|
Film Grammar
In film, film grammar is defined as follows: # A frame is a single still image. It is analogous to a letter. # A shot is a single continuous recording made by a camera. It is analogous to a word. # A scene is a series of related shots. It is analogous to a sentence. The study of transitions between scenes is described in film punctuation. Film punctuations can also be intra scene & shot. # A sequence is a series of scenes which together tell a major part of an entire story, such as that contained in a complete movie. It is analogous to a paragraph. # A film is a series of sequences or sometimes just a sequence where the film consists of a single sequence. The term ''film grammar'' is best understood as a creative metaphor, since the elements of film grammar described above do not stand in any strict relation of analogy to the components of grammar as understood by philology or modern linguistics. D. W. Griffith has been called the father of film grammar. Griffith was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether non-fictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' ("to tell"), which is derived from the adjective ''gnarus'' ("knowing or skilled"). Historically preceding the noun, the adjective "narrative" means "characterized by or relating to a story or storytelling". Narrative is expressed in all mediums of human creativity, art, and entertainment, including public speaking, speech, literature, theatre, dance, music and song, comics, journalism, animation, video (including film and television), video games, radio program, radio, game, structured and play (activity), unstructu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lillian Gish
Lillian Diana Gish (October 14, 1893 – February 27, 1993) was an American actress best known for her work in movies of the silent era. Her film-acting career spanned 75 years, from 1912, in silent film shorts, to 1987. Gish was dubbed the "First Lady of the Screen" by ''Vanity Fair'' in 1927 and is credited with pioneering fundamental film performance techniques. In 1999, the American Film Institute ranked Gish as the 17th-greatest female movie star of classical Hollywood cinema. Having acted on stage with her sister as a child, Gish was a prominent film star from 1912 into the 1920s, being particularly associated with the films of director D. W. Griffith. This included her leading role in the highest-grossing film of the silent era, Griffith's ''The Birth of a Nation'' (1915). Her other major films and performances from the silent era included ''Intolerance'' (1916), '' Broken Blossoms'' (1919), '' Way Down East'' (1920), '' Orphans of the Storm'' (1921), ''La Bohème'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Bitzer
Gottfried Wilhelm Bitzer (April 21, 1872 – April 29, 1944) was an American cinematographer, notable for his close association and pioneering work with D. W. Griffith. Biography Prior to his career as a cameraman, working as a motion picture projectionist, Bitzer developed early cinematic technologies for the American Mutoscope Company, eventually to become the Biograph Company. He admired and learned the art of motion picture photography from Kinetoscope inventor W. K. L. Dickson, who directed the early Biograph shorts on which Bitzer cut his teeth. Bitzer achieved success in 1896 when his film of William McKinley being notified of the presidential nomination of his party was exhibited on the Biograph Company's first program. Until 1903, Bitzer was employed by Biograph primarily as a documentary photographer, and from 1903 onward primarily as the photographer of narrative films, as these gained popularity. In 1908, Bitzer entered into his first collaboration with Griffith. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-up
A close-up or closeup in filmmaking, television production A television show, TV program (), or simply a TV show, is the general reference to any content produced for viewing on a television set that is broadcast via over-the-air, satellite, and cable, or distributed digitally on streaming plat ..., photography, still photography, and the comic strip medium is a type of shot (filmmaking), shot that tightly film frame, frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming (filmmaking), zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point Of View Shot
A point-of-view shot (also known as POV shot, first-person shot or subjective camera) is a film scene—usually a short one—that is shot as if through the eyes of a character (the subject). The camera shows what the subject's eyes would see. It is usually established by being positioned between a shot (filming), shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The POV technique is one of the foundations of film editing. Subjectives A POV shot need not be the strict point-of-view of an actual single character in a film. Sometimes the point-of-view shot is taken over the shoulder of the character (third person), who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. Point-of-view, or simply p.o.v., camera angles record the scene from a particular player's viewpoint. The point-of-view is an objective angle, but since it f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity Editing
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. The primary concept of continuity editing is connection between the director and the audience. On the one hand, the filmmaker wants the audience to focus on elements of the scene that are critical to the film's narrative. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Hollywood Cinema
In film criticism, Classical Hollywood cinema is both a narrative and visual style of filmmaking that first developed in the 1910s to 1920s during the later years of the Silent film#Silent film era, silent film era. It then became characteristic of Cinema of the United States, United States cinema during the Golden Age of Hollywood from about 1927, with the advent of sound film, until the arrival of New Hollywood productions in the 1960s. It eventually became the most powerful and persuasive style of filmmaking worldwide. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity. The period is also referred to as the studio era, which may also include films of the late silent era. History Silent era and emergence of the classical style For millennia, the only visual standard of narrative storytelling art was the theatre. Since the first narrative films in the mid-late 1890s, filmmakers have sought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suspense
Suspense is a state of anxiety or excitement caused by mysteriousness, uncertainty, doubt, or undecidedness. In a narrative work, suspense is the audience's excited anticipation about the plot or conflict (which may be heightened by a violent moment, stressful scene, puzzle, mystery, etc.), particularly as it affects a character for whom the audience feels sympathy. However, suspense is not exclusive to narratives. In narratives In literature, films, television, and plays, suspense is a major device for securing and maintaining interest. It may be of several major types: in one, the outcome is uncertain and the suspense resides in the question of ''who, what, or how''; in another, the outcome is inevitable from foregoing events, and the suspense resides in the audience's anxious or frightened anticipation in the question of ''when''. Readers feel suspense when they are deeply curious about ''what'' will happen next, or when they know what is likely to happen but do n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. When putting together some sort of video composition, typically, one would need a collection of shots and footages that vary from one another. The act of adjusting the shots someone has already taken, and turning them into something new is known as film editing. The film editor works with raw footage, selecting Shot (filmmaking), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-cutting
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them. Suspense may be added by cross-cutting. It is built through the expectations that it creates and in the hopes that it will be explained with time. Cross-cutting also forms parallels; it illustrates a narrative action that happens in several places at approximately the same time. For instance, in D. W. Griffith's '' A Corner in Wheat'' (1909), the film cross-cuts between the activities of rich businessmen and poor people waiting in line for bread. This creates a sharp dichotomy between the two actions, and encourages the viewer to compare the two shots. Often, this contrast is used for strong emotion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paragraph
A paragraph () is a self-contained unit of discourse in writing dealing with a particular point or idea. Though not required by the orthographic conventions of any language with a writing system, paragraphs are a conventional means of organizing extended segments of prose. History The oldest classical British and Latin writings had little or no space between words and could be written in boustrophedon (alternating directions). Over time, text direction (left to right) became standardized. Word dividers and terminal punctuation became common. The first way to divide sentences into groups was the original ', similar to an underscore at the beginning of the new group. The Greek ' evolved into the pilcrow (¶), which in English manuscripts in the Middle Ages can be seen inserted inline between sentences. Ancient manuscripts also divided sentences into paragraphs with line breaks (newline) followed by an initial at the beginning of the next paragraph. An initial is an oversized c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
