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Donor Portrait
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portrait or portraits of donors alone, as a section of a larger work, whereas ''votive portrait'' may often refer to a whole work of art intended as an ex-voto, including for example a Madonna, especially if the donor is very prominent. The terms are not used very consistently by art historians, as Angela Marisol Roberts points out, and may also be used for smaller religious subjects that were probably made to be retained by the commissioner rather than donated to a church. Donor portraits are very common in religious works of art, especially paintings, of the Middle Ages and Renaissance, the donor usually shown kneeling to one side, in the foreground of the image. Often, even late into the Renaissance, the donor portraits, especially when o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bladelin Triptych Central Panel WGA
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic כיפא (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Abbé Pierre, Henri Marie Joseph Grouès (1912–2007), French Catholic priest who founded the Emmaus Movement * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portinari Altarpiece
The Portinari Altarpiece or Portinari Triptych (c. 1475) is an oil on wood triptych painting by the Flemish painter Hugo van der Goes, commissioned by Tommaso Portinari, representing the Adoration of the Shepherds. It measures 253 x 304 cm, and is now in the Galleria degli Uffizi in Florence, Italy. This altarpiece is filled with figures and religious symbols. Of all the late fifteenth century Flemish artworks, this painting is said to be the most studied. History The work was commissioned for the church inside of one of the largest hospitals in Florence, hospital of Santa Maria Nuova by the Italian banker Tommaso Portinari, a descendant of the hospital's founder. Portinari lived for more than forty years in Bruges as a representative for the Medici family's bank. Portinari himself is depicted on the left panel with his two sons Antonio and Pigello; his wife Maria di Francesco Baroncelli is shown on the right panel with their daughter Margarita. All, except Pigello, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of San Vitale
The Basilica of San Vitale is a late antique church in Ravenna, Italy. The sixth-century church is an important surviving example of early Christian Byzantine art and architecture. It is one of eight structures in Ravenna inscribed on the UNESCO World Heritage List. Its foundational inscription describes the church as a basilica, though its centrally-planned design is not typical of the basilica form. Within the Roman Catholic Church it holds the honorific title of basilica for its historic and ecclesial importance. History The church's construction began in 526 on the orders of Bishop Ecclesius of Ravenna. At the time, Ravenna was under the rule of the Ostrogoths. Bishop Maximian completed construction in 547, preceding Justinian's creation of the Exarchate of Ravenna, which followed his partial re-conquest of the Western Roman Empire. The construction of the church was sponsored by local banker and architect Julius Argentarius. Very little is known of Julius, but he a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Christian
Early Christianity (up to the First Council of Nicaea in 325) spread from the Levant, across the Roman Empire, and beyond. Originally, this progression was closely connected to already established Jewish centers in the Holy Land and the Jewish diaspora. The first followers of Christianity were Jews or proselytes, commonly referred to as Jewish Christians and God-fearers. The Apostolic sees claim to have been founded by one or more of the apostles of Jesus, who are said to have dispersed from Jerusalem sometime after the crucifixion of Jesus, c. 26–36, perhaps following the Great Commission. Early Christians gathered in small private homes, known as house churches, but a city's whole Christian community would also be called a church – the Greek noun ἐκκλησία (''ekklesia'') literally means assembly, gathering, or congregation but is translated as church in most English translations of the New Testament. Many early Christians were merchants and others who had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin And Child
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the '' Theotokos of Vladimir'', '' Agiosoritissa'', '' Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', '' Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as '' Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catacombs Of Rome
The Catacombs of Rome ( it, Catacombe di Roma) are ancient catacombs, underground burial places in and around Rome, of which there are at least forty, some rediscovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, Jews and also adherents of a variety of pagan Roman religions were buried in catacombs, beginning in the 2nd century AD,Toynbee: 39–40. occasioned by the ancient Roman ban on burials within a city, and also as a response to overcrowding and shortage of land. The most extensive and perhaps the best known is the Christian Catacomb of Callixtus located near the Park of the Caffarella, but there are other sites, both Christian and not, scattered around the city, some of which are now engulfed by modern urban sprawl. The Christian catacombs are extremely important for the history of Early Christian art, as they contain the great majority of examples from before about 400 AD, in fresco and sculpture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Dioscurides
The Vienna Dioscurides or Vienna Dioscorides is an early 6th-century Byzantine Greek illuminated manuscript of an even earlier 1st century AD work, '' De materia medica'' (Περὶ ὕλης ἰατρικῆς : Perì hylēs iatrikēs in the original Greek) by Pedanius Dioscorides in uncial script. It is an important and rare example of a late antique scientific text. After residing in Constantinople for just over a thousand years, the text passed to the Holy Roman Emperor in Vienna in the 1500s, a century after the city fell to the Ottomans. The 491 vellum folios measure 37 by 30 cm and contain more than 400 pictures of animals and plants, most done in a naturalistic style. In addition to the text by Dioscorides, the manuscript has appended to it, the ''Carmen de herbis'' attributed to Rufus, a paraphrase of an ornithological treatise by a certain Dionysius, usually identified with Dionysius of Philadelphia, and a paraphrase of Nicander's treatise on the treatment of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Antiquity
Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English has generally been credited to historian Peter Brown, after the publication of his seminal work '' The World of Late Antiquity'' (1971). Precise boundaries for the period are a continuing matter of debate, but Brown proposes a period between the 3rd and 8th centuries AD. Generally, it can be thought of as from the end of the Roman Empire's Crisis of the Third Century (235–284) to the early Muslim conquests (622–750), or as roughly contemporary with the Sasanian Empire (224–651). In the West its end was earlier, with the start of the Early Middle Ages typically placed in the 6th century, or earlier on the edges of the Western Roman Empire. The Roman Empire underwent considerable social, cultural and organizational changes starting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ansanus
Saint Ansanus ( it, Sant'Ansano) (died 304 AD), called ''The Baptizer'' or ''The Apostle of Siena'', is the patron saint of Siena, a scion of the Anician family of Rome. Legend His legend states that he was born of a noble Roman family in the third century. While still a child, Ansanus was secretly baptized by his nurse Maxima (venerated as ''St. Maxima of Rome'') and was secretly brought up as a Christian. Ansanus openly declared his Christian faith during the persecutions of Diocletian, when he was nineteen years old. According to tradition, St. Ansanus preached the Gospel in Bagnoregio (then Bagnorea) and the church of Santa Maria delle Carceri outside the Alban Gate was said to have been built above the prison in which he was confined. According to tradition, Ansanus and Maxima were scourged; Maxima died from this. Ansanus, however, survived this torture, as well as the next one: being thrown into a pot of boiling oil. He was then taken to the city of Siena as a prison ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pratolino
The Villa di Pratolino was a Renaissance patrician villa in Vaglia, Tuscany, Italy. It was mostly demolished in 1822. Its remains are now part of the Villa Demidoff, 12 km north of Florence, reached from the main road to Bologna. History The villa was built by Francesco de' Medici, Grand Duke of Tuscany, in part to please his Venetian mistress, the celebrated Bianca Cappello. Villa and gardens were designed by his court architect, designer and engineer Bernardo Buontalenti, who completed the construction from 1569 to 1581. It was sufficiently finished to provide the setting for Francesco's public wedding to Bianca Cappello in 1579. In its time it was a splendid example of the Mannerist garden. Francesco had assembled most of the property, which was not a hereditary Medici possession, by September 1568, and construction began the following spring. The garden was laid out along a perfectly straight down-slope axis passing through the center of the villa, which stood midway. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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