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Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788-1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827 they were joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Von Blaas
Karl von Blaas (28 April 1815 – 19 March 1894) was an Austrian painter known for his portraits and religious compositions executed on canvas as well as in the form of frescoes. Biography Carl Von Blaas was born to a peasant family at Nauders in the Tyrol on 28 April 1815. He is best known as a history painter and painter of portraits. His first art lessons were in Innsbruck, where he received an education as a writer. But he was more interested in art, and so, like many painters at the time, he aspired to visit Italy to realize his goal of an in-depth art education. His uncle, a judge in Verona, recognized his talent and gave him financial support for study in Venice, which he undertook in 1832. In his autobiography he recounts many of his adventures, some rather harrowing, on that sojourn. He was a student at the Venice Academy between 1832 and 1837, where he studied under Lodovico Lipparini. He won many awards and began to receive portrait commissions. In 1837 he recei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Joseph Begas
Carl Joseph Begas, or Karl Begas, (30 September 1794, Heinsberg – 24 November 1854, Berlin) was a German painter who played an important role in the transition from Romanticism to Realism. He was the first in a multi-generational "dynasty" of artists. Life and work His family (originally "Begasse") came from Belgium, in the region near Verviers and Liège. He was the third child of Franz Anton Begasse (1764–1842), a judge, and his wife, Susanne née Hoffstadt. In 1802, they moved to Cologne, where he received his first artistic training from the miniaturist, . Later, he studied at the Lyceum in Bonn with Clemens August Philippart (1751–1825). In 1813, he went to Paris, where he became a student of Antoine-Jean Gros. While there, shortly after the Battle of Paris, his talent was noticed by King Friedrich Wilhelm III, who bought one of his works and became his patron. He remained in Paris until 1821. His first works dealt exclusively with Christian themes. A scholarship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Von Guerard
Johann Joseph Eugene von GuérardHis first name is variously spelled "Eugen", "Eugene", "Eugène", one source mentions "Jean" (instead of "Johann"); his surname is spelled "Guerard" or "Guérard". The most frequent combination is that used by the National Gallery of Australia: "Eugene von Guérard". The artist's birth certificate shows his name as "Johann Joseph Eugen von Guerard". (17 November 181117 April 1901) was an Austrian-born artist, active in Australia from 1852 until 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard. Early life Born in Vienna, Austria, von Guerard toured Italy with his father (a painter of miniatures at the court of Emperor Francis I of Austria) from 1826, and between 1830 and 1832 resided in Rome, where he became involved with a number of German artists. The foremost landscape painter am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Veit
Johannes Veit, originally Jonas Veit (2 March 1790, Berlin - 18 January 1854, Rome) was a German history painter. After 1811, he lived and worked in Rome, where he was a member of the Nazarene movement. "Johannes Veit" from '' Bénézit'', @ Oxford Art Online Life and work He was born to the banker, Simon Veit, and his wife Brendel; daughter of the philosopher, |
Eduard Jakob Von Steinle
Eduard von Steinle (2 July 1810 – 19 September 1886) was a historical painter and member of the Nazarene movement. Life He was born 2 July 1810 in Vienna. Steinle came successively under the influence of the painters Leopold Kupelwieser, Johann Overbeck, and Peter von Cornelius, and was thus introduced into the methods of the German painters who had formed themselves into a school in Rome, the Nazarenes. Steinle went himself several times to Rome, but preferred to work in Germany. He received his first large commission, the painting of the chapel of the Castle of Rheineck, while living in Frankfurt; a second one was for work in the Hall of the Emperors (''Kaisersaal'') in Frankfurt, where he painted the pictures of Albert I and Ferdinand III. These commissions and his friendship with Philipp Veit and the Brentano family decided him to take up his permanent residence in Frankfurt. From 1850 he was professor of historical painting at the Städel Art Institute of Frankfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Madox Brown
Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was ''Work'' (1852–1865). Brown spent the latter years of his life painting the twelve works known as '' The Manchester Murals'', depicting Mancunian history, for Manchester Town Hall. Early life Brown was the grandson of the medical theorist John Brown, founder of the Brunonian system of medicine. His great-grandfather was a Scottish labourer. His father Ford Brown served as a purser in the Royal Navy, including a period serving under Sir Isaac Coffin and a period on HMS ''Arethusa''. He left the Navy after the end of the Napoleonic Wars. In 1818, Ford Brown married Caroline Madox, of an old Kentish family. Brown's parents had limited financial resources, and they moved to Calais to seek cheaper lodgings, where their daught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Leighton
Frederic Leighton, 1st Baron Leighton, (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular, and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century. Leighton was the bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct upon his death. Biography Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton (1799-1892), a medical doctor. Leighton's grandfather, Sir James Boniface Leighton (1769-1843), had been the primary physician to two Russian tsars - Alexander I and Nicholas I - and their families, and amassed a fortune while in their service. Leighton’s career was always cushioned by this family wealth, with his father p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dyce
William Dyce (; 19 September 1806 in Aberdeen14 February 1864) was a Scottish painter, who played a part in the formation of public art education in the United Kingdom, and the South Kensington Schools system. Dyce was associated with the Pre-Raphaelite Brotherhood and played a part in their early popularity. Life Dyce was born on the 19 September 1806 at 48 Marischal Street in Aberdeen, the son of Dr William Dyce of Fonthill and Cuttlehill FRSE (1770–1835) and Margaret Chalmers of Westburn (1776–1856). His uncle was General Alexander Dyce FRSE (died 1834). His older brother was Prof Robert Dyce FRSE. After studying at Marischal College, Dyce early showed an aptitude for design and began his artistic career at the Royal Academy schools in Edinburgh and London. He travelled to Rome for the first time in 1825, and while there he studied the works of Titian and Poussin. He returned to Aberdeen after nine months, and painted several pictures, including ''Bacchus nursed by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Zuccari, Rome
Palazzo Zuccari, also called Palazzetto Zuccheri, is a 16th-century residence, located at the crossroads of via Sistina and via Gregoriana, with a Mannerist 16th-century facades on the latter street and a late Baroque facade on the piazza Trinità dei Monti in the Campo Marzio neighborhood of Rome, Italy. Designed by Federico Zuccari, the house is known locally as the "House of Monsters" for the decorations on its doors and windows overlooking the via Gregoriana. History The artist Federico Zuccari worked in Rome and Florence (where he designed frescoes for the Florence Cathedral and made a name for himself as an artist. Called back to Urbe for a series of commissions, he decided to create a sumptuous mansion that displayed his importance and skill. The project would be more grandiose than his previous work in Florence, the Palazzo Zuccari. In 1590, Zuccari bought a plot of land near the Trinità dei Monti, and its remains of the Gardens of Lucullus. He then began to construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
