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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) '' Knight, Death and the Devil'' (1513), '' Saint ...
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Meisterstiche (Dürer)
The Meisterstiche ("master prints") by Dürer are three of his most famous engravings. They are ''Knight, Death and the Devil'' (1513), ''Melencolia I'' (1514) and ''St. Jerome in His Study'' (1514). These three large prints (about ) are often grouped together because of their perceived quality and unity of meaning, although this latter is a matter of scholarly dispute. Art historian Erwin Panofsky has described them as showing meticulous care in execution and also having complexity and significance in terms of iconography. Panofsky, while recognising that these are Durer's "most famous engravings" and are "not unjustly, known as his "Meisterstiche" notes that they "have no appreciable compositional relationship with one another" and should not, in any technical sense, be "considered as "companion pieces". They do, Panofsky argues, form "a spiritual unity". Here Panofsky refers to Friedrich Lippmann's noticing of the scholastic classification of the virtues they represent: t ...
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Self-Portrait (Dürer, Madrid)
''Self-portrait'' (or ''Self-portrait at 26'') is the second of Albrecht Dürer's three painted self-portraits, and was executed in oil on wood panel in 1498, after his first trip to Italy. In the depiction, Dürer elevates himself to the social position he believed suited to an artist of his ability. He presents himself in half length, under an arch, turned towards the viewer. He bears an arrogant expression, betraying the assured self-confidence of a young artist at the height of his ability. His presence dominates the pictorial space, from his hat which almost reaches the top of the canvas to his arm positioned on the lower ledge, where he rests his fingers enclosed in fine rich gloves.Bailey, 60 Until some time in the 19th century the painting was hung with and kept as a companion piece with '' Portrait of Dürer's Father at 70''; in 1636 the two paintings were gifted as a pair to Charles I of England by the city of Nuremberg,Wieseman, Marjorie E.'The Painter's Father', 1497. ...
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List Of Woodcuts By Dürer
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building In the United Kingdom, a listed building or listed structure is one that has been placed on one of the four statutory lists maintained by Historic England in England, Historic Environment Scotland in Scotland, in Wales, and the Northern I ... that may not b ...
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Melencolia I
''Melencolia I'' is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. The print's central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane, a claw hammer, and a saw. Other objects relate to alchemy, geometry or numerology. Behind the figure is a structure with an embedded magic square, and a ladder leading beyond the frame. The sky contains a rainbow, a comet or planet, and a bat-like creature bearing the text that has become the print's title. Dürer's engraving is one of the most well-known extant old master prints, but, despite a vast art-historical literature, it has resisted any definitive interpretation. Dürer may have associated melancholia with creative activity; the woma ...
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Saint Jerome In His Study (Dürer)
''Saint Jerome in His Study'' (german: Der heilige Hieronymus im Gehäus) is a copper engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the ''Golden Legend'' (c. 1260), which contained fanciful hagiographies of saints. ''St. Jerome in His Study'' is often considered as part of a group of three Dürer engravings (his Meisterstiche), the other two being the well-known ''Melencolia I'' (1514) and ''Knight, Death and the Devil'' (1513). Together they have been vi ...
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Knight, Death And The Devil
''Knight, Death and the Devil'' (german: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three ''Meisterstiche'' (master prints) completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings. The image is infused with complex iconography and symbolism, the precise meaning of which has been argued over for centuries. An armoured knight, accompanied by his dog, rides through a narrow gorge flanked by a goat-headed devil and the figure of death riding a pale horse. Death's rotting corpse holds an hourglass, a reminder of the shortness of life. The rider moves through the scene looking away from the creatures lurking around him, and appears almost contemptuous of the threats, and is thus often seen as symbol of courage; the knight's armour, the horse which towers in size over the beasts, the oak leaves and the fortress on the mountaintop are symbolic of the resilience of faith, while the knight ...
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Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ...
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Watercolour
Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." London, Vladimir. The Book on Watercolor (p. 19). in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called ''aquarellum atramento'' (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common ''support''—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papy ...
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List Of Engravings By Dürer
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing ...
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Albrecht Dürer - 1500 Self-portrait (High Resolution And Detail)
Albrecht ("noble", "bright") is a given name or surname of German origin and may refer to: First name *Albrecht Agthe, (1790–1873), German music teacher * Albrecht Altdorfer, (c. 1480–1538) German Renaissance painter * Albrecht Becker, (1906–2002), German production designer, photographer, and actor * Albrecht Berblinger, (1770–1829), German constructor (the tailor of ulm) *Albrecht Brandi, (1914–1966), German U-boat commander in World War II *Albrecht, Duke of Württemberg, (1865–1939), German field marshal in World War I *Albrecht von Wallenstein, (1583–1634), Bohemian soldier and politician during the Thirty Years' War *Albrecht Dieterich, (1866–1908) German classical philologist and religious scholar * Albrecht Dietz, (1926–2012), German entrepreneur and scientist *Albrecht Dürer, (1471–1528), German artist and mathematician * Albrecht Dürer the Elder, German goldsmith and father of Albrecht Dürer *Albrecht Elof Ihre, (1797–1877), Swedish diplomat and po ...
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Maximilian I, Holy Roman Emperor
Maximilian I (22 March 1459 – 12 January 1519) was King of the Romans from 1486 and Holy Roman Emperor from 1508 until his death. He was never crowned by the pope, as the journey to Rome was blocked by the Venetians. He proclaimed himself Elected Emperor in 1508 (Pope Julius II later recognized this) at Trent, thus breaking the long tradition of requiring a Papal coronation for the adoption of the Imperial title. Maximilian was the son of Frederick III, Holy Roman Emperor, and Eleanor of Portugal. Since his coronation as King of the Romans in 1486, he ran a double government, or ''Doppelregierung'' (with a separate court), with his father until Frederick's death in 1493. Maximilian expanded the influence of the House of Habsburg through war and his marriage in 1477 to Mary of Burgundy, the ruler of the Burgundian State, heir of Charles the Bold, though he also lost his family's original lands in today's Switzerland to the Swiss Confederacy. Through marriage of his so ...
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Holy Roman Emperor
The Holy Roman Emperor, originally and officially the Emperor of the Romans ( la, Imperator Romanorum, german: Kaiser der Römer) during the Middle Ages, and also known as the Roman-German Emperor since the early modern period ( la, Imperator Germanorum, german: Römisch-deutscher Kaiser, lit, Roman-German emperor), was the ruler and head of state of the Holy Roman Empire. The title was held in conjunction with the title of king of Italy (''Rex Italiae'') from the 8th to the 16th century, and, almost without interruption, with the title of king of Germany (''Rex Teutonicorum'', lit. "King of the Teutons") throughout the 12th to 18th centuries. The Holy Roman Emperor title provided the highest prestige among medieval Roman Catholic monarchs, because the empire was considered by the Roman Catholic Church to be the only successor of the Roman Empire during the Middle Ages and the early modern period. Thus, in theory and diplomacy, the emperors were considered '' primus inter ...
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