Invasion Of The Body Snatchers
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Invasion Of The Body Snatchers
''Invasion of the Body Snatchers'' is a 1956 American science fiction horror film produced by Walter Wanger, directed by Don Siegel, and starring Kevin McCarthy and Dana Wynter. The black-and-white film was shot in Superscope and in the film noir style. Daniel Mainwaring adapted the screenplay from Jack Finney's 1954 science fiction novel '' The Body Snatchers''.Warren 1982 The film was released by Allied Artists Pictures as a double feature with the British science fiction film ''The Atomic Man'' (and in some markets with ''Indestructible Man''). The film's storyline concerns an extraterrestrial invasion that begins in the fictional California town of Santa Mira. Alien plant spores have fallen from space and grown into large seed pods, each one capable of producing a visually identical copy of a human. As each pod reaches full development, it assimilates the physical traits, memories, and personalities of each sleeping person placed near it until only the replacement is lef ...
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Don Siegel
Donald Siegel ( ; October 26, 1912 – April 20, 1991) was an American film and television director and producer. Siegel was described by ''The New York Times'' as "a director of tough, cynical and forthright action-adventure films whose taut plots centered on individualistic loners". He directed the science fiction horror film '' Invasion of the Body Snatchers'' (1956), as well as five films with Clint Eastwood, including the police thriller ''Dirty Harry'' (1971) and the prison drama '' Escape from Alcatraz'' (1979). He also directed John Wayne's final film, the Western '' The Shootist'' (1976). Early life Siegel was born in 1912 to a Jewish family in Chicago; his father was a mandolin player. Siegel attended schools in New York and later graduated from Jesus College, Cambridge in England. For a short time he studied at Beaux Arts in Paris, but left at age 20 and later went to Los Angeles.Munn, p. 75 Career Siegel found work in the Warner Bros. film library after meeting pr ...
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Science Fiction Film
Science fiction (or sci-fi) is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition. The genre has existed since the early years of silent cinema, when Georges Melies' '' A Trip to the Moon'' (1902) employed trick photography effects. The next major example (first in feature length in the genre) was the film ''Metropolis'' (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies. After Stanley Kubrick's landmark '' 2001: A Space Odyssey'' (1968), the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular wi ...
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Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable co ...
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National Film Registry
The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB’s inception in 1988. History Through the 1980s, several prominent filmmakers and industry personalities in the United States, such as Frank Capra and Martin Scorsese, advocated for Congress to enact a film preservation bill in order to avoid commercial modifications (such as pan and scan and editing for TV) of classic films, which they saw as negative. In response to the controversy over the colorization of originally black and white films in the decade specifically, Representatives Robert J. Mrazek and Sidney R. Yates introduced the National Film Preservation Act of 1988, which established the National Film Registry, its purpose, and the criteria for selecting films for preservation. The Act was passed and the NFR's mission was subsequently re ...
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Pod People (Invasion Of The Body Snatchers)
Pod people (also known as body snatchers) is the colloquial term for a species of plant-like aliens featured in the 1954 novel '' The Body Snatchers'' by Jack Finney, the 1956 film ''Invasion of the Body Snatchers'', the 1978 remake of the same name, and the 1993 film ''Body Snatchers''. Although sharing themes, they are not in the 2007 film '' Invasion of the Pod People''. The novel Pod people are a race of nomadic extraterrestrial parasites from a dying planet. Realizing their planet's resources are nearing depletion, the pods evolved the ability to defy gravity and leave their planet's atmosphere in the search of planets to colonize. For millennia, the pods floated in space like spores, propelled by the solar winds, some occasionally landing on inhabited planets. Upon landing, they replace the dominant species by spawning emotionless replicas; the original bodies disintegrate into dust after the duplication process. After consuming all the resources, the pods leave in search ...
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Extraterrestrial Intelligence
Extraterrestrial intelligence (often abbreviated ETI) refers to hypothetical intelligent extraterrestrial life. The question of whether other inhabited worlds might exist has been debated since ancient times. The modern form of the concept emerged when the Copernican Revolution demonstrated that the Earth was a planet revolving around the Sun, and other planets were, conversely, other worlds. The question of whether other inhabited planets or moons exist was a natural consequence of this new understanding. It has become one of the most speculative questions in science and is a central theme of science fiction and popular culture. Intelligence Intelligence is, along with the more precise concept of sapience, used to describe extraterrestrial life with similar cognitive abilities as humans. Another interchangeable term is '' sophoncy,'' first coined by Karen Anderson and published in the 1966 works by her husband Poul Anderson. Sentience, like consciousness, is a concept sometimes ...
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Indestructible Man
''Indestructible Man'' is a 1956 American crime horror science fiction film, an original screenplay by Vy Russell and Sue Dwiggins for producer-director Jack Pollexfen and starring Lon Chaney Jr., Ross Elliott and Robert Shayne. The picture was produced independently by C.G.K. Productions, and distributed in the United States by Allied Artists Pictures Corporation. The film was distributed theatrically in 1956 on a double bill with '' World Without End'' (and in some areas with '' Invasion of the Body Snatchers''). Plot Told in a narrative style, popularized by the television police series '' Dragnet'', by police detective Dick Chasen, the story concerns a 72-hour period of horror for the city of Los Angeles. Charles "Butcher" Benton is a double-crossed convicted robber and murderer who was executed in the gas chamber. His body is unlawfully sold to a scientist who plans to move his experiments into the cause and cure of cancer to human subjects. Benton's corpse is subject ...
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Timeslip (1955 Film)
''Timeslip'' (known as ''The Atomic Man'' in the United States) is a 1955 British black-and-white science fiction film directed by Ken Hughes and starring Gene Nelson and Faith Domergue. Produced by Alec C. Snowden, it is based on a script by Charles Eric Maine, who also wrote ''Spaceways''. In the UK, the film was distributed by Anglo-Amalgamated. In 1956 the film was shortened from 93 minutes to 76 minutes and distributed in the U.S. by Allied Artists Pictures in some areas as a double feature with ''Invasion of the Body Snatchers''. Plot An injured man is pulled from the Thames. He has been shot in the back and is barely alive. The science correspondent of an illustrated magazine recognises him as a nuclear physicist. But the physicist is found alive and well and working at his laboratory. When the injured man is photographed, his pictures show a strange glow surrounding him, and when he recovers enough to be questioned, his answers make no sense. It transpires that his ...
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Double Feature
The double feature is a motion picture industry phenomenon in which theatres would exhibit two films for the price of one, supplanting an earlier format in which one feature film and various short subject reels would be shown. Opera use Opera houses staged two operas together for the sake of providing long performance for the audience. This was related to one-act or two-act short operas that were otherwise commercially hard to stage alone. A prominent example is the double-bill of ''Pagliacci'' with '' Cavalleria rusticana'' first staged on 22 December 1893 by the Met. The two operas have since been frequently performed as a double-bill, a pairing referred to in the operatic world colloquially as "Cav and Pag". Origin and format The double feature originated in the later 1930s. Though the dominant presentation model, consisting of all or some of the following, continued well into the 1940s: * One or more live acts * An animated cartoon short subject * One or more live-action ...
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Science Fiction
Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, extraterrestrial life, sentient artificial intelligence, cybernetics, certain forms of immortality (like mind uploading), and the singularity. Science fiction predicted several existing inventions, such as the atomic bomb, robots, and borazon, whose names entirely match their fictional predecessors. In addition, science fiction might serve as an outlet to facilitate future scientific and technological innovations. Science fiction can trace its roots to ancient mythology. It is also related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers. Science fiction, in literature, film, television, and other media, ...
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Screenplay
''ScreenPlay'' is a television drama anthology series broadcast on BBC2 between 9 July 1986 and 27 October 1993. Background After single-play anthology series went off the air, the BBC introduced several showcases for made-for-television, feature length filmed dramas, including ''ScreenPlay''. Various writers and directors were utilized on the series. Writer Jimmy McGovern was hired by producer George Faber to pen a series five episode based upon the Merseyside needle exchange programme of the 1980s. The episode, directed by Gillies MacKinnon, was entitled ''Needle'' and featured Sean McKee, Emma Bird, and Pete Postlethwaite''.'' The last episode of the series was titled "Boswell and Johnson's Tour of the Western Islands" and featured Robbie Coltrane as English writer Samuel Johnson, who in the autumn of 1773, visits the Hebrides off the north-west coast of Scotland. That episode was directed by John Byrne and co-starred John Sessions and Celia Imrie. Some scenes wer ...
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Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category re ...
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