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Nabucco
''Nabucco'' (, short for Nabucodonosor ; en, "Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, Jeremiah, Lamentations and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of ''Nabucodonosor'', the opera was first performed at La Scala in Milan on 9 March 1842. ''Nabucco'' is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that ''Nabucco'' was born under a lucky star." The opera follows the plight of the Jews as th ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ...
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Va, Pensiero
"" (), also known as the "Chorus of the Hebrew Slaves", is a chorus from the opera ''Nabucco'' (1842) by Giuseppe Verdi. It recollects the period of Babylonian captivity after the loss of the First Temple in Jerusalem in 586 BCE. The libretto is by Temistocle Solera, inspired by Psalm 137. The opera with its powerful chorus established Verdi as a major composer in 19th-century Italy. The full incipit is "Va, pensiero, sull'ali dorate", meaning "Go, thought, on wings of gold". Initial reception Verdi composed ''Nabucco'' at a difficult moment in his life. His wife and small children had all just died of various illnesses. Despite a purported vow to abstain from opera-writing, he had contracted with La Scala to write another opera and the director, Bartolomeo Merelli, forced the libretto into his hands. Returning home, Verdi happened to open the libretto at "Va, pensiero" and seeing the phrase, he heard the words singing. At first rehearsal "the stagehands shouted their appro ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy '' Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until ...
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Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation '' Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the current (June 2022) production of Andrew Lloyd Web ...
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Bartolomeo Merelli
Bartolomeo Merelli (19 May 1794 – 10 April 1879Warrack & West 1997, p. 463.) was an Italian impresario and librettist, best known as the manager of the La Scala Milan opera house between 1829 and 1850, and for his support for the young Giuseppe Verdi. Early life and theatrical agency Merelli was born in Bergamo and studied composition there with Simon Mayr. ( Gaetano Donizetti was in the same class as Merelli.) He moved to Milan around 1812 and worked there as a theatrical agent, at the same time writing a number of librettos for Mayr, Donizetti, Nicola Vaccai and other composers.Rosselli 1992, pp. 340–341. He set up his own agency in 1826 and managed seasons in Varese, Como and Cremona between 1830 and 1835, and was joint lessee (with Carlo Balochino) of the Theater am Kärntnertor in Vienna from 1836 to 1848. La Scala From 1829 to 1850, Merelli managed La Scala, initially in partnership with others, who included Domenico Barbaia, and then by himself fro ...
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Temistocle Solera
Temistocle Solera (25 December 1815 – 21 April 1878) was an Italian opera composer and librettist. Life and career He was born in Ferrara. He received his education at the Imperial College in Vienna and at the University of Pavia. Throughout his life he actively participated in anti-Austrian resistance. At one point, he was incarcerated for his activities. He completed several literary works, including the novel ''Michelino'', his style influenced by Alessandro Manzoni. He then found work as a librettist; his collaboration with the composer Giuseppe Verdi began in 1839 and lasted for a few years.O'Grady, Dierdre. ''The last troubadours: poetic drama in Italian opera 1597-1887''. (New York: Routledge, Chapman and Hall, 1991). 214. Solera then found work as the impresario for the Royal Theatre in Madrid. He died in Milan in 1878. List of major works Composer * ''Ildegonda'' (1840) * ''Il contadino d'Agliate'' (1841; rev. as ''La fanciulla di Castelguelfo'' in 1842) * ''Gen ...
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Otto Nicolai
Carl Otto Ehrenfried Nicolai (9 June 1810 – 11 May 1849) was a German composer, conductor, and one of the founders of the Vienna Philharmonic. Nicolai is best known for his operatic version of William Shakespeare, Shakespeare's comedy ''The Merry Wives of Windsor'' as '. In addition to five operas, Nicolai composed lieder, works for orchestra, Choir, chorus, Musical ensemble, ensemble, and solo instruments. Biography Nicolai, a child prodigy, was born in Königsberg, Prussia. He received his first musical education from his father, Carl Ernst Daniel Nicolai, who was also a composer and musical director. During his childhood his parents divorced, and while still a youth, early in June 1826, Nicolai ran away from his parents' "loveless" home, taking refuge in Stargard Szczeciński, Stargard with a senior legal official called August Adler who treated the musical prodigy like a son and, when Nikolai was seventeen, sent him to Berlin to study with Carl Friedrich Zelter. Aft ...
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Un Giorno Di Regno
''Un giorno di regno, ossia Il finto Stanislao'' (''A One-Day Reign, or The Pretend Stanislaus'', but often translated into English as ''King for a Day'') is an operatic '' melodramma giocoso'' in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert GyrowetzGossett, p. 37: Gossett goes on to note that "for many Italian librettists of the time, French operatic texts were a rich vein to be mined." (Although ''Le faux Stanislas'' was a verse drama, not an operatic libretto.)Budden, p. 73 the libretto was based on the play ''Le faux Stanislas'' written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. ''Un giorno'' was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840. After the success of his first opera, '' Oberto'' in 1839, Verdi received a commission from La Scala impresario Merelli to write three more operas. ''Un giorno'' was first of the three, but ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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Nebuchadnezzar II
Nebuchadnezzar II (Babylonian cuneiform: ''Nabû-kudurri-uṣur'', meaning "Nabu, watch over my heir"; Biblical Hebrew: ''Nəḇūḵaḏneʾṣṣar''), also spelled Nebuchadrezzar II, was the second king of the Neo-Babylonian Empire, ruling from the death of his father Nabopolassar in 605 BC to his own death in 562 BC. Historically known as Nebuchadnezzar the Great, he is typically regarded as the empire's greatest king. Nebuchadnezzar remains famous for his military campaigns in the Levant, for his construction projects in his capital, Babylon, and for the important part he played in Jewish history. Ruling for 43 years, Nebuchadnezzar was the longest-reigning king of the Chaldean dynasty. At the time of his death, Nebuchadnezzar was among the most powerful rulers in the world. Possibly named after his grandfather of the same name, or after Nebuchadnezzar I ( 1125–1104 BC), one of Babylon's greatest ancient warrior-kings, Nebuchadnezzar II already secured renown for him ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ...
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Teatro Del Giglio
The Teatro del Giglio (Theater of the Giglio) is the historic city theater and opera house located in Piazza del Giglio #13 and #15 in the center of Lucca, region of Tuscany, Italy. History The prior Teatro Pubblico (Public Theater), inaugurated in 1675, which had been destroyed by a fire and rebuilt. After the Napoleonic upheavals, the site had fallen to ruin. A new theater, represented by this Neoclassical-style structure, was built at the site in 1818 by Giovanni Lazzarini. The rusticated portico is surmounted by a balustrade upholding pilasters, that lead to a tympanum with the coat of arms of the city. The frieze reads ''Teatro Comunale del Giglio''. The name ''giglio'' or lily derives from the fleur-de-lis emblem, that was part of the Bourbon heraldic shield of the reigning duchess, Maria Luisa of the House of Bourbon. In the early 19th century, the interiors were painted by Luigi Gatani, while the theater curtain was painted by Federico Tarquini. During the 19th century ...
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