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Nottingham Alabaster
Nottingham alabaster is a term used to refer to the English sculpture industry, mostly of relatively small religious carvings, which flourished from the fourteenth century until the early sixteenth century. Alabaster carvers were at work in London, York and Burton-on-Trent, and many probably worked very close to the rural mines, but the largest concentration was around Nottingham. This has led to all the English medieval output being referred to as "Nottingham alabaster". Alabaster is a mineral composed of gypsum and various impurities, is much softer and easier to work than marble and a good material for mass production, though not suitable for outdoors use. Carvings were made as single figures, assemblies for tomb monuments, including full length effigies, but the most common survivals are panels, up to about 20 inches or 50 cm high, from sets for altarpieces, which could be transported relatively easily, and fitted into a locally-made architectural surround of stone or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English - Resurrection - Walters 27308
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St George's Chapel At Windsor Castle
St George's Chapel at Windsor Castle in England is a castle chapel built in the late-medieval Perpendicular Gothic style. It is both a Royal Peculiar (a church under the direct jurisdiction of the monarch) and the Chapel of the Order of the Garter. St George's Chapel was founded in the 14th century by King Edward III and extensively enlarged in the late 15th century. It is located in the Lower Ward of the castle. The castle has belonged to the monarchy for almost 1,000 years and was a principal residence of Elizabeth II before her death. The chapel has been the scene of many royal services, weddings and burials – in the 19th century, St George's Chapel and the nearby Frogmore Gardens superseded Westminster Abbey as the chosen burial place for the British royal family. The running of the chapel is the responsibility of the dean and Canons of Windsor who make up the College of Saint George. They are assisted by a clerk, verger and other staff. The Society of the Friends of St G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nailloux Altarpiece
The Nailloux Altarpiece ( French: "''Retable de Nailloux''") is a retable-type altarpiece made of five alabaster panels carved in high relief. Dedicated to the Passion of Jesus Christ, it is conserved in a chapel of St Martin's Church in Nailloux, in the Haute-Garonne department in southwestern France. The retable is a typical product of the Nottingham alabaster industry, carved during the second half of the 15th century in a Midlands workshop in England. These were cheaper than alternative forms of sculpted altarpiece, and many were exported. The work was produced in a period of economic development for the region: the golden age of woad culture in Lauragais. With a total length of 1.46 m (57 in), the altarpiece is made of four side panels of 43 × 25 cm (18 x 9 in) and a bigger central panel of 50 × 25 cm (19 x 9 in). The Passion of Christ is the most common subject in medieval altarpieces because shows the sacrifice of Christ, commemorated in the Eucharist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triptych
A triptych ( ; from the Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the develo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Countries
The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in Northwestern Europe forming the lower basin of the Rhine–Meuse–Scheldt delta and consisting of three countries: Belgium, the Netherlands and Luxembourg. Geographically and historically, the area also includes parts of France and Germany such as the French Flanders and the German regions of East Frisia and Cleves. During the Middle Ages, the Low Countries were divided into numerous semi-independent principalities. Historically, the regions without access to the sea linked themselves politically and economically to those with access to form various unions of ports and hinterland, stretching inland as far as parts of the German Rhineland. Because of this, nowadays not only physically low-altitude areas, but also some hilly or elevat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconism
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within each r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putting Away Of Books And Images Act 1549
The Act for the abolishing and putting away of diverse books and images 1549 (3 & 4 Edw. 6 c. 10) was an Act of the Parliament of England. The preamble of the Act recites: It then proceeds to order the abolishing of all other religious books, as they tend to superstition and idolatry; and commands all persons to deface and destroy images of all kinds that were erected for religious worship, under a penalty for any to prevent the same. The act concludes, however, with a clause emphasising that its provisions do not extend to the effigies on tomb monuments: It also stipulates that the people might still keep the primers set forth by the late king Henry VIII provided they erase the sentences of invocation, and names of popish saints. The act was repealed by Mary I, but James I re-established it. See also * Iconoclasm Iconoclasm (from Greek: grc, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, κλάω, lit=to break, translit=kláō, labe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Edward VI
Edward VI (12 October 1537 – 6 July 1553) was King of England and Ireland from 28 January 1547 until his death in 1553. He was crowned on 20 February 1547 at the age of nine. Edward was the son of Henry VIII and Jane Seymour and the first English monarch to be raised as a Protestant. During his reign, the realm was governed by a regency council because he never reached maturity. The council was first led by his uncle Edward Seymour, 1st Duke of Somerset (1547–1549), and then by John Dudley, 1st Earl of Warwick (1550–1553), who from 1551 was Duke of Northumberland. Edward's reign was marked by economic problems and social unrest that in 1549 erupted into riot and rebellion. An expensive war with Scotland, at first successful, ended with military withdrawal from Scotland and Boulogne-sur-Mer in exchange for peace. The transformation of the Church of England into a recognisably Protestant body also occurred under Edward, who took great interest in religious matters. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_MET_DP273206.jpg "Click for more on -> Triptych")
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