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Gayageum
The ''gayageum'' or ''kayagum'' (in Korean 가야금, 伽倻琴 in Chinese characters) is a traditional Korean plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 200''Korean Instruments'' Seoul Metropolitan Government It is similar with other Asian instruments like Chinese ''guzheng'', Japanese ''koto'', Mongolian '' yatga'', Vietnamese '' đàn tranh'', Sundanese ''kacapi'' and Kazakh '' jetigen''. History Pungryu gayageum (beopgeum, jeongak gayageum) According to the '' Samguksagi'' (1146), a history of the Three Kingdoms of Korea, the ''gayageum'' was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was ''gayago''(or ''gayatgo'') and later'' ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Korea
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
đàn Tranh
The ''đàn tranh'' (, ) or ''đàn thập lục''Le, Tuan Hung. Dan Tranh Music of Vietnam : Traditions and Innovations. Melbourne, Tokyo : Australia Asia Foundation, 1998. (hard back); (paperback), page 1 is a plucked zither of Vietnam, based to the Chinese ''guzheng''. The same root is also Japanese ''koto'', the Korean ''gayageum'' and ''ajaeng'', the Mongolian ''yatga'', the Sundanese ''kacapi'' and the Kazakh '' jetigen''. It has a long soundbox with the steel strings, movable bridges and tuning pegs positioned on its top. The ''đàn tranh'' can be used either as a solo instrument, as part of various instrumental ensembles or to accompany vocal performances. History In the late 13th and early 14th centuries, the ''đàn tranh'' had 14 strings.Le, Tuan Hung. ''Dan Tranh Music of Vietnam: Traditions and Innovations''. Melbourne, Tokyo: Australia Asia Foundation, 1998. (hard back); (paperback), page 12. Between the late 15th and the 18th centuries, the number of st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood ('' Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanjo (music)
''Sanjo'', literally meaning 'scattered melodies', is a style of traditional Korean music, involving an instrumental solo accompanied by drumming on the ''janggu'', an hourglass-shaped drum. The art of ''sanjo'' is a real crystallization of traditional Korean melody and rhythm which may have been handed down by rote generation after generation. The drummer who beats the ''janggu'' also makes ''chuimsae'' (exclamations) in order to please the audience. The audience can also express their excited feeling with ''chuimsae'' while listening to ''sanjo''. A big ''chuimsae'' indicates a good performance, so the musician can make a better performance. Like ''pansori'', ''chuimsae'' plays an important role in ''sanjo''. Without ''chuimsae'', the music is meaningless. ''Chuimsae'' connects musician and audience during a ''sanjo'' performance. Almost every Korean traditional musical instrument is used in ''sanjo'': gayageum, geomungo, daegeum, haegeum, piri, taepyeongso, ajaeng, danso. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jetigen
The jetigen ( kk, жетіген, , or dzhetigan or zhetygen) is a Kazakh plucked zither. Similar to Chinese guzheng, yazheng and se, Japanese koto, Korean gayageum and ajaeng, Mongolian yatga, Vietnamese đàn tranh, and Sundanese kacapi. The strings were sometimes made of horsehair. The jetigen is played by plucking, in a similar manner to the gusli, tube zither or box zither. The most ancient type of zhetygen had seven strings over a box shape hollowed out of a block of wood. Such zhetygen did not have the upper sounding board and pins. The strings were stretched by hand from the outer side of the instrument. In later version of the instrument, the upper part of the zhetygen was covered with the wooden sounding board. Assyks were out under each string from two sides. Moving them it was possible to tune the string. If assyks were drawn closer to each other the tune was rising, and if drawn apart the tune was falling. String tuning was made by the pins and by moving the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yatga
The yatga ( Mongolian: ''yatug-a'', Khalkha dialect: ятга ''yatga''; ; is a traditional plucked zither of Mongolia. It is derived from Kazakh '' jetigen'' with the word derived from “yatagan”; a synonym to “yetigen”. Yatga may vary widely in size, tuning, and number of bridges and strings; The body is a long wooden box, one end of which is angled downward. The performer plucks the strings with the fingernails of the right hand; the left hand is used to put pressure on the strings, varying the note. The left hand can also be used to play the bass strings without plectrums (picks). Depending on style the higher strings are picked by fingers or by picks. Similar instruments include the Chinese se and yazheng, Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Japanese koto,Descriptio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese '' koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which give ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulownia
''Paulownia'' ( ) is a genus of seven to 17 species of hardwood tree (depending on taxonomic authority) in the family Paulowniaceae, the order Lamiales. They are present in much of China, south to northern Laos and Vietnam and are long cultivated elsewhere in eastern Asia, notably in Japan and Korea. It was introduced to North America in 1844 from Europe and Asia where it was originally sought after as an exotic ornamental tree. Its fruits (botanically capsules) were also used as packaging material for goods shipped from East Asia to North America, leading to ''Paulownia'' groves where they were dumped near major ports. The tree has not persisted prominently in US gardens, in part due to its overwintering brown fruits that some consider ugly. In some areas it has escaped cultivation and is found in disturbed plots. Some US authorities consider the genus an invasive species, but in Europe, where it is also grown in gardens, it is not regarded as invasive. The genus, originally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guzheng
The zheng () or gu zheng (), is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from '' Paulownia'' wood. Other components are often made from other woods for structural or decorative reasons. Guzheng players often wear fingerpick made from materials such as plastic, resin, tortoiseshell, or ivory on one or both hands. Strings There are nylon steel strings, steel strings, silk strings, etc., depending on the genre. Now, the most common guzheng is 21 strings guzheng. The high-pitched strings of the guzheng are close to the player, and the low-pitched strings are on the opposite side. The strings' order from the inside to the outside is 1 to 21. The guzheng is ancestral to several other Asian zithers such as the Japanese koto, the Korean gayageum and ajaeng, Mongolian yatga, the Vietnamese đàn tranh, the Sundanese kacapi, and the Kazakhst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber ( sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yeongsan Hoesang
Yeongsan hoesang (영산회상; 靈山會相) is a Korean court music repertoire originated from Buddhist music.Yeongsan hoesang ''koreamusic''. Access Date: 2011-07-12Gugak Information ''gugak.go.kr''. Access Date: 2011-07-12 Originally sung with 7 words chanting "Yeongsan hoesang bulbosal", the piece told the ’s sermon in Mount Yeongsan, |
Jeongak
''Jeongak'' (literally "proper music") is that category of Korean music which is considered Korean Court Music, classical, as distinct from ''minsogak'' which is folk music. The category has traditionally been associated with the upper classes. The best known pieces of ''jeongak'' are ''Sujecheon'' and the suite (music), suite entitled ''Yeongsan Hoesang'' (영산회상; wikt:靈, 靈wikt:山, 山wikt:會, 會wikt:相, 相). Another commonly performed ''jeongak'' suite is called ''Cheonnyeonmanse'' (천년만세; wikt:千, 千wikt:年, 年wikt:萬, 萬wikt:歲, 歲). See also *Joseon Dynasty *Korean court music *Korean culture External linksJeongak - Official Seoul City Tourism {{music-genre-stub Korean styles of music ko:한국 전통 음악#정악 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
