Spinto (from Italian, "pushed") is a vocal term used to characterize a

soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880& ...

tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...

voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

at moderate intervals. (Sometimes the terms ' or ' are used to denote this category of voice.) The spinto

voice type A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, ...

is recognisable by its tonal "slice" or ''squillo''. This enables the singer to cut through the wall of sound produced by a full Romantic

orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...

in a wide variety of roles, excluding only the most taxing ones written by the likes of

Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...

(such as ''Brünhilde'', ''Isolde'', ''Tristan'' and ''Siegfried''),

Giacomo Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le ...

(''John of Leyden''),

Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the ...

(''Otello''), Puccini (''Turandot'', ''Calaf'') and

Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...

(''Elektra''). * : a fundamentally lyric soprano with a fair amount of extra "pulp" in her tone and a distinct thrust in her vocal attack. As they possess both a lyric and a dramatic quality, spinto sopranos are suitable for a broad spectrum of roles, ranging from genuine lyric parts such as Micaela in ''

Carmen ''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the ...

'' and Mimì in ''

La bohème ''La bohème'' (; ) is an opera in four acts,Puccini called the divisions '' quadri'', '' tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giusep ...

'' through to histrionically demanding

heroines such as Leonora (in ''

Il trovatore ''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's mos ...

'' and ''

La forza del destino ' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, wi ...

'') and Aida, not to mention Puccini's Madama Butterfly and Tosca. Lighter Wagnerian roles such as Elsa in '' Lohengrin'' or Elisabeth in ''

Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and ...

'' also fall within their domain. Elisabeth Rethberg is a famous example of a soprano who sang exactly this kind of mixed Italian and German repertoire. * : the tenor equivalent of the above. He can convincingly sing roles as lyrical as Rodolfo in ''La bohème'', the Duke in ''

Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had co ...

'' and Alfredo in ''

La traviata ''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on '' La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his ow ...

'', yet still excel in parts as heavy as Cavaradossi in ''

Tosca ''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramati ...

'', Don Jose in ''

'' and Radames in ''

Aïda ''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1 ...

''. Canio, in ''

Pagliacci ''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who ...

'', and '' Lohengrin'' are other well-known examples of spinto tenor roles.

References

External links

A recording of six different sopranos
singing " Vissi d'arte", illustrating the sound of a spinto voice and how it differs from a lyric voice; hosted at parterre box. In order: 1) Lyric ( Claudia Muzio); 2) Spinto (

Leontyne Price Mary Violet Leontyne Price (born February 10, 1927) is an American soprano who was the first African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first Af ...

); 3) Spinto (

Renata Tebaldi Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post- war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. ...

); 4) Spinto ( Zinka Milanov); 5) Lyric (

Montserrat Caballé Montserrat Caballé i Folch or Folc (full name: María de Montserrat Bibiana Concepción Caballé i Folch (, , ; (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé, was a Catalan Spanish operatic soprano. She sang a wide v ...

); 6) Spinto (

Antonietta Stella Maria Antonietta Stella (15 March 1929 – 23 February 2022) was an Italian operatic soprano, and one of the most prominent Italian spinto sopranos of the 1950s and 1960s. She made her debut in Spoleto in 1950, as Leonora in Verdi's ''Il trovato ...

) Voice types Italian opera terminology {{Opera-stub

See also

References

External links