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Science fantasy is a
hybrid genre A hybrid genre is a literary genre that blends themes and elements from two or more different genres. Works in hybrid genres are often referred to as cross-genre, multi-genre, mixed genre, or fusion genre. Hybrid genres are a longstanding element ...
within speculative fiction that simultaneously draws upon or combines tropes and elements from both
science fiction Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel uni ...
and
fantasy Fantasy is a genre of speculative fiction involving magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy literature and d ...
. In a conventional
science fiction Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel uni ...
story, the world is presented as being scientifically logical; while a conventional fantasy story contains mostly supernatural and artistic elements that disregard the
scientific law Scientific laws or laws of science are statements, based on repeated experiments or observations, that describe or predict a range of natural phenomena. The term ''law'' has diverse usage in many cases (approximate, accurate, broad, or narrow ...
s of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with
hard science Hard science and soft science are colloquial terms used to compare scientific fields on the basis of perceived methodological rigor, exactitude, and objectivity. Roughly speaking, the formal sciences & natural sciences are considered "hard", wher ...
–like explanations of any supernatural elements.Eric R. Williams, ''The Screenwriters Taxonomy: A Collaborative Approach to Creative Storytelling''
p. 121
/ref> During the
Golden Age of Science Fiction The first Golden Age of Science Fiction, often recognized in the United States as the period from 1938 to 1946, was an era during which the science fiction genre gained wide public attention and many classic science fiction stories were published. ...
, the fanciful science fantasy stories were seen in sharp contrast to the terse, scientifically plausible material that came to dominate mainstream science fiction typified by the magazine '' Astounding Science Fiction''. Although at this time, science fantasy stories were often relegated to the status of children's entertainment, their freedom of imagination and romance proved to be an early major influence on the "New Wave" writers of the 1960s, who became exasperated by the limitations of "hard" SF. Distinguishing between pure science fiction and pure fantasy, Rod Serling claimed that the former was "the improbable made possible" while the latter was "the impossible made probable". As a combination of the two, science fantasy gives a scientific veneer of
realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a move ...
to things that simply could not happen in the real world under any circumstances. Where science fiction does not permit the existence of fantastical or supernatural elements, science fantasy explicitly relies upon them to complement the scientific elements. In explaining the intrigue of science fantasy, Carl D. Malmgren provides an intro in regards to
C. S. Lewis Clive Staples Lewis (29 November 1898 – 22 November 1963) was a British writer and Anglican lay theologian. He held academic positions in English literature at both Oxford University (Magdalen College, 1925–1954) and Cambridge Univers ...
's speculation on the emotional needs at work in the subgenre: "In the counternatural worlds of science fantasy, the imaginary and the actual, the magical and the prosaic, the mythical and the scientific, meet and interanimate. In so doing, these worlds inspire us with new sensations and experiences, with uoting C. S. Lewis'such beauty, awe, or terror as the actual world does not supply', with the stuff of desires, dreams, and dread."


Historical view

The label first came into wide use after many science fantasy stories were published in the American pulp magazines, such as
Robert A. Heinlein Robert Anson Heinlein (; July 7, 1907 – May 8, 1988) was an American science fiction author, aeronautical engineer, and naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accu ...
's '' Magic, Inc.'',
L. Ron Hubbard Lafayette Ronald Hubbard (March 13, 1911 – January 24, 1986) was an American author, primarily of science fiction and fantasy stories, who is best known for having founded the Church of Scientology. In 1950, Hubbard authored '' Dianeti ...
's ''
Slaves of Sleep ''Slaves of Sleep'' is a science fantasy novel by American writer L. Ron Hubbard. It was first published in book form in 1948 by Shasta Publishers; the novel originally appeared in 1939 in an issue of the magazine ''Unknown''. The novel presents ...
'', and
Fletcher Pratt Murray Fletcher Pratt (25 April 1897 – 10 June 1956) was an American writer of history, science fiction, and fantasy. He is best known for his works on naval history and the American Civil War and for fiction written with L. Sprague de Camp. ...
and L. Sprague de Camp's
Harold Shea The "Harold Shea" Stories is a name given to a series of five science fantasy stories by the collaborative team of L. Sprague de Camp and Fletcher Pratt and to its later continuation by de Camp alone, Christopher Stasheff, Holly Lisle, John Mad ...
series. All were relatively rationalistic stories published in John W. Campbell, Jr.'s ''
Unknown Unknown or The Unknown may refer to: Film * ''The Unknown'' (1915 comedy film), a silent boxing film * ''The Unknown'' (1915 drama film) * ''The Unknown'' (1927 film), a silent horror film starring Lon Chaney * ''The Unknown'' (1936 film), a ...
'' magazine. These were a deliberate attempt to apply the techniques and attitudes of science fiction to traditional fantasy subjects. ''
The Magazine of Fantasy and Science Fiction ''The Magazine of Fantasy & Science Fiction'' (usually referred to as ''F&SF'') is a U.S. fantasy and science fiction magazine first published in 1949 by Mystery House, a subsidiary of Lawrence Spivak's Mercury Press. Editors Anthony Boucher ...
'' published, among other things, all but the last of the '' Operation'' series, by
Poul Anderson Poul William Anderson (November 25, 1926 – July 31, 2001) was an American fantasy and science fiction author who was active from the 1940s until the 21st century. Anderson wrote also historical novels. His awards include seven Hugo Awards and ...
. Henry Kuttner and C. L. Moore published novels in '' Startling Stories'', alone and together, which were far more romantic. These were closely related to the work that they and others were doing for outlets like ''
Weird Tales ''Weird Tales'' is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor, Edwin Baird, pri ...
'', such as Moore's Northwest Smith stories. Ace Books published a number of books as science fantasy during the 1950s and 1960s. ''
The Encyclopedia of Science Fiction ''The Encyclopedia of Science Fiction'' (SFE) is an English language reference work on science fiction, first published in 1979. It has won the Hugo, Locus and British SF Awards. Two print editions appeared in 1979 and 1993. A third, continu ...
'' points out that as a genre, science fantasy "has never been clearly defined", and was most commonly used in the period 1950–1966. The '' Star Trek'' franchise created by Gene Roddenberry is sometimes cited as an example of science fantasy. Writer James F. Broderick describes ''Star Trek'' as science fantasy because it includes semi-futuristic as well as supernatural/fantasy elements such as The Q. According to the late science fiction author, Arthur C. Clarke, many purists argue that ''Star Trek'' is science fantasy rather than science fiction because of its scientifically improbable elements, which he partially agreed with. The '' Star Wars'' franchise has been debated as science fantasy. In 2015, George Lucas stated that "''Star Wars'' isn't a science-fiction film, it's a fantasy film and a space opera".


See also

*
Dying Earth (genre) Dying Earth is a subgenre of science fantasy or science fiction which takes place in the far future at either the end of life on Earth or the end of time, when the laws of the universe themselves fail. Themes of world-weariness, innocence (wou ...
* New weird *
Planetary romance Planetary romance is a subgenre of science fiction in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place ag ...
* Sword and planet * Steampunk * Technofantasy


References


Further reading

*


External links


"Science Fantasy"
in ''
The Encyclopedia of Science Fiction ''The Encyclopedia of Science Fiction'' (SFE) is an English language reference work on science fiction, first published in 1979. It has won the Hugo, Locus and British SF Awards. Two print editions appeared in 1979 and 1993. A third, continu ...
'' {{DEFAULTSORT:Science Fantasy Fantasy genres Science fiction genres