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Flatpicking
Flatpicking (or simply picking) is the technique of striking the strings of a guitar with a pick (also called a plectrum) held between the thumb and one or two fingers. It can be contrasted to fingerstyle guitar, which is playing with individual fingers, with or without wearing fingerpicks. While the use of a plectrum is common in many musical traditions, the exact term "flatpicking" is most commonly associated with Appalachian music of the American southeastern highlands, especially bluegrass music, where string bands often feature musicians playing a variety of styles, both fingerpicking and flatpicking. Musicians who use a flat pick in other genres such as rock and jazz are not commonly described as flatpickers or even plectrum guitarists. As the use of a pick in those traditions is commonplace, generally only guitarists who play without a pick are noted by the term "fingerpicking" or "fingerstyle". Probably starting around 1930, flatpicking in American music was ...
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Don Reno
Donald Wesley Reno (February 21, 1926Trischka, Tony, "Don Reno", ''Banjo Song Book'', Oak Publications, 1977, – October 16, 1984) was an American bluegrass and country musician, best known as a pioneering banjo and guitar player who partnered with Red Smiley, and later with guitarist Bill Harrell. Life and career Born in Spartanburg, South Carolina, United States, Don Reno grew up on a farm in Haywood County, North Carolina. He began learning acoustic guitar at the age of five after borrowing a neighbors guitar, and not long after began learning banjo. In 1939, the 13-year-old Reno joined the Morris Brothers in performing at a local radio station. He left one year later to join Arthur "Guitar Boogie" Smith, with whom he would years later record " Feudin' Banjos". In 1943, he received an offer from Bill Monroe to become a member of the Bluegrass Boys, but chose instead to enlist in the United States Army. Trained as a horse soldier at Fort Riley, Kansas, he was sent ...
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Plectrum
A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsichords, the plectra are attached to the jack mechanism. Plectra wielded by hand Guitars and similar instruments A plectrum for electric guitars, acoustic guitars, bass guitars and mandolins is typically a thin piece of plastic or other material most commonly shaped like a pointed teardrop or triangle, though the size, gauge, shape and width may vary considerably. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, and bluegrass banjo players often wear metal or plastic fingerpicks on their fingertips. Many guitarists use fingerpicks as well. Guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin (a s ...
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Crosspicking
Crosspicking is a technique for playing the mandolin or guitar using a plectrum or flatpick in a rolling, syncopated style across three strings. This style is probably best known as one element of the flatpicking style in bluegrass music, and it closely resembles a banjo roll, the main difference being that the banjo roll is fingerpicked rather than flatpicked. A typical element of the technique is the use of three pitches played repeatedly within a four-pulse rhythm. This results in a continual shifting of the pitches ''vis-a-vis'' the accented pulse. The three pitches are usually played on three adjacent strings—one per string. The pick direction can vary, depending on the required emphasis and the melody. Using "D" for down" and "U" for "up" (and slashes to indicate groups of three), mandolin player Jesse McReynolds used a crosspicking roll of :D - U - U / D - U - U / D - U . . . creating a repeating pattern of notes that expresses the melody. Guitarist George Shuffler ...
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Playing Guitar With Pick
Play is a range of intrinsically motivated activities done for recreational pleasure and enjoyment. Play is commonly associated with children and juvenile-level activities, but may be engaged in at any life stage, and among other higher-functioning animals as well, most notably mammals and birds. Many prominent researchers in the field of psychology, including Melanie Klein, Jean Piaget, William James, Sigmund Freud, Carl Jung and Lev Vygotsky have erroneously viewed play as confined to the human species, believing play was important for human development and using different research methods to prove their theories. Play is often interpreted as frivolous; yet the player can be intently focused on their objective, particularly when play is structured and goal-oriented, as in a game. Accordingly, play can range from relaxed, free-spirited and spontaneous through frivolous to planned or even compulsive. Play is not just a pastime activity; it has the potential to serve as an impor ...
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Hammer-on
A hammer-on is a playing technique performed on a stringed instrument (especially on a fretted string instrument, such as a guitar) by sharply bringing a fretting-hand finger down on to the fingerboard behind a fret, causing a note to sound. This technique is the opposite of the pull-off. Passages in which a large proportion of the notes are performed as hammer-ons and pull-offs instead of being plucked or picked in the usual fashion are known in classical terminology as '' legato'' phrases. The sound is smoother and more connected than in a normally picked phrase, due to the absence of the necessity to synchronize the plucking of one hand with the fingering on the fingerboard with the other hand; however, the resulting sounds are not as brightly audible, precisely due to the absence of the plucking of the string, the vibration of the string from an earlier plucking dying off. The technique also facilitates very fast playing because the picking hand does not have to move at suc ...
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Hank Garland
Walter Louis Garland (11 November 1930 – 27 December 2004), professionally Hank Garland, was an American guitarist and songwriter. He started as a country musician, played rock and roll as it became popular in the 1950s, and released a jazz album in 1960. His career was cut short when a car accident in 1961 left him unable to perform. 2008 saw the release of the Hank Garland biopic ''Crazy''. Biography Born in Cowpens, South Carolina, Garland began playing guitar at the age of six, and began to appear on local radio shows at 12. At 14 he moved to Spartanburg, South Carolina where he met Don Reno who gave Hank guitar lessons, and worked with him on the WSPA-FM station in Spartanburg, both playing lead guitar. He moved to Nashville at age 16, staying in Ma Upchurch's boarding house, where he roomed with Bob Moore and Dale Potter. At age 18, he recorded his million-selling hit " Sugarfoot Rag". He appeared on the ''Jubilee'' program with Grady Martin's band and on '' The Ed ...
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Johnny Bond
Cyrus Whitfield Bond (June 1, 1915 – June 12, 1978), known professionally as Johnny Bond, was an American country music singer-songwriter, guitarist and composer and publisher, who co-founded a music publishing firm, he was active in the music industry from 1940 until the late 1970s. Early years Bond was born in Enville, Oklahoma, and grew up on several small farms in Oklahoma. As a youngster, he was influenced musically by records that his parents played. He learned basics of music as a member of his high school's brass band. While in high school he bought a ukulele, but soon he switched to playing the guitar. Performing Bond first performed on radio in Oklahoma City when he was 19 years old. In 1937, he began performing with Jimmy Wakely and Scotty Harrell in the Bell Boys trio, named after the Bell Clothing Company, which sponsored the group on radio station WKY in Oklahoma City, Oklahoma. He went on to join '' Gene Autry's Melody Ranch'' in 1940. He also performed wit ...
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Hank Snow
Clarence Eugene "Hank" Snow (May 9, 1914 – December 20, 1999) was a Canadian-American country music artist. Most popular in the 1950s, he had a career that spanned more than 50 years, he recorded 140 albums and charted more than 85 singles on the '' Billboard'' country charts from 1950 until 1980. His number-one hits include the self-penned songs " I'm Moving On", " The Golden Rocket" and "The Rhumba Boogie" and famous versions of " I Don't Hurt Anymore", " Let Me Go, Lover!", " I've Been Everywhere", " Hello Love", as well as other top 10 hits. Snow was an accomplished songwriter whose clear, baritone voice expressed a wide range of emotions including the joys of freedom and travel as well as the anguish of tortured love. His music was rooted in his beginnings in small-town Nova Scotia where, as a frail, youngster, he endured extreme poverty, beatings and psychological abuse as well as physically punishing labour during the Great Depression. Through it all, his musical ...
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Arthur "Guitar Boogie" Smith
Arthur Smith (April 1, 1921 – April 3, 2014) was an American musician, songwriter, and producer of records, as well as a radio and TV host. Smith produced radio and TV shows; ''The Arthur Smith Show'' was the first nationally syndicated country music show on television. After moving to Charlotte, North Carolina, Smith developed and ran the first commercial recording studio in the Southeast. Born in Clinton, South Carolina, United States, Arthur Smith was a textile mill worker who became a celebrated and respected country music instrumental composer, guitarist, fiddler, and banjo player. One of his early hits was the instrumental " Guitar Boogie," which he wrote and recorded in 1945. It sold over three million copies, and was awarded a gold disc by the RIAA. The song earned him the moniker Arthur "Guitar Boogie" Smith (to differentiate him from Tennessee fiddler and 1930s ''Grand Ole Opry'' star Fiddlin' Arthur Smith). It was recorded by numerous other musicians, including T ...
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Bill Monroe
William Smith "Bill" Monroe (; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. Because of this, he is often called the " Father of Bluegrass". The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe's home state of Kentucky. He described the genre as "Scottish bagpipes and ole-time fiddlin'. It's Methodist and Holiness and Baptist. It's blues and jazz, and it has a high lonesome sound." Early life Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, James Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish and English heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resign ...
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Eddie Peabody
Edwin Ellsworth Peabody, known as Eddie Peabody (February 19, 1902 – November 7, 1970) was an American banjo player, instrument developer and musical entertainer whose career spanned five decades. He was the most famous plectrum banjoist of his era. Early years Born in Reading, Massachusetts,DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P. 212. Peabody taught himself to play the violin, mandolin, guitar and banjo while very young. Military service In March 1916, at age 14, Peabody enlisted in the U.S. Navy by lying about his age, and served in World War I on an S-14 submarine. During this period he received the nicknames "Happiness Boy" (for his ebullient personality, especially when performing) and "Little Eddie" (a comic reference to his short stature). Career After Peabody's 1921 discharge from the Navy, he began a long career in show business, beginning with Vau ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. ...
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