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; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite
chordophone String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the s ...
sounded by a bow , range= , related= *
Violin family The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family (viole ''da gamba''). The stan ...
(
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
,
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, ...
,
double bass The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox addit ...
) * List of violists , articles= , sound sample = The viola ( , also , ) is a
string instrument String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the s ...
that is
bowed Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to th ...
, plucked, or played with varying techniques. Slightly larger than a
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
, it has a lower and deeper sound. Since the 18th century, it has been the middle or
alto The musical term alto, meaning "high" in Italian ( Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruse ...
voice of the
violin family The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family (viole ''da gamba''). The stan ...
, between the violin (which is tuned a perfect fifth above) and the
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, ...
(which is tuned an
octave In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...
below). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the
Italian language Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 8 ...
. The Italians often used the term
viola da braccio Viola da braccio (from Italian "arm viola", plural ''viole da braccio'') is a term variously applied during the baroque period to instruments of the violin family, in distinction to the viola da gamba ("leg viola") and the viol family to which t ...
meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part harmony, up until the eighteenth century, taking three lines of the harmony and occasionally playing the
melody A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combina ...
line. Music for the viola differs from most other instruments in that it primarily uses the alto clef. When viola music has substantial sections in a higher register, it switches to the treble clef to make it easier to read. The viola often plays the "inner voices" in
string quartet The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinist ...
s and symphonic writing, and it is more likely than the first violin to play
accompaniment Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles o ...
parts. The viola occasionally plays a major, soloistic role in orchestral music. Examples include the symphonic poem '' Don Quixote'', by Richard Strauss, and the symphony/concerto '' Harold en Italie'', by Hector Berlioz. In the earlier part of the 20th century, more composers began to write for the viola, encouraged by the emergence of specialized soloists such as Lionel Tertis and William Primrose. English composers Arthur Bliss, York Bowen, Benjamin Dale, Frank Bridge,
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
, Rebecca Clarke and
Ralph Vaughan Williams Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over ...
all wrote substantial
chamber Chamber or the chamber may refer to: In government and organizations *Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics *Debate chamber, the space or room that houses deliber ...
and concert works. Many of these pieces were commissioned by, or written for, Lionel Tertis. William Walton,
Bohuslav Martinů Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He be ...
, Tōru Takemitsu,
Tibor Serly Tibor Serly (; Losonc, Kingdom of Hungary, 25 November 1901 – London, 8 October 1978) was a Hungarian violist, violinist, and composer. Serly was the son of Lajos Serly, a pupil of Franz Liszt and a composer of songs and operettas in the ...
, Alfred Schnittke, and
Béla Bartók Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hu ...
have written well-known viola concertos. The concerti by
Béla Bartók Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hu ...
,
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ' ...
, Carl Stamitz, Georg Philipp Telemann, and William Walton are considered major works of the viola repertoire.
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ' ...
, who was a violist, wrote a substantial amount of music for viola, including the concerto ''
Der Schwanendreher Paul Hindemith's ''Der Schwanendreher'' (literally, "The Swan Turner") is a concerto for viola and orchestra. ''Der Schwanendreher'' occupies a place at the core of the viola concerto repertoire, along with the concertos by Walton and Bartók. I ...
''.


Form

The viola is similar in material and construction to the
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
. A full-size viola's body is between and longer than the body of a full-size violin (i.e., between ), with an average length of . Small violas typically made for children typically start at , which is equivalent to a half-size violin. For a child who needs a smaller size, a fractional-sized violin is often strung with the strings of a viola. Unlike the violin, the viola does not have a standard full size. The body of a viola would need to measure about long to match the acoustics of a violin, making it impractical to play in the same manner as the violin. For centuries, viola makers have experimented with the size and shape of the viola, often adjusting proportions or shape to make a lighter instrument with shorter string lengths, but with a large enough sound box to retain the viola sound. Prior to the eighteenth century, violas had no uniform size. Large violas (tenors) were designed to play the lower register viola lines or second viola in five part harmony depending on instrumentation. A smaller viola, nearer the size of the violin, was called a '' vertical viola'' or an ''alto viola''. It was more suited to higher register writing, as in the viola 1 parts, as their sound was usually richer in the upper register. Its size was not as conducive to a full tone in the lower register. Several experiments have intended to increase the size of the viola to improve its sound.
Hermann Ritter Hermann Ritter (16 September 1849 in Wismar – 25 January 1926 in Würzburg) was a German viola player, composer and music historian. Biography Hermann Ritter studied violin at the Neue Akademie für Musik in Berlin from 1865 to 1870. His outst ...
's ''viola alta'', which measured about , was intended for use in Wagner's operas. The Tertis model viola, which has wider bouts and deeper ribs to promote a better tone, is another slightly "nonstandard" shape that allows the player to use a larger instrument. Many experiments with the acoustics of a viola, particularly increasing the size of the body, have resulted in a much deeper tone, making it resemble the tone of a cello. Since many composers wrote for a traditional-sized viola, particularly in orchestral music, changes in the tone of a viola can have unintended consequences upon the balance in ensembles. One of the most notable makers of violas of the twentieth century was Englishman A. E. Smith, whose violas are sought after and highly valued. Many of his violas remain in Australia, his country of residence, where during some decades the violists of the Sydney Symphony Orchestra had a dozen of them in their section. More recent (and more radically shaped) innovations have addressed the ergonomic problems associated with playing the viola by making it shorter and lighter, while finding ways to keep the traditional sound. These include the Otto Erdesz "cutaway" viola, which has one shoulder cut out to make shifting easier; the "Oak Leaf" viola, which has two extra bouts;
viol The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitc ...
-shaped violas such as
Joseph Curtin Joseph Curtin is an American contemporary violinmaker who lives in Ann Arbor, Michigan. He is recognised as one of the world's greatest violinmakers. He was a 2005 recipient of a MacArthur Fellows Program "genius grant". He has also directed ...
's "Evia" model, which also uses a moveable neck and maple-veneered carbon fibre back, to reduce weight: violas played in the same manner as cellos (see vertical viola); and the eye-catching "Dalí-esque" shapes of both Bernard Sabatier's violas in fractional sizes—which appear to have melted—and David Rivinus' ''Pellegrina'' model violas. Other experiments that deal with the "ergonomics vs. sound" problem have appeared. The American composer Harry Partch fitted a viola with a cello neck to allow the use of his 43-tone scale, called the "adapted viola". Luthiers have also created five-stringed violas, which allow a greater playing range.


Method of playing

A person who plays the viola is called a ''violist'' or a ''viola player''. The technique required for playing a viola has certain differences compared with that of a violin, partly because of its larger size: the notes are spread out farther along the fingerboard and often require different fingerings. The viola's less responsive strings and the heavier bow warrant a somewhat different bowing technique, and a violist has to lean more intensely on the strings. * The viola is held in the same manner as the violin; however, due to its larger size, some adjustments must be made to accommodate. The viola, just like the violin, is placed on top of the left shoulder between the shoulder and the left side of the face (chin). Because of the viola's size, violists with short arms tend to use smaller-sized instruments for easier playing. The most immediately noticeable adjustments that a player accustomed to playing the violin has to make are to use wider-spaced fingerings. It is common for some players to use a wider and more intense vibrato in the left hand, facilitated by employing the fleshier pad of the finger rather than the tip, and to hold the bow and right arm farther away from the player's body. A violist must bring the left elbow farther forward or around, so as to reach the lowest string, which allows the fingers to press firmly and so create a clearer tone. Different positions are often used, including half position. * The viola is strung with thicker gauge strings than the violin. This, combined with its larger size and lower pitch range, results in a deeper and mellower tone. However, the thicker strings also mean that the viola responds to changes in bowing more slowly. Practically speaking, if a violist and violinist are playing together, the violist must begin moving the bow a fraction of a second sooner than the violinist. The thicker strings also mean that more weight must be applied with the bow to make them vibrate. * The viola's bow has a wider band of horsehair than a violin's bow, which is particularly noticeable near the
frog A frog is any member of a diverse and largely Carnivore, carnivorous group of short-bodied, tailless amphibians composing the order (biology), order Anura (ανοὐρά, literally ''without tail'' in Ancient Greek). The oldest fossil "proto-f ...
(or ''heel'' in the UK). Viola bows, at , are heavier than violin bows (). The profile of the rectangular outside corner of a viola bow frog generally is more rounded than on violin bows.


Tuning

The viola's four strings are normally tuned in fifths: the lowest string is C (an
octave In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...
below middle C), with G, D, and A above it. This tuning is exactly one fifth below the violin, so that they have three strings in common—G, D, and A—and is one octave above the
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, ...
. Each string of a viola is wrapped around a peg near the scroll and is tuned by turning the peg. Tightening the string raises the pitch; loosening the string lowers the pitch. The A string is normally tuned first, to the pitch of the ensemble: generally 400–442 Hz. The other strings are then tuned to it in intervals of fifths, usually by bowing two strings simultaneously. Most violas also have ''adjusters''—'' fine tuners'', particularly on the A string that make finer changes. These adjust the tension of the string via rotating a small knob above the tailpiece. Such tuning is generally easier to learn than using the pegs, and adjusters are usually recommended for younger players and put on smaller violas, though pegs and adjusters are usually used together. Some violists reverse the stringing of the C and G pegs, so that the thicker C string does not turn so severe an angle over the nut, although this is uncommon. Small, temporary tuning adjustments can also be made by stretching a string with the hand. A string may be tuned down by pulling it above the fingerboard, or tuned up by pressing the part of the string in the pegbox. These techniques may be useful in performance, reducing the ill effects of an out-of-tune string until an opportunity to tune properly. The tuning C–G–D–A is used for the great majority of all viola music. However, other tunings are occasionally employed, both in
classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" al ...
, where the technique is known as ''
scordatura Scordatura (; literally, Italian for "discord", or "mistuning") is a tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual chords or timbre, or to make certain p ...
'', and in some folk styles. Mozart, in his
Sinfonia Concertante for Violin, Viola and Orchestra The Sinfonia Concertante for Violin, Viola and Orchestra in E major, K. 364 (320d), was written by Wolfgang Amadeus Mozart. At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. He had be ...
in E, wrote the viola part in D major, and specified that the violist raises the strings in pitch by a semitone. He probably intended to give the viola a brighter tone so the rest of the ensemble wouldn't overpower it. Lionel Tertis, in his transcription of the
Elgar cello concerto Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already gone out of fashion with the concert-go ...
, wrote the slow movement with the C string tuned down to B, enabling the viola to play one passage an octave lower.


Organizations and research

A renewal of interest in the viola by performers and composers in the twentieth century led to increased research devoted to the instrument.
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ' ...
and Vadim Borisovsky made an early attempt at an organization, in 1927, with the Violists' World Union. But it was not until 1968, with the creation of the Viola-Forschungsgesellschaft, now the
International Viola Society The International Viola Society, also called the "IVS" or "the Society," is an international organization dedicated to players of the viola. It is currently based in Dordrecht, the Netherlands, and sponsors annual International Viola Congresses. ...
(IVS), that a lasting organization took hold. The IVS now consists of twelve chapters around the world, the largest being the American Viola Society (AVS), which publishes the ''Journal of the American Viola Society''. In addition to the journal, the AVS sponsors the David Dalton Research Competition and the
Primrose International Viola Competition The Primrose International Viola Competition (PIVC), also referred to as the Primrose Memorial Scholarship Competition (PMSC), is an international music competition for viola players sponsored by the American Viola Society and named for the 20th-ce ...
. The 1960s also saw the beginning of several research publications devoted to the viola, beginning with Franz Zeyringer's, ''Literatur für Viola'', which has undergone several versions, the most recent being in 1985. In 1980, Maurice Riley produced the first attempt at a comprehensive history of the viola, in his ''History of the Viola'', which was followed with the second volume in 1991. The IVS published the multi-language Viola Yearbook from 1979 to 1994, during which several other national chapters of the IVS published respective newsletters. The Primrose International Viola Archive at
Brigham Young University Brigham Young University (BYU, sometimes referred to colloquially as The Y) is a private research university in Provo, Utah. It was founded in 1875 by religious leader Brigham Young and is sponsored by the Church of Jesus Christ of Latter-d ...
houses the greatest amount of material related to the viola, including scores, recordings, instruments, and archival materials from some of the world's greatest violists.


Music


Reading music

Music that is written for the viola primarily uses the alto clef, which is otherwise rarely used. Viola music employs the treble clef when there are substantial sections of music written in a higher register. The alto clef is defined by the placement of C4 on the middle line of the staff. In treble clef, this note is placed one ledger line below the staff and in the bass clef (used, notably, by the cello and double bass) it is placed one ledger line above. As the viola is tuned exactly one octave above the cello (meaning that the viola retains the same string notes as the cello, but an octave higher), music that is notated for the cello can be easily transcribed for alto clef without any changes in key. For example, there are numerous editions of Bach's Cello Suites transcribed for viola. The viola also has the advantage of smaller scale-length, which means that the stretches on the cello are easier on the viola.


Role in pre-twentieth century works

In early
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
l music, the viola part was usually limited to filling in
harmonies In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. Howev ...
, with very little melodic material assigned to it. When the viola was given a melodic part, it was often duplicated (or was in unison with) the melody played by other strings. The concerti grossi, '' Brandenburg Concertos'', composed by J. S. Bach, were unusual in their use of viola. The third concerto grosso, scored for three violins, three violas, three cellos, and basso continuo, requires virtuosity from the violists. Indeed, Viola I has a solo in the last movement which is commonly found in orchestral auditions. The sixth concerto grosso, Brandenburg Concerto No. 6, which was scored for 2 violas "concertino", cello, 2 violas da gamba, and continuo, had the two violas playing the primary melodic role. He also used this unusual ensemble in his cantata, Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 and in
Mein Herze schwimmt im Blut, BWV 199 Johann Sebastian Bach composed the church cantata (My heart swims in blood) 199 in Weimar between 1711 and 1714, and performed it on the eleventh Sunday after Trinity, 12 August 1714. It is a solo cantata for soprano. The text was written by Ge ...
, the chorale is accompanied by an obbligato viola. There are a few
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
and Classical concerti, such as those by Georg Philipp Telemann (one for solo viola, being one of the earliest viola concertos known, and one for two violas),
Alessandro Rolla Alessandro Rolla (; 23 April 175714 September 1841) was an Italian viola and violin virtuoso, composer, conductor and teacher. His son, Antonio Rolla, was also a violin virtuoso and composer. His fame now rests mainly as "teacher of the great ...
, Franz Anton Hoffmeister and Carl Stamitz. The viola plays an important role in
chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small nu ...
. Mozart used the viola in more creative ways when he wrote his six string quintets. The viola quintets use two violas, which frees them (especially the first viola) for solo passages and increases the variety of writing that is possible for the ensemble. Mozart also wrote for the viola in his
Sinfonia Concertante Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & C ...
, a set of two duets for violin and viola, and the Kegelstatt Trio for viola, clarinet, and piano. The young Felix Mendelssohn wrote a little-known Viola Sonata in C minor (without opus number, but dating from 1824).
Robert Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
wrote his '' Märchenbilder'' for viola and piano. He also wrote a set of four pieces for clarinet, viola, and piano, ''
Märchenerzählungen ''Märchenerzählungen'' (Fairy tale narrations), Op. 132, is a trio composition by Robert Schumann in four movements for clarinet (violin ad libitum), viola and piano. He composed the clarinet-viola-piano trio in B-flat major, between 9 and 11 ...
''. Max Bruch wrote a romance for viola and orchestra, his Op. 85, which explores the emotive capabilities of the viola's timbre. In addition, his Eight pieces for clarinet, viola, and piano, Op. 83, features the viola in a very prominent, solo aspect throughout. His
Concerto for Clarinet, Viola, and Orchestra The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, by Max Bruch was composed in 1911 for his son, Max Felix Bruch, and received its first performance in 1912, with Willy Hess (viola) and the composer's son Max Felix Bruch (clarine ...
, Op. 88 has been quite prominent in the repertoire and has been recorded by prominent violists throughout the 20th century.] From his earliest works, Johannes Brahms, Brahms wrote music that prominently featured the viola. Among his first published pieces of chamber music, the sextets for strings Op. 18 and Op. 36 contain what amounts to solo parts for both violas. Late in life, he wrote two greatly admired sonatas for
clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitch ...
and
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
, his Op. 120 (1894): he later transcribed these works for the viola (the solo part in his Horn Trio is also available in a transcription for viola). Brahms also wrote " Two Songs for Alto with Viola and Piano", Op. 91, "Gestillte Sehnsucht" ("Satisfied Longing") and "Geistliches Wiegenlied" ("Spiritual Lullaby") as presents for the famous violinist Joseph Joachim and his wife, Amalie. Dvořák played the viola and apparently said that it was his favorite instrument: his chamber music is rich in important parts for the viola. Another Czech composer, Bedřich Smetana, included a significant viola, originally
viola d'amore The viola d'amore (; Italian for " viol of love") is a 7- or 6- stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The ...
part in his quartet " From My Life": the quartet begins with an impassioned statement by the viola. Bach, Mozart, and Beethoven all occasionally played the viola part in chamber music. The viola occasionally has a major role in orchestral music, a prominent example being Richard Strauss' tone poem '' Don Quixote'' for solo cello and viola and orchestra. Other examples are the "Ysobel" variation of
Edward Elgar Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestr ...
's '' Enigma Variations'' and the solo in his other work,
In the South (Alassio) ''In the South (Alassio)'', Op. 50, is a concert overture composed by Edward Elgar during a family holiday in Italy in the winter of 1903 to 1904. He was working on a symphony, but the local atmosphere inspired him instead to write what some have ...
, the pas de deux scene from Act 2 of Adolphe Adam's
Giselle ''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon ...
and the "La Paix" movement of
Léo Delibes Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakm� ...
's ballet ''
Coppélia ''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étie ...
'', which features a lengthy viola solo. Gabriel Fauré's
Requiem A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...
was originally scored (in 1888) with divided viola sections, lacking the usual violin sections, having only a solo violin for the ''Sanctus''. It was later scored for orchestra with violin sections, and published in 1901. Recordings of the older scoring with violas are available. While the viola repertoire is quite large, the amount written by well-known pre-20th-century composers is relatively small. There are many transcriptions of works for other instruments for the viola and the large number of 20th-century compositions is very diverse. See "The Viola Project" at the San Francisco Conservatory of Music, where Professor of Viola Jodi Levitz has paired a composer with each of her students, resulting in a recital of brand-new works played for the very first time.


Twentieth century and beyond

In the earlier part of the 20th century, more composers began to write for the viola, encouraged by the emergence of specialized soloists such as Lionel Tertis. Englishmen Arthur Bliss, York Bowen, Benjamin Dale, and
Ralph Vaughan Williams Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over ...
all wrote chamber and concert works for Tertis. William Walton,
Bohuslav Martinů Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He be ...
, and
Béla Bartók Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hu ...
wrote well-known viola concertos.
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ' ...
wrote a substantial amount of music for the viola; being himself a violist, he often performed his own works. Claude Debussy's Sonata for flute, viola and harp has inspired a significant number of other composers to write for this combination. Charles Wuorinen composed his virtuosic ''Viola Variations'' in 2008 for Lois Martin. Elliott Carter also wrote several works for viola including his ''Elegy'' (1943) for viola and piano; it was subsequently transcribed for clarinet.
Ernest Bloch Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer. Bloch was a preeminent artist in his day, and left a lasting legacy. He is recognized as one of the greatest Swiss composers in history. As well as producing music ...
, a Swiss-born American composer best known for his compositions inspired by Jewish music, wrote two famous works for viola, the ''Suite 1919'' and the '' Suite Hébraïque'' for solo viola and orchestra. Rebecca Clarke was a 20th-century composer and violist who also wrote extensively for the viola. Lionel Tertis records that
Edward Elgar Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestr ...
(whose
cello concerto A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments. These pieces have been written since the Baroque era if not earlier. However, unlike instr ...
Tertis transcribed for viola, with the slow movement in scordatura), Alexander Glazunov (who wrote an ''Elegy'', Op. 44, for viola and piano), and
Maurice Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In ...
all promised concertos for viola, yet all three died before doing any substantial work on them. In the latter part of the 20th century a substantial repertoire was produced for the viola; many composers including Miklós Rózsa,
Revol Bunin Revol Samuilovich Bunin (russian: Ре́воль Саму́илович Бу́нин; 6 April 1924, in Moscow – 3 July 1976, in Moscow) was a Russian composer. Early life and education Bunin's father, Samuil Markovich, was a bolshevik, a memb ...
, Alfred Schnittke, Sofia Gubaidulina, Giya Kancheli and Krzysztof Penderecki, have written viola concertos. The American composer Morton Feldman wrote a series of works entitled ''The Viola in My Life'', which feature concertante viola parts. In
spectral music Spectral music uses the acoustic properties of sound – or sound spectra – as a basis for composition. Definition Defined in technical language, spectral music is an acoustic musical practice where compositional decisions are often informe ...
, the viola has been sought after because of its lower overtone partials that are more easily heard than on the violin. Spectral composers like Gérard Grisey, Tristan Murail, and Horațiu Rădulescu have written solo works for viola. Neo-Romantic, post-Modern composers have also written significant works for viola including Robin Holloway Viola Concerto op.56 and Sonata op.87, and
Peter Seabourne Peter Seabourne (born 1960) is an English contemporary classical composer based in Lincolnshire, England. Biography Seabourne studied at Clare College, Cambridge with Robin Holloway, and University of York with David Blake. In 1984 he was joi ...
a large five-movement work with piano, ''Pietà''.


Contemporary pop music

The viola is sometimes used in contemporary popular music, mostly in the
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretica ...
.
John Cale John Davies Cale (born 9 March 1942) is a Welsh musician, composer, singer, songwriter and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various sty ...
of The Velvet Underground used the viola, as do some modern groups such as
alternative rock Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from mainstream or commercial ...
band 10,000 Maniacs,
Imagine Dragons Imagine Dragons is an American pop rock band from Las Vegas, Nevada, consisting of lead singer Dan Reynolds, guitarist Wayne Sermon, bassist Ben McKee and drummer Daniel Platzman. The band first gained exposure with the release of their si ...
, folk duo
John & Mary John & Mary is a United States-based folk rock duo featuring John Lombardo and Mary Ramsey both members of alternative rock band 10,000 Maniacs. History 1989–1993 John & Mary was formed by John Lombardo and Mary Ramsey soon after they firs ...
, British Sea Power and others.
Jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
music has also seen its share of violists, from those used in string sections in the early 1900s to a handful of quartets and soloists emerging from the 1960s onward. It is quite unusual though, to use individual bowed string instruments in contemporary popular music.


In folk music

Although not as commonly used as the violin in folk music, the viola is nevertheless used by many folk musicians across the world. Extensive research into the historical and current use of the viola in folk music has been carried out by Dr. Lindsay Aitkenhead. Players in this genre include Eliza Carthy,
Mary Ramsey Mary Ramsey (born December 24, 1963) is a member of folk rock duo John & Mary and lead singer and violinist for the American alternative rock band 10,000 Maniacs. Ramsey has also worked with other well-known artists such as Jackson Browne, Goo Go ...
,
Helen Bell Helen Bell is an English singer-songwriter, composer, and multi-instrumentalist, specialising in viola. While studying music at the University of York between 1999 and 2001 she became part of the trio Ola with Sarah Wright ( bodhran, flute, voc ...
, and
Nancy Kerr Nancy Kerr (born 1975) is an English folk musician and songwriter, specialising in the fiddle and singing. She is a Principal Lecturer in Folk Music at Leeds Conservatoire and Newcastle University. She was the 2015 BBC Radio 2 Folk Awards "Folk ...
. Clarence "Gatemouth" Brown was the viola's most prominent exponent in the genre of
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the ...
. The viola is also an important accompaniment instrument in
Slovakia Slovakia (; sk, Slovensko ), officially the Slovak Republic ( sk, Slovenská republika, links=no ), is a landlocked country in Central Europe. It is bordered by Poland to the north, Ukraine to the east, Hungary to the south, Austria to the ...
n, Hungarian and
Romania Romania ( ; ro, România ) is a country located at the crossroads of Central Europe, Central, Eastern Europe, Eastern, and Southeast Europe, Southeastern Europe. It borders Bulgaria to the south, Ukraine to the north, Hungary to the west, S ...
n folk string band music, especially in
Transylvania Transylvania ( ro, Ardeal or ; hu, Erdély; german: Siebenbürgen) is a historical and cultural region in Central Europe, encompassing central Romania. To the east and south its natural border is the Carpathian Mountains, and to the west the A ...
. Here the instrument has three strings tuned G3–D4–A3 (note that the A is an octave lower than found on the standard instrument), and the bridge is flattened with the instrument playing chords in a strongly rhythmic manner. In this usage, it is called a ''kontra'' or ''brácsa'' (pronounced "bra-cha", from German ''Bratsche'', "viola").


Performers

There are few well-known viola virtuoso soloists, perhaps because little virtuoso viola music was written before the twentieth century. Pre-twentieth century viola players of note include Carl Stamitz,
Alessandro Rolla Alessandro Rolla (; 23 April 175714 September 1841) was an Italian viola and violin virtuoso, composer, conductor and teacher. His son, Antonio Rolla, was also a violin virtuoso and composer. His fame now rests mainly as "teacher of the great ...
, Antonio Rolla, Chrétien Urhan,
Casimir Ney Louis-Casimir Escoffier, known primarily as Casimir Ney or L. Casimir-Ney (24 February 1801 – 3 February 1877) was a French composer and one of the foremost violists of the 19th century. History Escoffier/Ney was born in Paris. During the mid-1 ...
,
Louis van Waefelghem Louis van Waefelghem (13 January 1840, in Bruges – 19 June 1908, in Paris) was a Belgian violinist, violist and one of the greatest viola d'amore players of the 19th century. He also composed several works and made transcriptions for viola an ...
, and
Hermann Ritter Hermann Ritter (16 September 1849 in Wismar – 25 January 1926 in Würzburg) was a German viola player, composer and music historian. Biography Hermann Ritter studied violin at the Neue Akademie für Musik in Berlin from 1865 to 1870. His outst ...
. Important viola pioneers from the twentieth century were Lionel Tertis, William Primrose, composer/performer
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ' ...
,
Théophile Laforge Théophile Édouard Laforge (6 March 1863 in Paris – 31 October 1918 in Paris) was a French violist and first professor of viola at the Conservatoire de Paris. Laforge studied violin at the Conservatoire de Paris with Eugène Sauzay and was ...
, Cecil Aronowitz, Maurice Vieux, Vadim Borisovsky,
Lillian Fuchs Lillian Fuchs (November 18, 1901 – October 5, 1995) was an American violist, teacher and composer. She is considered to be among the finest instrumentalists of her time. She came from a musical family, and her brothers, Joseph Fuchs, a viol ...
, Dino Asciolla, Frederick Riddle, Walter Trampler, Ernst Wallfisch, Csaba Erdélyi, the only violist to ever win the
Carl Flesch International Violin Competition The Carl Flesch International Violin Competition (also known as the International Competition for Violinists "Carl Flesch" and the City of London International Competition for Violin and Viola (Carl Flesch Medal)) was an international music competi ...
, and Emanuel Vardi, the first violist to record the 24 Caprices by Paganini on viola. Many noted violinists have publicly performed and recorded on the viola as well, among them
Eugène Ysaÿe Eugène-Auguste Ysaÿe (; 16 July 185812 May 1931) was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar". Legend of the Ysaÿe violin Eugène Ysa ...
, Yehudi Menuhin, David Oistrakh, Pinchas Zukerman,
Maxim Vengerov Maxim Alexandrovich Vengerov (russian: Максим Александрович Венгеров, , mɐkˈsʲim ɐlʲɪkˈsandrəvʲɪtɕ vʲɪnˈɡʲerəf; he, מקסים ונגרוב; born 20 August 1974) is a Russian-born Israeli violinist, ...
, Julian Rachlin, James Ehnes, and Nigel Kennedy. Among the great composers, several preferred the viola to the violin when they were playing in ensembles, the most noted being
Ludwig van Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...
,
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
and Wolfgang Amadeus Mozart. Other composers also chose to play the viola in ensembles, including Joseph Haydn,
Franz Schubert Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal wo ...
, Felix Mendelssohn, Antonín Dvořák, and
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
. Among those noted both as violists and as composers are Rebecca Clarke and
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ' ...
. Contemporary composers and violists Kenji Bunch,
Scott Slapin Scott Slapin (born 1974) is an American composer and violist. Career Slapin has written more than sixty viola-centric chamber works and was commissioned to write the required piece for the 2008 Primrose International Viola Competition. He serv ...
, and Lev Zhurbin have written a number of works for viola.


Electric violas

Amplification of a viola with a pickup, an instrument amplifier (and speaker), and adjusting the tone with a graphic equalizer can make up for the comparatively weaker output of a violin-family instrument string tuned to notes below G3. There are two types of instruments used for electric viola: regular acoustic violas fitted with a piezoelectric pickup and specialized electric violas, which have little or no body. While traditional acoustic violas are typically only available in historically used earth tones (e.g., brown, reddish-brown, blonde), electric violas may be traditional colors or they may use bright colors, such as red, blue or green. Some electric violas are made of materials other than wood. Most electric instruments with lower strings are violin-sized, as they use the amp and speaker to create a big sound, so they do not need a large soundbox. Indeed, some electric violas have little or no soundbox, and thus rely entirely on amplification. Fewer electric violas are available than electric violins. It can be hard for violists who prefer a physical size or familiar touch references of a viola-sized instrument, when they must use an electric viola that uses a smaller violin-sized body.
Welsh Welsh may refer to: Related to Wales * Welsh, referring or related to Wales * Welsh language, a Brittonic Celtic language spoken in Wales * Welsh people People * Welsh (surname) * Sometimes used as a synonym for the ancient Britons (Celtic peopl ...
musician
John Cale John Davies Cale (born 9 March 1942) is a Welsh musician, composer, singer, songwriter and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various sty ...
, formerly of The Velvet Underground, is one of the more notable users of such an electric viola and he has used them both for melodies in his solo work and for drones in his work with The Velvet Underground (e.g. " Venus in Furs"). Other notable players of the electric viola are Geoffrey Richardson of
Caravan Caravan or caravans may refer to: Transport and travel *Caravan (travellers), a group of travellers journeying together **Caravanserai, a place where a caravan could stop *Camel train, a convoy using camels as pack animals *Convoy, a group of veh ...
and
Mary Ramsey Mary Ramsey (born December 24, 1963) is a member of folk rock duo John & Mary and lead singer and violinist for the American alternative rock band 10,000 Maniacs. Ramsey has also worked with other well-known artists such as Jackson Browne, Goo Go ...
of 10,000 Maniacs. Instruments may be built with an internal preamplifier, or may put out an unbuffered transducer signal. While such signals may be fed directly to an
amplifier An amplifier, electronic amplifier or (informally) amp is an electronic device that can increase the magnitude of a signal (a time-varying voltage or current). It may increase the power significantly, or its main effect may be to boost t ...
or
mixing board A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic in ...
, they often benefit from an external preamp/ equalizer on the end of a short cable, before being fed to the sound system. In rock and other loud styles, the electric viola player may use
effects unit An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in ...
s such as
reverb Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is abs ...
or
overdrive Overdrive may refer to: Organizations * OverDrive, Inc., a digital distributor of entertainment media ** OverDrive Media Console, a media player developed by OverDrive, Inc. * Overdrive PC, a subsidiary of Velocity Micro Technology * Overdrive ...
.


See also

* List of violists * Lionel Tertis International Viola Competition * Maurice Vieux International Viola Competition * Garrod's pad *
Viola jokes Viola jokes are jokes that are directed towards violas and viola players, thought to have originated in the 18th century. Violas at the time were mainly used for relatively easy parts and as accompaniment, rather than as solo instruments; violists ...


Notes


References


Further reading

* Dalton, David.
The Viola & Violists
" Primrose International Viola Archive. Retrieved October 8, 2006 * Chapman, Eric. "
Joseph Curtin Joseph Curtin is an American contemporary violinmaker who lives in Ann Arbor, Michigan. He is recognised as one of the world's greatest violinmakers. He was a 2005 recipient of a MacArthur Fellows Program "genius grant". He has also directed ...
and the Evia". ''Journal of the American Viola Society'', vol. 20, no. 1, Spring 2004, pp. 41–42. * Tertis, Lionel. ''My Viola and I.'' Kahn & Averill, London (1991)


External links


American Viola Society
website
Primrose International Viola Archive
library website
International Viola Society
website
Rivinus
David Rivinus' site with pictures of his oddly shaped violas

Joseph Curtin's experimental viola model
Oliver Viola

History of the Viola

Milward Violas
– David Milward's site. Contemporary viola design and build, information and articles
Viola in music
– The role of viola in music. Information, description of works, videos, free sheet music, MIDI files, RSS update

– University of Iowa Electronic Music Studios
Dr. Lindsay Aitkenhead's folk viola research page

Nigel Keay's Contemporary Viola
scores and articles of recent repertoire for the viola. * Very brief, but it does have names for the viola in French, German and Italian. {{Authority control C instruments Folk music instruments String section Baroque instruments