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Environmental Sculpture
Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area. Sculpture as environment Julia M. Bush emphasizes the nonfigurative aspect of such works: "Environmental sculpture is never made to work at exactly human scale, but is sufficiently larger or smaller than scale to avoid confusion with the human image in the eyes of the viewer." Ukrainian-born American sculptor Louise Nevelson is a pioneer of environmental sculpture in this sense. Busch (p. 27) also places the sculptures of Jane Frank, as well as some works by Tony Smith and David Smith, in this category. Some environmental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalist
In visual arts, music and other media, minimalism is an art movement that began in post– World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Kisseleva
''Olga Kisseleva'' is a French artist. Olga Kisseleva works mainly in installation, science and media art. Her work employs various media, including video, immersive virtual reality, the Web, wireless technology, performance, large-scale art installations and interactive exhibitions. Biography As early as the beginning of the 1990s Olga Kisseleva became, thanks to an invitation by the Fulbright Foundation, part of a team of creators working on the development of numerical technologies in the United States. She primarily stays at Columbia University and University of California, where she participates in the adventure of the first start-ups of the Silicon Valley. Olga Kisseleva teaches New media art and Art&Science in the Université Paris 1 Panthéon-Sorbonne. From 2007 to 2009 she was a member of the High Scientific Committee of Sorbonne. The work of Olga Kisseleva constantly interweaves actions that reveal themselves in the urban environments or in network with interventions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percent For Art
The term percent for art refers to a program, often a city ordinance, where a fee, usually some percentage of the project cost, is placed on large scale development projects in order to fund and install public art. The details of such programs vary from area to area. Percent for art programs are used to fund public art where private or specialized funding of public art is unavailable. Similar programs, such as " art in public places", attempt to achieve similar goals by requiring that public art be part of a project, yet they often allow developers to pay in-lieu fees to a public art fund as an alternative. History Europe In Finland, the percent for art principle was first introduced as an official government policy in connection with the construction of the Finnish Parliament building in the early 1930s, though it was not implemented until 1939. In 1956 the government extended the principle to all public buildings, and during the 1960s individual municipalities also drew up t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Environmental Art
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront. The term "environmental art" often encompasses "ecological" concerns but is not specific to them. It primarily celebrates an artist's connection with nature using natural materials. The concept is best understood in relationship to historic earth/Land art and the evolving field of ecological art. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eberhard Bosslet
Eberhard Bosslet (born 1953) is a German contemporary artist who has been producing site-specific art and architectural-related works, such as sculpture, installation, light art and painting, all indoors and outdoors, since 1979. Biography Eberhard Bosslet was born in 1953 in Speyer, Germany, He has lived in Berlin and Dresden. Bosslet co-founded the artist group, "Material & Effect" (''Material & Wirkung'') in Berlin in 1981, and since 1980, has been the co-director of the artistspace "MOPEDS" in Berlin/Kreuzberg that is involved in curating and managing non-conventional artshows. List of works * 1979: Self-referential works in words and writing-form of painting, photography, wall-drawings, and plates; site-specific interior work with wall-drawings and plates. * Since 1979: ** Sculptures and installations with electric light and electric steering; ** Performance "Per-/Re-ception" (''Wahr-nehmen'') in a hall at an industrial yard in Speyer, Germany, using electric instal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Bachelard
''Sculptures Bachelard'' is an ''In Situ'' work by French artist Jean-Max Albert installed in 1986 in the Parc de la Villette, Paris, France. It is named after the author of ''The Poetics of Space'', Gaston Bachelard Gaston Bachelard (; ; 27 June 1884 – 16 October 1962) was a French philosopher. He made contributions in the fields of poetics and the philosophy of science. To the latter, he introduced the concepts of ''epistemological obstacle'' and '' epis .... It consists of a set of 8 sculptures arranged around the perimeter of the Jardin de la Treille. Description and interpretation The work takes the form of an installation in two distinct parts: * ''Sculptures Bachelard'' : 7 sculptures in bronze green patina, ±17 x 15 x 4 cm, Fusions foundry. * ''Anamorphosis reflection'', sculpture in bronze, green patina, 120 x 80 x 60 cm, Landowski foundry. When gazing into the sculptures, the space beyond and around is roughly framed. Combining in a cubist m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trellis (architecture)
A trellis (treillage) is an architectural structure, usually made from an open framework or lattice of interwoven or intersecting pieces of wood, bamboo or metal that is normally made to support and display climbing plants, especially shrubs.The Book of Garden Furniture C. Thonger, 1903 Types There are many types of trellis for different places and for different plants, from agricultural types, especially in , which are covered at , to garden uses for climbers such as |
Jean-Max Albert
Jean-Max Albert (born 1942) is a French painter, sculptor, writer, and musician. He has published theory, books on artists, and a collection of poems, plays and novels inspired by quantum physics. He perpetuated experiments initiated by Paul Klee and Edgar Varèse on the transposition of musical structures into formal constructions. Albert has also created environmental sculptures using plants to create architecture. Early life and education Albert was born on July 25, 1942, in Loches, France, only child of Louis Georges Albert and Edith Albert (''née'' Garand). His father was an officer in the French Navy and an engineer. Albert practiced painting and music beginning in childhood, and was also interested in carpentry, as his grandmother lived next to a carpentry workshop; when visiting her on vacation, Albert became interested in observing their work, particularly the technical drawings the carpenters used. This was later used as a direct inspiration for his trellis construct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Sonfist
Alan Sonfist is a New York City based American artist best known as a "pioneer" and a "trailblazer" of the Land or Earth Art movement. He first gained prominence for his " Time Landscape" found on the corner of West Houston Street and LaGuardia Place in New York City's Greenwich Village. Ann Landi, Separating the Trees from the Forest, Art News, http://www.artnews.com/2011/08/15/separating-the-trees-from-the-forest/, 8/15/2011 Proposed in 1965, " Time Landscape" the environmental sculpture took over ten years of careful planning with New York City. It was eventually landmarked by the city. It has often been cited as the first urban forest of its kind. More recently, Sonfist has continued to create artworks within the natural landscape, inaugurating a one-acre (4,000 m2) landscape project titled "The Lost Falcon of Westphalia" on Prince Richard's estate outside Cologne, Germany in 2005. In Nature: The End of Art, environmentalist Jonathan Carpenter writes that "To review the pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Rogers (sculptor)
Andrew Rogers is a contemporary sculptor born in Australia whose works may be found in many plazas and buildings around the world. Rogers is the creator of the world's largest contemporary land art undertaking. Titled "Rhythms of Life," the project commenced in 1998 and at present comprises 51 massive stone structures across 16 countries on seven continents and has involved over 7,500 people. Rhythms of Life land art project The title of the project, the "Rhythms of Life" is derived from Rogers' early bronze sculptures. Of particular note is a site in Cappadocia, Turkey, where between 2007 and 2011 Rogers completed the "Time and Space" geoglyph park. The thirteen structures comprise more than 10,500 tons of stone and, in total, the walls measure approximately in length. The structures that lie furthest apart are separated by a distance of . Rogers' "Rhythms of Life" project is the largest contemporary land-art undertaking in the world, forming a chain of 51 stone sculpture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
