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Digital-S
D-9 or Digital-S as it was originally known, is a professional digital video videocassette format created by JVC in 1995. It is a direct competitor to Sony's Digital Betacam. Its name was changed to D-9 in 1999 by the SMPTE. It was used to a small extent in Europe and Asia and saw some use in the US, notably by the Fox News Channel, but was a commercial failure compared with Digital Betacam. It was superseded by high definition tapeless formats. Technical details D-9 uses a tape shell of the VHS form factor—though physically incompatible—but the tape itself uses a much higher quality metal particle formulation. The recording system is digital and for video uses DV compression at a 50 Mbit/s bitrate. Video is recorded in 4:2:2 component format at a variety of standard-definition resolutions, in either 4:3 or 16:9 aspect ratios. Audio is recorded as 16-bit/48 kHz PCM with up to four separate channels. Video quality is generally very high; at standard definition, D-9 ...
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DVCPRO
DV refers to a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly associated with the transition from analog to digital desktop video production, and also with several enduring "prosumer" camera designs such as the Sony VX-1000. DV is sometimes referred to as MiniDV, which was the most popular tape format using a DV codec during this time. In 2003, DV was joined by a successor format called HDV, which used the same tapes but with an updated video codec; HDV cameras could typically switch between DV and HDV recording modes. In the 2010s, DV rapidly grew obsolete as cameras using memory cards and solid-state drives became the norm, recording at higher bitrates and resolutions that were impractical for mechanical tape formats. Additionally, as manufacturers switched from interlaced to superior progressive recording methods, ...
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MiniDV
DV refers to a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly associated with the transition from analog to digital desktop video production, and also with several enduring "prosumer" camera designs such as the Sony VX-1000. DV is sometimes referred to as MiniDV, which was the most popular tape format using a DV codec during this time. In 2003, DV was joined by a successor format called HDV, which used the same tapes but with an updated video codec; HDV cameras could typically switch between DV and HDV recording modes. In the 2010s, DV rapidly grew obsolete as cameras using memory cards and solid-state drives became the norm, recording at higher bitrates and resolutions that were impractical for mechanical tape formats. Additionally, as manufacturers switched from interlaced to superior progressive recording methods, ...
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Videocassette
Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram. Because video signals have a very high bandwidth, and stationary heads would require extremely high tape speeds, in most cases, a helical-scan video head rotates against the moving tape to record the data in two dimensions. Tape is a linear method of storing information and thus imposes delays to access a portion of the tape that is not already against the heads. The early 2000s saw the introduction and rise to prominence of high-quality random-access video recording media such as hard disks and flash memory. Since then, videotape has been increasingly relegated to archival and ...
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Video Storage
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems which, in turn, were replaced by flat panel displays of several types. Video systems vary in display resolution, aspect ratio, refresh rate, color capabilities and other qualities. Analog and digital variants exist and can be carried on a variety of media, including radio broadcast, magnetic tape, optical discs, computer files, and network streaming. History Analog video Video technology was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) television systems, but several new technologies for video display devices have since been invented. Video was originally exclusively a live technology. Charles Ginsburg led an Ampex research team developing one of the first practical ...
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D-VHS
D-VHS is a digital video recording format developed by JVC, in collaboration with Hitachi, Matsushita, and Philips. The "D" in D-VHS originally stood for "Data", but JVC renamed the format as "Digital VHS". Released in 1998, it uses the same physical cassette format and recording mechanism as S-VHS, but requires higher-quality and more expensive tapes and is capable of recording and displaying both standard-definition and high-definition content. The content data format is in MPEG transport stream, the same data format used for most digital television applications. Design As a final effort for VHS, the D-VHS system had significant advantages as a highly versatile domestic recorder (the other tape-based formats are DV and Digital8, which never gained any traction except as camcorder media), but given the wholesale move to DVD and then hard disk drive (HDD) recording, the format failed to make any headway into the video market. Existing tape media is bulky and more expensive ...
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Digital Video
Digital video is an electronic representation of moving visual images (video) in the form of encoded digital data Digital data, in information theory and information systems, is information represented as a string of discrete symbols each of which can take on one of only a finite number of values from some alphabet, such as letters or digits. An exampl .... This is in contrast to analog video, which represents moving visual images in the form of analog signals. Digital video comprises a series of digital images displayed in rapid succession. Digital video is audio and video mixed together to make a production. the data gathered used to create a video, rather than a series of photos put together. Digital video have many advantages such as easy copying, multicasting, easy sharing and storage. Video recorded on tape is used on a computer on media player. Digital video is made of images displayed rapidly frequencies of 15, 24,30, and 60 frames per second. Digital video wa ...
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Magnetic Cassette Tape
Magnetic tape cartridge and magnetic tape cassette both refer to a small plastic unit containing a length of magnetic tape on at least one reel. The unit may contain a second "take-up" reel or interoperate with such a reel in an associated tape drive. At least 142 distinct types have been known to exist. The phrase ''cassette tape'' is ambiguous in that there is no common dictionary definition so depending upon usage it has many different meanings, as for example any one the one of 106 different types of audio cassettes, video cassettes or data cassettes listed aThe Museum of Obsolete Media The phrase ''cartridge tape'' is also ambiguous with 36 different types of audio, video or data cartridges listed at The Museum of Obsolete Media. From time to time the terms tape cartridge and tape cassette are used to describe the same product. In current production are the Cassette tape, the LTO tape cartridge and the IBM 3592 tape cartridge. Audio * Analog based ** Cassette tape, ...
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Pulse-code Modulation
Pulse-code modulation (PCM) is a method used to digitally represent sampled analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled regularly at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though ''PCM'' is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times per second that samples are taken; and the bit depth, which determines ...
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Betacam
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All Betacam variants from (plain) analog recording Betacam to Betacam SP and digital recording Digital Betacam (and additionally, HDCAM and HDCAM SR), use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassettes are available in two sizes: S (for Short) and L (for Long). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes. The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identif ...
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Sel-Sync
Sel-Sync or Selective Synchronous recording is the process of selectively using audio tape record heads as play back heads so that new signals can be recorded on other tracks in perfect sync with the existing tracks. Sel-sync recording dramatically changed the recording process allowing overdubbing of individual recorded tracks. Sel-sync along with the multi-track head was invented by Ross S. Snyder at Ampex in 1955. Three problems had to be solved: mechanical alignment, switching of the record track to playback mode and multitrack erase head. The hard problem was the switching of a track between record and playback mode, as the impedance of record heads are quite different from the impedance of play back heads. Prior to Sel-Sync record heads were directly wired to the record electronics and playback heads were directly wired to the playback electronics. Also the designs of the two heads were very different. The problem of switching very low-level/high-impedance circuitry with ...
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Television Studio
A television studio, also called a television production studio, is an installation room in which video productions take place, either for the production of live television and its recording onto video tape or other media such as SSDs, or for the acquisition of raw footage for post-production. The design of a studio is similar to, and derived from, movie studios, with a few amendments for the special requirements of television production. A professional television studio generally has several rooms, which are kept separate for noise and practicality reasons. These rooms are connected via ' talkback' or an intercom, and personnel will be divided among these workplaces. Studio floor The studio floor is the actual stage on which the actions that will be recorded and viewed take place. A typical studio floor has the following characteristics and installations: * decoration and/or sets * professional video camera (sometimes one, usually several), typically mounted on pedestals ...
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