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La Donna Del Lago
''La donna del lago'' (English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 1994, p. 94 of '' The Lady of the Lake'', a narrative poem written in 1810 by Sir Walter Scott, whose work continued to popularize the image of the romantic Scottish Highlands. Scott's basic story has been noted as coming from "the hint of an incident stemming from the frequent custom of James V, the King of Scotland, of walking through the kingdom in disguise". It was the first of the Italian operas to be based on Scott's romantic works,Gossett and Brauner (2001), in Holden (Ed.), p. 785 and marked the beginning of romanticism in Rossini's work. Scott was "deeply influential in the development of Italian romantic opera"Commons 2007, pp. 9 - 12 to the extent that by 1840 (barely 20 years after this opera), there were 25 Italian operas bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical '' tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in ''Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatories of Naples. Working his way from Italian city to city, he got his first break in Rome, with his successful comedy ''Li Puntigli delle Donne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni David
Giovanni David (15 September 1790 in Naples – 1864 in Saint Petersburg) was an Italian tenor particularly known for his roles in Rossini operas. Overview David (also known as Davide) was the son of the tenor Giacomo David, with whom he studied. He made his operatic début in Siena in 1808 in ''Adelaide de Guesclino'' by Johann Simon Mayr. He is notable for the principal roles written for him by Gioachino Rossini, mostly for Domenico Barbaia's theatres in Naples: *Narciso in '' Il turco in Italia'' (1814) *Rodrigo in ''Otello'' (1816) *Ricciardo in '' Ricciardo e Zoraide'' (1818) *Oreste in ''Ermione'' (1819) *Uberto (James IV of Scotland) in '' La donna del lago'' (1819) *Ilo in '' Zelmira'' (1822) He also created the roles of Fernando in the revised version of Bellini's '' Bianca e Fernando'' (1828) and Leicester in Donizetti's '' Il castello di Kenilworth'' (1829). David was noted for his vocal range of almost 3 octaves in performance (up to b′&prime). However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetta Rosmunda Pisaroni Portrait By Sasso
Benedetta is a feminine given name of Italian origin, the feminine equivalent of the masculine name Benedetto, a cognate of Benedict. Persons having the name include: *Benedetta Barzini (contemporary), Italian actress and model *Benedetta Bianchi Porro (1936–1964), Italian Christian blessed; beatified by the church in 1994 *Benedetta of Cagliari (1194–1233), medieval ruler of Caligiari, Sardinia *Benedetta Cambiagio Frassinello (1791–1858), Italian missionary, founder of the Benedictine Sisters of Providence, saint in the Roman Catholic Church *Benedetta Cappa (1897- 1977), Italian Futurist artist and wife of Filippo Tommaso Marinetti * Benedetta Carlini (1591–1661), Catholic mystic and lesbian nun in Counter-Reformation Italy *Benedetta Ceccarelli (b. 1980), Italian hurdler *Benedetta Rosmunda Pisaroni (1793–1872), Italian opera diva *Benedetta Tagliabue (contemporary), Italian architect *Benedetta Valanzano Benedetta Valanzano (born May 5, 1985) is an Italian actress. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Colbran
Isabella Angela Colbran (2 February 1785 – 7 October 1845) was a Spanish opera soprano and composer. She was known as the muse and first wife of composer Gioachino Rossini. Early years Colbran was born in Madrid, Spain, to Giovanni Colbran, King of Spain Carlo III's head court musician and violinist, and Teresa Ortola. She started her musical studies as a singer and composer at the age of six with composer and cellist Francisco Parjea, castrato Carlo Martinelli, and famous castrato and composer Girolamo Crescentini. In 1801, Colbran and her father moved to Paris where she made her concert debut and was warmly received by Napoleon's court. Both of them traveled to Italy, going to Milan, Venice, Rome, before settling and moving permanently to Naples. She inherited land in Sicily and a villa in Castenaso in 1820, after her father's death. Opera career Colbran's dramatic soprano voice and sizable three octave range allowed her to have extremely successful opera career. She wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stendhal
Marie-Henri Beyle (; 23 January 1783 – 23 March 1842), better known by his pen name Stendhal (, ; ), was a 19th-century French writer. Best known for the novels ''Le Rouge et le Noir'' ('' The Red and the Black'', 1830) and ''La Chartreuse de Parme'' ('' The Charterhouse of Parma'', 1839), he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist, he coined the same characteristic in his characters' "Beylism". Life Born in Grenoble, Isère, he was an unhappy child, disliking his "unimaginative" father and mourning his mother, whom he passionately loved, and who died when he was seven. His closest friend was his younger sister, Pauline, with whom he maintained a steady correspondence throughout the first decade of the 19th century. His family was part of the bourgeois class and was attached to the Ancien Regime, explaining his ambiguous view toward Napoleon, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricciardo E Zoraide
''Ricciardo e Zoraide'' (''Ricciardo and Zoraide'') is an opera in two acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa. The text is based on cantos XIV and XV of '' Il Ricciardetto'', an epic poem by Niccolò Forteguerri. Performance history ''Ricciardo e Zoraide'' was first performed at the Teatro San Carlo, Naples, on 3 December 1818. It continued to be performed until 1846 but fell out of favor afterwards and was not performed in public again until its revival at the Pesaro Rossini Opera Festival in 1990. The Rossini Opera Festival featured a new production of the opera in 2018. Among other performances, the opera received a production at the Rossini in Wildbad festival in 2013. Roles Synopsis :Place: the city of Dongola in ancient Nubia. :Time: The time of the Crusades The Nubian King Agorante, who is infatuated with Zoraide, has defeated her father, Ircano and captured her. Ricciardo, a Christian knight and Zoraide's lover, accompanies a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Clan
A Scottish clan (from Gaelic , literally 'children', more broadly 'kindred') is a kinship group among the Scottish people. Clans give a sense of shared identity and descent to members, and in modern times have an official structure recognised by the Court of the Lord Lyon, which regulates Scottish heraldry and coats of arms. Most clans have their own tartan patterns, usually dating from the 19th century, which members may incorporate into kilts or other clothing. The modern image of clans, each with their own tartan and specific land, was promulgated by the Scottish author Sir Walter Scott after influence by others. Historically, tartan designs were associated with Lowland and Highland districts whose weavers tended to produce cloth patterns favoured in those districts. By process of social evolution, it followed that the clans/families prominent in a particular district would wear the tartan of that district, and it was but a short step for that community to become identified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Macpherson
James Macpherson (Gaelic: ''Seumas MacMhuirich'' or ''Seumas Mac a' Phearsain''; 27 October 1736 – 17 February 1796) was a Scottish writer, poet, literary collector and politician, known as the "translator" of the Ossian cycle of epic poems. Early life and education Macpherson was born at Ruthven in the parish of Kingussie in Badenoch, Inverness-shire. This was a Scottish Gaelic-speaking area but near the Ruthven Barracks of the British Army, established in 1719 to enforce Whig rule from London after the Jacobite uprising of 1715. Macpherson's uncle, Ewen Macpherson joined the Jacobite army in the 1745 march south, when Macpherson was nine years old and after the Battle of Culloden, had had to remain in hiding for nine years. In the 1752-3 session, Macpherson was sent to King's College, Aberdeen, moving two years later to Marischal College (the two institutions later became the University of Aberdeen), reading Caesar's '' Commentaries'' on the relationships betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ossian
Ossian (; Irish Gaelic/Scottish Gaelic: ''Oisean'') is the narrator and purported author of a cycle of epic poems published by the Scottish poet James Macpherson, originally as ''Fingal'' (1761) and ''Temora'' (1763), and later combined under the title ''The Poems of Ossian''. Macpherson claimed to have collected word-of-mouth material in Scottish Gaelic, said to be from ancient sources, and that the work was his translation of that material. Ossian is based on Oisín, son of Fionn mac Cumhaill (anglicised to Finn McCool), a legendary bard in Irish mythology. Contemporary critics were divided in their view of the work's authenticity, but the current consensus is that Macpherson largely composed the poems himself, drawing in part on traditional Gaelic poetry he had collected. The work was internationally popular, translated into all the literary languages of Europe and was highly influential both in the development of the Romantic movement and the Gaelic revival. Macpher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Romani
Giuseppe Felice Romani (31 January 178828 January 1865) was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.Branca, Emilia (1882). ''Felice Romani ed i più riputati maestri di musica del suo tempo''Roccatagliati, Alessandro (1996). ''Felice Romani librettista'', Quaderni di Musica, Lucca, Italy – Biography Born Giuseppe Felice Romani to a bourgeois family in Genoa, he studied law and literature in Pisa and Genoa.Roccatagliati, Allesandro (2001). "Romani, (Giuseppe) Felice" in ''The New Grove Dictionary of Music and Musicians'', 2nd edition. London: Macmillan. (hardcover). (eBook). At the University of Genoa he translated French literature and, with a colleague, prepared a six-volume dictionary of mythology and antiquities, including the history of the Celts in Italy. Romani's expertise in French and antiquity is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peinture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
