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Jacobean Architecture
The Jacobean style is the second phase of Renaissance architecture in England, following the Elizabethan style. It is named after King James VI and I, with whose reign (1603–1625 in England) it is associated. At the start of James's reign, there was little stylistic break in architecture, as Elizabethan trends continued their development. However, his death in 1625 came as a decisive change towards more classical architecture, with Italian influence, was in progress, led by Inigo Jones. The style this began is sometimes called Stuart architecture, or English Baroque (though the latter term may be regarded as starting later). Courtiers continued to build large prodigy houses, even though James spent less time on summer progresses around his realm than Elizabeth had. The influence of Flemish and German Northern Mannerism increased, now often executed by recruited craftsmen and artists, rather than obtained from books as in the previous reign. There continued to be very little b ...
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Castle Bromwich Hall1
A castle is a type of fortified structure built during the Middle Ages predominantly by the nobility or royalty and by military orders. Scholars usually consider a ''castle'' to be the private fortified residence of a lord or noble. This is distinct from a mansion, palace, and villa, whose main purpose was exclusively for ''pleasance'' and are not primarily fortresses but may be fortified. Use of the term has varied over time and, sometimes, has also been applied to structures such as hill forts and 19th- and 20th-century homes built to resemble castles. Over the Middle Ages, when genuine castles were built, they took on a great many forms with many different features, although some, such as curtain walls, arrowslits, and portcullises, were commonplace. European-style castles originated in the 9th and 10th centuries after the fall of the Carolingian Empire, which resulted in its territory being divided among individual lords and princes. These nobles built castles ...
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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or Pier (architecture), piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians; they include many loggias, but here arches are not an essential element. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. A different, related meaning is "a covered passage with shops on one or both sides". Many medieval open arcades housed shops or stalls, either in the arcaded space itself, or set into the mai ...
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Wollaton Hall
Wollaton Hall is an Elizabethan country house of the 1580s standing on a small but prominent hill in Wollaton Park, Nottingham, England. The house is now Nottingham Natural History Museum, with Nottingham Industrial Museum in the outbuildings. The surrounding parkland has a herd of deer, and is regularly used for large-scale outdoor events such as rock concerts, sporting events and festivals. Wollaton and the Willoughbys Wollaton Hall was built between 1580 and 1588 for Sir Francis Willoughby and is believed to be designed by the Elizabethan architect, Robert Smythson, who had by then completed Longleat, and was to go on to design Hardwick Hall. The general plan of Wollaton is comparable to these, and was widely adopted for other houses, but the exuberant decoration of Wollaton is distinctive, and it is possible that Willoughby played some part in creating it. The style is an advanced Elizabethan with early Jacobean elements. Wollaton is a classic prodigy house, "th ...
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John Shute (architect)
John Shute (died 1563) was an English artist and architect who was born in Cullompton, Devon. His book, ''The First and Chief Grounds of Architecture'', was the first work in English on classical architecture.Morris p.46 Shute's patron was John Dudley, 1st Duke of Northumberland, for whom he built a residential wing at Dudley Castle. He was also known as a painter of miniatures. See also *Kenilworth Castle Kenilworth Castle is a castle in the town of Kenilworth in Warwickshire, England, managed by English Heritage; much of it is in ruins. The castle was founded after the Norman Conquest of 1066; with development through to the Tudor period. It ... Notes References *Morris, R. K. (2010): ''Kenilworth Castle'' English Heritage Further reading *Shute, John (1563)''The first and chief groundes of architecture used in all the auncient and famous monymentes & with a farther & more ample discouse uppon the same, than hitherto hath been set out by any other'' Year o ...
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Classical Order
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greece, Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric order, Doric, Ionic order, Ionic, and Corinthian order, Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan order, Tuscan, which they made simpler than Doric, and the Composite order, Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the Musical mode, mode or Key (music), key of classical music; the grammar or rhetoric of a written composition. It is established by certai ...
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Bank Hall Daffodils
A bank is a financial institution that accepts deposits from the public and creates a demand deposit while simultaneously making loans. Lending activities can be directly performed by the bank or indirectly through capital markets. As banks play an important role in financial stability and the economy of a country, most jurisdictions exercise a high degree of regulation over banks. Most countries have institutionalized a system known as fractional-reserve banking, under which banks hold liquid assets equal to only a portion of their current liabilities. In addition to other regulations intended to ensure liquidity, banks are generally subject to minimum capital requirements based on an international set of capital standards, the Basel Accords. Banking in its modern sense evolved in the fourteenth century in the prosperous cities of Renaissance Italy but, in many ways, functioned as a continuation of ideas and concepts of credit and lending that had their roots in the ancie ...
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Crewe Hall (east Bdg Detail)
Crewe Hall is a Jacobean mansion located near Crewe Green, east of Crewe, in Cheshire, England. Described by Nikolaus Pevsner as one of the two finest Jacobean houses in Cheshire,Pevsner & Hubbard, p. 22 it is listed at grade I. Built in 1615–36 for Sir Randolph Crewe, it was one of the county's largest houses in the 17th century, and was said to have "brought London into Cheshire". The hall was extended in the late 18th century and altered by Edward Blore in the early Victorian era. It was extensively restored by E. M. Barry after a fire in 1866, and is considered among his best works.de Figueiredo & Treuherz, pp. 66–71 Other artists and craftsmen employed during the restoration include J. Birnie Philip, J. G. Crace, Henry Weekes and the firm of Clayton and Bell. The interior is elaborately decorated and contains many fine examples of wood carving, chimneypieces and plasterwork, some of which are Jacobean in date. The park was landscaped during the 18th century by Ca ...
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Decorative Arts
] The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-renaissance art of the West, where the distinction is for the most part meaningful. Thi ...
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Elizabethan And Jacobean Furniture
Elizabethan furniture is the form which the Renaissance took in England in furniture and general ornament, and in furniture it is as distinctive a form as its French and Italian counterparts. Gradual emergence For many years Gothic architecture had been moving toward the low lines of the Tudor style, somewhat impelled by the widespread effects of the Italian trecento. Yet the physical and mental insularity of England made absolute change a very slow process, and it was not entirely achieved during the reign of Elizabeth I. Thus, instead of the exquisite lightness of the pointed and ogee arches, an arch from the time of Henry VIII barely lifts itself above the level of a straight lintel, under square spandrels. The effects of the Italian Renaissance spread slowly to England, although the Artists of the Tudor court included many immigrants from more advanced milieus. Pietro Torrigiano, Holbein and others were in touch with the latest movements on the Continent. Long after t ...
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Lozenge (shape)
A lozenge ( ; symbol: ), often referred to as a diamond, is a form of rhombus. The definition of ''lozenge'' is not strictly fixed, and the word is sometimes used simply as a synonym () for ''rhombus''. Most often, though, lozenge refers to a thin rhombus—a rhombus with two acute and two obtuse angles, especially one with acute angles of 45°. The lozenge shape is often used in parquetry (with acute angles that are 360°/''n'' with ''n'' being an integer higher than 4, because they can be used to form a set of tiles of the same shape and size, reusable to cover the plane in various geometric patterns as the result of a tiling process called tessellation in mathematics) and as decorative art, decoration on ceramics (art), ceramics, Silver (household), silverware and textiles. It also features in heraldry and Suit (cards), playing cards. Symbolism The lozenge motif dates from the Neolithic and Paleolithic art, Paleolithic period in Eastern Europe and represents a sown Field (agr ...
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Strapwork
In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms. These may loosely imitate leather straps, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, either actual in curling relief ends of the elements, or just represented in two dimensions. As the style continued, these curling elements became more prominent, often turning into scrollwork, where the ends curl into spirals or scrolls. By the Baroque scrollwork was a common element in ornament, often partly submerged by other rich ornament. European strapwork is a frequent background and framework for grotesque ornament – arabesque or candelabra figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century Northern Mannerism, and revived in the 19th century and which may appear ...
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Rustication (architecture)
image:Palazzo medici riccardi, bugnato 01.JPG, Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the exposed face may be worked flat and smooth or left with, or worked, to give a more or less rough or ...
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