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8 Women
''8 Women'' (french: 8 femmes) is a 2002 dark comedy musical film written and directed by François Ozon. Based on the 1958 play by Robert Thomas, it features an ensemble cast of high-profile French actresses that includes Catherine Deneuve, Isabelle Huppert, Emmanuelle Béart, Fanny Ardant, Virginie Ledoyen, Danielle Darrieux, Ludivine Sagnier and Firmine Richard. Revolving around an eccentric family of women and their employees in the 1950s, the film follows eight women as they gather to celebrate Christmas in an isolated, snowbound cottage only to find Marcel, the family patriarch, dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret. Ozon initially envisioned a remake of George Cukor's film '' The Women'' (1939), but eventually settled on Thomas's ''Huit femmes'' after legal obstacles prevented him from doing so. Drawing inspiration from Cukor's screwball comedies of the late 1930s and the 1950s work of di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Ozon
François Ozon (; born 15 November 1967) is a French film director and screenwriter. Ozon is considered one of the most important modern French filmmakers. His films are characterized by aesthetic beauty, sharp satirical humor and a free-wheeling view of human sexuality. Recurring themes in his films are friendship, sexual identity, different perceptions of reality, transience and death. Ozon has achieved international acclaim for his films '' 8 femmes'' (2002) and ''Swimming Pool'' (2003). He is considered one of the most important directors in the new "New Wave" in French cinema, along with Jean-Paul Civeyrac, Philippe Ramos, and Yves Caumon, as well as a group of French filmmakers associated with a ''cinema du corps'' ("cinema of the body"). Life and career Ozon was born in Paris, France. Having studied directing at the French film school La Femis, Ozon made several short films such as ''A Summer Dress'' (''Une robe d'été'', 1996) and ''Scènes de lit'' (1998). His mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Cast
In a dramatic production, an ensemble cast is one that is composed of multiple principal actors and performers who are typically assigned roughly equal amounts of screen time.Random House: ensemble acting Linked 2013-07-17 Structure In contrast to the popular model, which gives precedence to a sole protagonist, an ensemble cast leans more towards a sense of "collectivity and community". Cinema Ensemble casts in film were introduced as early as September 1916, with D. W. Griffith's silent epic film '' Intolerance'', featuring four separate though parallel plots. The film follows the lives of several characters over hundreds of years, across different cultures and time periods. The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it's a location, event, or an overarching theme that ties the film and characters together. Films that feature ensembles tend to emphasize the interconnectivity of the characters, even wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystery Film
A mystery film is a genre of film that revolves around the solution of a problem or a crime. It focuses on the efforts of the detective, private investigator or amateur sleuth to solve the mysterious circumstances of an issue by means of clues, investigation, and clever deduction. The plot often centers on the deductive ability, prowess, confidence, or diligence of the detective as he attempts to unravel the crime or situation by piecing together clues and circumstances, seeking evidence, interrogating witnesses, and tracking down a criminal. Suspense is often maintained as an important plot element. This can be done through the use of the soundtrack, camera angles, heavy shadows, and surprising plot twists. Alfred Hitchcock used all of these techniques, but would sometimes allow the audience in on a pending threat then draw out the moment for dramatic effect. This genre has ranged from early mystery tales, fictional or literary detective stories, to classic Hitchcockian suspe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology ''Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincente Minnelli
Vincente Minnelli (born Lester Anthony Minnelli; February 28, 1903 – July 25, 1986) was an American stage director and film director. He directed the classic movie musicals '' Meet Me in St. Louis'' (1944), '' An American in Paris'' (1951), '' The Band Wagon'' (1953), and '' Gigi'' (1958). ''An American in Paris'' and ''Gigi'' both won the Academy Award for Best Picture, with Minnelli winning Best Director for ''Gigi''. In addition to having directed some of the best known musicals of his day, Minnelli made many comedies and melodramas.Obituary '' Variety'', July 30, 1986. He was married to Judy Garland from 1945 until 1951; the couple were the parents of Liza Minnelli. Early life Lester Anthony Minnelli was born on February 28, 1903, to Marie Émilie Odile Lebeau and Vincent Charles Minnelli. He was baptized in Chicago, and was the youngest of four known sons, only two of whom survived to adulthood. His mother's stage name was Mina Gennell, and his father was the musical c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Sirk
Douglas Sirk (born Hans Detlef Sierck; 26 April 1897 – 14 January 1987) was a German film director best known for his work in Hollywood melodramas of the 1950s. Sirk started his career in Germany as a stage and screen director, but he left for Hollywood in 1937 after his Jewish wife was persecuted by the Nazis. In the 1950s, he achieved his greatest commercial success with film melodramas '' Magnificent Obsession'', '' All That Heaven Allows'', ''Written on the Wind'', ''A Time to Love and a Time to Die'', and '' Imitation of Life''. While those films were initially panned by critics as sentimental women's pictures, they are today widely regarded by film directors, critics, and scholars as masterpieces. His work is seen as "critique of the bourgeoisie in general and of 1950s America in particular", while painting a "compassionate portrait of characters trapped by social conditions". Beyond the surface of the film, Sirk worked with complex mises-en-scène and lush Technicolor t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screwball Comedy
Screwball comedy is a subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1940s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged. The two engage in a humorous battle of the sexes, which was a new theme for Hollywood and audiences at the time. The genre also featured romantic attachments between members of different social classes, as in ''It Happened One Night'' (1934) and ''My Man Godfrey'' (1936). What sets the screwball comedy apart from the generic romantic comedy is that "screwball comedy puts the emphasis on a funny spoofing of love, while the more traditional romantic comedy ultimately accents love". Other elements of the screwball comedy include fast-paced, overlapping repartee, farcical situations, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Women (1939 Film)
''The Women'' is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released. The film stars Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Florence Nash, and Virginia Grey. Marjorie Main and Phyllis Povah also appear, reprising their stage roles from the play. Ruth Hussey, Virginia Weidler, Butterfly McQueen, Theresa Harris, and Hedda Hopper also appear in smaller roles. Fontaine was the last surviving actress with a credited role in the film; she died in 2013. The film continued the play's all-female tradition—the entire cast of more than 130 speaking roles was female. Set in the glamorous Manhattan apartments of high society evoked by Cedric Gibbons, and in Reno, Nevada, where they obtain their d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Cukor
George Dewey Cukor (; July 7, 1899 – January 24, 1983) was an American film director and film producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including ''What Price Hollywood?'' (1932), '' A Bill of Divorcement'' (1932), '' Our Betters'' (1933), and '' Little Women'' (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed '' Dinner at Eight'' (1933) and ''David Copperfield'' (1935) for Selznick, and '' Romeo and Juliet'' (1936) and '' Camille'' (1936) for Irving Thalberg. He was replaced as one of the directors of ''Gone with the Wind'' (1939), but he went on to direct '' The Philadelphia Story'' (1940), ''Gaslight'' (1944), ''Adam's Rib'' (1949), '' Born Yesterday'' (1950), '' A Star Is Born'' (1954), '' Bhowani Junction'' (1956), and won the Academy Award for Best Director f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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