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A record changer or autochanger is a device that plays several
phonograph record A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near ...
s in sequence without user intervention. Record changers first appeared in the late 1920s, and were common until the 1980s.


History

The record changer with a stepped center spindle design was invented by Eric Waterworth of
Hobart Hobart ( ; Nuennonne/Palawa kani: ''nipaluna'') is the capital and most populous city of the Australian island state of Tasmania. Home to almost half of all Tasmanians, it is the least-populated Australian state capital city, and second-smalle ...
, Australia, in 1925. He and his father took it to
Sydney Sydney ( ) is the capital city of the state of New South Wales, and the most populous city in both Australia and Oceania. Located on Australia's east coast, the metropolis surrounds Sydney Harbour and extends about towards the Blue Mountains ...
, and arranged with a company called Home Recreations to fit it into its forthcoming phonograph, the Salonola. Although this novelty was demonstrated at the 1927
Sydney Royal Easter Show First held in 1823, the Sydney Royal Easter Show, commonly shortened to The Easter Show or The Show, is an annual show held in Sydney, Australia over two weeks around the Easter period. It comprises an agricultural show, an amusement park and a fa ...
, Home Recreations went into liquidation and the Salonola was never marketed. In 1928, the Waterworths traveled to London, where they sold their patent to the new Symphony Gramophone and Radio Co. Ltd. Eric Waterworth built three prototypes of his invention, one of which was sold to Home Recreations as a model for its proposed Salonola record player as cited above, which is now reportedly in the collection of the Museum of Applied Arts & Sciences in Sydney. The second prototype went to England with Eric and his father, and was sold as part of the deal with the Symphony Gramophone and Radio Company. The fate of this machine is unknown. The third prototype was never fully assembled, and lay in pieces under the Waterworths' house for something like sixty years. After Eric's death, the family found the disassembled parts of the machine and offered them to the Sound Preservation Association of Tasmania. The offer was accepted, and an enthusiastic member began the task of reassembling the prototype. Only a few small parts were found to be missing, and enough remained to finish assembling it and restoring it to a crude working condition. This prototype record changer is now on display at the Sound Preservation Association of Tasmania resource centre in the
Hobart Hobart ( ; Nuennonne/Palawa kani: ''nipaluna'') is the capital and most populous city of the Australian island state of Tasmania. Home to almost half of all Tasmanians, it is the least-populated Australian state capital city, and second-smalle ...
suburb of Bellerive. The first commercially successful record changer was the "Automatic Orthophonic" model by the
Victor Talking Machine Company The Victor Talking Machine Company was an American recording company and phonograph manufacturer that operated independently from 1901 until 1929, when it was acquired by the Radio Corporation of America and subsequently operated as a subsidia ...
, which was launched in the United States in 1927. On a conventional gramophone or
phonograph A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogu ...
, the limited playing time of 78 rpm
gramophone record A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near ...
s (averaging a little over four minutes per 12-inch side, and a little over three per 10-inch side) meant that listeners had to get up to change records at regular intervals. The Automatic Orthophonic allowed the listener to load a stack of several records into the machine, which would then be automatically played in sequence for a much longer uninterrupted listening time. By the late 1950s, Garrard (of Britain) and
Dual Dual or Duals may refer to: Paired/two things * Dual (mathematics), a notion of paired concepts that mirror one another ** Dual (category theory), a formalization of mathematical duality *** see more cases in :Duality theories * Dual (grammatical ...
(Germany) dominated the high-end record changer market in the United States. From the late 1950s through the late 1960s, VM Corporation (
Voice of Music Voice Of Music (abbreviated V-M) was the premier brand of V-M Corporation, an American audio equipment manufacturing company (EIA manufacturer's code 857). History V-M Corporation was founded in June 1944 by Walter Miller in Benton Harbor, Mic ...
) of
Benton Harbor, Michigan Benton Harbor is a city in Berrien County in the U.S. state of Michigan. It is 46 miles southwest of Kalamazoo and 71 miles southwest of Grand Rapids. According to the 2020 census, its population was 9,103. It is the smaller, by population, of ...
, US, dominated the lower-priced original equipment manufacturer (OEM) American record changer market. Most VM record changers were sold to OEM audio manufacturers such as
Zenith The zenith (, ) is an imaginary point directly "above" a particular location, on the celestial sphere. "Above" means in the vertical direction ( plumb line) opposite to the gravity direction at that location (nadir). The zenith is the "highes ...
and installed in console-sized, portable or compact low- to mid-priced stereo or mono systems. VM record changers sold to OEMs were not labeled with the Voice of Music trademark on the unit itself; only those retailed by VM Corporation, either as separate components or integral parts of VM phonographs, were labeled with the VM (Voice of Music) trademark on the changer. Outside the US, VM record-changer technology was licensed to several manufacturers.
Telefunken Telefunken was a German radio and television apparatus company, founded in Berlin in 1903, as a joint venture of Siemens & Halske and the '' Allgemeine Elektrizitäts-Gesellschaft'' (AEG) ('General electricity company'). The name "Telefunken" ap ...
, of then West Germany, was one such company to sign a licensing agreement with VM Corporation. By the mid to late 1960s, a British company BSR–MacDonald displaced VM as the world largest record-changer manufacturer and dominated the OEM changer market in the US as well. Garrard, in 1960, introduced a high fidelity record changer with a professional grade balanced tonearm and heavy cast non-magnetic platter, both features previously found only on manual turntables. To distinguish it by its superior performance, it was called an "automatic turntable." The name, and the improved performance, caught on and other manufacturers began producing automatic turntables with professional-grade features and performance. Most mid-priced consumer record players of the 1950s through the 1970s were equipped with changers, but they started to decline in popularity as cassettes and
compact discs The compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October ...
replaced vinyl records in the 1980s and 1990s. Record-stacking changers eventually became rarer due to the gradually growing belief that they contributed greatly to record wear and "warping," and were eventually superseded by manual turntables which served as separate parts of component systems or were integrated into compact systems that played one record at a time and were felt by some to save record wear by gentler treatment during play.


Operation

Record-changer mechanisms were sometimes complicated. They typically held a stack of records on an extended central spindle supported by an arm (separate from the tonearm housing the cartridge and stylus which played the records). Some units had feelers that could detect the size of each record (the three standard sizes being 7, 10 or 12 inches) and accordingly position the tone arm at the start of the disc (its outer edge). Some used a variable-size sensor which allowed sizes other than the standard three to be played. The simpler models required the record diameter to be set manually, and hence did not allow records of different sizes to be stacked together. The following automatic size detecting devices were the most popular (with examples): Three-size sensors: * Size-selector knobno size intermix (BSR, 1968 to 1980s). * Size- and speed-selector knobno size intermix, so that some types couldn't be played automatically (Garrard after 1969). * Rising feelers in or alongside turntableno size intermix, but automatic sensing of size (PE after 1970) * Falling record sensorrandom intermixsizes mixed in any order (BSR before 1968. Garrard Auto-Slim variants. Some RCA. Silvertone.). * Rising and falling record sensorsintermix 10- and 12-inch records vs. separate playing of 7-inch (VM 1950 to 1970. Admiral Ensign series.). * Unplayed stack sensorarranged intermix, large records before small (Webster Chicago 1950 to 1953) * Unplayed stack arm tip sensorarranged intermix (Collaro/Magnavox after 1967) Variable-size sensors: * Pickup arm scan of unplayed stackarranged intermix, odd sizes (Collaro/Magnavox 1954 to 1967) * Pickup arm scan of lowered recordrandom intermix, odd sizes (PE 1957 to 1969) * Arm tip feeler wheels (feel only top record on turntable)random intermix, odd sizes (Dual 1003, 1004, 1005, 1006) * Arm top feeler wheels (feel only bottom record on stack)random intermix, odd sizes (Miracord 9 and 90) * Pickup arm scan of separated recordrandom intermix, odd sizes (Thorens TD-224)
Audiophile An audiophile is a person who is enthusiastic about high-fidelity sound reproduction. An audiophile seeks to reproduce the sound of a piece of recorded music or a live musical performance, typically inside closed headphones, In-ear monitors, open ...
s eventually disdained record changers because of the perceived compromise in fidelity resulting from changes in tone arm angle with the height of the stack, and concerns about changers' seemingly rough treatment of discs, particularly due to slight but cumulative damage to the spindle holes as the records were dropped from a height of a few inches onto the record or stack below or the turntable platter; as well as some sliding and rubbing of the discs together, scratching the record labels in the process, because the dropped disc didn't immediately accelerate to the rotational speed of the spindle or discs below it. Most of these fears were unfounded in changers made after 1953. More advanced changers, such as the TD-224 model from
Thorens Thorens is a formerly Swiss manufacturer of high-end audio equipment. Thorens is historically renowned for the range of phonographs (turntables) the manufacturer produces. In addition to audio playback equipment, Thorens is also a historical man ...
and the ADC Accutrac+6, partially addressed these problems.


Automatic sequencing

Numbering of the sides of the discs in many
double A double is a look-alike or doppelgänger; one person or being that resembles another. Double, The Double or Dubble may also refer to: Film and television * Double (filmmaking), someone who substitutes for the credited actor of a character * ...
and
triple albums A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording ...
, and
boxed set A box set or (its original name) boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) traditionally packaged in a box and offered for sale as a single unit. Music Artists and bands ...
s of records (both 78s and LPs) in a certain sequence enabled them to be stacked and played on record changers. After the discs were stacked and one side of each disc had played, the entire stack would be turned over and replaced on the changer shelf. Thus, to be heard in the proper sequence, each disc of a four-disc set would contain, respectively, "sides" 1&8, 2&7, 3&6 and 4&5a practice known as "automatic sequencing", "changer sequencing" or "auto-coupling". In pre-LP days, classical symphonies and concertos, and later,
original cast album A cast recording is a recording of a stage musical that is intended to document the songs as they were performed in the show and experienced by the audience. An original cast recording or OCR, as the name implies, features the voices of the sho ...
s, would be recorded using this format. This "drop-automatic sequence" was designed for record changers which simply dropped records rather than reversing the stack as it was played in sequence. Other record changers, including some made as far back as the 1930s by RCA and GE in addition to the much later Thorens TD-224, were capable of reversing the stack automatically. The RCA and GE units kept the records stacked on the turntable and slid the top record to the side after playing it. A separate sequence, the "slide-automatic sequence," was made for these changers, with sides coupled 1&5, 2&6, 3&7 and 4&8. Some record changers could play both sides of each record. Manual sequence (sides coupled 1&2, 3&4, 5&6 and 7&8) worked with these. Examples were the Markel 75, Capehart turnover, Fisher/Lincoln, Garrard RC-100, and Thorens Symphony CD50/CD53 changers. During the late 1930s and early 1940s, Victor released 78 rpm record sets in all three sequences (with set numbers preceded by M for manual, DM for drop-automatic or AM for slide-automatic sequencing), for players of each of the three kinds it manufactured. Columbia used MM for drop-automatic sets of three or more records, X for manual and MX for two-record drop-automatic sets. Some radio station copies were produced in "relay sequence" to be played by a DJ on two turntables with no break between sides, which were coupled as 1&3, 2&4, 5&7 and 6&8. The slide-automatic sequence also allowed uninterrupted play with two turntables.


See also

*
CD changer A CD player is an electronic device that plays audio compact discs, which are a digital optical disc data storage format. CD players were first sold to consumers in 1982. CDs typically contain recordings of audio material such as music or audio ...


References

*


External links


Stack-O-Matic Turntables
a retro-style record player with the changer feature manufactured by
Crosley Radio Corporation Powel Crosley Jr. (September 18, 1886 – March 28, 1961) was an American inventor, industrialist, and entrepreneur. He was also a pioneer in radio broadcasting, and owner of the Cincinnati Reds major league baseball team. In addition, Crosley' ...
*{{cite journal, last= Horton, first= Charles, date=February 1919 , title= An Electric Automatic Stop for the Phonograph , journal=
Popular Science Monthly ''Popular Science'' (also known as ''PopSci'') is an American digital magazine carrying popular science content, which refers to articles for the general reader on science and technology subjects. ''Popular Science'' has won over 58 awards, inclu ...
, volume=94 , issue=2 , page= 13 , publisher=Modern Publishing, location= New York City , issn=0161-7370 , oclc= 4179801 , url= https://books.google.com/books?id=YxlbAAAAYAAJ&pg=RA1-PA96 , access-date= 2010-10-24 , an article about a predecessor of the record changer
V-M Audio Enthusiasts
– a 1999 company that took over after Voice of Music was liquidated Australian inventions Turntables