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Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "
-ism ''-ism'' is a suffix in many English words, originally derived from the Ancient Greek suffix ('), and reaching English through the Latin , and the French . It means "taking side with" or "imitation of", and is often used to describe philo ...
". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms '' modern art'' and ''contemporary art'' by non-specialists.


Scope

Some define contemporary art as art produced within "our lifetime," recognising that lifetimes and life spans vary. However, there is a recognition that this generic definition is subject to specialized limitations. The classification of "contemporary art" as a special type of art, rather than a general adjectival phrase, goes back to the beginnings of
Modernism Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...
in the English-speaking world. In
London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...
, the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others, as a private society for buying works of art to place in public museums. A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Art Society of Adelaide,
Australia Australia, officially the Commonwealth of Australia, is a sovereign country comprising the mainland of the Australian continent, the island of Tasmania, and numerous smaller islands. With an area of , Australia is the largest country by ...
, and an increasing number after 1945. Many, like the Institute of Contemporary Art, Boston changed their names from ones using "Modern art" in this period, as Modernism became defined as a historical art movement, and much "modern" art ceased to be "contemporary". The definition of what is contemporary is naturally always on the move, anchored in the present with a start date that moves forward, and the works the Contemporary Art Society bought in 1910 could no longer be described as contemporary. Particular points that have been seen as marking a change in art styles include the end of World War II and the 1960s. There has perhaps been a lack of natural break points since the 1960s, and definitions of what constitutes "contemporary art" in the 2010s vary, and are mostly imprecise. Art from the past 20 years is very likely to be included, and definitions often include art going back to about 1970; "the art of the late 20th and early 21st century"; "both an outgrowth and a rejection of modern art"; "Strictly speaking, the term "contemporary art" refers to art made and produced by artists living today"; "Art from the 1960s or 90s up until this very minute"; and sometimes further, especially in museum contexts, as museums which form a permanent collection of contemporary art inevitably find this aging. Many use the formulation "Modern and Contemporary Art", which avoids this problem. Smaller commercial galleries, magazines and other sources may use stricter definitions, perhaps restricting the "contemporary" to work from 2000 onwards. Artists who are still productive after a long career, and ongoing art movements, may present a particular issue; galleries and critics are often reluctant to divide their work between the contemporary and non-contemporary. Sociologist Nathalie Heinich draws a distinction between modern and contemporary art, describing them as two different paradigms which partially overlap historically. She found that while " modern art" challenges the conventions of representation, "contemporary art" challenges the very notion of an
artwork A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature ...
. She regards Duchamp's '' Fountain'' (which was made in the 1910s in the midst of the triumph of modern art) as the starting point of contemporary art, which gained momentum after
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the World War II by country, vast majority of the world's countries—including all of the great power ...
with
Gutai The was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. The group, today one of the most internationally-recognized instances of ...
's performances, Yves Klein's monochromes and Rauschenberg's '' Erased de Kooning Drawing''.


Themes

Contemporary artwork is characterised by diversity: diversity of material, of form, of subject matter, and even time periods. It is "distinguished by the very lack of a uniform organizing principle, ideology, or - ism" that is seen in many other art periods and movements. The focus of
Modernism Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...
is self-referential.
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
looks at our perception of a moment through light and color, as opposed to the attempt to reflect stark reality in
Realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: * Classical Realism *Literary realism, a mov ...
. Contemporary art, on the other hand, does not have one, single objective or point of view, so it can be contradictory and open-ended. There are nonetheless several common themes that have appeared in contemporary works, such as identity politics, the body, globalization and migration,
technology Technology is the application of knowledge to reach practical goals in a specifiable and reproducible way. The word ''technology'' may also mean the product of such an endeavor. The use of technology is widely prevalent in medicine, scien ...
, contemporary society and culture, time and memory, and institutional and political critique.


Institutions

The functioning of the art world is dependent on art institutions, ranging from major museums to private galleries, non-profit spaces, art schools and publishers, and the practices of individual artists, curators, writers, collectors, and philanthropists. A major division in the art world is between the for-profit and non-profit sectors, although in recent years the boundaries between for-profit private and non-profit public institutions have become increasingly blurred. Most well-known contemporary art is exhibited by professional artists at commercial contemporary art galleries, by private collectors, art auctions, corporations, publicly funded arts organizations,
contemporary art museums Contemporary art museums around the world specialize in collecting and exhibiting contemporary art. The following is an alphabetical listing of major contemporary art museums, divided by country. A number of such museums are named Museum of Cont ...
or by artists themselves in
artist-run space An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental ...
s. Contemporary artists are supported by grants, awards, and prizes as well as by direct sales of their work. Career artists train at art school or emerge from other fields. There are close relationships between publicly funded contemporary art organizations and the commercial sector. For instance, in 2005 the book ''Understanding International Art Markets and Management'' reported that in Britain a handful of dealers represented the artists featured in leading publicly funded contemporary art museums. Commercial organizations include galleries and art fairs. Corporations have also integrated themselves into the contemporary art world, exhibiting contemporary art within their premises, organizing and sponsoring contemporary art awards, and building up extensive corporate collections. Corporate advertisers frequently use the prestige associated with contemporary art and coolhunting to draw the attention of consumers to luxury goods. The institutions of art have been criticized for regulating what is designated as contemporary art. Outsider art, for instance, is literally contemporary art, in that it is produced in the present day. However, one critic has argued it is not considered so because the artists are self-taught and are thus assumed to be working outside of an art historical context. Craft activities, such as textile design, are also excluded from the realm of contemporary art, despite large audiences for exhibitions. Art critic Peter Timms has said that attention is drawn to the way that craft objects must subscribe to particular values in order to be admitted to the realm of contemporary art. "A ceramic object that is intended as a subversive comment on the nature of beauty is more likely to fit the definition of contemporary art than one that is simply beautiful." At any one time a particular place or group of artists can have a strong influence on subsequent contemporary art. For instance, The Ferus Gallery was a commercial gallery in Los Angeles and re-invigorated the Californian contemporary art scene in the late fifties and the sixties.


Public attitudes

Contemporary art can sometimes seem at odds with a public that does not feel that art and its institutions share its values. In Britain, in the 1990s, contemporary art became a part of popular culture, with artists becoming stars, but this did not lead to a hoped-for "cultural utopia". Some critics like
Julian Spalding Julian Spalding (born 15 June 1947 in Lewisham, South London) is an English art critic, writer, broadcaster and a former curator. Considered to be a controversial maverick and outspoken critic of the art world, he has frequently contributed to ...
and Donald Kuspit have suggested that skepticism, even rejection, is a legitimate and reasonable response to much contemporary art. Brian Ashbee in an essay called "Art Bollocks" criticizes "much installation art, photography, conceptual art, video and other practices generally called post-modern" as being too dependent on verbal explanations in the form of theoretical discourse. However, the acceptance of non traditional art in museums has increased due to changing perspectives on what constitutes an art piece.


Concerns

A common concern since the early part of the 20th century has been the question of what constitutes art. In the contemporary period (1950 to now), the concept of avant-garde may come into play in determining what art is noticed by galleries, museums, and collectors. The concerns of contemporary art come in for criticism too. Andrea Rosen has said that some contemporary painters "have absolutely no idea of what it means to be a contemporary artist" and that they "are in it for all the wrong reasons."Haas, Nancy (2000-03-05), "Stirring Up the Art World Again". ''The New York Times''


Prizes

Some competitions, awards, and prizes in contemporary art are: * Emerging Artist Award awarded by
The Aldrich Contemporary Art Museum The Aldrich Contemporary Art Museum is located in Ridgefield, Connecticut. The Aldrich has no permanent collection and is the only museum in Connecticut that is dedicated solely to the exhibition of contemporary art. The museum presents the first ...
* Factor Prize in Southern Art * Hugo Boss Prize awarded by the
Solomon R. Guggenheim Museum The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum at 1071 Fifth Avenue on the corner of East 89th Street on the Upper East Side of Manhattan in New York City. It is the permanent home of a continuously exp ...
* John Moore's Painting Prize *
Kandinsky Prize The Kandinsky Prize, named after Russians, Russian painter Wassily Kandinsky is an award sponsored by the Deutsche Bank AG and the Art Chronika Culture Foundation. It was organized in hopes of developing Russian contemporary art, and to reinforc ...
for Russian artists under 30 *
Marcel Duchamp Prize The Marcel Duchamp Prize (in French : ''Prix Marcel Duchamp'') is an annual award given to a young artist by the Association pour la Diffusion Internationale de l'Art Français (ADIAF). The winner receives €35,000 personally and up to €30,000 ...
awarded by ADIAF and Centre Pompidou * Ricard Prize for a French artist under 40 * Turner Prize for British artists * Participation in the Whitney Biennial * Vincent Award, The Vincent van Gogh Biennial Award for Contemporary Art in Europe * The Winifred Shantz Award for Ceramists, awarded by the
Canadian Clay and Glass Gallery , image= File:C2G2.jpg , established= , location= Waterloo, Ontario, Canada , visitors = 20,000 , director= Denis Longchamps , map_type = Canada Ontario , map_caption = Location of the gallery in Waterloo ...
* Asia Pacific Breweries Foundation Signature Art Prize * Jindřich Chalupecký Award for Czech artists under 35Jindřich Chalupecký Award


History

This table lists art movements and styles by decade. It should not be assumed to be conclusive.


See also

* Acculturation * Anti-art and Anti-anti-art * '' Art:21 - Art in the 21st Century'' (2001-2016), a PBS series * Criticism of postmodernism * Classificatory disputes about art *
List of contemporary art museums Contemporary art museums around the world specialize in collecting and exhibiting contemporary art. The following is an alphabetical listing of major contemporary art museums, divided by country. A number of such museums are named Museum of Cont ...
* List of contemporary artists * Medium specificity *
Reductive art Reductive art is a term to describe an artistic style or an aesthetic, rather than an art movement. Movements and other terms associated with reductive art include Minimal art, ABC art, anti-illusionism, cool art, rejective art, Bauhaus aesthetic, ...
* Value theory * Visual arts * Word art * New media art


Notes


References

* *


Further reading

* Altshuler, B. (2013). ''Biennials and Beyond: Exhibitions that Made Art History: 1962-2002''. New York, N.Y.: Phaidon Press, * * Danto, A. C. (2013). ''What is art''. New Haven: Yale University Press, * Desai, V. N. (Ed.). (2007). ''Asian art history in the twenty-first century''. Williamstown, Mass.: Sterling and Francine Clark Art Institute, * Fullerton, E. (2016). ''Artrage! : the story of the BritArt revolution''. London: Thames & Hudson Ltd, * Gielen, Pascal (2009). ''The Murmuring of the Artistic Multitude: Global Art, Memory and Post-Fordism''. Amsterdam: Valiz, * Gompertz, W. (2013). ''What Are You Looking At?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art'' (2nd ed.). New York, N.Y.: Plume, * Harris, J. (2011). ''Globalization and Contemporary Art''. Hoboken, N.J.: Wiley-Blackwell, * Lailach, M. (2007). ''Land Art''. London: Taschen, * Martin, S. (2006). ''Video Art''. (U. Grosenick, Ed.). Los Angeles: Taschen, * Mercer, K. (2008). ''Exiles, diasporas & strangers''. Cambridge, Massachusetts: MIT Press, * Robertson, J., & McDaniel, C. (2012). ''Themes of Contemporary Art: Visual Art after 1980'' (3rd ed.). Oxford: Oxford University Press, * Robinson, H. (Ed.). (2015). ''Feminism-art-theory : an anthology 1968-2014'' (2nd ed.). Chichester, West Sussex: Wiley-Blackwell, * Stiles, Kristine and Peter Howard Selz,
Theories and Documents of Contemporary Art, A Sourcebook of Artists's Writings
' (1996), * Strehovec, J. (2020).''Contemporary Art Impacts on Scientific, Social, and Cultural Paradigms: Emerging Research and Opportunities''. Hershey, PA: IGIGlobal. * Thompson, D. (2010). ''The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art.'' New York, N.Y.: St. Martin's Griffin, * Thorton, S. (2009). ''Seven Days in the Art World''. New York, N.Y.: W.W. Norton & Company, * Wallace, Isabelle Loring and Jennie Hirsh, ''Contemporary Art and Classical Myth''. Farnham: Ashgate (2011), * Warr, T. (Ed.). (2012). ''The Artist’s Body'' (Revised). New York, N.Y.: Phaidon Press, * Wilson, M. (2013). ''How to read contemporary art : experiencing the art of the 21st century''. New York, N.Y.: Abrams,


External links

* {{DEFAULTSORT:Contemporary Art Postmodern art Postmodernism Art by period of creation