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Kaiserpanorama
The Kaiserpanorama (or Kaiser-Panorama) is a form of stereoscopic entertainment medium used chiefly in the 19th and early 20th centuries, a precursor to film, invented by August Fuhrmann (1844–1925). It was patented by the inventor ca. 1890. There would be a number of viewing stations through which people would peer through a pair of lenses showing a number of rotating stereoscopic glass slides. By 1910 he is said to have controlled exhibitions in over 250 branches across Europe, and in the central archive have up to 100,000 slides stored. Description A kaiserpanorama would normally have around 25 wooden stations, each with a pair of viewing lenses. Inside the device there would be a rotating mechanism showing numerous stereoscopic images on rear-illuminated glass, giving a 3D effect. Reconstructions Various modern reconstructions, as well as a few authentic remaining kaiserpanoramas, exist in the Munich Stadtmuseum, Wels, German Historical Museum, the Märkisches Museum ...
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Kaiserpanorama Prater
The Kaiserpanorama (or Kaiser-Panorama) is a form of stereoscopic entertainment medium used chiefly in the 19th and early 20th centuries, a precursor to film, invented by August Fuhrmann (1844–1925). It was patented by the inventor ca. 1890. There would be a number of viewing stations through which people would peer through a pair of lenses showing a number of rotating stereoscopic glass slides. By 1910 he is said to have controlled exhibitions in over 250 branches across Europe, and in the central archive have up to 100,000 slides stored. Description A kaiserpanorama would normally have around 25 wooden stations, each with a pair of viewing lenses. Inside the device there would be a rotating mechanism showing numerous stereoscopic images on rear-illuminated glass, giving a 3D effect. Reconstructions Various modern reconstructions, as well as a few authentic remaining kaiserpanoramas, exist in the Munich Stadtmuseum, Wels, German Historical Museum, the Märkisches Museum (Ber ...
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Warsaw Fotoplastikon
The Warsaw Fotoplastikon is a stereoscopic theatre based on the Kaiserpanorama system of rotating stereoscopic images located in Warsaw, Poland. Operating at the same location since 1905, it is the oldest stereoscopic theatre in Europe still in business at its original location. Today it operates as a branch of the Museum of the Warsaw Uprising. Description The Warsaw Fotoplastikon has 24 fixed stereoscopic viewports. A visitor sits at a viewport around the circumference of the machine. Each picture, from a sequence of 48 three dimensional stereo images, appears for 15 seconds before moving on to the next. Above each viewport is a window which displays an illuminated card with a brief description of the scene below. The scenes are arranged by themes, such as a travelogue to distant lands or depictions of historic events. Recorded music related to the theme plays in the background. The Fotoplastikon uses a slightly modified version of the Kaiserpanorama peepshow system, differing ...
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Stereoscopic
Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the depth perception, illusion of depth in an image by means of stereopsis for binocular vision. The word ''stereoscopy'' derives . Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope. Most stereoscopic methods present a pair of two-dimensional images to the viewer. The left image is presented to the left eye and the right image is presented to the right eye. When viewed, the human brain perceives the images as a single 3D view, giving the viewer the perception of Three-dimensional space, 3D depth. However, the 3D effect lacks proper focal depth, which gives rise to the Vergence-Accommodation Conflict. Stereoscopy is distinguished from other types of 3d display#3D displays, 3D displays that display an image in Three-dimensional space, three full dimensions, allowing the observer to ...
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Oskar Schindler's Enamel Factory
Oskar Schindler's Enamel Factory ( pl, Fabryka Emalia Oskara Schindlera) is a former metal item factory in Kraków. It now hosts two museums: the Museum of Contemporary Art in Kraków, on the former workshops, and a branch of the Historical Museum of the City of Kraków, situated at ul. Lipowa 4 (4 Lipowa Street) in the district of , in the administrative building of the former enamel factory known as Oskar Schindler's Deutsche Emailwarenfabrik (DEF), as seen in the film ''Schindler's List''. Operating here before DEF was the first Malopolska factory of enamelware and metal products limited liability company, instituted in March 1937. History The company ''''Pierwsza Małopolska Fabryka Naczyń Emaliowanych i Wyrobów Blaszanych “Rekord,” Spółka, z ograniczoną odpowiedzialno''ści''ąw Krakowie'' (First Little Polish Limited Liability Factory of Enamel Vessels and Tinware, Record, Limited Liability Company in Kraków) was established in March 1937 by three Jewish ent ...
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Precursors Of Film
Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema. Precursors of film are often referred to as precinema, or 'pre-cinema'. Terms like these are disliked by several historians, partly because they seem to devalue the individual qualities of these media by presenting them as a small step in the development of a later invention. For instance: the flip book, zoetrope and phenakistiscope are very tactile devices that allow study and play by manipulating the motion by hand, while the projected image in cinema is intangible. Such devices as the zoetrope were not replaced by cinema: they were still used after the breakthrough of film. Furthermore, many early media examples are also part of a tradition that not only shaped cinema, but also home video, video games, computer-generated imagery, virtual reality and much more. The study of early media devices is also part of a wider and less teleological approach called media archaeo ...
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Optical Illusions
Within visual perception, an optical illusion (also called a visual illusion) is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immerged in water; an example for a physiological paradox is the motion aftereffect (where, despite movement, position remains unchanged). An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo, Poggendorff, and Müller-Lyer illusion. Physical illusions are ...
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Optical Toys
Optical toys form a group of devices with some entertainment value combined with a scientific, optical nature. Many of these were also known as "philosophical toys" when they were developed in the 19th century. People must have experimented with optical phenomena since prehistoric times and played with objects that influenced the experience of light, color and shadow. In the 16th century some experimental optical entertainment - for instance camera obscura demonstrations - were part of the cabinets of curiosities that emerged at royal courts. Since the 17th century optical tabletop instruments such as the compound microscope and telescope were used for parlour entertainment in richer households . Other, larger devices - such as peep shows - were usually exhibited by travelling showmen at fairs. The phenakistiscope, zoetrope, praxinoscope and flip book a.o. are often seen as precursors of film, leading to the invention of cinema Cinema may refer to: Film * Cinematography, the a ...
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History Of Film
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked neither the quality, financial backing, stamina, or the luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera. The first decade of motion pictures saw film mo ...
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Audiovisual Introductions In 1890
Audiovisual (AV) is electronic media possessing both a sound and a visual component, such as slide-tape presentations, films, television programs, corporate conferencing, church services, and live theater productions. Audiovisual service providers frequently offer web streaming, video conferencing, and live broadcast services. Computer-based audiovisual equipment is often used in education, with many schools and universities installing projection equipment and using interactive whiteboard technology. Components Aside from equipment installation, two significant elements of audiovisual are wiring and system control. If either of these components are faulty or missing, the system may not demonstrate optimal performance. Wiring is a skill that not only requires proper cable rating selection based on a number of factors, including distance to the main rack, frequency and fire codes, but wires should also be out of sight, behind the walls and in the ceiling, when possible. Sys ...
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Fotomuseum Antwerp
Fotomuseum Antwerp, also known as FOMU, is a museum of photography in Antwerp, Belgium. History and programme The museum opened in 1986. The Fotomuseum in Antwerp has a historical and contemporary collection of photography that is given a new presentation every year. Alongside the collection are frequently changing photography exhibitions. Between 1986 and 2018, 106 solo exhibitions have taken place at the museum. 86,7 percent of these exhibitions concerned male photographers. Amongst others, a retrospective of Anton Corbijn was presented. 1997 was the only year in which more women than men had a solo exhibition. Sally Mann, Annie van Gemert and Stephen Feldman were exhibited back then. The 2018 group exhibition Claude, Samuel, Zanele included work of the non-binary artist Zanele Muholi Zanele Muholi (born 19 July 1972) is a South African artist and visual activist working in photography, video, and installation. Muholi's work focuses on race, gender and sexuality with a b ...
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Leicester City Council
Leicester City Council is a unitary authority responsible for local government in the city of Leicester, England. It consists of 54 councillors, representing 22 wards in the city, overseen by a directly elected mayor. It is currently controlled by the Labour Party and has been led by Mayor Sir Peter Soulsby since his election on 6 May 2011. The main council building is City Hall on Charles Street, but council meetings are held in the 19th-century Town Hall. As a unitary authority, the council is responsible for running nearly all local services in Leicester with the exception of the Leicestershire Fire and Rescue Service and Leicestershire Constabulary which are run by joint boards with Leicestershire County Council and Rutland County Council. History The Council traces its roots to the Corporation of Leicester, and before then to the ''Merchant Gild'' and the ''Portmanmoot''. The Portmanmoot consisted of 24 Jurats, elected from the burgesses (members of the Gild Mercha ...
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