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Libertador Building
The Libertador Building (Edificio Libertador) is a government building in Buenos Aires, Argentina, housing the Ministry of Defense. The rapidly growing and modernizing Argentine military of the 1920s, whose budget had risen threefold in the decade, lacked a commensurate headquarters, and had been housed since the late 19th century in a Montserrat neighbourhood structure formerly used by the National Mint.[1] Seeking to remedy this, President Agustín Justo (a retired general and former War Minister) ordered the construction of a new War Ministry, and commissioned Carlos Pibernat, chief architect of the General Engineers' Office, for its design.[2] Pibernat's plans, submitted in 1935, called for twin buildings east and west of the presidential offices at the Casa Rosada.[2] Ultimately, however, these plans were dropped in favor of imposing new headquarters on a 3 ha (8 ac) lot east of the Casa Rosada
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Palacio De La Legislatura De La Ciudad De Buenos Aires
The Palacio de la Legislatura de la Ciudad de Buenos Aires (English: Palace of the Buenos Aires City Legislature) houses the Government of the City of Buenos Aires, Argentina. It is an architectural landmark in the city's Montserrat district, situated in a triangular block bounded by the streets Calle Hipólito Yrigoyen, Avenida Presidente Julio Argentino Roca and Calle Perú.[1][2] Built of grey granite, it has a Neoclassical design.[3] The building is open to the public on week-days only.[1] The building contains the Esteban Echeverría Library, Salon Rosado (also known as the Salon Eva Perón), and a carillon which, when it was installed in 1930, was the largest in South America. A lot southwest of the Plaza de Mayo was set aside for the building's construction. The building's design was awarded through a competition to local architect Héctor Ayerza
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Kirchner Cultural Centre

The Kirchner Cultural Centre (Spanish: Centro Cultural Kirchner) is a cultural centre located in Buenos Aires, Argentina. It is the largest of Latin America,[1][2] The Kirchner Cultural Centre (Spanish: Centro Cultural Kirchner) is a cultural centre located in Buenos Aires, Argentina
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Park Hyatt Buenos Aires
The Palacio Duhau - Park Hyatt Buenos Aires is a five star establishment located in the city's Recoleta section.[1] The Palacio Duhau - Park Hyatt was built on an Alvear Avenue lot belonging to Alejandro Hume, a railway executive of English Argentine background. Shortly after Mayor Torcuato de Alvear widened and extended what was then known as the Camino Bella Vista during the 1880s, Hume had a Tudor Revival mansion designed by architect Carlos Ryder built in 1890. Built over a bluff, the lot behind the house remained unimproved until the City Parks Commissioner, noted urbanist Charles Thays, was hired by the family to landscape and Piveau Gratias the property, in 1913.[2] The property was sold to the Duhau family during the 1920s. The Duhaus - prominent landowners - commissioned architect León Dourge for the design of a new residence adjacent to the old Hume house
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Floralis Genérica
Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and, at the same time, a hope reborn every day at opening."[1] It was created in 2002. The sculpture was designed to move, closing its petals in the evening and opening them in the morning. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks up at the sky, extending to its six petals
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Pirámide De Mayo

The Pirámide de Mayo (Spanish pronunciation: [piˈɾamiðe ðe ˈmaʝo]; English: May Pyramid), located at the hub of the Plaza de Mayo, is the oldest national monument in the City of Buenos Aires. Its construction was ordered in 1811 by the Primera Junta to celebrate the first anniversary of the May Revolution. It was renovated in 1856, under the direction of Prilidiano Pueyrredón. In 1912, after having undergone many modifications, it was moved 63 metres (68.9 yards) to the east, with the idea that a much larger monument would eventually be constructed around it. The monument is crowned by an allegory of Liberty, the work of the French sculptor Joseph Dubourdieu
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La Chacarita Cemetery
Cementerio de la Chacarita in Buenos Aires, Argentina, is known as the National Cemetery and is the largest in Argentina. The cemetery is in the barrio or district of Chacarita, in the western part of Buenos Aires. Its main entrance is on Avenida Guzmán. The cemetery owes its existence to a yellow fever epidemic in 1871, when existing cemeteries were strained beyond capacity (the upscale La Recoleta Cemetery refused to allow the burial of victims of the epidemic). Students of the College of San Carlos appropriated 5 hectares (12 acres) in the adjoining Colegiales area for this purpose, but had their facility closed by the city in 1886. The New Chacarita Cemetery began to function in 1887 and was formally designated as such in 1896. Chacarita Cemetery has designated areas for members of the Argentine artistic community, including writers, prominent composers and actors
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Buenos Aires Metropolitan Cathedral
The Buenos Aires Metropolitan Cathedral (Spanish: Catedral Metropolitana de Buenos Aires) is the main Catholic church in Buenos Aires, Argentina. It is located in the city center, overlooking Plaza de Mayo, on the corner of San Martín and Rivadavia streets, in the San Nicolás neighbourhood. It is the mother church of the Archdiocese of Buenos Aires and the primatial church of Argentina. The Cathedral of Buenos Aires was rebuilt several times since its humble origins in the 16th century. The present building is a mix of architectural styles, with an 18th-century nave and dome and a severe, 19th-century Neoclassical façade without towers
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