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Klimt
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods. Early in his career, he was a successful painter of architectural decorations in a conventional manner. As he began to develop a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", ma ...
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Portrait Of Adele Bloch-Bauer I
''Portrait of Adele Bloch-Bauer I'' (also called ''The Lady in Gold'' or ''The Woman in Gold'') is a painting by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, , a Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere in Vienna. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt— the second was completed in 1912; these were two of several works by the artist that the family owned. Adele died in 1925; her will asked that the artworks by Klimt be left to the Galerie Belvedere after Ferdinand's death, although these belonged to Ferdinand, not to Adele. Following the 1938 Anschluss of Austria by Nazi Germany, Ferdinand fled Vienna's increasingly anti-Jewish persecutions, and made his way to Switzerland, leaving behind much of his wealth, including his larg ...
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The Kiss (Klimt Painting)
''The Kiss'' (in German ''Der Kuss'') is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title ''Liebespaar'' (the lovers) as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. The painting now hangs in the Österreichische Galerie Belvedere museum in the Belvedere, Vienna, and is considered a masterpiece of Vienna Secession (local variation of Art Nouveau) and Klimt's most popular work. Background Love, intimacy, and sexuality are common themes found in Gustav Klimt's works. The Stoclet Frieze and the Beethoven Frieze are such examples of Klim ...
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Emilie Louise Flöge
Emilie Louise Flöge (30 August 1874 – 26 May 1952) was an Austrian fashion designer and businesswoman. She was the life companion of the painter Gustav Klimt. Early life Flöge was the fourth child of the master turner and manufacturer of Meerschaum pipes, Hermann Flöge (1837–1897). Emilie had two sisters, Pauline and Helene, and a brother, Hermann. Her first job was as a seamstress, but she later became a couturière. In 1894, Pauline, her elder sister, opened a dressmaking school and Emilie worked there. In 1899 the two sisters won a dressmaking competition and were commissioned to make a batiste dress for an exhibition. Career In partnership with her sister Helene, after 1904 Flöge established herself as a successful businesswoman and the owner of the haute couture fashion salon known as Schwestern Flöge (Flöge Sisters) in a major Viennese thoroughfare, the Mariahilfer Strasse. In this salon, which had been designed in the Jugendstil by the architect Josef Hoffmann ...
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Judith And The Head Of Holofernes
''Judith and the Head of Holofernes'' (also known as ''Judith I'', German: ''Judith und Holofernes'') is an oil painting by Gustav Klimt, painted in 1901. It depicts the biblical figure Judith holding the head of Holofernes after beheading him. The beheading and its aftermath have been commonly portrayed in art since the Renaissance, and Klimt himself would paint a second work depicting the subject in 1909. Context and influences When Klimt addressed the biblical theme of Judith, the historical course of art had already codified its main interpretation and preferred representation. Many paintings exist describing the episode in a heroic manner, especially expressing Judith's courage and virtuous nature. Judith appears as God's instrument of salvation, but the violence of her action cannot be denied and is dramatically shown in Caravaggio's rendering, as well as those of Gentileschi and Bigot. Other representations have depicted the subsequent moment, when a dazed Judith ho ...
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Vienna Secession
The Vienna Secession (german: Wiener Secession; also known as ''the Union of Austrian Artists'', or ''Vereinigung Bildender Künstler Österreichs'') is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession Building designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called '' Ver Sacrum'' (''Sacred Spring'', in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still funct ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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Ernst Klimt
Ernst Klimt (3 January 1864 in Vienna – 9 December 1892 in Vienna) was an Austrian history painter and decorative painter. He was a younger brother of the better-known artist Gustav Klimt. Biography He was the third of seven children born to the gold engraver, Ernst Klimt (1834–1892), originally from Bohemia, and was raised under very modest circumstances. In 1877, aged only thirteen, he became a student at the University of Applied Arts, where his older brother, Gustav, had been studying for a year. They were both students of the decorative painter and engraver, Ferdinand Laufberger, and would become his assistants on several projects. He also introduced them to Hans Makart, who employed them for what is now known as the "", celebrating the silver anniversary of Emperor Franz Joseph I and his wife, Elisabeth. After Laufberger's death, in 1881 he, Gustav, and their friend from school, Franz Matsch, founded the "Künstler-Compagnie" and, two years later, opened their own s ...
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Egon Schiele
Egon Leo Adolf Ludwig Schiele (; 12 June 1890 – 31 October 1918) was an Austrian Expressionist painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism. Gustav Klimt, a figurative painter of the early 20th century, was a mentor to Schiele. Biography Early life Schiele was born in 1890 in Tulln, Lower Austria. His father, Adolf Schiele, the station master of the Tulln station in the Austrian State Railways, was born in 1851 in Vienna to Karl Ludwig Schiele, a German from Ballenstedt and Aloisia Schimak; Egon Schiele's mother Marie, née Soukup, was born in 1861 in Český Krumlov (Krumau) to Franz Soukup, a Czech father from Mirkovice, and Aloisia Poferl, a German Bohemian mother from Český Krumlov. As a child, Schiele was fasc ...
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Symbolism (arts)
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's '' Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from ...
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Hans Makart
Hans Makart (28 May 1840 – 3 October 1884) was a 19th-century Austrian academic history painter, designer, and decorator. Makart was a prolific painter whose ideas significantly influenced the development of visual art in Austria-Hungary, Germany, and beyond. Life Makart was the son of a chamberlain at the Mirabell Palace, born in the former residence of the prince-archbishops of Salzburg, the city in which Mozart had been born. Initially, he received his training in painting at the Vienna Academy between 1850 and 1851 from Johann Fischbach. While in the Academy, German art was under the rule of a classicism, which was entirely intellectual and academic—clear and precise drawing, sculpturesque modelling, and pictorial erudition were esteemed above all. Makart, who was a poor draughtsman, but who had a passionate and sensual love of color, was impatient to escape the routine of art school drawing. For his fortune, he was found by his instructors to be devoid of all talent ...
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Danaë (Klimt Painting)
In Greek mythology, Danaë (, ; ; , ) was an Argive princess and mother of the hero Perseus by Zeus. She was credited with founding the city of Ardea in Latium during the Bronze Age. Family Danae was the daughter and only child of King Acrisius of Argos by his wife Queen Eurydice or Aganippe. In some accounts, she had a sister, Evarete, wife of King Oenomaus of Pisa and mother of Hippodamia.Hyginus, ''Fabulae'84/ref> Mythology Disappointed by his lack of male heirs, King Acrisius asked the oracle of Delphi if this would change. The oracle announced to him that he would never have a son, but his daughter would, and that he would be killed by his daughter's son. At the time, Danaë was childless and, meaning to keep her so, King Acrisius shut her up in a bronze chamber to be constructed under the court of his palace (other versions say she was imprisoned in a tall brass tower with a single richly adorned chamber, but with no doors or windows, just a sky-light as the source ...
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University Of Applied Arts Vienna
The University of Applied Arts Vienna (german: Universität für angewandte Kunst Wien, or informally just ''Die Angewandte'') is an arts university and institution of higher education in Vienna, the capital of Austria. It has had university status since 1970. History The predecessor of the ''Angewandte'' was founded in 1863 as the ''k. k. Kunstgewerbeschule'' (Vienna School of Arts and Crafts), following the example of the South Kensington Museum in London, now the Victoria & Albert Museum, to set up a place of advanced education for designers and craftsmen with the Arts and Crafts School in Vienna. It was closely associated with the ''Österreichischen Museums für Kunst und Industrie'' (Imperial Royal Austrian Museum of Art and Industry, today known as the MAK). It was the first school of its kind on the continent. In 1941 it became an institution of higher education. 1941-45 it was called "Reichshochschule fuer angewandte Kunst", and in 1948 was taken over by the Austrian s ...
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