And Then There Were None

''And Then There Were None'' is a mystery novel by the English writer Agatha Christie, who described it as the most difficult of her books to write. It was first published in the United Kingdom by the Collins Crime Club on 6 November 1939, as ''Ten Little Niggers'', after an 1869 minstrel song that serves as a major plot element. The US edition was released in January 1940 with the title ''And Then There Were None'', taken from the last five words of the song. Successive American reprints and adaptations use that title, though American Pocket Books paperbacks used the title ''Ten Little Indians'' between 1964 and 1986. UK editions continued to use the original title until 1985.

The book is the world's best-selling mystery, and with over 100 million copies sold is one of the best-selling books of all time. The novel has been listed as the sixth best-selling title (any language, including reference works).

Plot

Eight people arrive on a small, isolated island off the Devon coast, each having received an unexpected invitation. They are met by the butler and cook/housekeeper, Thomas and Ethel Rogers, who explain that their hosts, Mr and Mrs Owen, have not yet arrived.

A framed copy of an old rhyme hangs in every guest's room, and on the dining room table sit ten figurines. After supper, a phonograph record is played; the recording accuses all ten people present of having committed murder, then asks if any of the "prisoners at the bar" wish to offer a defence. The guests realise that none of them know the Owens. Marston finishes his drink and promptly dies from cyanide poisoning.

Next morning, Mrs Rogers is found dead in her bed. Suspecting that their unknown host may be responsible for the two deaths, three of the guests search the island and the house, but find no one else. After General MacArthur dies from a heavy blow to the head, it becomes clear that one of the seven remaining persons must be the killer. The following day, Mr Rogers is found dead at the woodpile, and Emily Brent is found dead in the drawing room, having been injected with potassium cyanide. The guests realise that one of the figurines in the dining room is being removed after each death, and that the manner of their deaths corresponds with the wording of the rhyme.

Wargrave suggests searching the rooms, and Lombard's gun is found to be missing. Vera Claythorne goes up to her room and screams when she finds seaweed hanging from the ceiling. Most of the remaining guests rush upstairs; when they return they find Wargrave still downstairs in his chair, crudely dressed in the attire of a judge. Dr Armstrong pronounces him dead from a gunshot wound to the forehead.

That night, Lombard's gun is returned, and Blore sees someone leaving the house. Armstrong is absent, and Lombard and Blore unsuccessfully search for him. Vera, Blore, and Lombard decide to go out together the next morning. When Blore returns for food, he is killed by a bear-shaped marble clock that falls from Vera's window sill. Vera and Lombard find Armstrong's body washed up on the beach, and each concludes the other must be responsible. Vera grabs Lombard's gun and shoots him dead.

Badly shaken but relieved to be alive, Vera returns to the house, and finds a noose and chair arranged in her room. Remembering the last line of the rhyme, she hangs herself.

Scotland Yard officials arrive to find ten dead bodies. They discover that a sleazy lawyer and suspected drug trafficker named Isaac Morris had arranged the purchase of the island by an unknown buyer, and also ordered the phonograph recording. However, Morris had also died during this time, and covered the tracks of the buyer. The police reconstruct the deaths with the help of the victims' diaries and a coroner's report. Given the particulars, there appears to be no satisfactory explanation.

Much later, a trawler hauls up in its nets a bottle containing a written confession by Mr Justice Wargrave. He states that all his life he had possessed a strong sense of justice, but also a savage bloodlust, contradictory impulses he had satisfied by becoming a judge and sentencing criminals to death. After receiving a terminal medical diagnosis, he had hatched a scheme to mete out what he deemed justice where the law could do nothing.

Wargrave employed Morris to purchase the island and to make the arrangements, and then tricked him into taking a lethal dose of barbiturates. Posing as one of the invited guests, Wargrave had convinced Dr Armstrong to help him fake his own death, suggesting that this would rattle the killer and perhaps cause him to give himself away. After disposing of Armstrong and the remaining guests, he finally shot himself, using elastic to ensure that his true death matched the account of his staged death recorded in the guests' diaries.

Principal characters

* Edward George Armstrong – a Harley Street doctor
* William Henry Blore – a former police inspector, now a private investigator
* Emily Caroline Brent – an elderly, pious spinster
* Vera Elizabeth Claythorne – a young woman on leave from her position as a sports mistress at a girls' school
* Philip Lombard – a soldier of fortune
* General John Gordon MacArthur – a retired World War I general
* Anthony James Marston (Tony Marston) – an amoral and irresponsible young man
* Ethel Rogers – the cook/housekeeper and Thomas Rogers' wife
* Thomas Rogers – the butler and Ethel Rogers' husband
* Lawrence John Wargrave (Mr Justice Wargrave) – a retired criminal judge

Structure of the novel

The plot is structured around the ten lines of the rhyme "Ten Little Niggers", an 1869 minstrel song by the British songwriter Frank Green."", song written in 1869 by Frank Green, for music by Mark Mason, for the singer G. W. "Pony" Moore. Agatha Christie, for the purposes of her novel, changed the story of the last little boy "One little nigger boy left all alone / He went out and hanged himself and then there were none". In later editions, the characters are replaced by "Ten Little Indians" or "Ten Little Soldiers". (Confusingly, the American songwriter Septimus Winner had published his own, quite different, minstrel song in 1868, called "Ten Little Indians r Injuns.)"", song by Septimus Winner, American lyricist residing in Philadelphia, published in July 1868 in London.

This is the rhyme as published in a British 2008 edition:

Each of the ten victims – eight guests plus the island's two caretakers – is killed in a manner that reflects one of the lines of the rhyme. A sleazy agent who helped arrange the affair is also killed, but his killing occurs on the mainland and outside of the main storyline.

Correspondence between rhyme and modes of death

Literary significance and reception

Writing for ''The Times Literary Supplement'' of 11 November 1939, Maurice Percy Ashley stated, "If her latest story has scarcely any detection in it there is no scarcity of murders... There is a certain feeling of monotony inescapable in the regularity of the deaths which is better suited to a serialized newspaper story than a full-length novel. Yet there is an ingenious problem to solve in naming the murderer", he continued. "It will be an extremely astute reader who guesses correctly."

For ''The New York Times Book Review'' (25 February 1940), Isaac Anderson has arrived to the point where "the voice" accuses the ten "guests" of their past crimes, which have all resulted in the deaths of humans, and then said, "When you read what happens after that you will not believe it, but you will keep on reading, and as one incredible event is followed by another even more incredible you will still keep on reading. The whole thing is utterly impossible and utterly fascinating. It is the most baffling mystery that Agatha Christie has ever written, and if any other writer has ever surpassed it for sheer puzzlement the name escapes our memory. We are referring, of course, to mysteries that have logical explanations, as this one has. It is a tall story, to be sure, but it could have happened."

Many compared the book to her 1926 novel ''The Murder of Roger Ackroyd''. For instance, an unnamed reviewer in the ''Toronto Daily Star'' of 16 March 1940 said, "Others have written better mysteries than Agatha Christie, but no one can touch her for ingenious plot and surprise ending. With ''And Then There Were None''... she is at her most ingenious and most surprising... is, indeed, considerably above the standard of her last few works and close to the ''Roger Ackroyd'' level."

Other critics laud the use of plot twists and surprise endings. Maurice Richardson wrote a rhapsodic review in ''The Observer'' issue of 5 November 1939 which began, "No wonder Agatha Christie's latest has sent her publishers into a vatic trance. We will refrain, however, from any invidious comparisons with ''Roger Ackroyd'' and be content with saying that ''Ten Little Niggers'' is one of the very best, most genuinely bewildering Christies yet written. We will also have to refrain from reviewing it thoroughly, as it is so full of shocks that even the mildest revelation would spoil some surprise from somebody, and I am sure that you would rather have your entertainment kept fresh than criticism pure." After stating the set-up of the plot, Richardson concluded, "Story telling and characterisation are right at the top of Mrs Christie's baleful form. Her plot may be highly artificial, but it is neat, brilliantly cunning, soundly constructed, and free from any of those red-herring false trails which sometimes disfigure her work."

Robert Barnard, writing in 1990, concurred with the early reviews, describing the book as "Suspenseful and menacing detective-story-cum-thriller. The closed setting with the succession of deaths is here taken to its logical conclusion, and the dangers of ludicrousness and sheer reader-disbelief are skillfully avoided. Probably the best-known Christie, and justifiably among the most popular."

The original title of the mystery (''Ten Little Niggers'') was changed because it was offensive. Alison Light, a literary critic and feminist scholar, opined that Christie's original title and the setting on "Nigger Island" (later changed to "Indian Island" and "Soldier Island", variously) were integral to the work. These aspects of the novel, she argued, "could be relied upon automatically to conjure up a thrilling 'otherness', a place where revelations about the 'dark side' of the English would be appropriate." Unlike novels such as ''Heart of Darkness'', "Christie's location is both more domesticated and privatized, taking for granted the construction of racial fears woven into psychic life as early as the nursery. If her story suggests how easy it is to play upon such fears, it is also a reminder of how intimately tied they are to sources of pleasure and enjoyment."

In 1990 Crime Writers' Association ranked ''And Then There Were None'' 19th in their The Top 100 Crime Novels of All Time list. In 1995 in a similar list Mystery Writers of America ranked the novel 10th. In September 2015, to mark her 125th birthday, ''And Then There Were None'' was named the "World's Favourite Christie" in a vote sponsored by the author's estate.

In the "Binge!" article of ''Entertainment Weekly'' Issue #1343-44 (26 December 2014–3 January 2015), the writers picked ''And Then There Were None'' as an "EW favorite" on the list of the "Nine Great Christie Novels".

Christie's own assessment

"I had written the book ''Ten Little Niggers'' because it was so difficult to do that the idea had fascinated me. Ten people had to die without it becoming ridiculous or the murderer being obvious. I wrote the book after a tremendous amount of planning, and I was pleased with what I had made of it. It was clear, straightforward, baffling, and yet had a perfectly reasonable explanation; in fact, it had to have an epilogue in order to explain it. It was well received and reviewed, but the person who was really pleased with it was myself, for I knew better than any critic how difficult it had been... I don't say it is the play or book of mine that I like best, or even that I think it is my best, but I do think in some ways that it is a better piece of craftsmanship than anything else I have written."

Publication

The novel has a long and noteworthy history of publication. It is a continuously best selling novel in English and in translation to other languages since its initial publication. From the start, in English, it was published under two different titles, due to different sensitivity to the author's title in the UK and in the US at first publication.

The novel was originally published in late 1939 and early 1940 almost simultaneously, in the United Kingdom and the United States. The serialization was in 23 parts in the ''Daily Express'' from Tuesday 6 June to Saturday 1 July 1939. All of the instalments carried an illustration by "Prescott" with the first having an illustration of Burgh Island in Devon which inspired the setting of the story. The serialized version did not contain any chapter divisions. The book retailed for seven shillings and sixpence.

Title

In the UK the book first appeared under the title ''Ten Little Niggers'', in book and newspaper serialized formats. In the United States it was published under the title ''And Then There Were None'', in both book and serial formats. Both of the original US publications changed the title from that originally used in the UK, due to the offensiveness of the word in American culture, where it was more widely perceived as a racially loaded ethnic slur or insult compared to the contemporaneous culture in the United Kingdom. The serialized version appeared in the ''Saturday Evening Post'' in seven parts from 20 May (Volume 211, Number 47) to 1 July 1939 (Volume 212, Number 1) with illustrations by Henry Raleigh, and the book was published in January 1940 by Dodd, Mead and Company for $2.

In the original UK novel, and in succeeding publications until 1985, all references to "Indians" or "Soldiers" were originally "Nigger", including the island's name, the pivotal rhyme found by the visitors, and the ten figurines. UK editions continued to use the original title until the current definitive title appeared with a reprint of the 1963 Fontana Paperback in 1985.

The word " nigger" was already racially offensive in the United States by the start of the 20th century, and therefore the book's first US edition (1940) and first serialization changed the title to ''And Then There Were None'' and removed all references to the word from the book, as did the 1945 motion picture (except that the first US edition retained 'nigger in the woodpile' in Chapter 2 Part VII and Chapter 7 Part III). Sensitivity to the original title of the novel was remarked by Sadie Stein in 2016, commenting on a BBC mini series with the title ''And Then There Were None'', where she noted that "even in 1939, this title was considered too offensive for American publication." In general, "Christie’s work is not known for its racial sensitivity, and by modern standards her oeuvre is rife with casual Orientalism." The original title was based on a rhyme from minstrel shows and children's games. Stein quotes Alison Light as to the power of the original name of the island in the novel, Nigger Island, "to conjure up a thrilling 'otherness', a place where revelations about the 'dark side' of the English would be appropriate". Light goes on to say that "Christie's location he islandis both more domesticated and privatised, taking for granted the construction of racial fears woven into psychic life as early as the nursery." Speaking of the "widely known" 1945 film, Stein added that "we’re merely faced with fantastic amounts of violence, and a rhyme so macabre and distressing one doesn't hear it now outside of the Agatha Christie context." She felt that the original title of the novel in the UK, seen now, "jars, viscerally".

Best-selling crime novel

''And Then There Were None'' is the best-selling crime novel of all time, and made Agatha Christie the best-selling novelist, according to the Agatha Christie Estate.

It is Christie's best-selling novel, with more than 100 million copies sold; it is also the world's best-selling mystery and one of the best-selling books of all time. Publications International lists the novel as the sixth best-selling title.

Editions in English

The book and its adaptations have been released under various new names since the original publication, including ''Ten Little Indians'' (1946 play, Broadway performance and 1964 paperback book), ''Ten Little Soldiers,'' and official title per the Agatha Christie Limited website, ''And Then There Were None''. UK editions continued to use the work's original title until the 1980s; the first UK edition to use the alternative title ''And Then There Were None'' appeared in 1985 with a reprint of the 1963 Fontana Paperback.

* Hardback, 256 pp. First edition.
* Hardback, 264 pp. First US edition.
* Christie, Agatha (1944). ''And Then There Were None''. New York: Pocket Books (Pocket number 261). Paperback, 173 pp.
* Christie, Agatha (1947). ''Ten Little Niggers''. London: Pan Books (Pan number 4). Paperback, 190 pp.
* Christie, Agatha (1958). ''Ten Little Niggers''. London: Penguin Books

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