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Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: castaño), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The origins of the instrument are not known. The practice of clicking hand-hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zill
Zills or zils (from Turkish 'cymbals'), also called finger cymbals, are small metallic cymbals used in belly dancing and similar performances. They are called () in Egypt. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make a tambourine. Names in other languages include ''nuqaisāt'' (after the ''naqus'') in Arabic and used among Berbers, ''ṣunnūj ṣaghīra'' in Arabic, ''Zang-e sarangoshti'' (Persian, possibly related to the '' zang''), sanj angshati (سنج انگشتی) (Persian, related to Sanj), ''çeng'' in Turkish, ''p'eng chung'' in Chinese. History Zills, or finger cymbals, are part of a family of musical instruments known as ''clappers''. Clappers are musical instruments made of wood, bone, metal, and other substances that are played by being struck against each other. Clappers come in pairs and are often held in the hands, fastened together, or strapped to the performer's fingers. The clapper family also i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crotalum
In classical antiquity, a crotalum ( κρόταλον ''krotalon'') was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the sistrum. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the ''Suda'' and the Scholiast on Aristophanes (''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood. Clement of Alexandria attributes the instruments invention to the Sicilians, and forbids the use thereof to the Christians, because of the motions and gestures accompanying the practice. Women who played on the crotalum were termed ''crotalistriae''. Such was Virgil's Copa (2), :''Crispum sub crotalo docta movere latus.'' This line alludes to the da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crotalum
In classical antiquity, a crotalum ( κρόταλον ''krotalon'') was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the sistrum. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the ''Suda'' and the Scholiast on Aristophanes (''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood. Clement of Alexandria attributes the instruments invention to the Sicilians, and forbids the use thereof to the Christians, because of the motions and gestures accompanying the practice. Women who played on the crotalum were termed ''crotalistriae''. Such was Virgil's Copa (2), :''Crispum sub crotalo docta movere latus.'' This line alludes to the da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoon (musical Instrument)
Spoons can be played as a makeshift percussion instrument, or more specifically, an idiophone related to the castanets. They are played by hitting one spoon against the other. Techniques # Fire tongs style: A pair of spoons is held tight with concave sides facing out and with index finger between their handles to space them apart. When the pair is struck, the spoons sharply hit each other and then spring back to their original position. The spoons are typically struck against the knee and the palm of the hand. The fingers and other body parts may also be used as striking surfaces to produce different sounds, rhythms, rattles and visual effects. # Salad serving style: One spoon between little, ring, and long finger; the other spoon between ring, thumb, and index finger in such a way that they can be rotated with ring finger as the common axis. They can be hit to each other at the convex sides by gathering the fingers (mostly middle and thumb). # Castanets style: Two in each h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Spain
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays commercial pop music dominates. Origins of the music of Spain The Iberia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swiss Music
Switzerland has long had a distinct cultural identity, despite its diversity of German, French, Italian, Romansh and other ethnicities. Religious and folk music dominated the country until the 17th century, with growth in production of other kinds of music occurring slowly. Folk music Due to a lack of detailed records, little is known about Swiss folk music prior to the 19th century. Some 16th-century lute tablatures have been reconstructed into authentic instrumental arrangements; however, the first major source of information comes from 19th-century collections of folk songs, and work done by musicologist Hanny Christen. One of the oldest varieties of folk music was the Swiss song Kühreihen, an agricultural Alpine song in the Lydian mode. Traditional instruments included alphorn, hammered dulcimer, fife, hurdy-gurdy, castanets, rebec, bagpipe, cittern and shawm. At the beginning of the 19th century, Swiss folk music was largely performed by ensembles made of itinerant musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous '' comédie-ballets'', including '' L'Amour médecin'', '' George Dandin ou le Mari confondu'', '' Monsieur de Pourceaugnac'', '' Psyché'' and his best known work, '' Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jug Band
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term ''jug band'' is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke (or jook) bands (see juke joint) because they do not include a jug player. History Early jug bands were typically made up of African-American vaudeville and medicine show musicians. Beginning in the urban South (namely, Louisville, Kentucky, and Memphis, Tennessee), they played a mixture of blues, ragtime, and jazz. The history of jug bands is related to the development of the blues. The informal and energetic music of the jug bands also contributed to the development of rock and roll. The jug sound is made by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bones (instrument)
The bones, also known as rhythm bones, are a folk instrument that, in their original form, consists of a pair of animal bones, but may also be played on pieces of wood or similar material. Sections of large rib bones and lower leg bones are the most commonly used bones, although wooden sticks shaped like true bones are now more often used. Metal spoons may be used instead, as is common in the United States, known as " playing the spoons". The technique probably arrived in the U.S. via Irish and other European immigrants, and has a history stretching back to ancient China, Egypt, Greece, and Rome. They have contributed to many music genres, including 19th century minstrel shows, traditional Irish and Scottish music, the blues, bluegrass, zydeco, French-Canadian music, and music from Cape Breton in Nova Scotia. The clacking of the loose rib bones produces a much sharper sound than the zydeco washboard or frottoir, which mimics rattling a bone up and down a fixed ribcage. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korybantes
According to Greek mythology, the Korybantes or Corybantes (also Corybants) (; grc-gre, Κορύβαντες) were the armed and crested dancers who worshipped the Phrygian goddess Cybele with drumming and dancing. They are also called the ''Kurbantes'' in Phrygia. Etymology The name ''Korybantes'' is of uncertain etymology. Edzard Johan Furnée and R. S. P. Beekes have suggested a Pre-Greek origin. Others refer the name to *κορυβή (''korybé''), the Macedonian version of κορυφή (''koryphé'') "crown, top, mountain peak", explaining their association with mountains, particularly Olympus. Family The Korybantes were the offspring of Apollo and the Muse Thalia or Rhytia (Rhetia).Strabo, ''Geographica'10.3.19 One account attests the parentage to Zeus and the Muse Calliope, or of Helios and Athena, or lastly, of Cronus. Cretan counterparts The Kuretes or Kouretes () (see ''Ecstatics'' below) were nine dancers who venerated Rhea, the Cretan counterpart of Cybe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Ramea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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