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Culture Club
Culture Club are an English pop band formed in London in 1981. The band comprises Boy George (lead vocals), Roy Hay (guitar and keyboards), Mikey Craig (bass guitar) and formerly included Jon Moss (drums and percussion). Emerging in the New Romantic scene, they are considered one of the most representative and influential groups of the 1980s. Led by singer and frontman Boy George, whose androgynous style of dressing caught the attention of the public and the media in the early 1980s, the band have sold more than 50 million records including over 6 million BPI certified records sold in the UK and over 7 million RIAA certified records sold in the US. Their hits include " Do You Really Want to Hurt Me", " Time (Clock of the Heart)", " I'll Tumble 4 Ya", " Church of the Poison Mind", " Karma Chameleon", " Victims", " Miss Me Blind", " It's a Miracle", "The War Song", " Move Away", and " I Just Wanna Be Loved". In the UK they amassed twelve Top 40 hit singles between 1982 and 199 ...
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Roy Hay (musician)
Roy Ernest Hay (born 12 August 1961) is an English singer, songwriter and musician. He is best known as the lead guitarist, keyboardist, and backing vocalist of the new wave band Culture Club. Hay, a trained pianist since the age of five, replaced founding member Johnny Suede in 1981. Some of Hay's musical influences were Stevie Wonder, The Isley Brothers and Led Zeppelin. Before his involvement with Culture Club, Hay was a hairdresser in his native Essex. It was during Culture Club's beginnings that Hay met Alison Green. The two married in 1982. According to the "Culture Club" episode the VH-1 series ''Behind the Music'', Hay assisted Boy George in giving up heroin. The singer suffered the painful withdrawal symptoms closely attended by Hay in his Essex home. Following Culture Club, Hay formed another band, called This Way Up, with singer Robinson Reid. In 1987, they released three singles: "Tell Me Why", "If I Can't Have You" and "Louise". An album, ''Feeling Good About I ...
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New Romantic
The New Romantic movement was an underground subculture movement that originated in the United Kingdom in the late 1970s. The movement emerged from the nightclub scene in London and Birmingham at venues such as Billy's and The Blitz. The New Romantic movement was characterised by flamboyant, eccentric fashion inspired by fashion boutiques such as Kahn and Bell in Birmingham and PX in London. Early adherents of the movement were often referred to by the press by such names as Blitz Kids, New Dandies and Romantic Rebels. Influenced by David Bowie, Marc Bolan and Roxy Music, the New Romantics developed fashions inspired by the glam rock era coupled with the early Romantic period of the late 18th and early 19th century (from which the movement took its name). The term "New Romantic" is known to have been coined by musician, producer, manager and innovator Richard James Burgess. He stated that "'New Romantic' ..fit the Blitz scene and Spandau Ballet, although most of the groups ...
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I Just Wanna Be Loved
"I Just Wanna Be Loved" is the first single from English new wave band Culture Club's fifth album, '' Don't Mind If I Do'' (1999). The song was serviced to US radio in August 1998 to promote the band's reformation US tour and the live album and compilation '' VH1 Storytellers/Greatest Moments'', but it failed to generate interest. The song was then released commercially in October 1998 and entered at 4 on the UK Singles Chart during a week when the top five positions were held by new entries for the first time. The song also became a top-20 hit in Iceland and on the Eurochart Hot 100 while reaching the top 100 in Australia and Germany. Critical reception The song received positive reviews from music critics. AllMusic editor Jose F. Promis noted its "light reggae influence" in his review of '' Don't Mind If I Do''. Larry Flick from ''Billboard'' wrote that "this fine new recording shows 'em in far better form than on their last two '80s-era albums." He remarked that "set to a ...
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Move Away
"Move Away" is a song by British band Culture Club, issued as the lead single from their fourth album, '' From Luxury to Heartache'' (1986). The song was produced by Lew Hahn and Arif Mardin. Released in March 1986, it became the group's eighth top-10 hit on the UK Singles Chart, peaking at number seven. In the United States, it reached number 12 on the ''Billboard'' Hot 100, becoming their last top-40 hit in the US. It also reached the top 10 in various other countries, including Denmark, where it peaked at number three. Critical reception On its release, Eleanor Levy of ''Record Mirror'' described "Move Away" as a "very clever, radio-orientated pop tune" with a "sparkling production" and "creditable performance". Jerry Smith of ''Music Week'' praised it as a "classic pop tune" on which George "delivers a strong vocal over hepolished production". He added the song "certainly surpasses anything that appeared on the awful ''Waking Up with the House on Fire''". In the US, ''Ca ...
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The War Song
"The War Song" is a song by British band Culture Club, featuring background vocals from Clare Torry. It was released as the lead single from the band's third album, ''Waking Up with the House on Fire'' (1984), in September 1984. The song became the group's seventh top-five hit on the UK Singles Chart, peaking at number two, as well as their final top-five hit until "I Just Wanna Be Loved" in 1998. In the United States, the single peaked at number 17 on the ''Billboard'' Hot 100. Elsewhere, it reached the top 10 in several countries, including Australia, Canada, and Ireland, peaking at number one in the latter country. Boy George later said "The War Song" had "patronising lyrics and a brain-curdling melody." It has been excluded from some compilations of Culture Club music. It had not been performed live by Culture Club since 1985, until the band played it at a one-off gig on New Year's Eve 2011. They also performed the song in 2014. B-side In many countries, the single was re ...
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It's A Miracle (Culture Club Song)
"It's a Miracle" is the fifth and final single from new wave band Culture Club's 1983 ''Colour by Numbers'' album. The song became the group's sixth hit on the UK Singles Chart, peaking at number 4. It reached number 13 on the US ''Billboard'' Hot 100, and number 5 in Canada. The B-side of the 7-inch single is a live rendition of "Love Twist", a song from the group's first album. It was recorded in December 1983. An additional live track, "Melting Pot" (a cover of the song by the group Blue Mink), from the same show was available on the 12-inch single. Reception ''Cash Box'' called the song "a perfect example of British adopted American R&B." Music video The music video features the band playing around on a circular board with various Monopoly spaces placed around the edges. Interspersed with these are clips from previous Culture Club music videos. Track listing ;Released at least in UK, Canada, USA, Australia, France, Germany, Spain A. "It's a Miracle" B. "Love Twist (Liv ...
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Miss Me Blind
"Miss Me Blind" is a song by English new wave band Culture Club. Known for an iconic guitar solo midway through the song, it was the third single released from the album '' Colour by Numbers'' in North America, peaking at number 5 on the US ''Billboard'' Hot 100 chart in spring 1984. Whitburn, Joel (2010). ''The Billboard Book of Top 40 Hits'', 9th Edition (Billboard Publications) This gave the band its sixth consecutive top 10 hit in the US, as well as its final top 10 hit in that country, although the group would score several other top 20 hits in the US. The single reached number 5 in Canada, and was also released in several South American countries, Australia, and Japan. It was also the band's biggest R&B hit, reaching number 5 on the US '' Billboard'' Soul/R&B chart. The song is a catchy R&B-pop number that alludes to a love-gone-sour relationship. The song's lyrics "But you know/I'm never really sure/If you're just kissing to be clever", is a reference to the band's ...
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Victims (song)
"Victims" is a song by English band Culture Club, released as a single in 1983 and taken from the album ''Colour by Numbers''. As with most early Culture Club singles, the song is about lead singer Boy George's then publicly unknown and rather turbulent relationship with drummer Jon Moss. Although the group's previous single " Karma Chameleon" had been a massive hit throughout the world, "Victims" was only issued in the United Kingdom, Ireland, Germany, and Australia. The piano ballad peaked at #3 on the UK Singles Chart. In Ireland, it peaked at #2, and in Australia, at #4. The single was not released in the United States, Canada or Japan, where they released "Miss Me Blind" instead; reportedly, Epic felt that the song was too depressing to be a single for the US market. The orchestral overdub on this track was recorded in Studio 1 at CBS Recording Studios, London by the renowned recording engineer, Mike Ross-Trevor (assisted by Richard Hollywood) on Saturday 9 July 1983. The ...
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Karma Chameleon
"Karma Chameleon" is a song by English band Culture Club, featured on the group's 1983 album ''Colour by Numbers''. The single was released in the United Kingdom in September 1983 and became the second Culture Club single to reach the top of the UK Singles Chart, after " Do You Really Want to Hurt Me". The record stayed at number one for six weeks and became the UK's biggest-selling single of the year 1983, selling 955,000 copies (according to Official Charts Company sales data confirmed in March 2021 for the Channel 5 show ''Britain's Favourite 80s Songs''). To date, it is the 38th-biggest-selling single of all time in the UK, selling over 1.52 million copies. It also spent three weeks at number one on the US ''Billboard'' Hot 100 in early 1984, becoming the group's biggest hit and only US number-one single among their many top-10 hits. The single sold over 7 million copies globally. In 2015, the song was voted by the British public as the nation's ninth favourite 1980s numbe ...
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Church Of The Poison Mind
"Church of the Poison Mind" is a 1983 hit single by the British new wave band Culture Club. It was released as the lead single from their second, and most successful, album '' Colour by Numbers''. The song reached #2 in the United Kingdom, being kept out of the top spot by David Bowie's " Let's Dance". It was also the band's fourth Top 10 hit in Canada and the United States. In America, it was still climbing the charts when "Karma Chameleon" was released as a single. This prompted Epic Records to release "Karma" ahead of schedule. "Church of the Poison Mind" actually reached its peak position the same week "Karma Chameleon" debuted on the US charts. In many countries its B-side was the heavily percussive street song "Man Shake" and in some others, such as the United States, it was the song "Mystery Boy". Both songs were on the 12-inch single in many countries, except Canada, where it was issued with an extended version of previous hit "I'll Tumble 4 Ya". Background Helen T ...
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I'll Tumble 4 Ya
"I'll Tumble 4 Ya" was a hit single from Culture Club's Platinum-plus debut album '' Kissing to Be Clever''. The 7" single was released only in North America, peaking at #9 in the U.S. and #5 in Canada. In Australia, it was released in September 1983 as a Double A-side single with " Karma Chameleon", peaking at #1 and receiving substantial airplay. With this single, in America, Culture Club was the first band to have three Top 10 singles from a debut album since the Beatles. Much like the group's two prior American hits, this song was aided by a hugely popular MTV music video. ''Cash Box ''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an onli ...'' called the song "an up tempo percussive dance number with none of the overbearing production gimmicks of competing new music groups" and p ...
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Time (Clock Of The Heart)
"Time (Clock of the Heart)" is a song by the British new wave band Culture Club, released as a stand-alone single in most of the world and as the second single from their debut album '' Kissing to Be Clever'' in North America. Following on the heels of the band's global #1 hit, "Do You Really Want to Hurt Me", "Time (Clock of the Heart)" peaked at #3 on the UK Singles Chart, selling over 500,000 copies in the UK. In the United States, the song matched the #2 peak of its predecessor on the ''Billboard'' Hot 100, kept from the #1 spot by " Flashdance... What a Feeling" by Irene Cara for two weeks. In Europe and United Kingdom, it was a stand-alone single, released in November 1982. For this market, its first inclusion on a Culture Club album was on their 1987 compilation, called ''This Time: The First Four Years''. '' Cash Box'' said the song has "a gentle funk anchor on an otherwise airy romantic ballad." In a retrospective review of the song, Allmusic journalist Stewart Maso ...
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