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Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a
genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other f ...
of popular music that originated in
African-American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of ensl ...
communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking,
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
based music ...
ith a The Ith () is a ridge in Germany's Central Uplands which is up to 439 m high. It lies about 40 km southwest of Hanover and, at 22 kilometres, is the longest line of crags in North Germany. Geography Location The Ith is immediatel ...
heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contributed to the development of
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
, the term "R&B" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and
soul music Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became ...
. From 1960s to 1970s, several British bands and groups such as the Rolling Stones,
the Who The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered ...
and the Animals were referred to and promoted as being R&B bands. By the 1970s, the term "rhythm and blues" had changed again and was used as a blanket term for soul and funk. In the late 1980s, a newer style of R&B developed, becoming known as "
contemporary R&B Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhy ...
". It combines rhythm and blues with elements of
pop Pop or POP may refer to: Arts, entertainment, and media Music * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop!, a UK pop group * Pop! featuring Angie Hart, an Australian band Albums * ''Pop'' ( ...
, soul, funk, disco, hip hop, and
electronic music Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electro ...
.


Etymology, definitions and description

Although Jerry Wexler of '' Billboard'' magazine is credited with coining the term "rhythm and blues" as a musical term in the United States in 1948, the term was used in ''Billboard'' as early as 1943. It replaced the term " race music", which originally came from within the black community, but was deemed offensive in the postwar world.''Jerry Wexler, famed record producer, dies at 91'',
Nekesa Mumbi Moody Nekesa Mumbi Moody is an American journalist and editor. She is currently the editorial director of '' The Hollywood Reporter''. Biography Moody is a native of New York. She received her B.A. from Barnard College of Columbia University in 19 ...
, AP Music Writer, Dallas Morning News, August 15, 2008
The term "rhythm and blues" was used by ''Billboard'' in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles". Before the "Rhythm and Blues" name was instated, various record companies had already begun replacing the term "race music" with "sepia series". "Rhythm and blues" is often abbreviated as R&B or R'n'B. In the early 1950s, the term "rhythm & blues" was frequently applied to blues records. Writer and producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has used the term "R&B" as a synonym for jump blues. However,
AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Music ...
separates it from jump blues because of R&B's stronger gospel influences. Lawrence Cohn, author of ''Nothing but the Blues'', writes that "rhythm and blues" was an
umbrella term In linguistics, semantics, general semantics, and ontologies, hyponymy () is a semantic relation between a hyponym denoting a subtype and a hypernym or hyperonym (sometimes called umbrella term or blanket term) denoting a supertype. In othe ...
invented for industry convenience. According to him, the term embraced all black music except classical music and
religious music Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Relig ...
, unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. One publication of the
Smithsonian Institution The Smithsonian Institution ( ), or simply the Smithsonian, is a group of museums and education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge". Found ...
provided this summary of the origins of the genre in 2016.
"A distinctly African American music drawing from the deep tributaries of African American expressive culture, it is an amalgam of jump blues, big band swing, gospel, boogie, and blues that was initially developed during a thirty-year period that bridges the era of legally sanctioned racial segregation, international conflicts, and the struggle for civil rights".
The term "rock and roll" had a strong sexual connotation in jump blues and R&B, but when DJ Alan Freed referred to rock and roll on mainstream radio in the mid-1950s, "the sexual component had been dialled down enough that it simply became an acceptable term for dancing".


History


Precursors

The great migration of Black Americans to the urban industrial centers of Chicago, Detroit, New York City, Los Angeles and elsewhere in the 1920s and 1930s created a new market for jazz, blues, and related genres of music. These genres of music were often performed by full-time musicians, either working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the late-1920s and 1930s through the work of musicians such as the Harlem Hamfats, with their 1936 hit "Oh Red", as well as Lonnie Johnson, Leroy Carr, Cab Calloway, Count Basie, and T-Bone Walker. There was also increasing emphasis on the
electric guitar An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic gu ...
as a lead instrument, as well as the
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
and
saxophone The saxophone (often referred to colloquially as the sax) is a type of Single-reed instrument, single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed (mouthpi ...
.


Late 1940s

R&B originated in
African-American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of ensl ...
communities in the 1940s. In 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". In that year, Louis Jordan dominated the top five listings of the
R&B charts The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 p ...
with three songs, and two of the top five songs were based on the boogie-woogie rhythms that had come to prominence during the 1940s. Jordan's band, the
Tympany Five Tympany Five was a successful and influential American rhythm and blues and jazz dance band founded by Louis Jordan in 1938. The group was composed of a horn section of three to five different pieces and also drums, double bass, guitar a ...
(formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz-based music ...
ith a The Ith () is a ridge in Germany's Central Uplands which is up to 439 m high. It lies about 40 km southwest of Hanover and, at 22 kilometres, is the longest line of crags in North Germany. Geography Location The Ith is immediatel ...
heavy, insistent beat". Jordan's music, along with that of Big Joe Turner, Roy Brown, Billy Wright, and Wynonie Harris, is now also referred to as jump blues. Already
Paul Gayten Paul Leon Gayten (January 29, 1920 – March 26, 1991) was an American R&B pianist, songwriter, producer, and record company executive. Career Gayten was born in Kentwood, Louisiana, the nephew of blues pianist Little Brother Montgomery. In hi ...
, Roy Brown, and others had had hits in the style now referred to as rhythm and blues. In 1948, Wynonie Harris's remake of Brown's 1947 recording " Good Rockin' Tonight" reached number two on the charts, following band leader Sonny Thompson's "Long Gone" at number one. In 1949, the term "Rhythm and Blues" (R&B) replaced the Billboard category ''Harlem Hit Parade''. Also in that year, "
The Huckle-Buck "The Hucklebuck" (sometimes written "The Huckle-Buck") is a jazz and R&B dance tune first popularized by Paul Williams and His Hucklebuckers in 1949. The composition of the tune was credited to Andy Gibson, and lyrics were later added by Roy ...
", recorded by band leader and saxophonist Paul Williams, was the number one R&B tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson, the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit " (The) Rock and Roll Waltz"), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck was a very nasty dance". Also in 1949, a new version of a 1920s blues song, "
Ain't Nobody's Business "Ain't Nobody's Business" (originally "Tain't Nobody's Biz-ness if I Do") is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of ...
" was a number four hit for Jimmy Witherspoon, and Louis Jordan and the Tympany Five once again made the top five with " Saturday Night Fish Fry". Many of these hit records were issued on new independent record labels, such as Savoy (founded 1942),
King King is the title given to a male monarch in a variety of contexts. The female equivalent is queen regnant, queen, which title is also given to the queen consort, consort of a king. *In the context of prehistory, antiquity and contempora ...
(founded 1943),
Imperial Imperial is that which relates to an empire, emperor, or imperialism. Imperial or The Imperial may also refer to: Places United States * Imperial, California * Imperial, Missouri * Imperial, Nebraska * Imperial, Pennsylvania * Imperial, Texas ...
(founded 1945), Specialty (founded 1946), Chess (founded 1947), and
Atlantic The Atlantic Ocean is the second-largest of the world's five oceans, with an area of about . It covers approximately 20% of Earth's surface and about 29% of its water surface area. It is known to separate the " Old World" of Africa, Europe ...
(founded 1948).


Afro-Cuban rhythmic influence

African American music began incorporating Afro-Cuban rhythmic motifs in the 1800s with the popularity of the Cuban contradanza (known outside of Cuba as the habanera). The ''habanera rhythm'' can be thought of as a combination of tresillo and the backbeat. For the more than a quarter-century in which the cakewalk,
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott J ...
and proto-jazz were forming and developing, the Cuban genre ''habanera'' exerted a constant presence in African American popular music. Jazz pioneer Jelly Roll Morton considered the tresillo/habanera rhythm (which he called the Spanish tinge) to be an essential ingredient of jazz. There are examples of tresillo-like rhythms in some African American folk music such as the hand-clapping and foot-stomping patterns in ring shout, post-Civil War drum and fife music, and
New Orleans New Orleans ( , ,New Orleans
second line music. Wynton Marsalis considers tresillo to be the New Orleans "clave" (although technically, the pattern is only half a clave). Tresillo is the most basic duple-pulse rhythmic cell in Sub-Saharan African music traditions, and its use in African American music is one of the clearest examples of African rhythmic retention in the United States. The use of tresillo was continuously reinforced by the consecutive waves of Cuban music, which were adopted into North American popular culture. In 1940 Bob Zurke released "Rhumboogie", a boogie-woogie with a tresillo bass line, and lyrics proudly declaring the adoption of Cuban rhythm: Although originating in the metropolis at the mouth of the Mississippi River, New Orleans blues, with its Afro-Caribbean rhythmic traits, is distinct from the sound of the Mississippi Delta blues. In the late 1940s, New Orleans musicians were especially receptive to Cuban influences precisely at the time when R&B was first forming. The first use of tresillo in R&B occurred in New Orleans. Robert Palmer recalls: In a 1988 interview with Palmer, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over swing rhythm: Bartholomew referred to the Cuban
son A son is a male offspring; a boy or a man in relation to his parents. The female counterpart is a daughter. From a biological perspective, a son constitutes a first degree relative. Social issues In pre-industrial societies and some curren ...
by the misnomer ''rumba'', a common practice of that time. Fats Domino's " Blue Monday", produced by Bartholomew, is another example of this now classic use of tresillo in R&B. Bartholomew's 1949 tresillo-based "Oh Cubanas" is an attempt to blend African American and Afro-Cuban music. The word ''mambo'', larger than any of the other text, is placed prominently on the record label. In his composition "Misery", New Orleans pianist Professor Longhair plays a habanera-like figure in his left hand. The deft use of triplets is a characteristic of Longhair's style. Gerhard Kubik notes that with the exception of New Orleans, early blues lacked complex polyrhythms, and there was a "very specific absence of asymmetric time-line patterns ( key patterns) in virtually all early-twentieth-century African American music... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in the same way as African timelines." In the late 1940s, this changed somewhat when the two-celled time line structure was brought into the blues. New Orleans musicians such as Bartholomew and Longhair incorporated Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day", (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). While some of these early experiments were awkward fusions, the Afro-Cuban elements were eventually integrated fully into the New Orleans sound. Robert Palmer reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado's
mambo Mambo most often refers to: *Mambo (music), a Cuban musical form *Mambo (dance), a dance corresponding to mambo music Mambo may also refer to: Music * Mambo section, a section in arrangements of some types of Afro-Caribbean music, particula ...
records." He was especially enamored with Afro-Cuban music. Michael Campbell states: "Professor Longhair's influence was... far-reaching. In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues. The most explicit is 'Longhair's Blues Rhumba,' where he overlays a straightforward blues with a clave rhythm." Longhair's particular style was known locally as ''rumba-boogie''. In his "Mardi Gras in New Orleans", the pianist employs the 2–3 clave onbeat/offbeat motif in a rumba boogie " guajeo". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&B during this time. Alexander Stewart states that the popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s," adding: "The singular style of rhythm & blues that emerged from New Orleans in the years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet the generally unacknowledged transition from triplet or shuffle feel to even or straight eighth notes. Concerning the various funk motifs, Stewart states that this model "...is different from a
time line A timeline is a display of a list of events in chronological order. It is typically a graphic design showing a long bar labelled with dates paralleling it, and usually contemporaneous events. Timelines can use any suitable scale representin ...
(such as clave and tresillo) in that it is not an exact pattern, but more of a loose organizing principle." Johnny Otis released the R&B mambo "Mambo Boogie" in January 1951, featuring congas, maracas, claves, and mambo saxophone guajeos in a blues progression. Ike Turner recorded "Cubano Jump" (1954) an electric guitar instrumental, which is built around several 2–3 clave figures, adopted from the mambo. The Hawketts, in " Mardi Gras Mambo" (1955) (featuring the vocals of a young Art Neville), make a clear reference to Perez Prado in their use of his trademark "Unhh!" in the break after the introduction.
Ned Sublette Ned Sublette (born 1951 in Lubbock, Texas) is an American composer, musician, record producer, musicologist, historian, and author. Sublette studied Spanish Classical Guitar with Hector Garcia at the University of New Mexico and with Emilio P ...
states: "The electric blues cats were very well aware of Latin music, and there was definitely such a thing as ''rhumba blues''; you can hear Muddy Waters and Howlin' Wolf playing it." He also cites Otis Rush, Ike Turner and
Ray Charles Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Ge ...
, as R&B artists who employed this feel. The use of clave in R&B coincided with the growing dominance of the backbeat, and the rising popularity of Cuban music in the U.S. In a sense, clave can be distilled down to tresillo (three-side) answered by the backbeat (two-side). The " Bo Diddley beat" (1955) is perhaps the first true fusion of 3–2 clave and R&B/rock 'n' roll. Bo Diddley has given different accounts of the riff's origins. Sublette asserts: "In the context of the time, and especially those maracas eard on the record 'Bo Diddley' has to be understood as a Latin-tinged record. A rejected cut recorded at the same session was titled only 'Rhumba' on the track sheets." Johnny Otis's "Willie and the Hand Jive" (1958) is another example of this successful blend of 3–2 claves and R&B. Otis used the Cuban instruments claves and maracas on the song. Afro-Cuban music was the conduit by which African American music was "re-Africanized", through the adoption of two-celled figures like clave and Afro-Cuban instruments like the conga drum, bongos, maracas and claves. According to
John Storm Roberts John Storm Roberts (February 24, 1936 – November 29, 2009) was a British-born, U.S.-based ethnomusicologist, writer and record producer. He is best known as the co-founder of Original Music, a mail-order company that distributed world music bo ...
, R&B became the vehicle for the return of Cuban elements into mass popular music. Ahmet Ertegun, producer for Atlantic Records, is reported to have said that "Afro-Cuban rhythms added color and excitement to the basic drive of R&B." As
Ned Sublette Ned Sublette (born 1951 in Lubbock, Texas) is an American composer, musician, record producer, musicologist, historian, and author. Sublette studied Spanish Classical Guitar with Hector Garcia at the University of New Mexico and with Emilio P ...
points out though: "By the 1960s, with Cuba the object of a United States embargo that still remains in effect today, the island nation had been forgotten as a source of music. By the time people began to talk about rock and roll as having a history, Cuban music had vanished from North American consciousness."


Early to mid-1950s

At first, only African Americans were buying R&B discs. According to Jerry Wexler of Atlantic Records, sales were localized in African-American markets; there were no white sales or white radio play. During the early 1950s, more white teenagers started to become aware of R&B and began purchasing the music. For example, 40% of 1952 sales at Dolphin's of Hollywood record shop, located in an African-American area of Los Angeles, were to whites. Eventually, white teens across the country turned their musical taste toward rhythm and blues. Johnny Otis, who had signed with the Newark, New Jersey-based Savoy Records, produced many R&B hits in 1951, including "
Double Crossing Blues "Double Crossing Blues" is a 1950 song by Johnny Otis Quintette, the Robins, and Little Esther. It was released as a 78-rpm single (731-A) by Savoy Records in 1950. The single went to number one on the US ''Billboard'' R&B chart. Song background ...
", "Mistrustin' Blues" and " Cupid's Boogie", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include " Gee Baby", "Mambo Boogie" and "All Nite Long".
The Clovers The Clovers are an American rhythm and blues/ doo-wop vocal group who became one of the biggest selling acts of the 1950s.The Guinness Who's Who of Fifties Music. General Editor: Colin Larkin. First published 1993 (UK). . The Clovers p77. They h ...
, a quintet consisting of a vocal quartet with accompanying guitarist, sang a distinctive-sounding combination of blues and gospel, had the number five hit of the year with "
Don't You Know I Love You "Don't You Know I Love You" is the 1951, debut single by The Clovers The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s.The Guinness Who's Who of Fifties Music. General Edito ...
" on Atlantic. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW (850 AM). Freed's show was sponsored by Fred Mintz, whose R&B record store had a primarily African American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll". In 1951, Little Richard Penniman began recording for
RCA Records RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also ...
in the jump blues style of late 1940s stars Roy Brown and Billy Wright. However, it was not until he recorded a demo in 1954 that caught the attention of Specialty Records that the world would start to hear his new uptempo funky rhythm and blues that would catapult him to fame in 1955 and help define the sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with " Tutti Frutti" and " Long Tall Sally", which would influence performers such as James Brown,
Elvis Presley Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the " King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. His ener ...
, and Otis Redding. Ruth Brown, performing on the Atlantic label, placed hits in the top five every year from 1951 through 1954: " Teardrops from My Eyes", "Five, Ten, Fifteen Hours", "
(Mama) He Treats Your Daughter Mean "(Mama) He Treats Your Daughter Mean" is a song written by Johnny Wallace and Herbert J. Lance and recorded by Ruth Brown in 1952. It was Brown's third number-one record on the US ''Billboard'' R&B chart and her first pop chart hit. Brown re-rec ...
" and "
What a Dream "Oh What a Dream" is a 1954 blues song written by Chuck Willis and originally performed by Ruth Brown backed by members of The Drifters (only credited as her ''Rhythmakers''). The single was Brown's fourth number one on the U.S. R&B chart. Song ...
".
Faye Adams Faye Adams (born Fanny Tuell, May 22, 1923) is an American singer who recorded and performed rhythm and blues and gospel from the late 1940s until the early 1960s. She had several chart hits in the early 1950s, before retiring from the music b ...
's " Shake a Hand" made it to number two in 1952. In 1953, the R&B record-buying public made
Willie Mae Thornton Willie Mae Thornton (December 11, 1926 – July 25, 1984), better known as Big Mama Thornton, was an American singer and songwriter of the blues and R&B genres. She was the first to record Leiber and Stoller's " Hound Dog", in 1952, which becam ...
's original recording of Leiber and Stoller's " Hound Dog" the year's number three hit. Ruth Brown was very prominent among female R&B stars; her popularity most likely came from "her deeply rooted vocal delivery in African American tradition" That same year The Orioles, a doo-wop group, had the number four hit of the year with "
Crying in the Chapel "Crying in the Chapel" is a song written by Artie Glenn and recorded by his son Darrell Glenn. The song was released in 1953 and reached number six on the ''Billboard'' chart. The song has also been recorded by many artists including the Oriole ...
". Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with " Ain't That a Shame".
Ray Charles Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Ge ...
came to national prominence in 1955 with " I Got a Woman". Big Bill Broonzy said of Charles's music: "He's mixing the blues with the spirituals... I know that's wrong." In 1954 the Chords' " Sh-Boom" became the first hit to cross over from the R&B chart to hit the top 10 early in the year. Late in the year, and into 1955, "
Hearts of Stone "Hearts of Stone" is an American R&B song. It became a #1 hit on two of the Billboard three lists, ''Best Sellers in Stores'' and ''Most Played in Jukeboxes'' in 1955 for The Fontane Sisters. It was written by Eddie Ray and Rudy Jackson, mem ...
" by the Charms made the top 20. At Chess Records in the spring of 1955, Bo Diddley's debut record " Bo Diddley"/" I'm a Man" climbed to number two on the R&B charts and popularized Bo Diddley's own original rhythm and blues clave-based vamp that would become a mainstay in rock and roll. At the urging of Leonard Chess at Chess Records, Chuck Berry reworked a
country A country is a distinct part of the world, such as a state, nation, or other political entity. It may be a sovereign state or make up one part of a larger state. For example, the country of Japan is an independent, sovereign state, whi ...
fiddle tune with a long history, entitled " Ida Red". The resulting " Maybellene" was not only a number three hit on the R&B charts in 1955, but also reached into the top 30 on the pop charts. Alan Freed, who had moved to the much larger market of New York City in 1954, helped the record become popular with white teenagers. Freed had been given part of the writing credit by Chess in return for his promotional activities, a common practice at the time. R&B was also a strong influence on
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
according to many sources, including an article in the Wall Street Journal in 1985 titled, "Rock! It's Still Rhythm and Blues". In fact, the author stated that the "two terms were used interchangeably" until about 1957. The other sources quoted in the article said that rock and roll combined R&B with pop and country music. Fats Domino was not convinced that there was any new genre. In 1957, he said, "What they call rock 'n' roll now is rhythm and blues. I’ve been playing it for 15 years in New Orleans". According to ''
Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its ...
'', "this is a valid statement ... all Fifties rockers, black and white, country born and city bred, were fundamentally influenced by R&B, the black popular music of the late Forties and early Fifties".


Late 1950s

In 1956, an R&B "Top Stars of '56" tour took place, with headliners
Al Hibbler Albert George Hibbler (August 16, 1915 – April 24, 2001) was an American baritone vocalist, who sang with Duke Ellington's orchestra before having several pop hits as a solo artist. Some of Hibbler's singing is classified as rhythm and blue ...
, Frankie Lymon and the Teenagers, and Carl Perkins, whose " Blue Suede Shoes" was very popular with R&B music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr, Shirley & Lee,
Della Reese Delloreese Patricia Early (July 6, 1931 – November 19, 2017), known professionally as Della Reese, was an American jazz and gospel singer, actress, and ordained minister whose career spanned seven decades. She began her long career as a s ...
, Sam "T-Bird" Jensen, the Cleftones, and the Spaniels with Illinois Jacquet's Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, South Carolina; Annapolis, Maryland; Pittsburgh, Pennsylvania; Syracuse, Rochester and Buffalo, New York; and other cities. In Columbia, the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt". In Annapolis, 50,000 to 70,000 people tried to attend a sold-out performance with 8,000 seats. Roads were clogged for seven hours. Filmmakers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner,
the Treniers The Treniers (pronounced /trəˈniərz/) were an American R&B and jump blues musical group led by identical twins Cliff and Claude Trenier. They were originally billed as the Trenier Twins, who performed alongside the Gene Gilbeaux Quartet, ...
, the Platters, and the Flamingos all made it onto the big screen. Two Elvis Presley records made the R&B top five in 1957: " Jailhouse Rock"/" Treat Me Nice" at number one, and "
All Shook Up "All Shook Up" is a song recorded by Elvis Presley, published by Elvis Presley Music, and composed by Otis Blackwell. The single topped the U.S. ''Billboard'' Top 100 on April 13, 1957, staying there for eight weeks. It also topped the ''Bil ...
" at number five, an unprecedented acceptance of a non-African American artist into a music category known for being created by blacks. Nat King Cole, also a
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
pianist who had two hits on the pop charts in the early 1950s ("
Mona Lisa The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best kno ...
" at number two in 1950 and " Too Young" at number one in 1951), had a record in the top five in the R&B charts in 1958, " Looking Back"/"Do I Like It". In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke's Sar and Berry Gordy's Motown Records. Brook Benton was at the top of the R&B charts in 1959 and 1960 with one number one and two number two hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Nat King Cole, Frank Sinatra and Tony Bennett. Lloyd Price, who in 1952 had a number one hit with " Lawdy Miss Clawdy", regained predominance with a version of "
Stagger Lee "Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded ...
" at number one and "
Personality Personality is the characteristic sets of behaviors, cognitions, and emotional patterns that are formed from biological and environmental factors, and which change over time. While there is no generally agreed-upon definition of personality, ...
" at number five in 1959. The white bandleader of the Bill Black Combo,
Bill Black William Patton Black Jr. (September 17, 1926 – October 21, 1965) was an American musician and bandleader who is noted as one of the pioneers of rock and roll. He played in Elvis Presley's early trio. Black later formed Bill Black's Combo. Ear ...
, who had helped start Elvis Presley's career and was Elvis's bassist in the 1950s, was popular with black listeners. Ninety percent of his record sales were from black people, and his "
Smokie, Part 2 "Smokie, Part 2" is a 1959 instrumental by Bill Black William Patton Black Jr. (September 17, 1926 – October 21, 1965) was an American musician and bandleader who is noted as one of the pioneers of rock and roll. He played in Elvis Presley's ...
" (1959) rose to the number one position on black music charts. He was once told that "a lot of those stations still think you're a black group because the sound feels funky and black." Hi Records did not feature pictures of the Combo on early records.


1960s–1970s

Sam Cooke's number five hit "
Chain Gang A chain gang or road gang is a group of prisoners chained together to perform menial or physically challenging work as a form of punishment. Such punishment might include repairing buildings, building roads, or clearing land. The system was not ...
" is indicative of R&B in 1960, as is pop rocker
Chubby Checker Chubby Checker (born Ernest Evans; October 3, 1941) is an American rock and roll singer and dancer. He is widely known for popularizing many dance styles, including The Twist dance style, with his 1960 hit cover of Hank Ballard & The Midnight ...
's number five hit " The Twist". By the early 1960s, the music industry category previously known as rhythm and blues was being called
soul music Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became ...
, and similar music by white artists was labeled
blue-eyed soul Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly-black Motown and Stax ...
. Motown Records had its first million-selling single in 1960 with the Miracles' " Shop Around", and in 1961, Stax Records had its first hit with Carla Thomas's " Gee Whiz (Look at His Eyes)". Stax's next major hit, The Mar-Keys' instrumental " Last Night" (also released in 1961), introduced the rawer Memphis soul sound for which Stax became known. In Jamaica, R&B influenced the development of ska. In 1969, black culture and rhythm and blues reached another great achievement when the Grammys added the Rhythm and Blues category, giving academic recognition to the category. By the 1970s, the term "rhythm and blues" was being used as a blanket term for
soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun '' soul'' is derived from Old English ''sāwol, sāwel''. The earliest att ...
, funk, and disco.


1980s to present

In the late 1980s and early 1990s, hip-hop started to capture the imagination of America's youth. R&B started to become homogenized, with a group of high-profile producers responsible for most R&B hits. It was hard for R&B artists of the era to sell their music or even have their music heard because of the rise of hip-hop, but some adopted a "hip-hop" image, were marketed as such, and often featured rappers on their songs. In 1990, ''Billboard'' reintroduced R&B to categorize all of Black popular music other than hip-hop. Newer artists such as Usher, R. Kelly, Janet Jackson, TLC, Aaliyah, Destiny's Child,
Tevin Campbell Tevin Jermod Campbell (born November 12, 1976) is an American singer and songwriter. He performed gospel in his local church from an early age. Following an audition for jazz musician Bobbi Humphrey in 1988, Campbell was signed to Warner Bros. R ...
and Mary J. Blige enjoyed success. L.A. Reid, the CEO of LaFace Records, was responsible for some of R&B's greatest successes in the 1990s in the form of Usher, TLC and Toni Braxton. Later, Reid successfully marketed Boyz II Men. In 2004, 80% of the songs that topped the R&B charts were also at the top of the Hot 100. That period was the all-time peak for R&B and hip hop on the ''Billboard'' Hot 100 and on Top 40 Radio. From about 2005 to 2013, R&B sales declined. However, since 2010, hip-hop has started to take cues from the R&B sound, choosing to adopt a softer, smoother sound that incorporates traditional R&B with rappers such as
Drake Drake may refer to: Animals * A male duck People and fictional characters * Drake (surname), a list of people and fictional characters with the family name * Drake (given name), a list of people and fictional characters with the given name ...
, who has opened an entire new door for the genre. This sound has gained in popularity and created great controversy for both hip-hop and R&B as to how to identify it.


Jews in the business end of rhythm and blues

According to the Jewish writer, music publishing executive, and songwriter Arnold Shaw, during the 1940s in the US, there was generally little opportunity for Jews in the
WASP A wasp is any insect of the narrow-waisted suborder Apocrita of the order Hymenoptera which is neither a bee nor an ant; this excludes the broad-waisted sawflies (Symphyta), which look somewhat like wasps, but are in a separate suborder ...
-controlled realm of mass communications, but the music business was "wide open for Jews as it was for blacks". Jews played a key role in developing and popularizing African American music, including rhythm and blues, and the independent record business was dominated by young Jewish men who promoted the sounds of black music.


British rhythm and blues

British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain or seamen visiting ports such as London, Liverpool, Newcastle and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in a "rawer" or "grittier" sound than the more popular "
beat groups Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (c ...
".V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), , pp. 1315–1316. During the 1960s, Geno Washington, the Foundations, and the Equals gained pop hits. Many British black musicians helped form the British R&B scene. These included Geno Washington, an American singer stationed in England with the Air Force. He was invited to join what became
Geno Washington & the Ram Jam Band Geno Washington & the Ram Jam Band are an England-based soul band. Career The Ram Jam Band were formed around 1964 by Pete Gage and Geoff Pullum. Before taking on Geno Washington, whom Gage knew from performing at the RAF Bentwaters US Air F ...
by guitarist Pete Gage in 1965 and enjoyed top 40 hit singles and two top 10 albums before the band split up in 1969. Another American GI, Jimmy James, born in Jamaica, moved to London after two local number one hits in 1960 with The Vagabonds, who built a strong reputation as a live act. They released a live album and their studio debut, ''The New Religion,'' in 1966 and achieved moderate success with a few singles before the original Vagabonds broke up in 1970. White blues rock musician Alexis Korner formed new jazz rock band CCS in 1970. Interest in the blues would influence major British rock musicians, including Eric Clapton, Mick Taylor, Peter Green, and John Mayall, the groups Free and Cream adopted an interest in a wider range of rhythm and blues styles. The Rolling Stones became the second most popular UK band (after
The Beatles The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of al ...
) and led the "
British Invasion The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" o ...
" of the US pop charts. The Rolling Stones covered Bobby Womack & the Valentinos' song It's All Over Now", giving them their first UK number one in 1964.Bill Wyman, ''Rolling With the Stones'' (DK Publishing, 2002), , p. 137. Under the influence of blues and R&B, bands such as the Rolling Stones, the Yardbirds, and the Animals, and more jazz-influenced bands like the Graham Bond Organisation and Zoot Money, had blue-eyed soul albums. White R&B musicians popular in the UK included Steve Winwood, Frankie Miller, Scott Walker & the Walker Brothers, the Animals from Newcastle, the
Spencer Davis Group The Spencer Davis Group were a British band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (keyboards, guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK numbe ...
, and Van Morrison &
Them Them or THEM, a third-person plural accusative personal pronoun, may refer to: Books * ''Them'' (novel), 3rd volume (1969) in American Joyce Carol Oates' ''Wonderland Quartet'' * '' Them: Adventures with Extremists'', 2003 non-fiction by Wels ...
from Belfast. None of these bands exclusively played rhythm and blues, but it remained at the core of their early albums. Champion Jack Dupree was a
New Orleans blues New Orleans blues is a subgenre of blues that developed in and around the city of New Orleans, influenced by jazz and Caribbean music. It is dominated by piano and saxophone, but also produced guitar bluesmen. Characteristics As a style, New ...
and boogie woogie pianist who toured Europe and settled there from 1960, living in Switzerland and Denmark, then in Halifax, England in the 1970s and 1980s, before finally settling in Germany. From the '70s to '80s, Carl Douglas, Hot Chocolate, Delegation, Junior, Central Line, Princess, Jacki Graham, David Grant, the Loose Ends, the Pasadenas and Soul II Soul gained hits on pop or R&B chart. The music of the British mod subculture grew out of rhythm and blues and later soul performed by artists who were not available to the small London clubs where the scene originated.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), , pp. 1321–1322. In the late '60s, The Who performed American R&B songs such as the Motown hit "Heat Wave", a song which reflected the young mod lifestyle. Many of these bands enjoyed national success in the UK, but found it difficult to break into the American music market. The British White R&B bands produced music which was very different in tone from that of African-American artists.


See also

* List of R&B musicians * List of artists who reached number one on the Billboard R&B chart * List of number-one rhythm and blues hits (United States) * Music of the United States


References


Sources

* * * *


Further reading

* Guralnick, Peter. ''Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom''. First ed. New York: Harper & Row, 1986. x, 438 p., ill., chiefly with b&w photos. {{DEFAULTSORT:Rhythm And Blues African-American cultural history African-American music African-American society