Apostolic Palace
The Apostolic Palace (Latin: Palatium Apostolicum; Italian: Palazzo Apostolico) is the official residence of the Pope of Rome, which is located in Vatican City. It is also known as the Papal Palace, Palace of the Vatican and Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V in honor of Pope Sixtus V. The building contains the Papal Apartments, various offices of the Catholic Church and the Holy See, private and public chapels, Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and Borgia Apartment. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia and Cappella Paolina, are closed to tourists
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Prefect
Prefect (from the Latin praefectus, substantive adjectival form of praeficere: "put in front", i.e., in charge) is a magisterial title of varying definition, but which, basically, refers to the leader of an administrative area. A prefect's office, department, or area of control is called a prefecture, but in various post-Roman empire cases there is a prefect without a prefecture or vice versa
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni or more commonly known by his first name Michelangelo (/ˌmaɪkəlˈændʒəloʊ/; Italian: [m
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Italian Language
Italian (italiano [itaˈljaːno] (listen) or lingua italiana [ˈliŋɡwa itaˈljaːna]) is a Romance language of the Indo-European language family. Italian descended from the Vulgar Latin of the Roman Empire and, together with Sardinian, is by most measures the closest language to it of the Romance languages. Italian is an official language in Italy, Switzerland (where it is the first language in Canton Ticino and in the districts of Moesa and Bernina in Canton Graubünden), San Marino and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). It formerly had official status in Albania, Malta, Monaco, Montenegro (Kotor) and Greece (Ionian Islands and Dodecanese), and is generally understood in Corsica (due to its close relation with the Tuscan-influenced local language) and Savoie
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Basilica Di Santa Maria In Trastevere
The Basilica of Santa Maria in Trastevere (Italian: Basilica di Santa Maria in Trastevere); English: Our Lady in Trastevere) is a titular minor basilica in the Trastevere district of Rome, and one of the oldest churches of Rome. The basic floor plan and wall structure of the church date back to the 340s, and much of the structure to 1140-43. The first sanctuary was built in 221 and 227 by Pope Callixtus I and later completed by Pope Julius I
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Avignon Papacy
The Avignon Papacy was the period from 1309 to 1376 during which seven successive popes resided in Avignon (then in the Kingdom of Arles, part of the Holy Roman Empire, now in France) rather than in Rome. The situation arose from the conflict between the papacy and the French crown, culminating in the death of Pope Boniface VIII after his arrest and maltreatment by Philip IV of France. Following the further death of Pope Benedict XI, Philip forced a deadlocked conclave to elect the French Clement V, as Pope in 1305. Clement V declined to move to Rome, remaining in France, and in 1309, he moved his court to the papal enclave at Avignon, where it remained for the next 67 years. The absence from Rome is sometimes referred to as the "Babylonian Captivity of the Papacy". A total of seven popes reigned at Avignon; all were French, and they increasingly fell under the influence of the French Crown
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Pope Innocent III
Pope Innocent III (Latin: Innocentius III; 1160 or 1161 – 16 July 1216) reigned from 8 January 1198 to his death in 1216. His birth name was Lotario dei Conti di Segni, sometimes anglicised to Lothar of Segni. Pope Innocent was one of the most powerful and influential popes. He exerted a wide influence over the Christian states of Europe, claiming supremacy over all of Europe's kings. Pope Innocent was central in supporting the Catholic Church's reforms of ecclesiastical affairs through his decretals and the Fourth Lateran Council. This resulted in a considerable refinement of Western canon law. Pope Innocent is notable for using interdict and other censures to compel princes to obey his decisions, although these measures were not uniformly successful
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Pope Eugene III
Pope Eugene III (Latin: Eugenius III; c. 1080 – 8 July 1153), born Bernardo Pignatelli, called Bernardo da Pisa, was Pope from 15 February 1145 to his death in 1153. He was the first Cistercian to become Pope. In response to the fall of Edessa to the Muslims in 1144, Eugene proclaimed the Second Crusade
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Pope Clement VIII
Pope Clement VIII (Latin: Clemens VIII; 24 February 1536 – 5 March 1605), born Ippolito Aldobrandini, was Pope from 2 February 1592 to his death in 1605. Born in Fano, Italy to a prominent Florentine family, he initially came to prominence as a canon lawyer before being made a Cardinal-Priest in 1585. In 1592 he was elected Pope and took the name of Clement. During his papacy he effected the reconciliation of Henry IV of France to the Catholic faith and was instrumental in setting up an alliance of Christian nations to oppose the Ottoman Empire in the so-called Long War. He also successfully adjudicated in a bitter dispute between the Dominicans and the Jesuits on the issue of efficacious grace and free will. In 1600 he presided over a jubilee which saw a large number of pilgrimages to Rome
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Prefecture Of The Pontifical Household
A prefecture (from the Latin Praefectura) is an administrative jurisdiction or subdivision in any of various countries and within some international church structures, and in antiquity a Roman district governed by an appointed prefect.

Fresco
Fresco (plural frescos or frescoes) is a technique of mural painting executed upon freshly laid, or wet lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco
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Pope Urban VII
Pope Urban VII (Latin: Urbanus VII; 4 August 1521 – 27 September 1590), born Giovanni Battista Castagna, was Pope from 15 to 27 September 1590
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Renaissance Art
Renaissance art is the painting, sculpture and decorative arts of the period of European history, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music, and science. Renaissance art, perceived as the noblest of ancient traditions, took as its foundation the art of Classical antiquity, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Renaissance art, with Renaissance Humanist philosophy, spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.

Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), known as Sandro Botticelli (Italian: [ˈsandro bottiˈtʃɛlli]), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a "golden age". Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting. As well as the small number of mythological subjects which are his best known works today, he painted a wide range of religious subjects and also some portraits. He and his workshop were especially known for their Madonna and Childs, many in the round tondo shape. Botticelli's best-known works are The Birth of Venus and Primavera, both in the Uffizi in Florence
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Pietro Perugino
Pietro Perugino (Italian: [ˈpjɛːtro peruˈdʒiːno]; c. 1446/1452 – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance
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