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Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued tog ...
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Mandore (instrument)
The mandore is a musical instrument, a small member of the lute family, teardrop shaped, with four to six courses of gut strings and pitched in the treble range. Considered a French instrument, with much of the surviving music coming from France, it was used across "Northern Europe" including Germany and Scotland. Although it went out of style, the French instrument has been revived for use in classical music. The instrument's most commonly played relatives today are members of the mandolin family and the bandurria. The mandore arrived in France from Spain, and was considered a new instrument in French music books from the 1580s, but can be seen as a development of the gittern. "...the small, lute-like instrument of the Middle Ages called, until recently, the 'mandora' by modern writers, was originally called the 'gittern'...generally used for the small, four-course, renaissance guitar—but it was still also occasionally used (until well into the 17th century) for the instrument ...
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Mandobass
Mandobass is the largest (and least common) member of the mandolin family, sometimes used as the bass instrument in mandolin orchestras. It is so large that it usually is not held in the lap, but supported on a spike that rests on the floor. The neck-scale length on a full-size mando-bass is similar to that of a standard orchestral double bass viol: about .Paul Sparks, ''The Classical Mandolin'', Oxford University Press, pages 205–206. The instrument is otherwise similar to the smaller, higher-pitched members of the mandolin family, having a fretted neck, a headstock with geared tuning machines, and a large resonating body often—but not always—shaped like that of other mandolins. Variants There are three main variants of the mandobass: * The large four-string mandobass has a much longer neck and is tuned EADG, like a double bass. It was popular in early 20th century American and European mandolin ensembles. Early examples had very large bodies and were often played in ...
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Mandocello
The mandocello ( it, mandoloncello, Liuto cantabile, liuto moderno) is a plucked string instrument of the mandolin family. It is larger than the mandolin, and is the baritone instrument of the mandolin family. Its eight strings are in four paired courses, with the strings in each course tuned in unison. Overall tuning of the courses is in fifths like a mandolin, but beginning on bass C (C2). It can be described as being to the mandolin what the cello is to the violin.''The New Grove Dictionary of Music and Musicians, Second Edition'', edited by Stanley Sadie and others (2001) Construction Mandocello construction is similar to the mandolin: the mandocello body may be constructed with a bowl-shaped back according to designs of the 18th-century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation popularized in the United States in the early 20th century. The scale of the mandocello is longer than that of the mandolin. Gibson example ...
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Mandola
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument. It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola ( C3-G3-D4-A4), a fifth lower than a mandolin. The mandola, though now rarer, is an ancestor of the mandolin. (The word ''mandolin'' means ''little mandola''.) Overview The name ''mandola'' may originate with the ancient pandura, and is also rendered as mandora, the change perhaps having been due to approximation to the Italian word for "almond". The instrument developed from the lute at an early date, being more compact and cheaper to build, but the sequence of development and nomenclature in different regions is now hard to discover. Historically related instruments include the mandore, mandole, vandola (Joan Carles Amat, 1596), bandola, bandora, bandurina, pandurina and – in 16th-century Germany – the quinterne or chiterna. ...
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Mandola
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument. It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola ( C3-G3-D4-A4), a fifth lower than a mandolin. The mandola, though now rarer, is an ancestor of the mandolin. (The word ''mandolin'' means ''little mandola''.) Overview The name ''mandola'' may originate with the ancient pandura, and is also rendered as mandora, the change perhaps having been due to approximation to the Italian word for "almond". The instrument developed from the lute at an early date, being more compact and cheaper to build, but the sequence of development and nomenclature in different regions is now hard to discover. Historically related instruments include the mandore, mandole, vandola (Joan Carles Amat, 1596), bandola, bandora, bandurina, pandurina and – in 16th-century Germany – the quinterne or chiterna. ...
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Octave Mandolin
The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high), an octave below a mandolin. It is larger than the mandola, but smaller than the mandocello and its construction is similar to other instruments in the mandolin family. Usually the courses are all unison pairs but the lower two may sometimes be strung as octave pairs with the higher-pitched octave string on top so that it is hit before the thicker lower-pitched string. Alternate tunings of G−D−A−D and A−D−A−D are often employed by Celtic musicians. Terminology The names of the mandolin family instruments vary between Europe and the United States. The instruments that are known in the US as the ''mandola'' and the ''octave mandolin'' tend to be known in Great Britain and Ireland as the ''tenor mandola'', the ''octave mandola'' (or the "''Irish bouzouki''"). Also, ''octave mandola'' is sometimes appl ...
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Irish Bouzouki
The Irish bouzouki () is an adaptation of the Greek bouzouki (Greek: μπουζούκι). The newer Greek ''tetrachordo'' bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men. Alec Finn, first in the Cana Band and subsequently in De Dannan, introduced the first Greek ''trichordo'' (3 course) bouzouki into Irish music. In the early 1970s, Andy Irvine gave his Greek bouzouki to Dónal Lunny, who replaced the octave strings on the two lower G and D courses with unison strings, thus reinforcing their lower frequencies. Soon after, on a visit with Irvine to the workshop of luthier Peter Abnett, Lunny commissioned a 4 course bouzouki with a three-piece, partially staved back. This was the first bouzouki built specifically for Irish music. Since then, the instrument has been adapted for Irish traditional and other styles of folk music. Present role in Irish music The bou ...
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Gittern
The gittern was a relatively small gut-strung, round-backed instrument that first appears in literature and pictorial representation during the 13th century in Western Europe (Iberian Peninsula, Italy, France, England). It is usually depicted played with a quill plectrum, as can be seen clearly beginning in manuscript illuminations from the thirteenth century. It was also called the in Spain, or in France, the in Italy and in Germany. A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. From the early 16th century, a -shaped (flat-backed) began to appear in Spain, and later in France, existing alongside the gittern. Although the round-backed instrument appears to have lost ground to the new form which gradually developed into the guitar familiar today, the influence of the earlier style continued. Examples of lutes converted into guita ...
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Bouzouki
The bouzouki (, also ; el, μπουζούκι ; alt. pl. ''bouzoukia'', from Greek ), also spelled buzuki or buzuci, is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. There are two main types of bouzouki: the ''trichordo'' (''three-course'') has three pairs of strings (known as courses) and the ''tetrachordo'' (''four-course'') has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music. Etymology The name ''bouzouki'' comes from the Turkish word , meaning "broken" or "modified", and comes from a particular re-entrant tuni ...
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Bandurria
The bandurria is a plucked chordophone from Spain, similar to the mandolin and bandola, primarily used in Spanish folk music, but also found in former Spanish colonies. Instrument development Prior to the 18th century, the bandurria had a round back, similar or related to the mandore. It had become a flat-backed instrument by the 18th century, with five double courses of strings, tuned in fourths. The original bandurrias of the Medieval period had three strings. During the Renaissance they gained a fourth string. During the Baroque period the bandurria had 10 strings (5 pairs). The modern bandurria has 12 strings (6 pairs). The strings are tuned in unison pairs, going up in fourths from the low G#. The lowest four strings are a major-third above those of a standard guitar and the highest two strings are a fourth above a standard guitar, i.e. G, c, f, b, e and a. File:bandurria1.jpg, Bandurria (front view) File:Bandurria2.JPG, Bandurria (back view) File:bandurria3.jpg, Bandurr ...
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Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, ...
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Tricordia
A tricordia (also trichordia or tricordio) or mandriola is a twelve-stringed variation of the mandolin. The tricordia is used in Mexican folk music, while its European cousin, the mandriola, is used identically to the mandolin. It differs from a standard mandolin in that it has three strings per course. Mandriolas only use unison tuning (G3 G3 G3 • D4 D4 D4 • A4 A4 A4 • E5 E5 E5), while tricordias use either unison tuning or octave tuning (G2 G3 G3 • D3 D4 D4 • A3 A4 A4 • E4 E5 E5). References Mandolin family instruments Necked bowl lutes {{lute-stub ...
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