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Landscape Photography
Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on man-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons. Perhaps the most common is to recall a personal observation or experience while in the outdoors, especially when traveling. Others pursue it particularly as an outdoor lifestyle, to be involved with nature and the elements, some as an escape from the artificial world.Caputo, Robert"Landscape Photography Tips" ''National Geographic,'' August 2007, (from ''Photography Field Guide: Landscapes and Ultimate Photography Field Guide: Landscapes'')McNeal, Kevin with interviewer Dimitri Vasileiou"In Conversation... Kevin McNeal", ''Landscape Photography Magazine'', 2014 Edition, p.34Ellement, Brad (U.K."Featured Artist: Brad Ellement", ''Landscape Photography Magazine,'' 2014 Edition, p.56Vas ...
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Adams The Tetons And The Snake River
Adams may refer to: * For persons, see Adams (surname) Places United States * Adams, California *Adams, California, former name of Corte Madera, California *Adams, Decatur County, Indiana * Adams, Kentucky * Adams, Massachusetts, a New England town **Adams (CDP), Massachusetts, the central village in the town *Adams, Minnesota *Adams, North Dakota *Adams, Nebraska *Adams, New Jersey * Adams (town), New York **Adams (village), New York, within the town *Adams, Oklahoma *Adams, Oregon * Adams, Pennsylvania, a former community in Armstrong County *Adams, Tennessee *Adams, Wisconsin, city in Adams County *Adams, Adams County, Wisconsin, town *Adams, Green County, Wisconsin, town *Adams, Jackson County, Wisconsin, town *Adams, Walworth County, Wisconsin, unincorporated community *Adams Center, Wisconsin, a ghost town Elsewhere *Adams (lunar crater) *Adams (Martian crater) *Adams Island, New Zealand, one of the Auckland Islands * Adams, Ilocos Norte Transportation ;Vehicles *Adams (1 ...
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Panoramic View
A panorama (formed from Greek πᾶν "all" + ὅραμα "view") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive " panoptic" experience of a vista. Cartographic experiments during the Enlightenment era p ...
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Prime Lens
In film and photography, a prime lens is a fixed focal length photographic lens (as opposed to a zoom lens), typically with a maximum aperture from f2.8 to f1.2. The term can also mean the primary lens in a combination lens system. Confusion between these two meanings can occur without clarifying context. Alternate terms, such as ''primary focal length'', ''fixed focal length'', or ''FFL'' are sometimes used to avoid ambiguity. As alternative to zoom lens The term ''prime'' has come to mean the opposite of ''zoom''—a fixed-focal-length, or unifocal lens. While a prime lens of a given focal length is less versatile than a zoom lens, it is often of superior optical quality, wider maximum aperture, lighter weight, and smaller size. These advantages stem from having fewer moving parts, optical elements optimized for one particular focal length, and a less complicated lens formula that creates fewer optical aberration issues. Larger maximum aperture (smaller f-number) facilitat ...
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Zoom Lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displaye ...
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Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the ...
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Fisheye Lens
A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective ( rectilinear images), fisheye lenses use a special mapping ("distortion"; for example: equisolid angle, see below), which gives images a characteristic convex non-rectilinear appearance. The term ''fisheye'' was coined in 1906 by American physicist and inventor Robert W. Wood based on how a fish would see an ultrawide hemispherical view from beneath the water (a phenomenon known as Snell's window). Their first practical use was in the 1920s for use in meteorology to study cloud formation giving them the name "whole-sky lenses". The angle of view of a fisheye lens is usually between 100 and 180 degrees, although lenses covering up to 280 degrees exist (see below). Their focal lengths dep ...
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Telephoto Lens
A telephoto lens, in photography and cinematography, is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a ''telephoto group'' that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other Long-focus lens#Effects, effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as ''telephoto lenses'', although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group. Telephoto lenses are sometimes broken into the further sub-types of short telephoto (85–135 mm in 35 mm film format), medium telephoto: (135–300 mm in 35 mm film format) and super telephoto (over 300 mm in 35 mm film format) . Construction In contrast to a telephoto lens, f ...
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Wide-angle Lens
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasise the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either ...
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Maldonado Desde La Barra
Maldonado may refer to: * Maldonado (surname) *Maldonado Department of Uruguay **Maldonado, Uruguay, the capital city of Maldonado Department * Pedro Vicente Maldonado (canton), Ecuador *Maldonado Base, Ecuadorian research base in Antarctica *Puerto Maldonado Puerto Maldonado () is a city in southeastern Peru in the Amazon rainforest west of the Bolivian border, located at the confluence of the Tambopata and Madre de Dios rivers. The latter river joins the Madeira River as a tributary of the Amazon ..., a city in Peru * Maldonado Stream, a stream in Buenos Aires, Argentina See also * Maldonada (other) {{disambig, geo ...
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Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the " circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size ...
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Photographic Film
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to ultraviolet light, X-rays, gamma rays, and high-energy particles. Unmodified silver halide crystals are sensitive only to the blue part of the visible spectrum, producing unnatural-looking rendition ...
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