Attack of the Clones'', '' Star Wars: Episode III – Revenge of the Sith'' and '' The Clone Wars'' introduced earlier Clone Wars-era models of walkers, such as the All-Terrain Tactical Enforcer (AT-TE), and the All Terrai ...
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