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Eraserhead
''Eraserhead'' is a 1977 American surrealist film, surrealist horror film written, directed, produced, and edited by David Lynch. Lynch also created its Eraserhead (soundtrack), score and sound design, which included pieces by a variety of other musicians. Shot in black and white, it was Lynch's first feature-length effort following several short films. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Roberts (actress), Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of a man who is left to care for his grossly deformed child in a desolate industrial landscape. ''Eraserhead'' was produced with the assistance of the American Film Institute (AFI) during Lynch's time studying there. It nonetheless spent several years in principal photography because of funding difficulties; donations from Fisk and his wife Sissy Spacek kept production afloat. It was shot on several locations owned by the AFI in California, including Greystone Mansion and a set of di ...
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David Lynch
David Keith Lynch (born January 20, 1946) is an American filmmaker, visual artist and actor. A recipient of an Academy Honorary Award in 2019, Lynch has received three Academy Award nominations for Best Director, and the César Award for Best Foreign Film twice, as well as the Palme d'Or at the Cannes Film Festival and a Golden Lion award for lifetime achievement at the Venice Film Festival. In 2007, a panel of critics convened by ''The Guardian'' announced that "after all the discussion, no one could fault the conclusion that David Lynch is the most important film-maker of the current era", while AllMovie called him "the Renaissance man of modern American filmmaking". His work led to him being labeled "the first populist surrealist" by film critic Pauline Kael. Lynch studied painting before he began making short films in the late 1960s. His first feature-length film, the surrealist '' Eraserhead'' (1977), became a success on the midnight movie circuit, and he followed ...
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Eraserhead (soundtrack)
''Eraserhead: Original Soundtrack'' (sometimes referred to as ''Eraserhead: Original Soundtrack Recording'' or just ''Eraserhead'') is a 1982 soundtrack album composed by David Lynch and Alan Splet as the soundtrack for Lynch's 1977 film ''Eraserhead.'' Sacred Bones Records remastered and reissued the album in 2012. Recording The mood and tone of ''Eraserhead'' and its soundtrack were influenced by Philadelphia's post-industrial history. Lynch lived in the city while studying painting at the Pennsylvania Academy of Fine Arts, and was fascinated by its feeling of constant danger; describing it both as a "sick, twisted, violent, fear ridden, decaying place" and "beautiful, if you see it the right way." Lynch and Splet used avant-garde approaches to recording on the soundtrack; including crafting almost every sound in the soundtrack from scratch using bizarre methods. The ambiance of the love scene in the movie, for example, was produced by recording air blown through a microphon ...
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Jack Nance
Marvin John Nance (December 21, 1943 – December 30, 1996), known professionally as Jack Nance, was an American actor. A longtime collaborator of filmmaker David Lynch, Nance portrayed the lead in Lynch's directorial film debut ''Eraserhead'' (1977). He continued to work with Lynch throughout his career, including as a series regular on the ABC mystery drama ''Twin Peaks'' (1990–1991). Early life Nance was born in Boston, Massachusetts and was raised in Dallas, Texas. He graduated from South Oak Cliff High School. Nance worked for some time with the American Conservatory Theater in San Francisco. In the 1970s, Nance met David Lynch, who cast him as the lead in ''Eraserhead''. Later career After ''Eraserhead'', he remained on good terms with Lynch, who cast him in nearly all of his projects: * ''Dune'' (1984): a small role as the Harkonnen Captain Iakin Nefud. * '' Blue Velvet'' (1986): a supporting role as Paul, a friend of Frank Booth. * ''The Cowboy and the Frenchman'' ...
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Alan Splet
Alan Splet (December 31, 1939 – December 2, 1994) was an American sound designer and sound editor known for his collaborations with director David Lynch on ''Eraserhead'', '' The Elephant Man'', ''Dune'', and '' Blue Velvet''. Due to being legally blind, Splet rarely traveled and mainly worked from Berkeley, California. In 1980, he won an Oscar for his work on the film ''The Black Stallion''. He did not attend the Academy Award ceremony and became the butt of several jokes by host Johnny Carson throughout the remainder of the telecast. He was later nominated for the Academy Award for Best Sound Mixing for ''Never Cry Wolf''. In 1995, The Motion Picture Sound Editors union posthumously honored Splet with a Lifetime Achievement Award for his creative contributions to the field of cinema audio. Splet was married to sound effects designer Ann Kroeber, and collaborated with her on most of his projects from 1979 until his death in 1994. Selected filmography References Extern ...
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Midnight Movie
The term midnight movie is rooted in the practice that emerged in the 1950s of local television stations around the United States airing low-budget genre films as late-night programming, often with a host delivering ironic asides. As a cinematic phenomenon, the midnight screening of offbeat movies began in the early 1970s in a few urban centers, particularly in New York City with screenings of '' El Topo'' at the Elgin Theater, eventually spreading across the country. The screening of non-mainstream pictures at midnight was aimed at building a cult film audience, encouraging repeat viewing and social interaction in what was originally a countercultural setting. The national success of '' The Rocky Horror Picture Show'' and the changing economics of the film exhibition industry altered the nature of the midnight movie phenomenon; as its association with broader trends of cultural and political opposition dwindled in the 1980s, the midnight movie became a more purely camp experie ...
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In Heaven
"In Heaven (Lady in the Radiator Song)" (often referred to as simply "In Heaven") is a song performed by Peter Ivers, composed by Peter Ivers, with lyrics by David Lynch. The song is featured in Lynch's 1977 film ''Eraserhead'', and was subsequently released on its 1982 soundtrack album. Cover versions *The song's co-writer, Peter Ivers, recorded a version in the late 1970s, though it was not released until its inclusion on the 2019 album, ''Becoming Peter Ivers''. *Devo (sung by Booji Boy) covered the song live in 1978-1979 as the penultimate song in their set. *It was sung at the start of gigs by fans of Psychobilly band The Meteors. A Recording of this features on the start of their debut 1981 album 'The Case Of The Meteors In Heaven'. *A cover by Tuxedomoon with Winston Tong was released in 1980 on the multiband live album '' Can You Hear Me? Music From The Deaf Club'', and later rereleased on their 1987 album ''Pinheads on the Move''. A different live version was also releas ...
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Jack Fisk
Jack Fisk (born December 19, 1945) is an American production designer and director. As a production designer, he is known for his collaborations with Terrence Malick, designing all of his first eight films including ''Badlands'' (1973), ''Days of Heaven'' (1978), '' The Thin Red Line'' (1998), and '' The Tree of Life'' (2011). His other credits include ''Phantom of the Paradise'' (1974), '' Carrie'' (1976), ''Eraserhead'' (1977), '' Heart Beat'' (1980), ''The Straight Story'' (1999), ''Mulholland Drive'' (2001), ''Water for Elephants'' (2011), and '' The Master'' (2012). He was nominated for the Academy Award for Best Production Design for ''There Will Be Blood'' (2007) and '' The Revenant'' (2015). Fisk made his directorial debut with ''Raggedy Man'' (1981) and went on to direct the films '' Violets Are Blue'' (1986), '' Daddy's Dyin': Who's Got the Will?'' (1990), ''Final Verdict'' (1991), and two episodes of the television series ''On the Air'' (1992). Career Fisk was art dir ...
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Frederick Elmes
Frederick Elmes, (born November 4, 1946) is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz. He has won the Independent Spirit Award for Best Cinematography twice, for '' Wild at Heart'' and ''Night on Earth,'' and a Primetime Emmy Award for Outstanding Cinematography for a Limited Series for ''The Night Of''. Life and career Born in Mountain Lakes, New Jersey, Elmes studied photography at the Rochester Institute of Technology, then attended the American Film Institute in Los Angeles, graduating in 1972. He enrolled in the Graduate Film Program at New York University's Department of Film and Television and graduated in 1975. At the American Film Institute, Elmes met aspiring film director David Lynch, who hired him for ''Eraserhead''. Since then the two have collaborated on '' Blue Velvet'' and '' Wild at Heart''. Elmes is ...
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Jeanne Bates
Jeanne Bates (May 21, 1918 – November 28, 2007) was a retired American radio, film and television actress. After performing in radio serials, she signed a contract with Columbia Pictures in 1942 which began her career in films both in bit parts and larger roles in a series of horror films and noirs, including ''The Return of the Vampire'' (1943) and ''Shadows in the Night'' (1946). In her later career, Bates would collaborate with David Lynch on his films ''Eraserhead'' (1977) and ''Mulholland Drive'' (2001), the latter of which was her last film credit before her death in 2007. Career Bates was born in Berkeley, California in 1918. She began her acting career while attending San Mateo Junior College, with roles on radio soap operas produced in San Francisco. Bates had the lead role, and supplied the signature scream, on the radio mystery series ''Whodunit''. Following the war, the show was revived under the name "Murder Will Out." In 1943, she married the writer of ' ...
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Charlotte Stewart
Charlotte Stewart (born February 27, 1941) is an American film and television actress. Biography Stewart is most famous for her role as the school teacher Miss Beadle on ''Little House on the Prairie'' and her work with director David Lynch. Stewart graduated from the Pasadena Playhouse. Her first acting job was in the 1960 episode "The Glass Cage" on '' The Loretta Young Show.'' She has guest-starred on many television series ranging from ''Bonanza'' to ''The Office'' and the recurring role of Betty Briggs on ''Twin Peaks''. She was also a prolific TV commercial actress. Her notable film appearances include ''Eraserhead'' and '' Tremors''. In 1961, she met her first husband, Tim Considine, when she played Agnes Finley in the season-one episode "Deadline" of ''My Three Sons ''My Three Sons'' is an American television sitcom that aired from September 29, 1960, to April 13, 1972. The series was broadcast on ABC during its first five seasons, before moving to CBS for the ...
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Ben Barenholtz
Ben Barenholtz (October 5, 1935 – June 27, 2019) was a Polish-born American film exhibitor, distributor and producer, who was a presence in the independent film scene since the late 1960s, when he opened The Elgin Cinema in New York City in 1968. He is known for his innovations distributing and screening films; having discovered first time directors such as The Coen Brothers, David Lynch, John Sayles and Guy Maddin, and the first American presentations of Cousin Cousine, and John Woo's '' The Killer''. Barenholtz appeared in the documentary ''The Hicks of Hollywood'', had a bit role in ''Liquid Sky'', and appeared as a zombie in Romero's classic '' Dawn of the Dead''. He was the subject in Stuart Samuels' 2005 documentary ''Midnight Movies: From the Margin to the Mainstream''. In 2005 Barenholtz directed his first feature, ''Music Inn'', a documentary about the famed jazz venue, and was the producer of Jamie Greenberg's feature film Stags. In 2012, he produced Suzuya Bo ...
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Surrealist Film
Surrealist cinema is a modernist approach to film theory, criticism, and production with origins in Paris in the 1920s. The movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality. Related to Dada cinema, Surrealist cinema is characterized by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery. Philippe Soupault and André Breton’s 1920 book collaboration '' Les Champs magnétiques'' is often considered to be the first Surrealist work, but it was only once Breton had completed his '' Surrealist Manifesto'' in 1924 that ‘Surrealism drafted itself an official birth certificate.’ Surrealist films of the twenties include René Clair's ''Entr'acte'' (1924), Fernand Léger's ''Ballet Mécanique'' (1924), Jean Renoir's '' La Fille de l'Eau'' (1924), Marcel Duchamp's ''Anemic Cinema'' (1926), Jean Epstein's '' Fall of the House of Usher'' (1928) (with ...
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