You Gotta Move (song)
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"You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of
gospel music Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is com ...
ians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
and
blues rock Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes w ...
secular adaptations by
Mississippi Fred McDowell Fred McDowell (January 12, 1904 – July 3, 1972), known by his stage name Mississippi Fred McDowell, was an American hill country blues singer and guitar player. Career McDowell was born in Rossville, Tennessee, United States. His parents were f ...
and
the Rolling Stones The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically d ...
.


Early gospel songs

The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the
gospel music Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is com ...
duo. Similar renditions followed by Elder Charles D. Beck (1949),
Sister Rosetta Tharpe Sister Rosetta Tharpe (born Rosetta Nubin, March 20, 1915 – October 9, 1973) was an American singer and guitarist. She gained popularity in the 1930s and 1940s with her Gospel music, gospel recordings, characterized by a unique mixture of spir ...
(1950), the Original Five Blind Boys of Alabama (1953), and the Hightower Brothers (1956).
Reverend Gary Davis Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972), was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy ...
recorded the song in 1962; his lyrics include:


Later renditions

In 1964,
soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attes ...
singer
Sam Cooke Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer and songwriter. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred ...
recast the song with lyrics about a broken relationship for his 1963 album '' Night Beat''. ''
Cash Box ''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online ...
'' described it as having "top shuffle-rhythm blues sounds." In 1965, Mississippi bluesman
Fred McDowell Fred McDowell (January 12, 1904 – July 3, 1972), known by his stage name Mississippi Fred McDowell, was an American hill country blues singer and guitar player. Career McDowell was born in Rossville, Tennessee, United States. His parents were f ...
recorded it as a slow,
slide guitar Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos tha ...
hill country blues Hill country blues (also known as North Mississippi hill country blues or North Mississippi blues) is a regional style of country blues. It is characterized by a strong emphasis on rhythm and percussion, steady guitar riffs, few chord changes, unco ...
solo piece. The song generally follows a seven-bar or an
eight-bar blues In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" being "common to folk, rock, and jazz forms of the blues". It is often notated in or time with eight bars ...
arrangement and has been compared to "
Sitting on Top of the World "Sitting on Top of the World" (also "Sittin' on Top of the World") is a country blues song written by Walter Vinson and Lonnie Chatmon. They were core members of the Mississippi Sheiks, who first recorded it in 1930. Vinson claimed to have com ...
". McDowell uses lyrics closer to Davis' 1962 rendition, but adds a haunting slide guitar line that doubles the vocal. A verse from the song is inscribed on his headstone:


The Rolling Stones version

McDowell's rendition inspired many subsequent recordings, including a version by
the Rolling Stones The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically d ...
. The Stones regularly performed "You Gotta Move" during their 1969 US tour. They recorded a version at the
Muscle Shoals Sound Studios Muscle Shoals Sound Studio is an American recording studio in Sheffield, Alabama, formed in 1969 by four session musicians known as The Muscle Shoals Rhythm Section. They had left nearby FAME Studios in Muscle Shoals to create their own recor ...
in Alabama in December 1969, with later recording in England in 1970. It was later included on their 1971 album ''
Sticky Fingers ''Sticky Fingers'' is the 9th British and 11th American studio album by the English rock band the Rolling Stones. The Stones released it on 23 April 1971 on their new, and own label Rolling Stones Records. They had been contracted by Decca ...
'' without a songwriter's credit. Later reissues listed the authors as McDowell and Gary Davis.
Mick Jagger Sir Michael Philip Jagger (born 26 July 1943) is an English singer and songwriter who has achieved international fame as the lead vocalist and one of the founder members of the rock band the Rolling Stones. His ongoing songwriting partnershi ...
sings the song in a Southern black dialect, with
Mick Taylor Michael Kevin Taylor (born 17 January 1949) is an English guitarist, best known as a former member of John Mayall & the Bluesbreakers, John Mayall's Bluesbreakers (1967–1969) and the Rolling Stones (1969–1974). As a member of the Stones, h ...
's electric slide-guitar accompaniment. In an interview originally published in ''
Guitar Player ''Guitar Player'' is an American popular magazine for guitarists, founded in 1967 in San Jose, California. It contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products. It has been in print si ...
'', Taylor said he used a
Fender Telecaster The Fender Telecaster, colloquially known as the Tele , is an electric guitar produced by Fender. Together with its sister model the Esquire, it is the world's first mass-produced, commercially successful Les Paul had built a prototype solid bo ...
for the slide part and a 12-string guitar. He explained that
Keith Richards Keith Richards (born 18 December 1943), often referred to during the 1960s and 1970s as "Keith Richard", is an English musician and songwriter who has achieved international fame as the co-founder, guitarist, secondary vocalist, and co-princi ...
played a
National guitar The National String Instrument Corporation was an American guitar company first formed to manufacture banjos and then the original resonator guitars. National also produced resonator ukuleles and resonator mandolins. The company merged with Dobro ...
, though Taylor could not remember which one Richards usedthe all-steel one or the "really great, beautiful guitar... made of wood and metal." Two different concert versions are included as bonus tracks on the group's ''
Get Yer Ya-Ya's Out! ''Get Yer Ya-Ya's Out!: The Rolling Stones in Concert'' is the second live album by the Rolling Stones, released on 4 September 1970 on Decca Records in the UK and on London Records in the US. It was recorded in New York City and Baltimore in ...
'' (1970)
album An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early ...
and another on ''
Love You Live ''Love You Live'' is a double live album by the Rolling Stones, released in 1977. It is drawn from Tour of the Americas shows in the US in the summer of 1975, Tour of Europe shows in 1976 and performances from the El Mocambo nightclub concert ...
'' (1977). The latter features
Billy Preston William Everett Preston (September 2, 1946 – June 6, 2006) was an American keyboardist, singer and songwriter whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he ba ...
, who had played when he was 16 years old on Sam Cooke's 1963 version.


See also

*
African-American Vernacular English African-American Vernacular English (AAVE, ), also referred to as Black (Vernacular) English, Black English Vernacular, or occasionally Ebonics (a colloquial, controversial term), is the variety of English natively spoken, particularly in urban ...


Notes


References

{{Authority control 1940s songs Blues songs The Rolling Stones songs Aerosmith songs Song recordings produced by Jimmy Miller Year of song unknown Songwriter unknown