In narratology, fabula ( rus, фабула, p=ˈfabʊlə) equates to the thematic content of a

narrative A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travelogue, etc.) or fictional ( fairy tale, fable, legend, thriller, novel, etc.) ...

and syuzhet ( rus, сюжет, p=sʲʊˈʐɛt, a=Ru-сюжет.ogg) equates to the chronological structure of the events within the narrative.

Vladimir Propp Vladimir Yakovlevich Propp (russian: Владимир Яковлевич Пропп; – 22 August 1970) was a Soviet folklorist and scholar who analysed the basic structural elements of Russian folk tales to identify their simplest irredu ...

and

Viktor Shklovsky Viktor Borisovich Shklovsky ( rus, Ви́ктор Бори́сович Шкло́вский, p=ˈʂklofskʲɪj; – 6 December 1984) was a Russian and Soviet literary theorist, critic, writer, and pamphleteer. He is one of the major figures asso ...

originated the terminology as part of the Russian Formalism movement in the early 20th century. Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized".Cobley, Paul. "Narratology." The Johns Hopkins Guide to Literary Theory and Criticism. Baltimore: Johns Hopkins University Press, Web. Since

Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of ...

's ''

Poetics Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry. History The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" an ...

'', narrative plots have been described as having a beginning, middle, and end. Classical narratives tend to have synchronous fabula and syuzhet, but they may be treated in an asynchronous manner according to a modern or

postmodern Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of moderni ...

style. An asynchronous effect is often achieved in postructuralist film and novels via flashbacks or

flashforward A flashforward (also spelled flash-forward, and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. Flashforwards a ...

s. For example, the film ''

Citizen Kane ''Citizen Kane'' is a 1941 American drama film produced by, directed by, and starring Orson Welles. He also co-wrote the screenplay with Herman J. Mankiewicz. The picture was Welles' first feature film. ''Citizen Kane'' is frequently cited ...

'' starts with the death of the main character, and then tells his life through flashbacks interspersed with a journalist's present-time investigation of Kane's life. The fabula of the film is the actual story of Kane's life the way it happened in chronological order, while the syuzhet is the way the story is told throughout the movie, including flashbacks.

Critical reviews

Poststructuralism

Jonathan Culler Jonathan Culler (born 1944) is an American literary critic. He was Class of 1916 Professor of English and Comparative Literature at Cornell University. His published works are in the fields of structuralism, literary theory and literary critic ...

in ''The Pursuit of Signs: Semiotics, Literature, Deconstruction'' (1981) notes a certain contradiction in assigning priority to either fabula or syuzhet (170-172). The operative assumption amongst many literary critics is that fabula precedes the syuzhet, which provides one of many ways of rendering what took place in the story. Culler argues that one can also understand fabula as a production of the syuzhet, whereby certain events are created and ordered at the level of story in order to produce a meaningful narrative. Critics, he argues, subscribe to a view in which fabula precedes syuzhet when debating the significance of a character's actions, but adopt the opposite view when they discuss the "appropriateness" of a narrative's ending (178).

Jacques Derrida Jacques Derrida (; ; born Jackie Élie Derrida; See also . 15 July 1930 – 9 October 2004) was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in numerous texts, and which was developed th ...

(1979) is also critical of the logocentric hierarchic ordering of syuzhet and fabula. He raises the question, "What if there are story ways of telling as well as narrative ways of telling? And if so, how is it that narrative in the American-European tradition has become privileged over story?" One answer is that narrative is both syuzhet (emplotment) and a subjection of fabula (the stuff of story, represented through narrative). For example, Derrida views narrative as having a terrible secret, in its way of oppressing story:

The question-of-narrative covers, with a certain modesty, a demand for narrative, a violent putting-to-the-question, an instrument of torture working to wring out the narrative as if it were a terrible secret, in ways that can go from the most archaic police methods to refinements for making (and even letting) one talk unsurpassed in neutrality and politeness, most respectfully medical, psychiatric, and even psychoanalytic. (Derrida, 1979: 94).

If story is more than fabula, dominated by narrative, it could have its own manner of discourse, rather than being subordinate to narrative. Derrida plays with just such an idea as follows in setting story in relation to its homonym:

Each "story" (and each occurrence of the word "story", each "story" in the story) is part of the other, makes the other part (of itself), each "story" is at once larger and smaller than itself, includes itself without including (or comprehending) itself, identifies itself with itself even as it remains utterly different from its homonym. (Derrida, 1979: 99-100).

Symbolic interactionism

Jerome Bruner also raises issues about fabula and syuzhet. He summarizes syuzhet as the plot of narrative, and fabula as a timeless underlying theme (Bruner, 1986, pp. 7, 17-21). Bruner wants fabula to be a little more "loose fitting a constraint" on story: "I think we would do well with as loose fitting a constraint as we can manage concerning what a story must 'be' to be a story" (p. 17). The problem for Bruner is to explore the underlying narrative structures (syuzhets) in not only Russian formalism, but also French Structuralism ( Roland Barthes,

Tzvetan Todorov Tzvetan Todorov (; ; bg, Цветан Тодоров; 1 March 1939 – 7 February 2017) was a Bulgarian- French historian, philosopher, structuralist literary critic, sociologist and essayist. He was the author of many books and essays, which ...

and others). The European formalists posit narrative grammars (i.e., Todorov's simple transformations of mode, intention, result, manner, aspect and status, as well as complex transformations of appearance, knowledge, supposition, description, subjectification and attitude). For Bruner, the story (fabula stuff) becomes the "virtual text" (p. 32) to the narrative grammars. "Nevertheless, Shotter suggests that Bruner failed to engage these 'particularities of otherness' in favour of abstractive explanation of meaning-making processes rather than in a description of dialogical performances" (Mos, 2003: 2). In other words, there is a need to consider how narrative pursues grammars and abstract meaning frames, whereas story can be dialogic and in the web of the social.

Language studies

Mikhail Bakhtin Mikhail Mikhailovich Bakhtin ( ; rus, Михаи́л Миха́йлович Бахти́н, , mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin; – 7 March 1975) was a Russian philosopher, literary critic and scholar who worked on literary theor ...

is also not convinced that fabula and syuzhet is a complete explanation of the relationship of narrative and story. Like Derrida, he is suspicious of the hegemony of narrative over story. For Bakhtin (1973: 12) "narrative genres are always enclosed in a solid and unshakable monological framework." Story, for Bakhtin, is decidedly more dialogue-based, for example in the "polyphonic manner of the story" (Bakhtin, 1973: 60). Benjamin Whorf (1956: 256), following up an observation by

Franz Boas Franz Uri Boas (July 9, 1858 – December 21, 1942) was a German-American anthropologist and a pioneer of modern anthropology who has been called the "Father of American Anthropology". His work is associated with the movements known as historical ...

, contended that the

Hopi The Hopi are a Native American ethnic group who primarily live on the Hopi Reservation in northeastern Arizona, United States. As of the 2010 census, there are 19,338 Hopi in the country. The Hopi Tribe is a sovereign nation within the United ...

Indians do not experience themselves, or life, as narrative grammar or pattern. Rather than past-present-future, as segregated syuzhet, the Hopi experience is one of "eventing." Shotter (1993: 109) refers to Whorf's "eventing" and to the Hopi's differences with Euro-American space and time.

References

Sources

* Aristotle. ''

''. * Bakhtin, M. (1973). Problems of Dostoevsky's Poetics (C. Emerson, ed. and trans.). Manchester, England: Manchester University Press. * Bakhtin, M. (1981). The Dialogic Imagination: Four Essays by M.M. Bakhtin (ed. Holquist, M.). Austin: University of Texas Press. * Benjamin, W. (1969). The Storyteller: Observations on the Works of Nikolai Leskov, in Illuminations (Ed.

Hannah Arendt Hannah Arendt (, , ; 14 October 1906 – 4 December 1975) was a political philosopher, author, and Holocaust survivor. She is widely considered to be one of the most influential political theorists of the 20th century. Arendt was born ...

, trans. Harry Zohn). New York: Schoken Books. * Boje, D. M. (2001). Narrative Methods for Organizational and Communication Research. London: Sage. * Bruner, Jerome. (1986). Actual Minds, Possible Worlds. Cambridge, MASS.: Harvard University Press. * Cox, James. (2006). Muting White Noise: The Subversion of Popular Culture Narratives of Conquest in Sherman Alexie's Fiction. University of Oklahoma Press. * Culler, Jonathan. (1981). The Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca, NY: Cornell University Press. * Derrida, Jacques. (1979). ‘Living On – Border Lines’ in Deconstruction and Criticism (NY: Seabury Press, edited by Harold Bloom et al., 1979). * King, Thomas. (2003). The Truth about Stories: A Native Narrative. Toronto: House of Ananasi. * Mos, Leendert. (2003). Jerome Bruner: Language, Culture, Self. Canadian Psychology (Feb), on line review of David Bakhurst & Sturart Shanker (Eds.( Jerome Bruner: Language, Culture, Self. London: Sage Publications, 2001. Accessed a
Bruner
* Propp, Vladimir. (1928/1968). Morphology of the Folk Tale. English trans. Laurence Scott. TX: University of Texas Press (first published in Moscow in 1928; English, 1968). * Shklovsky, Viktor. (1917/1965). Art as Technique in L T Lemon and M Reis, eds., (1965) Russian Formalist Criticism. University of Nebraska Press. * Shotter, John (1993). Conversational Realities. London: Sage. * Silko, Leslie Marmon. (1981). Storyteller. NY: Arcade Publishing * Whorf, Benjamin Lee (1956). Language, Thought and Reality - Selected Writings.