Culture of New York City

New York City has been described as the cultural capital of the world. The culture of New York is reflected in its size and ethnic diversity. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. Many American cultural movements first emerged in the city. Large numbers of Irish, Italian, Jewish, and ultimately Asian and Hispanic Americans also migrated to New York throughout the 20th century and continuing into the 21st century, significantly influencing the culture and image of New York. The city became the center of modern dance and stand-up comedy in the early 20th century. The city was the top venue for jazz in the 1940s, expressionism in the 1950s and home to hip hop, punk rock, and the Beat Generation. The Stonewall Inn in Greenwich Village, Lower Manhattan, is a designated U.S. National Historic Landmark and National Monument, as the site of the June 1969 Stonewall riots and the cradle of the modern gay rights movement.

The city is the birthplace of many cultural movements, including the Harlem Renaissance in literature and visual art; abstract expressionism (also known as the New York School) in painting; and hip hop, punk, salsa, freestyle, Tin Pan Alley, certain forms of jazz, and (along with Philadelphia) disco in music. New York has been considered the dance capital of the world. The city is also frequently the setting for novels, movies (see List of films set in New York City), and television programs. New York Fashion Week is one of the world's preeminent fashion events and is afforded extensive coverage by the media.
New York has also frequently been ranked the top fashion capital of the world on the annual list compiled by the Global Language Monitor. Artists have been drawn into the city by opportunity, as the city government funds the arts with a larger annual budget than the National Endowment for the Arts, and New York is the center of the global art market, which grew up along with national and international media centers.

History

Pace

One of the most common traits attributed to New York is its fast pace, which spawned the term "New York minute". Journalist Walt Whitman characterized New York's streets as being traversed by "hurrying, feverish, electric crowds".

Department of Cultural Affairs

The Department of Cultural Affairs (DCLA), a branch of the government of New York City, is the largest public funder of the arts in the United States. DCLA's funding budget is larger than that of the National Endowment for the Arts, the federal government's national arts funding mechanism. DCLA provides funding and support services to about 1,400 art and cultural organizations in the five boroughs, including 375 museums, 96 orchestras, 24 performing arts centers, 7 botanical gardens, 5 zoos and 1 aquarium. Recipients span many disciplines, including the visual, literary and performing arts; public-oriented science and humanities institutions including zoos, botanical gardens and historic and preservation societies; and creative artists at all skill levels who live and work within the city's five boroughs. DCLA also administers the Percent for Art program, which funds public art at building sites. In fiscal year 2007, DCLA's expense budget, used for funding programming at non-profits, was $151.9 million. Its capital budget, used to support projects at 196 cultural organizations throughout the city ranging from roof replacement to new construction, is roughly $867 million for the period between 2007 and 2011.

Arts

Music

Beginning with the rise of popular sheet music in the early 20th century, New York's Broadway musical theater and Tin Pan Alley's songcraft, New York became a major center for the American music industry., pgs. 1–65 Since then the city has served as an important center for many different musical topics and genres.

New York's status as a center for European classical music can be traced back to the early 19th century. The New York Philharmonic, formed in 1842, did much to help establish the city's musical reputation. The first two major New York composers were William Fry and George Frederick Bristow, who in 1854 famously criticized the Philharmonic for choosing European composers over American ones. Bristow was committed to developing an American classical music tradition. His most important work was the ''Rip Van Winkle'' opera, which most influentially used an American folktale rather than European imitations.

The best-known New York composer, indeed, the best-known American classical composer of any kind, was George Gershwin. Gershwin was a songwriter with Tin Pan Alley and the Broadway theatres, and his works synthesized elements of many styles, including the music of New York's Yiddish theatre, vaudeville, ragtime, operetta, jazz and the post-Romantic music of European composers. Gershwin's work gave American classical music unprecedented international recognition. Following Gershwin, the next major American composer was Aaron Copland from Brooklyn, who used elements of American folk music and jazz in his compositions. His works included the ''Organ Symphony'', which earned him comparisons to Igor Stravinsky, and the music for the ballet '' Appalachian Spring'' and the ''Copland Piano Variations''.

The New York blues was a type of blues music characterized by significant jazz influences and a more modernized, urban feel than the country blues. Prominent musicians from this field include Lionel Hampton and Big Joe Turner. In New York, jazz became fused with stride (an advanced form of ragtime) and became highly evolved. Among the first major New York jazz musicians was Fletcher Henderson, whose jazz orchestra, first appearing in 1923, helped invent swing music. The swing style that developed from New York's big jazz bands was catchy and very danceable, and was originally played largely by black orchestras. Later, white bands led by musicians like Jimmy Dorsey and Benny Goodman began to dominate and produced a number of instrumentalists that had a profound effect on the later evolution of jazz. Star vocalists also emerged, mainly women like the bluesy Billie Holiday and the scat singer Ella Fitzgerald.

Beginning in the 1940s, New York was the center of a roots revival in American folk music. Many New Yorkers developed a renewed interest in blues, Appalachian folk music and other roots styles. Greenwich Village, in Lower Manhattan, became a hotbed of American folk music as well as leftist political activism. The performers associated with the Greenwich Village scene had sporadic mainstream success in the 1940s and 1950s; some, like Pete Seeger and the Almanac Singers, did well, but most were confined to local coffeehouses and other venues. Performers like Dave Van Ronk and Joan Baez helped expand the scene by appealing to university students. In the early 1960s, Baez was instrumental in introducing the up-and-coming young folk artist Bob Dylan to her audience and he quickly achieved national prominence. By the mid-'60s, folk and rock were merging, with Bob Dylan taking the lead in July 1965, releasing "Like a Rolling Stone", with a distinctive, revolutionary rock sound for its time, steeped in tawdry New York imagery, followed by an electric performance in late July at the Newport Folk Festival. Dylan plugged an entire generation into the milieu of the singer-songwriter, often writing from an urban, distinctly New York point of view. By the mid to late 1960s, bands and singer-songwriters began to proliferate the underground New York art/music scene. The release of ''The Velvet Underground & Nico'' in 1967, featuring singer-songerwriter Lou Reed and German singer and collaborator Nico was described as "most prophetic rock album ever made" by ''Rolling Stone'' in 2003.

Other New York based singer songerwriters began to emerge, using the urban landscape as their canvass, a backdrop for lyrics in the confessional style of poets like Anne Sexton and Sylvia Plath. In July 1969, ''Newsweek'' magazine ran a feature story, "The Girls-Letting Go," describing the groundbreaking music of Joni Mitchell, Laura Nyro, Lotti Golden and Melanie

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