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Melam
Melam is a group of Maddalams and other similar percussion instruments' ( Chenda) rhythmic performance. Those who play melam are called 'Melakaar'. In ancient Tamilakam (Tamil country) melam was used for all the occasions in temples (''Kovil Melam'', ''Naiyandi Melam'', ''Urumi Melam''), marriages (''Ketti Melam''), functions, funeral wake(''Parai Melam''). In Kerala the most traditional of all melams is the Pandi Melam, which is generally performed outside the temple. Another melam called the Panchari Melam, which is similar to Pandi Melam, but the Panchari Melam is played inside the temple. History Found in the list of Musical instruments used by Tamil people out in Tirumurai dated 6th to 11th century மத்தளந் துந்துபி வாய்ந்த முருடிவற்றால் எத்திசை தோறும் எழுந்தியம்ப - ஒத்துடனே மங்கலம் பாடுவார் வந்திற� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchari Melam
Panchari Melam is a percussion ensemble, performed during temple festivals in Kerala, India. Panchari Melam (or simply panchari), is one of the major forms of Chenda Melam (ethnic drum ensemble), and is the best-known and most popular in the ''kshetram vadyam'' (temple percussion) genre. Panchari Melam, comprising instruments like Chenda, Ilathalam, Kombu and Kuzhal, is performed during many temple festivals in central Kerala, where it is presented in arguably the most classical manner. Panchari is also traditionally performed, albeit with a touch of subtle regional difference, in north Kerala (Malabar) and south-central Kerala (Kochi). Of late, its charm has led to its performance even in temples in Kerala's deep south. Panchari is a six-beat thaalam ( taal) with equivalents like Roopakam in south Indian Carnatic music and Daadra in the northern Hindustani classical. Another Chenda Melam which comes close to Panchari in prominence and grammatical soundness, is Pandi Melam, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chenda
The Chenda ( ml, ചെണ്ട, ) is a cylindrical percussion instrument originating in the state of Kerala and widely used in Tulu Nadu of Karnataka and Tamil Nadu in India. In Tulu Nadu (Coastal Karnataka), it is known as ''chende''. It is greatly identified as a cultural element in Kerala and Tulu Nadu. This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called " Edamthala" (ഇടം തല)(Left Head) and the right side " Valamthala" (വലം തല)(Right Head). The "Edamthala" is made of only one/two layer of cow skin and the "Valamthala" will have a five/seven layer skin, so as to have a bass sound. The skin are dried in the shade and fastened on wooden rings (Chenda Vattam, ചെണ്ട വട്ടം) made of the trunk of a locally available palm tree (Eeranpana) or bamboo, using a gum prepared from the seed of a tree called "pananchi maram". The circular frame is kept in a vessel, boiled for an entire day and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandi Melam
Pandi melam is a classical percussion concert or melam (ensemble) led by the ethnic Kerala instrument called the chenda and accompanied by ilathalam (cymbals), kuzhal and Kombu. A full-length Pandi, a melam based on a thaalam ( taal) with seven beats, lasts more than two-and-a-half hours, and is canonically performed outside temples. It has basically four stages, each of them with rhythmic cycles (thaalavattam) totalling 56, 28, 14 and seven respectively. The most celebrated Pandi Melam is staged inside a temple compound at the ''Vadakkunnathan'' shrine's precincts in the central Kerala town of Thrissur. For the last several years, Peruvanam Kuttan Marar is the lead conductor for this symphony of drums known as ''Elanjithara Melam''. Elsewhere, like in the pooram festivals of Aarattupuzha and Peruvanam near Thrissur and the rest of central and northern Kerala, it is performed outside temples. Another ensemble called Panchari Melam, which is similar to Pandi going by the ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urumi (drum)
The ''urumi'' (; also known as ''urumee'') is a double-headed hourglass-shaped drum from the state of Tamil Nadu, South India. Two skin heads are attached to a single hollow, often intricately carved wooden shell. The preferred wood is jackwood, although other woods like rosewood may be used. Both left and right heads are usually made from cow hide that is stretched around a thin metal ring (sometimes lizard skin is used for the right head). The outer circumference of each head is perforated with approximately seven to eight holes. The two heads are held in tension by a continuous rope that is woven around the drum in a V-shape pattern. Additional small coils of string or metal are tied around each pair of ropes near the left head. These coils can be slide horizontally along the length of the drum, increasing or decreasing the tension between the heads as necessary. For example, during the monsoon season the drum heads will slacken so much that the instrument becomes unplayabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhalam
The maddalam or madhalam (Malayalam: മദ്ദളം) मद्दलम , ମଦ୍ଦଳମ , మద్దళమ్ , ಮದ್ದಳಂ is a drum made out of the wood of the jackfruit tree. It has two sides for playing, made out of leather, and has different kind of sounds on each side. The maddalam is a heavy instrument which is hung around the waist of the person playing, and the player stands all the while to perform. The maddalam is a vital instrument in traditional Kerala percussion ensembles like Panchavadyam, Keli and Kathakali orchestra. Except for the central projection, the Maddalam resembles a Mridangam in shape. Etymology The name Madhalam is derived from the word ''Mardhalam which'' means 'one which receives pressure'. In Sanskrit the instrument is called as Mardhalam. Using style In ancient times Madhalam was played by suspending it from the neck of the player and later in the 1920s Madhalam maestro Venkichan Swamy changed the style to the way it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Puducherry. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana, and the Union Territory of the Andaman and Nicobar Islands. It is also spoken by the Tamil diaspora found in many countries, including Malaysia, Myanmar, South Africa, United Kingdom, United States, Canada, Australia and Mauritius. Tamil is also natively spoken by Sri Lankan Moors. One of 22 scheduled languages in the Constitution of India, Tamil was the first to be classified as a classical language of India. Tamil is one of the longest-surviving classical languages of India.. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). A. K. Ramanujan described it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udukai
The udukkai, udukai or udukku (Tamil: உடுக்கை) is a member of the family of membranophone percussion instruments of India and Nepal used in folk music and prayers in Tamil Nadu. The drums are an ancient design of hourglass drums similar to the northern damaru and southern idakka. Its shape is similar to other Indian hourglass drums, having a small snare stretched over one side. They are played with the bare hand, and the pitch may be tered by squeezing the lacing in the middle. It is made of wood or brass and is very portable. It originated in Tamil Nadu as well. Other members in the family include thehuruk, hurkî, hurko, hudko or hudka, utukkai. Another non-hourglass drum that is also referred to as udukkai is the damru (while in the hands of Shiva). Hudukkâ Known from xiii th century , this is a drum barrel converted hourglass by adding membranes wide overhanging ends. The kuddukâ is similar but does not grelotet is played with the stick. It is still used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damaru
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andal
Andal ( ta, ஆண்டாள்), also known as Kothai, Nachiyar, and Godadevi, was the only female Alvar among the twelve Hindu poet-saints of South India. She was posthumously considered an avatar of the goddess Bhudevi. As with the Alvar saints, she was affiliated to the Sri Vaishnava tradition of Hinduism. Active in the 8th-century, with some suggesting 7th-century, Andal is credited with two great Tamil works, ''Thiruppavai'' and '' Nachiyar Tirumoḻi'', which are still recited by devotees during the winter festival season of Margaḻi. Andal is a prominent figure for women in South India and has inspired several women's groups such as Goda Mandali. Legends According to literary and religious tradition, Periyalvar (பெரியாழ்வார்), originally called Vishnuchithan, was an ardent devotee of Perumal (Vishnu) and he used to string garlands to the deity every day. He was childless and he prayed to God to save him from the longing for a child. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nalayira Divya Prabandham
The Naalayira Divya Prabandham ( ta, நாலாயிரத் திவ்வியப் பிரபந்தம், lit=Four Thousand Divine Hymns, translit=Nālāyira Divya Prabandham) is a collection of 4,000 Tamil verses composed by the 12 Alvars. It was compiled in its present form by Nathamuni during the 9th–10th centuries. The work, an important liturgical compilation of the Tamil Alvars, marks the beginning of the canonisation of 12 ''Vaishnava'' poet saints, and these hymns are still sung extensively today. The works were lost before they were collected and organised in the form of an anthology by Nathamuni. Description The ''Divya Prabandham'' sings the praises of Narayana (Vishnu) and his many forms. The Alvars sang these songs at various sacred shrines known as the Divya Desams. The Tamil ''Vaishnavites'' are also known as ''Ubhaya Vedanti'' (those that follow both Vedas, that is, the Sanskrit Rigveda, Yajurveda, Samaveda, and Atharvaveda, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nachiar Tirumozhi
''Nachiyar Tirumoli'' (; ) is a set of 143 verses composed by Andal, one of the twelve Alvars in Vaishnava tradition. In her restlessness and eagerness to attain Kannan (Krishna), Andal attempts various methods by which she can attain union with him, which forms the major part of work. Among the ''Tirumolis'', ''Varanam Aayiram'' is very well-known and has a special significance. It details Andal's narration of her dream of her experiences with her friends on her way to achieve her purpose of birth (to marry ''Kannapiran''). These 143 verses are a part of the 4000 divine hymns of Naalayira Divya Prabandham. The verses are classified into fourteen decads, namely, a prayer to Kama, not to destroy a sand castle, ''Vastapraharana'', securing union with the Lord, requesting a cuckoo to call her Lord, Kothai's marriage, eulogising Vishnu's conch, Megha Sandesa, prangs of separation from the Lord, seeking help to attain the Lord, and in praise of Ranganatha. Etymology ''Tirumoli'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
