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Nuri Bilge Ceylan
Nuri Bilge Ceylan (, born 26 January 1959) is a Turkish photographer, filmmaker and actor best known for the Palme d'Or winning ''Winter Sleep'' (2014). Early life Ceylan was born in Istanbul on 26 January 1959. His interest in photography started at the age of 15. While studying at Boğaziçi University he participated in cinema and photography clubs and he took passport-style photos to make some money. After graduating from university with a bachelor of science degree in electrical engineering, he went to London and Kathmandu, Nepal, to decide what to do in life. Then he went back to Ankara, Turkey, to do military service. When he was in the army, he discovered that cinema would give shape to his life. Style and themes Ceylan's films deal with the estrangement of the individual, existentialism, the monotony of human lives, and the details of everyday life. He uses static shots and long takes, usually in natural settings, as well as play with sound, including the use of menaci ...
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Istanbul
) , postal_code_type = Postal code , postal_code = 34000 to 34990 , area_code = +90 212 (European side) +90 216 (Asian side) , registration_plate = 34 , blank_name_sec2 = GeoTLD , blank_info_sec2 = .ist, .istanbul , website = , blank_name = GDP (Nominal) , blank_info = 2021 , blank1_name =  - Total , blank1_info = US$ 248 billion , blank2_name =  - Per capita , blank2_info = US$ 15,666 , blank3_name = HDI (2019) , blank3_info = 0.846 () · 1st , timezone = TRT , utc_offset = +3 , module = , name = , government_type = Mayor–council government , governing_body = Municipal Council of Istanbul , image_shield = , established_date = 11 May 330 AD , im ...
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Long Take
In filmmaking, a long take (also called a continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term " long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and l ...
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Tokyo Story
is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama about an aging couple who travel to Tokyo to visit their grown children. Upon release, it did not immediately gain international recognition and was considered "too Japanese" to be marketable by Japanese film exporters. It was screened in 1957 in London, where it won the inaugural Sutherland Trophy the following year, and received praise from U.S. film critics after a 1972 screening in New York City. ''Tokyo Story'' is widely regarded as Ozu's masterpiece and one of the greatest films in history of cinema. It was voted the greatest film of all time in the 2012 edition of a widely-respected poll of film directors by ''Sight & Sound'' magazine. Plot Retired couple Shūkichi and Tomi Hirayama live in Onomichi in western Japan with their daughter Kyōko, a primary school teacher. They have five adult children, four of whom are living. The couple travel to Tokyo to visit the ...
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Shame (1968 Film)
''Shame'' ( sv, Skammen) is a 1968 Swedish drama film written and directed by Ingmar Bergman, and starring Liv Ullmann and Max von Sydow. Ullmann and von Sydow play Eva and Jan, a politically uninvolved couple and former violinists whose home comes under threat by civil war. They are accused by one side of sympathy for the enemy, and their marriage deteriorates while the couple flees. The story explores themes of shame, moral decline, self-loathing and violence. The film was shot on Fårö, beginning in 1967, employing miniature models for the combat scenes. ''Shame'' was shot and released during the Vietnam War, although Bergman denied it was a commentary on the real-life conflict. He instead expressed interest in telling the story of a "little war". ''Shame'' won a few honors, including for Ullmann's performance. It is sometimes considered the second in a series of thematically related films, preceded by Bergman's 1968 ''Hour of the Wolf'', and followed by the 1969 ''The ...
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Scenes From A Marriage
''Scenes from a Marriage'' ( sv, Scener ur ett äktenskap) is a 1973 Swedish television miniseries written and directed by Ingmar Bergman. Over the course of six hour-long episodes, it explores the disintegration of the marriage between Marianne ( Liv Ullmann), a divorce lawyer, and Johan (Erland Josephson), a psychology professor. The series spans a period of 10 years. Bergman's teleplay draws on his own experiences, including his relationship with Ullmann. It was shot on a small budget in Stockholm and Fårö in 1972. After initially airing on Swedish TV in six parts, the miniseries was condensed into a theatrical version and received positive reviews in Sweden and internationally. ''Scenes from a Marriage'' was also the subject of controversy for its perceived influence on rising divorce rates in Europe. The film was ineligible for the Academy Award for Best Foreign Language Film, but won the Golden Globe Award for Best Foreign Language Film and several other honours. The m ...
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The Mirror (1975 Film)
''Mirror'' (russian: Зеркало, Zerkalo, link=no) is a 1975 Russian drama film directed by Andrei Tarkovsky. It is loosely autobiographical, unconventionally structured, and incorporates poems composed and read by the director's father, Arseny Tarkovsky. The film features Margarita Terekhova, Ignat Daniltsev, Alla Demidova, Anatoly Solonitsyn, Tarkovsky's wife Larisa Tarkovskaya and his mother Maria Vishnyakova. Innokenty Smoktunovsky provides voiceover and Eduard Artemyev the incidental music and sound effects. ''Mirror'' is structured in the form of a nonlinear narrative, with its main concept dating back to 1964 and undergoing multiple scripted versions by Tarkovsky and Aleksandr Misharin. It unfolds around memories recalled by a dying poet of key moments in his life and in Soviet culture. The film combines contemporary scenes with childhood memories, dreams, and newsreel footage. Its cinematography slips between color, black-and-white, and sepia. The film's loos ...
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A Man Escaped
''A Man Escaped or The Wind Bloweth Where It Listeth'' (french: Un condamné à mort s'est échappé ou Le vent souffle où il veut, which literally translates as: "A man condemned to death has escaped or The wind blows where it wants"; the subtitle is a quote from ) is a 1956 French prison escape film directed by Robert Bresson. It is based on a memoir by André Devigny, a member of the French Resistance who was held in Montluc prison during World War II by the occupying Germans, though the protagonist of the film was given a different name. The film was screened in competition at the 1957 Cannes Film Festival, and it has been one of Bresson's most renowned works since its initial release. Plot In Lyon in 1943, Fontaine, a member of the French Resistance, jumps out of the car that is taking him to Montluc prison. He is immediately apprehended, and his German captors handcuff him, beat him, and lock him up. Throughout his time in prison, Fontaine regularly hears gunfire as other ...
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Late Spring
is a 1949 Japanese drama film directed by Yasujirō Ozu and written by Ozu and Kogo Noda, based on the short novel ''Father and Daughter'' (''Chichi to musume'') by the 20th-century novelist and critic Kazuo Hirotsu. The film was written and shot during the Allied Powers' Occupation of Japan and was subject to the Occupation's official censorship requirements. Starring Chishū Ryū, who was featured in almost all of the director's films, and Setsuko Hara, marking her first of six appearances in Ozu's work, it is the first installment of Ozu’s so-called "Noriko trilogy", succeeded by '' Early Summer'' (''Bakushu'', 1951) and ''Tokyo Story'' (''Tokyo Monogatari'', 1953); in each of which Hara portrays a young woman named Noriko, though the three Norikos are distinct, unrelated characters, linked primarily by their status as single women in postwar Japan.The surnames of the three Norikos in ''Late Spring'', ''Early Summer'' and ''Tokyo Story'' are, respectively, Somiya, Mamiya ...
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L'Eclisse
''L'Eclisse'' ( en, "The Eclipse") is a 1962 Italian romance film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti. Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon). Antonioni attributed some of his inspiration for ''L'Eclisse'' to when he filmed a solar eclipse in Florence. The film is considered the last part of a trilogy and is preceded by ''L'Avventura'' (1960) and ''La Notte'' (1961). ''L'Eclisse'' won the Special Jury Prize at the 1962 Cannes Film Festival and was nominated for the Palme d'Or. Described by Martin Scorsese as the boldest film in the trilogy, it is one of the director's more acclaimed works. Plot On a Monday of July 1961, at dawn, Vittoria, a young literary translator, ends her relationship with Riccardo in his apartment in the EUR residential district of Rome, following a long night of conversation. Riccardo tries to persuad ...
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L'Avventura
''L'Avventura'' ( en, "The Adventure") is a 1960 Italian drama film directed by Michelangelo Antonioni. Developed from a story by Antonioni with co-writers Elio Bartolini and Tonino Guerra, the film is about the disappearance of a young woman (Lea Massari) during a boating trip in the Mediterranean, and the subsequent search for her by her lover (Gabriele Ferzetti) and her best friend (Monica Vitti). It was filmed on location in Rome, the Aeolian Islands, and Sicily in 1959 under difficult financial and physical conditions. The film is noted for its unusual pacing, which emphasizes visual composition, mood, and character over traditional narrative development. ''L'Avventura'' was nominated for numerous awards and was awarded the Jury Prize at the 1960 Cannes Film Festival. The film made Monica Vitti an international star. According to an Antonioni obituary, the film "systematically subverted the filmic codes, practices and structures in currency at its time." ''L'Avventura' ...
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Au Hasard Balthazar
''Au Hasard Balthazar'' (; meaning "Balthazar, at Random"), also known as ''Balthazar'', is a 1966 French drama film directed by Robert Bresson. Believed to be inspired by a passage from Fyodor Dostoyevsky's 1868–69 novel ''The Idiot'', the film follows a donkey as he is given to various owners, most of whom treat him callously. Noted for Bresson's ascetic directorial style and regarded as a work of profound emotional effect, it is frequently listed as one of the greatest films of all time. Plot In the French countryside near the Pyrenees, a baby donkey is adopted by young children - Jacques and his sisters, who live on a farm. They baptize the donkey (and christen it Balthazar) along with Marie, Jacques' childhood sweetheart, whose father is the teacher at the small school next door. When one of Jacques' sisters dies, his family vacates the farm, and Marie's family take it over in a loose arrangement. The donkey is given away to local farmhands who work it very hard. Years pass ...
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Andrei Rublev (film)
''Andrei Rublev'' (russian: Андрей Рублёв, ''Andrey Rublyóv'') is a 1966 Soviet arthouse biographical historical drama film directed by Andrei Tarkovsky and co-written with Andrei Konchalovsky. The film was re-edited from the 1966 film titled ''The Passion According to Andrei'' by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. The film is loosely based on the life of Andrei Rublev, the 15th-century Russian icon painter. The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant of the film. ''Andrei Rublev'' is set against the background of early- 15th-century Russia. Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. Tarkovsky sought to create a film that shows the ...
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