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Allauddin Khan
Allauddin Khan, also known as Baba Allauddin Khan ( – 6 September 1972) was an Indian sarod player and multi-instrumentalist, composer and one of the most notable music teachers of the 20th century in Indian classical music. For a generation many of his students, across different instruments like sitar and violin, dominated Hindustani classical and became some of the most famous exponents of the form ever, including Ravi Shankar and Ali Akbar Khan. Early life Khan was born in Shibpur village in Brahmanbaria (in present-day Bangladesh). His father, Sabdar Hossain Khan, was a musician. Khan took his first music lessons from his elder brother, Fakir Aftabuddin Khan. At age ten, Khan ran away from home to join a jatra party where he was exposed to a variety of folk genres: jari, sari, baul, bhatiyali, kirtan, and panchali. Khan went to Kolkata, where he met a physician named Kedarnath, who helped him to become a disciple of Gopal Krishna Bhattacharya (also known as Nulo Gopal), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhaka
Dhaka ( or ; bn, ঢাকা, Ḍhākā, ), formerly known as Dacca, is the capital and largest city of Bangladesh, as well as the world's largest Bengali-speaking city. It is the eighth largest and sixth most densely populated city in the world with a population of 8.9 million residents as of 2011, and a population of over 21.7 million residents in the Greater Dhaka Area. According to a Demographia survey, Dhaka has the most densely populated built-up urban area in the world, and is popularly described as such in the news media. Dhaka is one of the major cities of South Asia and a major global Muslim-majority city. Dhaka ranks 39th in the world and 3rd in South Asia in terms of urban GDP. As part of the Bengal delta, the city is bounded by the Buriganga River, Turag River, Dhaleshwari River and Shitalakshya River. The area of Dhaka has been inhabited since the first millennium. An early modern city developed from the 17th century as a provincial capital and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asiatic Society Of Bangladesh
The Asiatic Society of Bangladesh is a non political and non profit research organisation registered under both Society Act of 1864 and NGO Bureau, Government of Bangladesh. The Asiatic Society of Bangladesh was established as the Asiatic Society of East Pakistan in Dhaka in 1952 by a number of Muslim leaders, and renamed in 1972. Ahmed Hasan Dani, a noted Muslim historian and archaeologist of Pakistan played an important role in founding this society. He was assisted by Muhammad Shahidullah, a Bengali linguist. The society is housed in Nimtali, walking distance from the Curzon Hall of Dhaka University, locality of Old Dhaka. Publications The society's publications include: * ''Banglapedia, the National Encyclopedia of Bangladesh'' (edition 2, 2012) * '' Encyclopedia of Flora and Fauna of Bangladesh'' (2010, 28 volumes) * ''Cultural Survey of Bangladesh, a documentation of the country's cultural history, tradition and heritage'' (2008, 12 volumes) * ''Children’s Banglapedia'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maihar Band
Maihar is a tehsil in Satna, Madhya Pradesh, India. Maihar is known for the temple of the revered mother goddess Sharda situated on Trikuta hill. Origin of the name It is said that when lord Shiva was carrying the body of the dead mother goddess (''Mai'' in Hindi) Sati, her necklace (''har'' in Hindi) fell at this place and hence the name "Maihar" (Maihar = ''Mai''+''Har'', meaning the "necklace of mother"). there is also one fact about Maihar, that is related to famous Warriors Alha and his brother Udal. According to the locals of Maihar, the warriors Alha and Udal, regime under King Paramardideva Chandel who had war with Prithvi Raj Chauhan, were very strong followers of Sharda Devi. It is said that they are the first ones to visit the goddess in this remote forest. They called the mother goddess by the name "Sharda Mai", and henceforth she became popular as "Mata Sharda Mai". Alha worshiped for 12 years and got the amaratva with the blessings of Sharda Devi. Behind the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragas
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maihar Gharana
The Maihar Gharana or Maihar-Senia Gharana is a gharana or school of Hindustani classical music, a style of Indian classical music originating in the northern parts of the Indian subcontinent. The school was formed by Allaudin Khan in the princely state of Maihar State, Maihar, now in the central Indian state of Madhya Pradesh, and hence the name. Allauddin Khan learnt music from Vina player Wazir Khan (Rampur), Wazir Khan, an exponent of the Senia gharana. The Maihar gharana is therefore sometimes referred to as the ''Maihar-Senia gharana''. It is one of the most prominent gharanas of the 20th century; much of the fame of Hindustani classical music in the west stems from this gharana. Prominent musicians belonging to the Maihar gharana include prominent sitar players Ravi Shankar, Nikhil Banerjee, Allauddin Khan's son sarod player Ali Akbar Khan, daughter Annapurna Devi and grandsons Aashish Khan, Dhyanesh Khan, Pranesh Khan, Rajesh Ali khan, Alam Khan, Manik Khan and Shiraz A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maihar State
Maihar State was a princely state in India during the British Raj, located in what is today Madhya Pradesh, central India. The state had an area of , and a population of 63,702 in 1901. The state, which was watered by the Tons River, consists mainly of alluvial soil covering sandstone, and is fertile except in the hilly district of the south. A large area was under forest, the produce of which provided a small export trade. The state gained India-wide and later, worldwide fame for Maihar gharana, a gharana or school of Indian classical music. It is one of the most prominent gharanas of the 20th century; much of the fame of Hindustani classical music in the west stems from this gharana. History The state was founded in 1778. From 1788 to 1790 Maihar State was occupied by Banda. The state became a princely state of British India in the early 19th century, and was administered as part of Bundelkhand Agency in the Central India Agency. In 1871 the eastern states of Bundelkhand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wazir Khan (Rampur)
Ustad Mohammad Wazir Khan (1860-1926) served as the head of Arbab-e-Nishat (Music Department of Rampur State) during the period of Nawab Hamid Ali Khan of Rampur. He was also an excellent playwright who established the Rampur theatre in the building of club Ghar in Rampur. Early life and background Wazir Khan was born in the former Rampur State to Ameer Khan Beenkar. He was the descendant of Naubat Khan and Hussaini (Tansen's daughter). Besides music, Wazir Khan's interests spanned many fields and areas. He was also a professional playwright, poet, published author, painter, passionate photographer, and a well-practiced calligrapher. Primarily he used to do Calligraphy in Arabic and Persian.In poetry he was the student of Daagh Dehlvi. As a Musicologist he wrote the Risala Mausibi. In addition, Wazir Khan was proficient in many languages, such as Arabic, Persian, Urdu, Hindi, Bangla, Marathi and Gujarati Cuisine All the Naubat Khanis were fond of good food. They were abl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the '' Rudra veena'', the '''', the '' Vichitra veena'' and others. The North Indian ''rudra veena'', used in |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakhavaj
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, the oldest version of double sided drums and its descendants are mridangam of Southern India and kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat, cow skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
