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Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been ...
based on human
suffering Suffering, or pain in a broad sense, may be an experience of unpleasantness or aversion, possibly associated with the perception of harm or threat of harm in an individual. Suffering is the basic element that makes up the negative valence of a ...
and, mainly, the terrible or sorrowful events that befall a
main character A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a st ...
. Traditionally, the intention of tragedy is to invoke an accompanying
catharsis Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its lite ...
, or a "pain
hat A hat is a head covering which is worn for various reasons, including protection against weather conditions, ceremonial reasons such as university graduation, religious reasons, safety, or as a fashion accessory. Hats which incorporate mecha ...
awakens pleasure", for the audience. While many cultures have developed forms that provoke this
paradox A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true premises, leads to a seemingly self-contradictory or a logically u ...
ical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of
Western civilization Leonardo da Vinci's ''Vitruvian Man''. Based on the correlations of ideal Body proportions">human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise ''De architectura''. image:Plato Pio-Cle ...
. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of
cultural identity Cultural identity is a part of a person's identity, or their self-conception and self-perception, and is related to nationality, ethnicity, religion, social class, generation, locality or any kind of social group that has its own distinct cultur ...
and historical continuity—"the
Greeks The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, oth ...
and the Elizabethans, in one cultural form;
Hellenes The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, other ...
and Christians, in a common activity," as
Raymond Williams Raymond Henry Williams (31 August 1921 – 26 January 1988) was a Welsh socialist writer, academic, novelist and critic influential within the New Left and in wider culture. His writings on politics, culture, the media and literature contribu ...
puts it. From its origins in the
theatre of ancient Greece Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was ...
2500 years ago, from which there survives only a fraction of the work of
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
, as well as many fragments from other poets, and the later Roman tragedies of
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extra ...
; through its singular articulations in the works of
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
,
Lope de Vega Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature ...
,
Jean Racine Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western traditio ...
, and
Friedrich Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendsh ...
to the more recent naturalistic tragedy of
Henrik Ibsen Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential play ...
and
August Strindberg Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist An essay is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with t ...
;
Samuel Beckett Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and Tragicomedy, tr ...
's
modernist Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
meditations on death, loss and suffering;
Heiner Müller Heiner Müller (; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and post ...
postmodernist Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of moderni ...
reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of
philosophers A philosopher is a person who practices or investigates philosophy. The term ''philosopher'' comes from the grc, φιλόσοφος, , translit=philosophos, meaning 'lover of wisdom'. The coining of the term has been attributed to the Greek th ...
—which includes
Plato Plato ( ; grc-gre, wikt:Πλάτων, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greeks, Greek philosopher born in Athens during the Classical Greece, Classical period in Ancient Greece. He founded the Platonist school of thou ...
, Aristotle,
Saint Augustine Augustine of Hippo ( , ; la, Aurelius Augustinus Hipponensis; 13 November 354 – 28 August 430), also known as Saint Augustine, was a theologian and philosopher of Berber origin and the bishop of Hippo Regius in Numidia, Roman North Afri ...
,
Voltaire François-Marie Arouet (; 21 November 169430 May 1778) was a French Enlightenment writer, historian, and philosopher. Known by his '' nom de plume'' M. de Voltaire (; also ; ), he was famous for his wit, and his criticism of Christianity— ...
, Hume,
Diderot Denis Diderot (; ; 5 October 171331 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the ''Encyclopédie'' along with Jean le Rond d'Alembert. He was a prominen ...
,
Hegel Georg Wilhelm Friedrich Hegel (; ; 27 August 1770 – 14 November 1831) was a German philosopher. He is one of the most important figures in German idealism and one of the founding figures of modern Western philosophy. His influence extends a ...
,
Schopenhauer Arthur Schopenhauer ( , ; 22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work ''The World as Will and Representation'' (expanded in 1844), which characterizes the phenomenal world as the prod ...
, Kierkegaard,
Nietzsche Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, philologist, and composer whose work has exerted a profound influence on contemporary philosophy. He began his ca ...
,
Freud Sigmund Freud ( , ; born Sigismund Schlomo Freud; 6 May 1856 – 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for evaluating and treating pathologies explained as originating in conflicts in ...
,
Benjamin Benjamin ( he, ''Bīnyāmīn''; "Son of (the) right") blue letter bible: https://www.blueletterbible.org/lexicon/h3225/kjv/wlc/0-1/ H3225 - yāmîn - Strong's Hebrew Lexicon (kjv) was the last of the two sons of Jacob and Rachel (Jacob's thir ...
, Camus,
Lacan Jacques Marie Émile Lacan (, , ; 13 April 1901 – 9 September 1981) was a French psychoanalyst and psychiatrist. Described as "the most controversial psycho-analyst since Freud", Lacan gave yearly seminars in Paris from 1953 to 1981, and pu ...
, and
Deleuze Gilles Louis René Deleuze ( , ; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volu ...
—have analysed, speculated upon, and criticised the genre. In the wake of Aristotle's ''
Poetics Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry. History The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" a ...
'' (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against epic and lyric) or at the scale of the drama (where tragedy is opposed to comedy). In the modern era, tragedy has also been defined against drama,
melodrama A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or exce ...
, the tragicomic, and
epic theatre Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creat ...
. Drama, in the narrow sense, cuts across the traditional division between comedy and tragedy in an anti- or a-
generic Generic or generics may refer to: In business * Generic term, a common name used for a range or class of similar things not protected by trademark * Generic brand, a brand for a product that does not have an associated brand or trademark, other ...
deterritorialisation from the mid-19th century onwards. Both
Bertolt Brecht Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a pl ...
and
Augusto Boal Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical left popular education movemen ...
define their
epic theatre Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creat ...
projects (
non-Aristotelian drama Non-Aristotelian drama, or the 'epic form' of the drama, is a kind of play whose dramaturgical structure departs from the features of classical tragedy in favour of the features of the epic, as defined in each case by the ancient Greek philosoph ...
and
Theatre of the Oppressed The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theorist ...
, respectively) against models of tragedy. Taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation.


Etymology

The word "tragedy" appears to have been used to describe different phenomena at different times. It derives from Classical Greek , contracted from ''trag(o)-aoidiā'' = "goat
song A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetitio ...
", which comes from ''tragos'' = "he-goat" and ''aeidein'' = "to sing" (''
cf. The abbreviation ''cf.'' (short for the la, confer/conferatur, both meaning "compare") is used in writing to refer the reader to other material to make a comparison with the topic being discussed. Style guides recommend that ''cf.'' be used onl ...
'' "ode"). Scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was what a chorus danced around prior to the animal's ritual
sacrifice Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly exis ...
. In another view on the etymology,
Athenaeus Athenaeus of Naucratis (; grc, Ἀθήναιος ὁ Nαυκρατίτης or Nαυκράτιος, ''Athēnaios Naukratitēs'' or ''Naukratios''; la, Athenaeus Naucratita) was a Greek rhetorician and grammarian, flourishing about the end of th ...
of Naucratis (2nd–3rd century CE) says that the original form of the word was ''trygodia'' from ''trygos'' (grape harvest) and ''ode'' (song), because those events were first introduced during grape harvest. Writing in 335 BCE (long after the Golden Age of 5th-century
Athenian Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates a ...
tragedy), Aristotle provides the earliest-surviving explanation for the origin of the dramatic
art form The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both hi ...
in his ''
Poetics Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry. History The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" a ...
'', in which he argues that tragedy developed from the
improvisation Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...
s of the leader of choral
dithyramb The dithyramb (; grc, διθύραμβος, ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in ''The Laws'', while discussing ...
s (
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' ...
s sung and danced in praise of
Dionysos In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstas ...
, the god of wine and fertility): In the same work, Aristotle attempts to provide a scholastic definition of what tragedy is: There is some dissent to the dithyrambic origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre- Hellenic fertility and burial rites has been suggested.
Friedrich Nietzsche Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, philologist, and composer whose work has exerted a profound influence on contemporary philosophy. He began his care ...
discussed the origins of Greek tragedy in his early book ''
The Birth of Tragedy ''The Birth of Tragedy Out of the Spirit of Music'' (german: Die Geburt der Tragödie aus dem Geiste der Musik) is a 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as ''The Birth of Tragedy, Or ...
'' (1872). Here, he suggests the name originates in the use of a chorus of goat-like
satyr In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exa ...
s in the original
dithyramb The dithyramb (; grc, διθύραμβος, ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in ''The Laws'', while discussing ...
s from which the tragic genre developed. Scott Scullion writes:


Greek

Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the
Hellenistic period In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 3 ...
. No tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts
extant Extant is the opposite of the word extinct. It may refer to: * Extant hereditary titles * Extant literature, surviving literature, such as ''Beowulf'', the oldest extant manuscript written in English * Extant taxon, a taxon which is not extin ...
by
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
, and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
. Aeschylus' ''
Persians The Persians are an Iranian ethnic group who comprise over half of the population of Iran. They share a common cultural system and are native speakers of the Persian language as well as of the languages that are closely related to Persian. ...
'' is recognized to be the earliest extant Greek tragedy, and as such it is doubly unique among the extant ancient dramas. Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days. Each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a
satyr play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is stro ...
. The four plays sometimes featured linked stories. Only one complete trilogy of tragedies has survived, the ''
Oresteia The ''Oresteia'' ( grc, Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of t ...
'' of Aeschylus. The Greek theatre was in the open air, on the side of a hill, and performances of a trilogy and satyr play probably lasted most of the day. Performances were apparently open to all citizens, including women, but evidence is scant. The theatre of Dionysus at Athens probably held around 12,000 people. All of the choral parts were sung (to the accompaniment of an ''
aulos An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was us ...
'') and some of the actors' answers to the chorus were sung as well. The play as a whole was composed in various verse metres. All actors were male and wore masks. A
Greek chorus A Greek chorus, or simply chorus ( grc-gre, χορός, chorós), in the context of ancient Greek tragedy, comedy, satyr plays, and modern works inspired by them, is a homogeneous, non-individualised group of performers, who comment with a colle ...
danced as well as sang, though no one knows exactly what sorts of steps the chorus performed as it sang. Choral songs in tragedy are often divided into three sections: strophe ("turning, circling"), antistrophe ("counter-turning, counter-circling") and epode ("after-song"). Many ancient Greek tragedians employed the '' ekkyklêma'' as a theatrical device, which was a platform hidden behind the scene that could be rolled out to display the aftermath of some event which had happened out of sight of the audience. This event was frequently a brutal murder of some sort, an act of violence which could not be effectively portrayed visually, but an action of which the other characters must see the effects for it to have meaning and emotional resonance. A prime example of the use of the ''ekkyklêma'' is after the murder of
Agamemnon In Greek mythology, Agamemnon (; grc-gre, Ἀγαμέμνων ''Agamémnōn'') was a king of Mycenae who commanded the Greeks during the Trojan War. He was the son, or grandson, of King Atreus and Queen Aerope, the brother of Menelaus, the hus ...
in the first play of Aeschylus' ''Oresteia'', when the king's butchered body is wheeled out in a grand display for all to see. Variations on the ''ekkyklêma'' are used in tragedies and other forms to this day, as writers still find it a useful and often powerful device for showing the consequences of extreme human actions. Another such device was a crane, the
mechane A mechane (; el, μηχανή, ''mēkhanḗ'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually represen ...
, which served to hoist a god or goddess on stage when they were supposed to arrive flying. This device gave origin to the phrase "
deus ex machina ''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function ...
" ("god out of a machine"), that is, the surprise intervention of an unforeseen external factor that changes the outcome of an event.


Roman

Following the expansion of the
Roman Republic The Roman Republic ( la, Res publica Romana ) was a form of government of Rome and the era of the classical Roman civilization when it was run through public representation of the Roman people. Beginning with the overthrow of the Roman K ...
(509–27 BCE) into several Greek territories between 270 and 240 BCE, Rome encountered
Greek tragedy Greek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed ...
. From the later years of the republic and by means of the
Roman Empire The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post-Roman Republic, Republican period of ancient Rome. As a polity, it included large territorial holdings aro ...
(27 BCE-476 CE), theatre spread west across Europe, around the Mediterranean and even reached Britain. While Greek tragedy continued to be performed throughout the Roman period, the year 240 BCE marks the beginning of regular Roman drama.
Livius Andronicus Lucius Livius Andronicus (; el, Λούκιος Λίβιος Ανδρόνικος; c. 284 – c. 204 BC) was a Greco-Roman dramatist and epic poet of the Old Latin period during the Roman Republic. He began as an educator in the service of a n ...
began to write Roman tragedies, thus creating some of the first important works of
Roman literature Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature ...
. Five years later, Gnaeus Naevius also began to write tragedies (though he was more appreciated for his comedies). No complete early Roman tragedy survives, though it was highly regarded in its day; historians know of three other early tragic playwrights— Quintus Ennius, Marcus Pacuvius and
Lucius Accius Lucius Accius (; 170 – c. 86 BC), or Lucius Attius, was a Roman tragic poet and literary scholar. Accius was born in 170 BC at Pisaurum, a town founded in the Ager Gallicus in 184 BC. He was the son of a freedman and a freedwoman, probably from ...
. From the time of the empire, the tragedies of two playwrights survive—one is an unknown author, while the other is the Stoic philosopher
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extra ...
. Nine of Seneca's tragedies survive, all of which are ''fabula crepidata'' (tragedies adapted from Greek originals); his '' Phaedra'', for example, was based on
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
' '' Hippolytus''. Historians do not know who wrote the only
extant Extant is the opposite of the word extinct. It may refer to: * Extant hereditary titles * Extant literature, surviving literature, such as ''Beowulf'', the oldest extant manuscript written in English * Extant taxon, a taxon which is not extin ...
example of the ''fabula praetexta'' (tragedies based on Roman subjects), '' Octavia'', but in former times it was mistakenly attributed to Seneca due to his appearance as a character in the tragedy. Seneca's tragedies rework those of all three of the Athenian tragic playwrights whose work has survived. Probably meant to be recited at elite gatherings, they differ from the Greek versions in their long declamatory, narrative accounts of action, their obtrusive moralising, and their bombastic rhetoric. They dwell on detailed accounts of horrible deeds and contain long reflective soliloquies. Though the gods rarely appear in these plays, ghosts and witches abound. Senecan tragedies explore ideas of
revenge Revenge is committing a harmful action against a person or group in response to a grievance, be it real or perceived. Francis Bacon described revenge as a kind of "wild justice" that "does... offend the law ndputteth the law out of office." Pr ...
, the occult, the supernatural, suicide, blood and gore. The Renaissance scholar
Julius Caesar Scaliger Julius Caesar Scaliger (; April 23, 1484 – October 21, 1558), or Giulio Cesare della Scala, was an Italian scholar and physician, who spent a major part of his career in France. He employed the techniques and discoveries of Renaissance humanism ...
(1484–1558), who knew both Latin and Greek, preferred Seneca to Euripides.


Renaissance


Influence of Greek and Roman

Classical Greek drama was largely forgotten in Western Europe from the Middle Ages to the beginning of the 16th century.
Medieval theatre Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, c ...
was dominated by
mystery play Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the represe ...
s,
morality play The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts ( ...
s,
farce Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or ...
s and
miracle play Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the represe ...
s. In Italy, the models for tragedy in the later Middle Ages were Roman, particularly the works of Seneca, interest in which was reawakened by the
Padua Padua ( ; it, Padova ; vec, Pàdova) is a city and '' comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the ...
n Lovato de' Lovati (1241–1309). His pupil
Albertino Mussato Albertino Mussato (1261–1329) was a statesman, poet, historian and playwright from Padua. He is credited with providing an impetus to the revival of literary Latin, and is characterized as an early humanist. He was influenced by his teacher, the ...
(1261–1329), also of Padua, in 1315 wrote the Latin verse tragedy ''Eccerinis'', which uses the story of the tyrant
Ezzelino III da Romano Ezzelino III da Romano (25 April 1194, Tombolo7 October 1259) was an Italian feudal lord, a member of the Ezzelino family, in the March of Treviso (in modern Veneto). He was a close ally of the emperor Frederick II ( r. 1220–1250), and ruled ...
to highlight the danger to Padua posed by Cangrande della Scala of Verona. It was the first secular tragedy written since Roman times, and may be considered the first Italian tragedy identifiable as a Renaissance work. The earliest tragedies to employ purely classical themes are the ''Achilles'' written before 1390 by Antonio Loschi of Vicenza (c.1365–1441) and the ''Progne'' of the Venetian Gregorio Correr (1409–1464) which dates from 1428 to 1429. In 1515
Gian Giorgio Trissino Gian Giorgio Trissino (8 July 1478 – 8 December 1550), also called Giovan Giorgio Trissino and self-styled as Giovan Giωrgio Trissino, was a Venetian Renaissance humanist, poet, dramatist, diplomat, grammarian, linguist, and philosopher. ...
(1478–1550) of Vicenza wrote his tragedy ''Sophonisba'' in the
vernacular A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, n ...
that would later be called Italian. Drawn from
Livy Titus Livius (; 59 BC – AD 17), known in English as Livy ( ), was a Roman historian. He wrote a monumental history of Rome and the Roman people, titled , covering the period from the earliest legends of Rome before the traditional founding in ...
's account of
Sophonisba Sophonisba (in Punic, 𐤑𐤐𐤍𐤁𐤏𐤋 Ṣap̄anbaʿal) (fl. 203 BC) was a Carthaginian noblewoman who lived during the Second Punic War, and the daughter of Hasdrubal Gisco. She held influence over the Numidian political landscape, co ...
, the Carthaginian princess who drank poison to avoid being taken by the Romans, it adheres closely to classical rules. It was soon followed by the ''Oreste'' and ''Rosmunda'' of Trissino's friend, the Florentine
Giovanni di Bernardo Rucellai Giovanni di Bernardo Rucellai (20 October 1475 – 3 April 1525) was an Italian humanist, poet, dramatist and man of letters in Renaissance Florence, in Tuscany, Italy. A member of a wealthy family of wool merchants and one of the richest men ...
(1475–1525). Both were completed by early 1516 and are based on classical Greek models, ''Rosmunda'' on the ''
Hecuba Hecuba (; also Hecabe; grc, Ἑκάβη, Hekábē, ) was a queen in Greek mythology, the wife of King Priam of Troy during the Trojan War. Description Hecuba was described by the chronicler Malalas in his account of the ''Chronography'' as "d ...
'' of
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
, and ''Oreste'' on the ''
Iphigenia in Tauris ''Iphigenia in Tauris'' ( grc, Ἰφιγένεια ἐν Ταύροις, ''Iphigeneia en Taurois'') is a drama by the playwright Euripides, written between 414 BC and 412 BC. It has much in common with another of Euripides's plays, ''Helen'', as w ...
'' of the same author; like ''Sophonisba'', they are in Italian and in blank (unrhymed)
hendecasyllable In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical ( Ancient Greek and Latin) poetry, an ...
s. Another of the first of all modern tragedies is ''A Castro'', by Portuguese poet and playwright António Ferreira, written around 1550 (but only published in 1587) in polymetric verse (most of it being blank hendecasyllables), dealing with the murder of Inês de Castro, one of the most dramatic episodes in Portuguese history. Although these three Italian plays are often cited, separately or together, as being the first regular tragedies in modern times, as well as the earliest substantial works to be written in blank hendecasyllables, they were apparently preceded by two other works in the vernacular: ''Pamfila'' or ''Filostrato e Panfila'' written in 1498 or 1508 by Antonio Cammelli (Antonio da Pistoia); and a ''Sophonisba'' by Galeotto del Carretto of 1502. From about 1500 printed copies, in the original languages, of the works of
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
,
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extra ...
, and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
, as well as comedic writers such as
Aristophanes Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme Kydathenaion ( la, Cydathenaeum), was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his ...
,
Terence Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought T ...
and
Plautus Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the ge ...
, were available in Europe and the next forty years saw
humanists Humanism is a philosophical stance that emphasizes the individual and social potential and agency of human beings. It considers human beings the starting point for serious moral and philosophical inquiry. The meaning of the term "human ...
and poets translating and adapting their tragedies. In the 1540s, the European university setting (and especially, from 1553 on, the Jesuit colleges) became host to a Neo-Latin theatre (in Latin) written by scholars. The influence of Seneca was particularly strong in its humanist tragedy. His plays, with their ghosts, lyrical passages and rhetorical oratory, brought a concentration on rhetoric and language over dramatic action to many humanist tragedies. The most important sources for French tragic theatre in the Renaissance were the example of
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extra ...
and the precepts of
Horace Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ' ...
and Aristotle (and contemporary commentaries by
Julius Caesar Scaliger Julius Caesar Scaliger (; April 23, 1484 – October 21, 1558), or Giulio Cesare della Scala, was an Italian scholar and physician, who spent a major part of his career in France. He employed the techniques and discoveries of Renaissance humanism ...
and
Lodovico Castelvetro Lodovico Castelvetro (ca. 1505–1571) was an important figure in the development of neo-classicism, especially in drama. It was his reading of Aristotle that led to a widespread adoption of a tight version of the Three Unities, as a dramatic ...
), although plots were taken from classical authors such as
Plutarch Plutarch (; grc-gre, Πλούταρχος, ''Ploútarchos''; ; – after AD 119) was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo in Delphi. He is known primarily for his ' ...
, Suetonius, etc., from the Bible, from contemporary events and from short story collections (Italian, French and Spanish). The Greek tragic authors (
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
) would become increasingly important as models by the middle of the 17th century. Important models were also supplied by the
Spanish Golden Age The Spanish Golden Age ( es, Siglo de Oro, links=no , "Golden Century") is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Ha ...
playwrights
Pedro Calderón de la Barca Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (, ; ; 17 January 160025 May 1681) was a Spanish dramatist, poet, writer and knight of the Order of Santiago. He is known as one of the most distinguished Baroque ...
,
Tirso de Molina Gabriel Téllez ( 24 March 1583 20 February 1648), better known as Tirso de Molina, was a Spanish Baroque dramatist, poet and Roman Catholic monk. He is primarily known for writing '' The Trickster of Seville and the Stone Guest'', the play fro ...
and
Lope de Vega Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature ...
, many of whose works were translated and adapted for the French stage.


Britain

The common forms are the: * ''Tragedy of circumstance'': people are born into their situations, and do not choose them; such tragedies explore the consequences of birthrights, particularly for monarchs * ''Tragedy of miscalculation'': the
protagonist A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a st ...
's error of judgement has tragic consequences * ''
Revenge play The revenge tragedy, or revenge play, is a dramatic genre in which the protagonist seeks revenge for an imagined or actual injury. The term ''revenge tragedy'' was first introduced in 1900 by A. H. Thorndike to label a class of plays written in ...
'' In English, the most famous and most successful tragedies are those of
William Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
and his
Elizabethan The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personific ...
contemporaries. Shakespeare's tragedies include: * ''
Antony and Cleopatra ''Antony and Cleopatra'' (First Folio title: ''The Tragedie of Anthonie, and Cleopatra'') is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around ...
'' * ''
Coriolanus ''Coriolanus'' ( or ) is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. Shakespeare worked on it during the same ye ...
'' * ''
Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a Shakespearean tragedy, tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Den ...
'' * ''
Julius Caesar Gaius Julius Caesar (; ; 12 July 100 BC – 15 March 44 BC), was a Roman general and statesman. A member of the First Triumvirate, Caesar led the Roman armies in the Gallic Wars before defeating his political rival Pompey in a civil war, and ...
'' * ''
King Lear ''King Lear'' is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between two of his daughters. He becomes destitute and insane an ...
'' * ''
Macbeth ''Macbeth'' (, full title ''The Tragedie of Macbeth'') is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those wh ...
'' * ''
Othello ''Othello'' (full title: ''The Tragedy of Othello, the Moor of Venice'') is a tragedy written by William Shakespeare, probably in 1603, set in the contemporary Ottoman–Venetian War (1570–1573) fought for the control of the Island of Cypru ...
'' * ''
Romeo and Juliet ''Romeo and Juliet'' is a tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with ''Ham ...
'' * ''
Timon of Athens ''Timon of Athens'' (''The Life of Tymon of Athens'') is a play written by William Shakespeare and probably also Thomas Middleton in about 1606. It was published in the ''First Folio'' in 1623. Timon lavishes his wealth on parasitic companion ...
'' * ''
Titus Andronicus ''Titus Andronicus'' is a tragedy by William Shakespeare believed to have been written between 1588 and 1593, probably in collaboration with George Peele. It is thought to be Shakespeare's first tragedy and is often seen as his attempt to em ...
'' * ''
Troilus and Cressida ''Troilus and Cressida'' ( or ) is a play by William Shakespeare, probably written in 1602. At Troy during the Trojan War, Troilus and Cressida begin a love affair. Cressida is forced to leave Troy to join her father in the Greek camp. Meanw ...
'' A contemporary of Shakespeare,
Christopher Marlowe Christopher Marlowe, also known as Kit Marlowe (; baptised 26 February 156430 May 1593), was an English playwright, poet and translator of the Elizabethan era. Marlowe is among the most famous of the Elizabethan playwrights. Based upon the "m ...
, also wrote examples of tragedy in English, notably: * ''
The Tragical History of Doctor Faustus ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the ...
'' * ''
Tamburlaine the Great ''Tamburlaine the Great'' is a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor Timur (Tamerlane/Timur the Lame, d. 1405). Written in 1587 or 1588, the play is a milestone in Elizabethan p ...
''
John Webster John Webster (c. 1580 – c. 1632) was an English Jacobean dramatist best known for his tragedies ''The White Devil'' and ''The Duchess of Malfi'', which are often seen as masterpieces of the early 17th-century English stage. His life and care ...
(1580?–1635?), also wrote famous plays of the genre: * ''
The Duchess of Malfi ''The Duchess of Malfi'' (originally published as ''The Tragedy of the Dutchesse of Malfy'') is a Jacobean revenge tragedy written by English dramatist John Webster in 1612–1613. It was first performed privately at the Blackfriars Theatre ...
'' * ''
The White Devil ''The White Devil'' (full original title: ''The White Divel; or, The Tragedy of Paulo Giordano Ursini, Duke of Brachiano. With The Life and Death of Vittoria Corombona the famous Venetian Curtizan'') is a tragedy by English playwright John We ...
''


Domestic tragedy

Domestic tragedies are tragedies in which the tragic protagonists are ordinary middle-class or working-class individuals. This subgenre contrasts with classical and Neoclassical tragedy, in which the protagonists are of kingly or
aristocratic Aristocracy (, ) is a form of government that places strength in the hands of a small, privileged ruling class, the aristocrats. The term derives from the el, αριστοκρατία (), meaning 'rule of the best'. At the time of the word's ...
rank and their downfall is an affair of state as well as a personal matter. The Ancient Greek theorist Aristotle had argued that tragedy should concern only great individuals with great minds and souls, because their catastrophic downfall would be more emotionally powerful to the audience; only comedy should depict middle-class people. Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. The advent of the domestic tragedy ushered in the first phase shift of the genre focusing less on the Aristotelian definition of the genre and more on the definition of tragedy on the scale of the drama, where tragedy is opposed to comedy i.e. melancholic stories. Although the utilization of key elements such as suffering, hamartia, morality, and spectacle ultimately ties this variety of tragedy to all the rest. This variant of tragedy has led to the evolution and development of tragedies of the modern era especially those past the mid-1800s such as the works of
Arthur Miller Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist and screenwriter in the 20th-century American theater. Among his most popular plays are ''All My Sons'' (1947), ''Death of a Salesman'' (194 ...
,
Eugene O'Neill Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright and Nobel laureate in literature. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier ...
and
Henrik Ibsen Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential play ...
. Newly dealt with themes that sprang forth from the Domestic tragedy movement include: wrongful convictions and executions, poverty, starvation,
addiction Addiction is a neuropsychological disorder characterized by a persistent and intense urge to engage in certain behaviors, one of which is the usage of a drug, despite substantial harm and other negative consequences. Repetitive drug use oft ...
,
alcoholism Alcoholism is, broadly, any drinking of alcohol that results in significant mental or physical health problems. Because there is disagreement on the definition of the word ''alcoholism'', it is not a recognized diagnostic entity. Predomin ...
, debt,
structural abuse Structural abuse is the process by which an individual or group is dealt with unfairly by a social or cultural system or authority. This unfairness manifests itself as abuse in a psychological, financial, physical or spiritual form, and victims oft ...
,
child abuse Child abuse (also called child endangerment or child maltreatment) is physical, sexual, and/or psychological maltreatment or neglect of a child or children, especially by a parent or a caregiver. Child abuse may include any act or failure to ...
, crime,
domestic violence Domestic violence (also known as domestic abuse or family violence) is violence or other abuse that occurs in a domestic setting, such as in a marriage or cohabitation. ''Domestic violence'' is often used as a synonym for ''intimate partner v ...
, social shunning, depression, and loneliness. Classical Domestic tragedies include: * ''
Arden of Faversham ''Arden of Faversham'' (original spelling: ''Arden of Feversham'') is an Elizabethan play, entered into the Register of the Stationers Company on 3 April 1592, and printed later that same year by Edward White. It depicts the real-life murder ...
'' (1592) * ''
A Woman Killed with Kindness A'' Woman Killed with Kindness'' is an early seventeenth-century stage play, a tragedy written by Thomas Heywood. Acted in 1603 and first published in 1607, the play has generally been considered Heywood's masterpiece, and has received the most cri ...
'' (1607) * ''
A Yorkshire Tragedy ''A Yorkshire Tragedy'' is an early Jacobean era stage play, a domestic tragedy printed in 1608. The play was originally assigned to William Shakespeare, though the modern critical consensus rejects this attribution, favouring Thomas Middleton ...
'' (1608) * ''
The Witch of Edmonton ''The Witch of Edmonton'' is an English Jacobean play, written by William Rowley, Thomas Dekker and John Ford in 1621. The play—"probably the most sophisticated treatment of domestic tragedy in the whole of Elizabethan-Jacobean drama"—is ...
'' (1621)


Opera

Contemporary with Shakespeare, an entirely different approach to facilitating the rebirth of tragedy was taken in Italy.
Jacopo Peri Jacopo Peri (20 August 156112 August 1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote the ...
, in the preface to his '' Euridice'' refers to "the ancient Greeks and Romans (who in the opinion of many sang their staged tragedies throughout in representing them on stage)." The attempts of Peri and his contemporaries to recreate ancient tragedy gave rise to the new Italian musical genre of opera. In France, tragic operatic works from the time of
Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
to about that of
Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
were not called opera, but ''tragédie en musique'' ("tragedy in music") or some similar name; the ''tragédie en musique'' is regarded as a distinct musical genre. Some later operatic composers have also shared Peri's aims:
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's concept of ''
Gesamtkunstwerk A ''Gesamtkunstwerk'' (, literally 'total artwork', translated as 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of al ...
'' ("integrated work of art"), for example, was intended as a return to the ideal of Greek tragedy in which all the arts were blended in service of the drama.
Nietzsche Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, philologist, and composer whose work has exerted a profound influence on contemporary philosophy. He began his ca ...
, in his ''
The Birth of Tragedy ''The Birth of Tragedy Out of the Spirit of Music'' (german: Die Geburt der Tragödie aus dem Geiste der Musik) is a 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as ''The Birth of Tragedy, Or ...
'' (1872) was to support Wagner in his claims to be a successor of the ancient dramatists.


Neo-classical

For much of the 17th century,
Pierre Corneille Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patrona ...
, who made his mark on the world of tragedy with plays like ''Medée'' (1635) and ''Le Cid'' (1636), was the most successful writer of French tragedies. Corneille's tragedies were strangely un-tragic (his first version of ''Le Cid'' was even listed as a tragicomedy), for they had happy endings. In his theoretical works on theatre, Corneille redefined both comedy and tragedy around the following suppositions: * The stage—in both comedy and tragedy—should feature noble characters (this would eliminate many low-characters, typical of the farce, from Corneille's comedies). Noble characters should not be depicted as vile (reprehensible actions are generally due to non-noble characters in Corneille's plays). * Tragedy deals with affairs of the state (wars, dynastic marriages); comedy deals with love. For a work to be tragic, it need not have a tragic ending. * Although Aristotle says that
catharsis Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its lite ...
(purgation of emotion) should be the goal of tragedy, this is only an ideal. In conformity with the moral codes of the period, plays should not show evil being rewarded or nobility being degraded. Corneille continued to write plays through 1674 (mainly tragedies, but also something he called "heroic comedies") and many continued to be successes, although the "irregularities" of his theatrical methods were increasingly criticised (notably by
François Hédelin, abbé d'Aubignac François Hédelin, abbé d'Aubignac (4 August 1604 in Paris – 27 July 1676) was a French author and cleric. The father of François Hédelin was Claude Hédelin, a lawyer at the Parliament, and his mother Catherine Paré, the daughter of the ...
) and the success of Jean Racine from the late 1660s signalled the end of his preeminence.
Jean Racine Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western traditio ...
's tragedies—inspired by Greek myths,
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
and
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extra ...
—condensed their plot into a tight set of passionate and duty-bound conflicts between a small group of noble characters, and concentrated on these characters' double-binds and the geometry of their unfulfilled desires and hatreds. Racine's poetic skill was in the representation of
pathos Pathos (, ; plural: ''pathea'' or ''pathê''; , for "suffering" or "experience") appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. Pathos is a term used most often in rhetoric (in which it is c ...
and amorous passion (like
Phèdre ''Phèdre'' (; originally ''Phèdre et Hippolyte'') is a French dramatic tragedy in five acts written in alexandrine verse by Jean Racine, first performed in 1677 at the theatre of the Hôtel de Bourgogne in Paris. Composition and premiere With ...
's love for her stepson) and his impact was such that emotional crisis would be the dominant mode of tragedy to the end of the century. Racine's two late plays ("Esther" and "Athalie") opened new doors to biblical subject matter and to the use of theatre in the education of young women. Racine also faced criticism for his irregularities: when his play, '' Bérénice'', was criticised for not containing any deaths, Racine disputed the conventional view of tragedy. For more on French tragedy of the 16th and 17th centuries, see
French Renaissance literature French Renaissance literature is, for the purpose of this article, literature written in French ( Middle French) from the French invasion of Italy in 1494 to 1600, or roughly the period from the reign of Charles VIII of France to the ascension of ...
and French literature of the 17th century.


Later development

Towards the close of the eighteenth century, having studied her predecessors,
Joanna Baillie Joanna Baillie (11 September 1762 – 23 February 1851) was a Scottish poet and dramatist, known for such works as ''Plays on the Passions'' (three volumes, 1798–1812) and ''Fugitive Verses'' (1840). Her work shows an interest in moral philoso ...
wanted to revolutionise theatre, believing that it could be used more effectively to affect people's lives. To this end she gave a new direction to tragedy, which she defines as ‘the unveiling of the human mind under the dominion of those strong and fixed passions, which seemingly unprovoked by outward circumstances, will from small beginnings brood within the breast, till all the better dispositions, all the fair gifts of nature are borne down before them'. This theory, she put into practice in her 'Series of Plays on the Passions' in three volumes (commencing in 1798) and in other dramatic works. Her method was to create a series of scenes and incidents intended to capture the audience's inquisitiveness and 'trace the progress of the passion, pointing out those stages in the approach of the enemy, when he might have been combated most successfully; and where the suffering him to pass may be considered as occasioning all the misery that ensues.'


Bourgeois

Bourgeois tragedy (German: Bürgerliches Trauerspiel) is a form that developed in 18th-century Europe. It was a fruit of the Enlightenment and the emergence of the bourgeois class and its ideals. It is characterised by the fact that its protagonists are ordinary citizens. The first true bourgeois tragedy was an English play,
George Lillo George Lillo (3 February 1691 – 4 September 1739) was an English playwright and tragedian. He was also a jeweller in London. He produced his first stage work, ''Silvia, or The Country Burial'', in 1730, and a year later his most famous play, ...
's ''The London Merchant; or, the History of George Barnwell'', which was first performed in 1731. Usually,
Gotthold Ephraim Lessing Gotthold Ephraim Lessing (, ; 22 January 1729 – 15 February 1781) was a philosopher, dramatist, publicist and art critic, and a representative of the Enlightenment era. His plays and theoretical writings substantially influenced the developme ...
's play ''Miss Sara Sampson'', which was first produced in 1755, is said to be the earliest ''Bürgerliches Trauerspiel'' in Germany.


Modern development

In
modernist literature Literary modernism, or modernist literature, originated in the late 19th and early 20th centuries, and is characterized by a self-conscious break with traditional ways of writing, in both poetry and prose fiction writing. Modernism experimented ...
, the definition of tragedy has become less precise. The most fundamental change has been the rejection of Aristotle's dictum that true tragedy can only depict those with power and high status.
Arthur Miller Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist and screenwriter in the 20th-century American theater. Among his most popular plays are ''All My Sons'' (1947), ''Death of a Salesman'' (194 ...
's essay "Tragedy and the Common Man" (1949) argues that tragedy may also depict ordinary people in domestic surroundings thus defining Domestic tragedies. British playwright
Howard Barker Howard Barker (born 28 June 1946) is a British playwright, screenwriter and writer of radio drama, painter, poet, and essayist writing predominantly on playwriting and the theatre. The author of an extensive body of dramatic works since the 197 ...
has argued strenuously for the rebirth of tragedy in the contemporary theatre, most notably in his volume ''Arguments for a Theatre''. "You emerge from tragedy equipped against lies. After the musical, you're anybody's fool," he insists. Critics such as
George Steiner Francis George Steiner, FBA (April 23, 1929 – February 3, 2020) was a Franco-American literary critic, essayist, philosopher, novelist, and educator. He wrote extensively about the relationship between language, literature and society, and the ...
have even been prepared to argue that tragedy may no longer exist in comparison with its former manifestations in classical antiquity. In ''The Death of Tragedy'' (1961) George Steiner outlined the characteristics of Greek tragedy and the traditions that developed from that period. In the Foreword (1980) to a new edition of his book Steiner concluded that ‘the dramas of Shakespeare are not a renascence of or a humanistic variant of the absolute tragic model. They are, rather, a rejection of this model in the light of tragi-comic and "realistic" criteria.’ In part, this feature of Shakespeare's mind is explained by his bent of mind or imagination which was ‘so encompassing, so receptive to the plurality of diverse orders of experience.’ When compared to the drama of Greek antiquity and French classicism Shakespeare's forms are ‘richer but hybrid'. Numerous books and plays continue to be written in the tradition of tragedy to this day examples include '' Froth on the Daydream'', ''
The Road ''The Road'' is a 2006 post-apocalyptic novel by American writer Cormac McCarthy. The book details the grueling journey of a father and his young son over a period of several months across a landscape blasted by an unspecified cataclysm that ha ...
'', ''
The Fault in Our Stars ''The Fault in Our Stars'' is a novel by John Green. It is his fourth solo novel, and sixth novel overall. It was published on January 10, 2012. The title is inspired by Act 1, Scene 2 of Shakespeare's play ''Julius Caesar'', in which the nobl ...
'', '' Fat City'', '' Rabbit Hole'', ''
Requiem for a Dream ''Requiem for a Dream'' is a 2000 American psychological drama film directed by Darren Aronofsky and starring Ellen Burstyn, Jared Leto, Jennifer Connelly, Christopher McDonald and Marlon Wayans. It is based on the 1978 novel of the same name ...
'', ''
The Handmaid's Tale ''The Handmaid's Tale'' is a futuristic dystopian novel by Canadian author Margaret Atwood and published in 1985. It is set in a near-future New England in a patriarchal, totalitarian theonomic state known as the Republic of Gilead, which ha ...
''.


Theories

Defining tragedy is no simple matter, and there are many definitions, some of which are incompatible with each other. Oscar Mandel, in ''A Definition of Tragedy'' (1961), contrasted two essentially different means of arriving at a definition. First is what he calls the ''derivative'' way, in which the tragedy is thought to be an expression of an ordering of the world; "instead of asking what tragedy expresses, the derivative definition tends to ask what expresses itself through tragedy". The second is the ''substantive'' way of defining tragedy, which starts with the work of art which is assumed to ''contain'' the ordering of the world. Substantive critics "are interested in the constituent elements of art, rather than its ontological sources". He recognizes four subclasses: a. "definition by formal elements" (for instance the supposed "three unities"); b. "definition by situation" (where one defines tragedy for instance as "exhibiting the fall of a good man"); c. "definition by ethical direction" (where the critic is concerned with the meaning, with the "intellectual and moral effect); and d. "definition by emotional effect" (and he cites Aristotle's "requirement of pity and fear").


Aristotle

Aristotle wrote in his work ''Poetics'' that tragedy is characterised by seriousness and involves a great person who experiences a reversal of fortune (''
Peripeteia Peripeteia ( el, περιπέτεια) is a reversal of circumstances, or turning point. The term is primarily used with reference to works of literature; its anglicized form is peripety. Aristotle's view Aristotle, in his ''Poetics'', defines ...
''). Aristotle's
definition A definition is a statement of the meaning of a term (a word, phrase, or other set of symbols). Definitions can be classified into two large categories: intensional definitions (which try to give the sense of a term), and extensional definiti ...
can include a change of fortune from bad to good as in the '' Eumenides'', but he says that the change from good to bad as in ''
Oedipus Rex ''Oedipus Rex'', also known by its Greek title, ''Oedipus Tyrannus'' ( grc, Οἰδίπους Τύραννος, ), or ''Oedipus the King'', is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Gr ...
'' is preferable because this induces
pity Pity is a sympathetic sorrow evoked by the suffering of others, and is used in a comparable sense to ''compassion'', '' condolence'' or ''empathy'' – the word deriving from the Latin ''pietas'' (etymon also of ''piety''). Self-pity is pit ...
and
fear Fear is an intensely unpleasant emotion in response to perceiving or recognizing a danger or threat. Fear causes physiological changes that may produce behavioral reactions such as mounting an aggressive response or fleeing the threat. Fear i ...
within the spectators. Tragedy results in a
catharsis Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its lite ...
(emotional cleansing) or healing for the audience through their experience of these emotions in response to the suffering of the characters in the drama. According to Aristotle, "the structure of the best tragedy should not be simple but complex and one that represents incidents arousing
fear Fear is an intensely unpleasant emotion in response to perceiving or recognizing a danger or threat. Fear causes physiological changes that may produce behavioral reactions such as mounting an aggressive response or fleeing the threat. Fear i ...
and
pity Pity is a sympathetic sorrow evoked by the suffering of others, and is used in a comparable sense to ''compassion'', '' condolence'' or ''empathy'' – the word deriving from the Latin ''pietas'' (etymon also of ''piety''). Self-pity is pit ...
—for that is peculiar to this form of art." This reversal of fortune must be caused by the tragic hero's ''
hamartia The term ''hamartia'' derives from the Greek , from ''hamartánein'', which means "to miss the mark" or "to err". It is most often associated with Greek tragedy, although it is also used in Christian theology. The term is often said to depi ...
'', which is often translated as either a
character flaw In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorder, vice, phobia, prejudice, or deficiency present in a character who may be otherwise very function ...
, or as a mistake (since the original Greek etymology traces back to ''hamartanein'', a sporting term that refers to an
archer Archery is the sport, practice, or skill of using a bow to shoot arrows.Paterson ''Encyclopaedia of Archery'' p. 17 The word comes from the Latin ''arcus'', meaning bow. Historically, archery has been used for hunting and combat. In mo ...
or
spear A spear is a pole weapon consisting of a shaft, usually of wood, with a pointed head. The head may be simply the sharpened end of the shaft itself, as is the case with fire hardened spears, or it may be made of a more durable material fastene ...
-thrower missing his target). According to Aristotle, "The misfortune is brought about not by eneralvice or depravity, but by some
articular The articular bone is part of the lower jaw of most vertebrates, including most jawed fish, amphibians, birds and various kinds of reptiles, as well as ancestral mammals. Anatomy In most vertebrates, the articular bone is connected to two oth ...
error or frailty." The reversal is the inevitable but unforeseen result of some action taken by the hero. It is also a misconception that this reversal can be brought about by a higher power (e.g. the law, the gods,
fate Destiny, sometimes referred to as fate (from Latin ''fatum'' "decree, prediction, destiny, fate"), is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual. Fate Although ofte ...
, or society), but if a character's downfall is brought about by an external cause, Aristotle describes this as a misadventure and not a tragedy. In addition, the tragic hero may achieve some revelation or recognition ( anagnorisis--"knowing again" or "knowing back" or "knowing throughout") about human fate, destiny, and the will of the gods. Aristotle terms this sort of recognition "a change from ignorance to awareness of a bond of love or hate." In ''Poetics'', Aristotle gave the following definition in ancient Greek of the word "tragedy" (τραγῳδία): Common usage of tragedy refers to any story with a sad ending, whereas to be an Aristotelian tragedy the
story Story or stories may refer to: Common uses * Story, a narrative (an account of imaginary or real people and events) ** Short story, a piece of prose fiction that typically can be read in one sitting * Story (American English), or storey (British ...
must fit the set of requirements as laid out by ''Poetics''. By this definition social drama cannot be tragic because the hero in it is a victim of circumstance and incidents that depend upon the society in which he lives and not upon the inner compulsions—psychological or religious—which determine his progress towards self-knowledge and death. Exactly what constitutes a "tragedy", however, is a frequently debated matter. According to Aristotle, there are four species of tragedy: 1. Complex, which involves
Peripety Peripeteia ( el, περιπέτεια) is a reversal of circumstances, or turning point. The term is primarily used with reference to works of literature; its anglicized form is peripety. Aristotle's view Aristotle, in his ''Poetics'', define ...
and
Discovery Discovery may refer to: * Discovery (observation), observing or finding something unknown * Discovery (fiction), a character's learning something unknown * Discovery (law), a process in courts of law relating to evidence Discovery, The Discovery ...
2. Suffering, tragedies of such nature can be seen in the Greek mythological stories of Ajaxes and Ixions 3. Character, a tragedy of moral or ethical character. Tragedies of this nature can be found in Phthiotides and
Peleus In Greek mythology, Peleus (; Ancient Greek: Πηλεύς ''Pēleus'') was a hero, king of Phthia, husband of Thetis and the father of their son Achilles. This myth was already known to the hearers of Homer in the late 8th century BC. Biogra ...
4. Spectacle, that of a horror-like theme. Examples of this nature are Phorcides and Prometheus


Hegel

G.W.F. Hegel, the German philosopher most famous for his dialectical approach to
epistemology Epistemology (; ), or the theory of knowledge, is the branch of philosophy concerned with knowledge. Epistemology is considered a major subfield of philosophy, along with other major subfields such as ethics, logic, and metaphysics. Episte ...
and history, also applied such a methodology to his theory of tragedy. In his essay "Hegel's Theory of Tragedy," A.C. Bradley first introduced the English-speaking world to Hegel's theory, which Bradley called the " tragic collision", and contrasted against the Aristotelian notions of the "
tragic hero A tragic hero is the protagonist of a tragedy. In his ''Poetics'', Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle b ...
" and his or her "hamartia" in subsequent analyses of the Aeschylus' ''Oresteia'' trilogy and of Sophocles' ''Antigone''. Hegel himself, however, in his seminal "
The Phenomenology of Spirit ''The Phenomenology of Spirit'' (german: Phänomenologie des Geistes) is the most widely-discussed philosophical work of Georg Wilhelm Friedrich Hegel; its German title can be translated as either ''The Phenomenology of Spirit'' or ''The Phenomen ...
" argues for a more complicated theory of tragedy, with two complementary branches which, though driven by a single dialectical principle, differentiate Greek tragedy from that which follows Shakespeare. His later lectures formulate such a theory of tragedy as a conflict of ethical forces, represented by characters, in ancient Greek tragedy, but in Shakespearean tragedy the conflict is rendered as one of subject and object, of individual personality which must manifest self-destructive passions because only such passions are strong enough to defend the individual from a hostile and capricious external world: Hegel's comments on a particular play may better elucidate his theory: "Viewed externally, Hamlet's death may be seen to have been brought about accidentally... but in Hamlet's soul, we understand that death has lurked from the beginning: the sandbank of finitude cannot suffice his sorrow and tenderness, such grief and nausea at all conditions of life... we feel he is a man whom inner disgust has almost consumed well before death comes upon him from outside."


See also

*
Classicism Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthet ...
* Tragédies en musique *
She-tragedy The term she-tragedy, also known as pathetic tragedy refers to a vogue in the late 17th and early 18th centuries for tragic plays focused on the sufferings of a woman, sometimes innocent and virtuous but often a woman who had committed some sort o ...
*
Revenge tragedy Revenge tragedy (sometimes referred to as revenge drama, revenge play, or tragedy of blood) is a theoretical genre in which the principal theme is revenge and revenge's fatal consequences. Formally established by American educator Ashley H. Thorn ...


Notes


References


Sources

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External links

* * . * . {{Authority control 1st-millennium BC introductions Ancient Greek theatre Ancient inventions Drama genres History of theatre Humanities Literary genres Theatrical genres Greek inventions