FinePix S9500
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FinePix S9500
Fujifilm FinePix S9500 or FinePix S9000 is a bridge digital camera released by Fujifilm in 2005 and intended for the enthusiastic amateur. It is a member of the Fujifilm FinePix family and has been superseded by the Fujifilm FinePix S100fs. It has a long list of advanced prosumer features, like combining having wide-angle ability (28 mm equivalent on a 35 mm camera), full range of manual settings, mechanical zoom ring, high ISO-sensitivities, and some of the versatile features of Live-Preview Digital cameras (LPDs) like movie mode, movable LCD panel, and macro mode. Main features *RAW option *Movie mode (up to 60 fps) *21.4x total zoom (10.7x optical, 2.0x digital) *Macro mode starting from 1 cm *Hot shoe for external flash *The LCD screen can be tilted up to an angle of 45° and 90° and down to 45°. *Facility to use a cable release The Bulb setting (abbreviated B) on camera shutters is a momentary-action mode that holds shutters open for as long as a phot ...
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Fujifilm
, trading as Fujifilm, or simply Fuji, is a Japanese multinational conglomerate headquartered in Tokyo, Japan, operating in the realms of photography, optics, office and medical electronics, biotechnology, and chemicals. The offerings from the company that started as a manufacturer of photographic films, which it still produces, include: document solutions, medical imaging and diagnostics equipment, cosmetics, pharmaceutical drugs, regenerative medicine, stem cells, biologics manufacturing, magnetic tape data storage, optical films for flat-panel displays, optical devices, photocopiers and printers, digital cameras, color films, color paper, photofinishing and graphic arts equipment and materials. Fujifilm is part of the Sumitomo Mitsui Financial Group financial conglomerate (''keiretsu''). History 20th century Fuji Photo Film Co., Ltd. was established in 1934 as a subsidiary of Daicel with the aim of producing photographic films. Over the following 10 years, the c ...
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Wide-angle Lens
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasise the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either ...
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Cable Release
The Bulb setting (abbreviated B) on camera shutters is a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button. The Bulb setting is distinct from shutter's Time (T) setting, which is an alternate-action mode where the shutter opens when the shutter-release button is pressed and released once, and closes when the button is actuated again. History Decades before the first flashbulbs, some box cameras and many view cameras and folding cameras came with a detachable pneumatic shutter release with a rubber bulb on the end; "Bulb" refers to the rubber shutter release bulb. Though mechanically timed exposures could also be triggered by squeezing the shutter release bulb, "Bulb" exposures then had the same momentary action as camera shutters have today, as per this description from Sears Roebuck's 1909 ''Cameras Photographic Supplies'': Around 1894 in Germany, the momentary-action setting on camera shutters made by C. A. ...
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Flash (photography)
A flash is a device used in photography that produces a brief burst of light (typically lasting 1/1000 to 1/200 of a second) at a color temperature of about 5500  K to help illuminate a scene. A major purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. ''Flash'' refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically. Flash units are commonly built directly into a camera. Some cameras allow separate flash units to be mounted via a standardized accessory mount bracket (a ''hot shoe''). In professional studio equipment, flashes may be large, standalone units, or studio strobes, powered by special battery packs or connected to mains power. They are either synchronized with the camera using a fl ...
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Hot Shoe
Canon EOS 350D Hot shoe Proprietary hot shoe used by Minolta and older Sony cameras (Konica Minolta Maxxum 7D">Sony.html" ;"title="Minolta and older Sony">Minolta and older Sony cameras (Konica Minolta Maxxum 7D) A hot shoe is a mounting point on the top of a camera to attach a flash (photography), flash unit and other compatible accessories. It takes the form of an angled metal bracket surrounding a metal contact point which completes an electrical connection between camera and accessory for standard, brand-independent flash synchronization. The hot shoe is a development of the standardised "accessory shoe", with no flash contacts, formerly fitted to cameras to hold accessories such as a rangefinder, or flash connected by a cable. The dimensions of the hot shoe are defined by the International Organization for Standardization in ISO 518:2006. Details such as trigger voltage are not standardised; electrical incompatibilities are still possible between brands. Design The ...
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Raw Image Format
A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are named so because they are not yet processed and therefore are not ready to be printed, viewed or edited with a bitmap graphics editor. Normally, the image is processed by a raw converter in a wide-gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. There are dozens of raw formats in use by different manufacturers of digital image capture equipment. Rationale Raw image files are sometimes incorrectly described as "digital negatives", but neither are they negatives nor do the unprocessed files constitute visible images. Rather, the Raw datasets are more like exposed but undeveloped film which can be converted (electronically developed) in a non-destructive mann ...
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Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the ...
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Live-Preview Digital Camera
Live preview is a feature that allows a digital camera's display screen to be used as a viewfinder. This provides a means of previewing framing and other exposure before taking the photograph. In most such cameras, the preview is generated by means of continuously and directly projecting the image formed by the lens onto the main image sensor. This in turn feeds the electronic screen with the live preview image. The electronic screen can be either a liquid crystal display (LCD) or an electronic viewfinder (EVF). Background The concept for cameras with live preview largely derives from electronic (video) TV cameras. Until 1995 most digital cameras did not have live preview, and it was more than ten years after this that the higher end digital single-lens reflex cameras (DSLR) adopted this feature, as it is fundamentally incompatible with the swinging-mirror single-lens reflex mechanism. The first digital still camera with an LCD for autogain framing live preview was the ...
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Film Speed
Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system. A closely related ISO system is used to describe the relationship between exposure and output image lightness in digital cameras. Relatively insensitive film, with a correspondingly lower speed index, requires more exposure to light to produce the same image density as a more sensitive film, and is thus commonly termed a ''slow film''. Highly sensitive films are correspondingly termed ''fast films''. In both digital and film photography, the reduction of exposure corresponding to use of higher sensitivities generally leads to reduced image quality (via coarser film grain or higher image noise of other types). In short, the higher the sensitivity, the grainier the image will be. Ultimately sensitivity is limited by the quantum efficiency of the film or sensor. Film speed measurement systems Hi ...
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Zoom Lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displaye ...
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Fujifilm FinePix S100fs
The Fujifilm FinePix S100fs is a digital camera A digital camera is a camera that captures photographs in digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film. Digital cameras are now widely incorporated into mobile devices ... manufactured by Fujifilm. It is part of their FinePix S-series range. Technical specifications {, class="wikitable" , - ! Category !! Specification , - , Effective Pixels , , 11.1 million effective pixels , - , Zoom , , F2.8 - F5.3, 14.3x optical zoom , - , CCD sensor , , 2/3" Super Type CCD , - , Lens , , Fujinon 14.3x Optical zoom lens, F2.8 (W) - F5.3 (T) , - , Lens focal length , , f=7.1mm - 101.5mm, Equivalent to 28 - 400mm on a 35mm camera , - , ISO Sensitivity, , AUTO / AUTO (1600) / AUTO (800) / AUTO (400) / Equivalent to 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 10000 (Standard Output Sensitivity) * ISO6400: 6M pixels or lower, ISO10000: 3M pixels or lower (Num ...
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Fujifilm FinePix
The Fujifilm FinePix products are a line of digital cameras produced by Fujifilm. They include compact point and shoot models, tough, waterproof models, bridge digital cameras, digital SLRs and mirrorless cameras. Many use Fujifilm's proprietary Super CCD technology sensors and CMOS sensors for high-end models. Model series ;Current series * F series: Travel Long Zoom, Compact models with exceptional low-light performance and advanced features. * J series: Easy to Use, Low cost, slim, compact series introduced in 2008. * S series: Bridge digital camera ultra-zoom series (including SL Series) with CCD or CMOS sensor. * HS series: Bridge digital camera ultra-zoom series with CMOS sensors, better than S series. * T series: Stylist Zoom, Compact models with powerful zoom. * XP series: Tough, waterproof, shockproof, dustproof and freezeproof series introduced in 2009. * Z series: Slim, Ultra-compact, stylish series introduced in 2005 * Real 3D series: Known also as W Serie ...
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