The Zvenigorodsky seal, sometimes dubbed "Persian king and the defeated enemies", is an
Achaemenid
The Achaemenid Empire or Achaemenian Empire (; peo, wikt:𐎧𐏁𐏂𐎶, 𐎧𐏁𐏂, , ), also called the First Persian Empire, was an History of Iran#Classical antiquity, ancient Iranian empire founded by Cyrus the Great in 550 BC. Bas ...
cylinder seal
A cylinder seal is a small round cylinder, typically about one inch (2 to 3 cm) in length, engraved with written characters or figurative scenes or both, used in ancient times to roll an impression onto a two-dimensional surface, generally ...
made from
chalcedony
Chalcedony ( , or ) is a cryptocrystalline form of silica, composed of very fine intergrowths of quartz and moganite. These are both silica minerals, but they differ in that quartz has a trigonal crystal structure, while moganite is monoclinic. ...
, and housed in the
Hermitage Museum
The State Hermitage Museum ( rus, Государственный Эрмитаж, r=Gosudarstvennyj Ermitaž, p=ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ, links=no) is a museum of art and culture in Saint Petersburg, Russia. It is the list of ...
of
Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
, Russia (inv.no. Гл-501) since 1930, when it was acquired from a private collection.
[''Cylindrical seal. Persian King and the Defeated Enemies''. Hermitage Museum]
/ref> It is the so-called "Zvenigorodsky seal", it was acquired in Kertch
Kerch ( uk, Керч; russian: Керчь, ; Old East Slavic: Кърчевъ; Ancient Greek: , ''Pantikápaion''; Medieval Greek: ''Bosporos''; crh, , ; tr, Kerç) is a city of regional significance on the Kerch Peninsula in the east of th ...
, and first appears in the 1881 ''Compte rendu de la Commission Impériale Archéologique pour l'Année 1881''.
Content
The cylinder depicts an Achaemenid King of Kings
King of Kings; grc-gre, Βασιλεὺς Βασιλέων, Basileùs Basiléōn; hy, արքայից արքա, ark'ayits ark'a; sa, महाराजाधिराज, Mahārājadhirāja; ka, მეფეთ მეფე, ''Mepet mepe'' ...
holding a kneeling captive with a hand, and subjugating him with a spear held by the other hand. The kneeling captive wears an Egyptian crown. Behind the king there are four prisoners with a rope around their necks, the rope being held by the king himself. Their garment is similar to that of the Egyptians seen on the reliefs of Naqsh-e Rostam
Naqsh-e Rostam ( lit. mural of Rostam, fa, نقش رستم ) is an ancient archeological site and necropolis located about 12 km northwest of Persepolis, in Fars Province, Iran. A collection of ancient Iranian rock reliefs are cut into the ...
. The scene therefore refers to Ancient Egypt and to an act of conquest or the suppression of a rebellion by an Achaemenid king. It is generally thought that the seal depicts a Persian king or hero thrusting his lance at an Egyptian pharaoh
Pharaoh (, ; Egyptian: ''pr ꜥꜣ''; cop, , Pǝrro; Biblical Hebrew: ''Parʿō'') is the vernacular term often used by modern authors for the kings of ancient Egypt who ruled as monarchs from the First Dynasty (c. 3150 BC) until the an ...
, while holding four other captives on a rope.
Identification
All the characters on the cylinder are unnamed, thus making difficult to identify at least the two main figures. The Hermitage Museum indeed does not give any identification, yet it dates the seal to the late 5th–early 4th century BCE.
Nevertheless, several attempts to identify at least the Achaemenid ruler were made. In 1903, Gaston Maspero
Sir Gaston Camille Charles Maspero (23 June 1846 – 30 June 1916) was a French Egyptologist known for popularizing the term "Sea Peoples" in an 1881 paper.
Maspero's son, Henri Maspero, became a notable sinologist and scholar of East Asia.
...
suggested that the scene depicts Darius the Great
Darius I ( peo, 𐎭𐎠𐎼𐎹𐎺𐎢𐏁 ; grc-gre, Δαρεῖος ; – 486 BCE), commonly known as Darius the Great, was a Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his d ...
(r. 522–486 BCE) dealing with some rebels.[ In 1940, Richard Arthur Martin believed that the two rulers were ]Artaxerxes I
Artaxerxes I (, peo, 𐎠𐎼𐎫𐎧𐏁𐏂𐎠 ; grc-gre, Ἀρταξέρξης) was the fifth King of Kings of the Achaemenid Empire, from 465 to December 424 BC. He was the third son of Xerxes I.
He may have been the " Artasy ...
(r. 465–424 BCE) and the defeated Inaros II
Inaros (II), also known as Inarus, (fl. ca. 460 BC) was an Egyptian rebel ruler who was the son of an Egyptian prince named Psamtik, presumably of the old Saite line, and grandson of Psamtik III. In 460 BC, he revolted against the Persians with ...
.
In 1979, Muhammad Dandamayev
Muhammad Abdulkadyrovich Dandamayev ( lbe, Мухаммад Абдулкадырович Дандамаев; September 2, 1928 – August 28, 2017 ), Chief Researcher at the Institute of Oriental Manuscripts of the Russian Academy of Sciences (IOM- ...
opted for Artaxerxes II
Arses ( grc-gre, Ἄρσης; 445 – 359/8 BC), known by his regnal name Artaxerxes II ( peo, 𐎠𐎼𐎫𐎧𐏁𐏂 ; grc-gre, Ἀρταξέρξης), was King of Kings of the Achaemenid Empire from 405/4 BC to 358 BC. He was the son and suc ...
(r. 405/4–359/8 BCE). In 1992, Shapur Shahbazi suggested without certainty that the ruler could have been " Artaxerxes (III?)" (r. 359/8–338 BCE).
Similar seals
An almost identical scene appears on another chalcedony cylinder, held by the Metropolitan Museum of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
(Acc. No. 1999.325.114), but with an earlier dating (6th–5th century BCE). Also in this case, there are no inscriptions that could help in identifying the characters.['' Cylinder seal and modern impression: battle scene with king, soldiers, enemy,ca. 6th–5th century B.C.''. The Met]
/ref>
A rather similar seal is known bearing the inscription "I am Artaxerxes the Great King" in cuneiform (the "Moscow Artaxerxes Cylinder Seal"): the Achaemenid king is shown leading the Egyptian captives on a rope, but the kneeling figure of the pharaoh is absent and replaced by the Old Persian
Old Persian is one of the two directly attested Old Iranian languages (the other being Avestan language, Avestan) and is the ancestor of Middle Persian (the language of Sasanian Empire). Like other Old Iranian languages, it was known to its native ...
cuneiform inscription. The inscription would suggest that the king in the seal is either Artaxerxes III, who reconquered Egypt, or more probably Artaxerxes I, who did put down a rebellion in Egypt, given the rather rigid execution of the engraving, which suggests an early date for its manufacture, probably closer to the time of Darius the Great.
The seal has many similarities with the seal of Darius the Great, both in the rather rigid treatment of the figures, and in the composition of the seal itself. On these grounds, the manufacture of the Zvenigorodsky seal could be attributed to a period rather close to that of Darius, which would favour an attribution to Artaxerxes I.
Cylinder seal and modern impression, battle scene with king, soldiers, enemy, 6-5th century BCE (detail).jpg, Similar scene from the Metropolitan Museum of Art (Acc. No. 1999.325.114).
The Darius seal. Darius stands in a royal chariot below Ahura Mazda and shoots arrows at a rampant lion. From Thebes, Egypt. 6th-5th century BCE. British Museum (cropped).jpg, Seal of Darius the Great. British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
.
References
Bibliography
*
*{{cite journal , last1=Strelkov , first1=Alexander S. , title=The Moscow Artaxerxes Cylinder Seal , journal=Bulletin of the American Institute for Iranian Art and Archaeology , volume=5 , issue=1 , date=1937 , pages=17–21 , jstor=44243379
Cylinder and impression seals in archaeology
Sculptures of the Hermitage Museum
Archaeology of the Achaemenid Empire
5th-century BC sculptures
4th-century BC sculptures
Achaemenid Egypt