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Gangster Movie
A gangster film or gangster movie is a film belonging to a genre that focuses on gangs and organized crime. It is a subgenre of crime film, that may involve large criminal organizations, or small gangs formed to perform a certain illegal act. The genre is differentiated from Westerns and the gangs of that genre. Overview The American Film Institute defines the genre as "centered on organized crime or maverick criminals in a twentieth century setting". The institute named it one of the 10 "classic genres" in its 10 Top 10 list, released in 2008. The list recognizes 3 films from 1931 & 1932 ('' Scarface'', '' The Public Enemy'' & '' Little Caesar''). Only 1 film made the list from 1933 to 1966, (''White Heat'' (1949)). This was at least partly due to the limitations on the genre imposed by the Hays Code, which was finally abandoned in favor of the Motion Picture Association of America film rating system in 1968. The genre was revitalized in the New Hollywood movement that followed ...
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Francis Ford Coppola
Francis Ford Coppola (; ; born April 7, 1939) is an American film director, producer, and screenwriter. He is considered one of the major figures of the New Hollywood filmmaking movement of the 1960s and 1970s. Coppola is the recipient of five Academy Awards, six Golden Globe Awards, two Palmes d'Or, and a British Academy Film Award (BAFTA). After directing '' The Rain People'' in 1969, Coppola co-wrote ''Patton'' (1970), which earned him the Academy Award for Best Original Screenplay along with Edmund H. North. Coppola's reputation as a filmmaker was cemented with the release of ''The Godfather'' (1972), which revolutionized the gangster genre of filmmaking, receiving strong commercial and critical reception. ''The Godfather'' won three Academy Awards: Best Picture, Best Actor, and Best Adapted Screenplay (shared with Mario Puzo). His film '' The Godfather Part II'' (1974) became the first sequel to win the Academy Award for Best Picture. Highly regarded by critics, the ...
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Baby Face Nelson
Lester Joseph Gillis (December 6, 1908 – November 27, 1934), also known as George Nelson and Baby Face Nelson, was an American bank robber who became a criminal partner of John Dillinger, when he helped Dillinger escape from prison, in Crown Point, Indiana. Later, the Federal Bureau of Investigation (FBI) announced Nelson and the remaining gang of bank robbers were collectively "Public Enemy Number One." The "Baby Face Nelson" nickname derived from Gillis being a short man with a youthful appearance; however, in the professional realm, Gillis's fellow criminals addressed him as "Jimmy". A violent bank robber, Lester Joseph Gillis killed more agents of the FBI than has any other criminal. FBI agents fatally wounded and killed Baby Face Nelson in the Battle of Barrington (27 November 1934), fought in a suburb of Chicago, Illinois. Early life Nelson was born Lester Joseph Gillison December 6, 1908 in Chicago, Illinois. He was arrested on July 4, 1921 at the age of twelve, afte ...
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John Dillinger
John Herbert Dillinger (June 22, 1903 – July 22, 1934) was an American gangster during the Great Depression. He led the Dillinger Gang, which was accused of robbing 24 banks and four police stations. Dillinger was imprisoned several times and escaped twice. He was charged with but not convicted of the murder of an East Chicago, Indiana, police officer, who shot Dillinger in his bullet-proof vest during a shootout; it was the only time Dillinger was charged with homicide. Dillinger courted publicity. The media ran exaggerated accounts of his bravado and colorful personality, and cast him as a Robin Hood. In response, J. Edgar Hoover, director of the Bureau of Investigation (BOI), used Dillinger as a campaign platform to evolve the BOI into the Federal Bureau of Investigation, developing more sophisticated investigative techniques as weapons against organized crime.Elliott J. Gorn, ''Dillinger's Wild Ride: The Year That Made America's Public Enemy Number One'' (2009), p ...
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Humphrey Bogart In The Petrified Forest Film Trailer
Humphrey is both a masculine given name and a surname. An earlier form, not attested since Medieval times, was Hunfrid. Notable people with the name include: People with the given name Medieval period :''Ordered chronologically'' *Hunfrid of Prüm (Saint Humphrey, died 871), Benedictine monk * Humphrey of Hauteville (c. 1010–1057), Count of Apulia * Humphrey de Bohun (other), various people who lived from the 11th to 14th centuries * Humphrey of Toron (other), four 12th-century nobles *Humphrey, 2nd Earl of Buckingham (1381–1399), English peer and member of the House of Lords * Humphrey, Duke of Gloucester (1390–1447) Modern era * Humphrey Atkins (1922–1996), British politician and a member of the Conservative Party *Humphrey Barclay (1941–), British television comedy producer. *Humphrey Bate (1875–1936), American harmonica player and string band leader *Humphrey Bland (1686–1763), British Army general *Humphrey Bogart (1899–1957), American fil ...
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Battles Without Honor And Humanity
, also known in the West as ''The Yakuza Papers'', is a Japanese yakuza film series produced by Toei Company. Inspired by a series of magazine articles by journalist Kōichi Iiboshi that are based on memoirs originally written by real-life yakuza Kōzō Minō, the films detail yakuza conflicts in Hiroshima Prefecture. Five films directed by Kinji Fukasaku and starring Bunta Sugawara as Shozo Hirono, who was based on Minō, were produced between 1973 and 1974. They were both critically and commercially successful and popularized the subgenre of yakuza film called '' Jitsuroku eiga'', which are often based on true stories. Fukasaku directed an additional three standalone films under the ''New Battles Without Honor and Humanity'' title between 1974 and 1976. Three more films by different directors were produced in 1979, 2000 and 2003. Sources The ''Jingi Naki Tatakai'' series of articles written by Kōichi Iiboshi that began in magazine in 1972, are rewrites of a manuscript ori ...
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Kinji Fukasaku
was a Japanese film director and screenwriter. Known for his "broad range and innovative filmmaking," Fukasaku worked in many different genres and styles, but was best known for his gritty yakuza films, typified by the ''Battles Without Honor and Humanity'' series (1973–1976). According to the Berkeley Art Museum and Pacific Film Archive, "his turbulent energy and at times extreme violence express a cynical critique of social conditions and genuine sympathy for those left out of Japan's postwar prosperity." He used a ''cinema verite''-inspired shaky camera technique in many of his films from the early 1970s. Fukasaku wrote and directed over 60 films between 1961 and 2003. Some Western sources have associated him with the Japanese New Wave movement of the '60s and '70s, but this belies his commercial success. His works include the Japanese portion of the Hollywood war film ''Tora! Tora! Tora!'' (1970), ''jidaigeki'' such as '' Shogun's Samurai'' (1978), the space opera ''Mes ...
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Tendency Films
is a genre of socially conscious, left-leaning films produced in Japan during the 1920s and 1930s. Tendency films reflected a perceived leftward shift in Japanese society in the aftermath of the 1927 Shōwa financial crisis. Japan's left-wing literary figures also influenced tendency films, with films such as ''A Living Puppet'' and ''What Made Her Do It?'' being adaptations of realist ''shingeki'' plays. Tendency films are commercial melodramas led by working-class or lower middle-class protagonists, in contrast to the documentaries produced by the Proletarian Film League of Japan. Daisuke Itō's ''jidaigeki'' films increasingly featured heroes in revolt against the social system of historical Japan, beginning with ''Servant'' (1927) and culminating with ''Man-Slashing, Horse-Piercing Sword'' (1929). Tomu Uchida's ''A Living Puppet'' is the story of an "insincere but talented man who cannot survive within the structure of a capitalist society." ''Behold This Mother'' (1930) cro ...
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Yakuza Film
is a popular film genre in Japanese cinema which focuses on the lives and dealings of ''yakuza'', Japanese organized crime syndicates. In the silent film era, depictions of ''bakuto'' (precursors to modern yakuza) as sympathetic Robin Hood-like characters were common. Two types of yakuza films emerged in the 1950s and 1960s. The Nikkatsu studio was known for modern yakuza films inspired by Hollywood gangster films, while Toei was the main producer of what is known as . Set in the Meiji and Taishō eras, ''ninkyo eiga'' depict honorable outlaws torn between '' giri'' (duty) and '' ninjo'' (personal feelings). In contrast to ''ninkyo eiga'', based on real crime stories became popular in the 1970s. These portrayed modern yakuza not as honorable heirs to the samurai code, but as ruthless street thugs living for their own desires. Early films In the silent film era, films depicting ''bakuto'' (precursors to modern yakuza) as Robin Hood-like characters were common. Th ...
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Key Largo (film)
''Key Largo'' is a 1948 American film noir crime drama directed by John Huston and starring Humphrey Bogart, Edward G. Robinson and Lauren Bacall. The supporting cast features Lionel Barrymore and Claire Trevor. The film was adapted by Richard Brooks and Huston from Maxwell Anderson's 1939 play of the same name. ''Key Largo'' was the fourth and final film pairing of actors Bogart and Bacall, after ''To Have and Have Not'' (1944), '' The Big Sleep'' (1946), and '' Dark Passage'' (1947). Claire Trevor won the 1948 Best Supporting Actress Academy Award for her portrayal of alcoholic former nightclub singer Gaye Dawn. Plot Army veteran Frank McCloud arrives at the Hotel Largo in Key Largo, Florida, visiting the family of George Temple, a friend who served under him and was killed in the Italian campaign several years before. He meets with the friend's widow Nora Temple, and his father James, who owns the hotel. Because the winter vacation season has ended and a hurricane is approac ...
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Trope (cinema)
In cinema, a trope is what ''The Art Direction Handbook for Film'' defines as "a universally identified image imbued with several layers of contextual meaning creating a new visual metaphor". A common thematic trope is the rise and fall of a mobster in a classic gangster film. The film genre also often features the sartorial trope of a rising gangster buying new clothes. Etymology The term has the same origin as that of "trope" in the sense of literature, and derived from this. In turn, this came from the Greek (''tropos''), "turn, direction, way", derived from the verb τρέπειν (''trepein''), "to turn, to direct, to alter, to change". Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction. Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of tropes, which aims to "define the dom ...
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Martin Scorsese
Martin Charles Scorsese ( , ; born November 17, 1942) is an American film director, producer, screenwriter and actor. Scorsese emerged as one of the major figures of the New Hollywood era. He is the recipient of many major accolades, including an Academy Award, a Grammy Award, three Emmy Awards, four British Academy Film Awards, two Directors Guild of America Awards, an AFI Life Achievement Award and the Kennedy Center Honor in 2007. Five of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant". Scorsese received an MA from New York University's Steinhardt School of Culture, Education, and Human Development in 1968. His directorial debut, '' Who's That Knocking at My Door'' (1967), was accepted into the Chicago Film Festival. In the 1970s and 1980s decades, Scorsese's films, much influenced by his Italian-American background and upbringing in New York City, center on mach ...
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