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Cèilidh
A cèilidh ( , ) or céilí () is a traditional Scottish or Irish social gathering. In its most basic form, it simply means a social visit. In contemporary usage, it usually involves dancing and playing Gaelic folk music, either at a house party or a larger concert at a social hall or other community gathering place. ''Cèilidhean'' (plural of ''cèilidh'') and ''céilithe'' (plural of ''céilí'') originated in the Gaelic areas of Scotland and Ireland and are consequently common in the Scottish and Irish diasporas. They are similar to the ''Troyl'' traditions in Cornwall and ''Twmpath'' and '' Noson Lawen'' events in Wales, as well as English country dances throughout England which have in some areas undergone a fusion with céilithe. Etymology The term is derived from the Old Irish ''céle'' (singular) meaning "companion". It later became ''céilidhe'' and ''céilidh'', which means "visit" in Gaelic. In Scottish Gaelic reformed spelling it is spelled ''cèilidh'' (pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twmpath
''Twmpath'' () is a Welsh word literally meaning a hump or tump, once applied to the mound or village green upon which the musicians sat and played for the community to dance. ''Twmpath dawnsiau'' were a form of barn dance organised by Urdd Gobaith Cymru in the late 1950s and 1960s for the entertainment of young people, mainly from rural areas. These events remained popular until the rise of discos in the 1970s. Twmpath is used today to mean a Welsh version of the barn dance or cèilidh A cèilidh ( , ) or céilí () is a traditional Scottish or Irish social gathering. In its most basic form, it simply means a social visit. In contemporary usage, it usually involves dancing and playing Gaelic folk music, either at a house p .... Te same word is also used to refer to a speed bump. See also * Culture of Wales * Troyl Notes Welsh society Welsh music Welsh-language music Welsh music history {{Wales-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceili Dance (Alexandria, VA, 2019)
Céilí dances (, ) or true éilí dances (fíor céilí) are a popular form of folk dancing in Ireland. Céilí dances are based on heys ("hedges", pairs of lines facing), round dances, long dances, and quadrilles, generally revived during the Gaelic revival in the first quarter of the twentieth century and codified by the Irish Dancing Commission. These thirty dances form the basis for examination of céilí dance teachers. Irish céilí is a participatory social event attended by both men and women and accompanied by live Irish traditional music. The dance emerged within cultural nationalist consciousness as during the 19th and early 20th century, traditions promoting nationalist agendas were promoted and national identities were regarded as not culturally unified. Irish céilí regained its popularity in the 19th century, when Ireland took effort to regain its cultural and political autonomy after being colonized for 800 years. The goal of the Gaelic League established in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmina Gadelica
''Carmina Gadelica'' is a compendium of prayers, hymns, charms, incantations, blessings, literary-folkloric poems and songs, proverbs, lexical items, historical anecdotes, natural history observations, and miscellaneous lore gathered in the Gaelic-speaking regions of Scotland between 1860 and 1909. The material was recorded, translated, and reworked by the exciseman and folklorist Alexander Carmichael (1832–1912). Authors and publication ''Carmina Gadelica'' was published in six volumes: Alexander Carmichael himself, with the assistance of family and friends, was responsible for the first two volumes, published in 1900; these were re-edited by his daughter Ella (1870–1928) in 1928. Although Carmichael's correspondence suggests that he planned at least one further volume in the series, he was unable to bring this plan to fruition. Further selections from Carmichael's manuscripts were edited by his grandson James Carmichael Watson (1910–1942) and published as volumes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Smallpipes
The Scottish smallpipe is a bellows-blown bagpipe re-developed by Colin Ross and many others, adapted from an earlier design of the instrument. There are surviving bellows-blown examples of similar historical instruments as well as the mouth-blown Montgomery smallpipes, dated 1757, which are held in the National Museum of Scotland. Some instruments are being built as direct copies of historical examples, but few modern instruments are directly modelled on older examples; the modern instrument is typically larger and lower-pitched. The innovations leading to the modern instrument, in particular the design of the reeds, were largely taken from the Northumbrian smallpipes. Although there is evidence of small pipes dating back to 15th century, in its current form it is perhaps the youngest bagpipe with widespread popularity, having only existed in this form since the early 1980s. Characteristics Scottish smallpipes are distinguished from the Northumbrian smallpipes by the open en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouzouki
The bouzouki (, also ; el, μπουζούκι ; alt. pl. ''bouzoukia'', from Greek ), also spelled buzuki or buzuci, is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. There are two main types of bouzouki: the ''trichordo'' (''three-course'') has three pairs of strings (known as courses) and the ''tetrachordo'' (''four-course'') has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music. Etymology The name ''bouzouki'' comes from the Turkish word , meaning "broken" or "modified", and comes from a particular re-entrant tuni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammered Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion- stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly Appenzell), Austria and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Whistle
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle (also ga, feadóg stáin or feadóg). History The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe. Predecessors Almost all primitive cultures had a type of fipple flute, and it is most likely the first pitc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiddle
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional ( folk) styles, which are typically aural traditions—taught " by ear" rather than via written music. Fiddling is the act of playing the fiddle, and fiddlers are musicians that play it. Among musical styles, fiddling tends to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kilt
A kilt ( gd, fèileadh ; Irish: ''féileadh'') is a garment resembling a wrap-around knee-length skirt, made of twill woven worsted wool with heavy pleats at the sides and back and traditionally a tartan pattern. Originating in the Scottish Highland dress for men, it is first recorded in 16th century as the great kilt, a full-length garment whose upper half could be worn as a cloak. The small kilt or ''modern kilt'' emerged in the 18th century, and is essentially the bottom half of the great kilt. Since the 19th century, it has become associated with the wider culture of Scotland, and more broadly with Gaelic or Celtic heritage. Although the kilt is most often worn by men on formal occasions and at Highland games and other sports events, it has also been adapted as an item of informal male clothing, returning to its roots as an everyday garment. Kilts are now made for casual wear in a variety of materials. Alternative fastenings may be used and pockets inserted to avoid t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
