''Wonder Bar'' is a 1934 American

pre-Code Pre-Code Hollywood was the brief era in the American film industry between the widespread adoption of sound in film in 1929LaSalle (2002), p. 1. and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known ...

film adaptation of a Broadway musical of the same name directed by

Lloyd Bacon Lloyd Francis Bacon (December 4, 1889 – November 15, 1955) was an American screen, stage and vaudeville actor and film director. As a director he made films in virtually all genres, including westerns, musicals, comedies, gangster films, an ...

with musical numbers created by

Busby Berkeley Busby Berkeley (born Berkeley William Enos; November 29, 1895 – March 14, 1976) was an American film director and musical choreographer. Berkeley devised elaborate musical production numbers that often involved complex geometric patterns. Berke ...

. It stars

Al Jolson Al Jolson (born Eizer Yoelson; June 9, 1886 – October 23, 1950) was a Lithuanian-American Jewish singer, comedian, actor, and vaudevillian. He was one of the United States' most famous and highest-paid stars of the 1920s, and was self-billed ...

, Kay Francis,

Dolores del Río María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río (), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin Am ...

Ricardo Cortez Ricardo Cortez (born Jacob Kranze or Jacob Krantz; September 19, 1900 – April 28, 1977) was an American actor and film director. He was also credited as Jack Crane early in his acting career. Early years Ricardo Cortez was born Jacob K ...

Dick Powell Richard Ewing Powell (November 14, 1904 – January 2, 1963) was an American actor, musician, producer, director, and studio head. Though he came to stardom as a musical comedy performer, he showed versatility, and successfully transformed into ...

Guy Kibbee Guy Bridges Kibbee (March 6, 1882 – May 24, 1956) was an American stage and film actor. Early years Kibbee was born in El Paso, Texas. His father was editor of the ''El Paso Herald-Post'' newspaper, and Kibbee learned how to set type at age ...

, Ruth Donnelly,

Hugh Herbert Hugh Herbert (August 10, 1885 – March 12, 1952) was an American motion picture comedian. He began his career in vaudeville and wrote more than 150 plays and sketches. Career Born in Binghamton, New York, Herbert attended Cornell Univers ...

Louise Fazenda Louise Fazenda (June 17, 1895 – April 17, 1962) was an American film actress, appearing chiefly in silent comedy films. Early life Fazenda was born in her maternal grandparents' house in Lafayette, Indiana, the daughter of merchandise bro ...

, Fifi D'Orsay,

Merna Kennedy Merna Kennedy (born Maude Kahler; September 7, 1908 – December 20, 1944) was an American actress of the late silent era and the transitional period into talkies. Career She was born in Kankakee, one of two children to Maud (''née'' Reed) a ...

Henry O'Neill Henry O'Neill (August 10, 1891 – May 18, 1961) was an American film actor known for playing gray-haired fathers, lawyers, and similarly dignified roles during the 1930s and 1940s. Early years He was born in Orange, New Jersey. Caree ...

Robert Barrat Robert Harriot Barrat (July 10, 1891 – January 7, 1970) was an American stage, motion picture, and television character actor. Early years Barratt was born on July 10, 1891, in New York City and was educated in the public schools there. He ...

Henry Kolker Joseph Henry Kolker (November 13, 1874 ome sources 1870– July 15, 1947) was an American stage and film actor and director. Early years Kolker was born in Quincy, Illinois. Career Kolker, like fellow actors Richard Bennett and Robert Wa ...

, and Spencer Charters in the main roles. For its time, ''Wonder Bar'' was considered risqué, barely passing the censors at the Hays Office. The title is a pun on "wunderbar," which is German for "wonderful."

Plot

''Wonder Bar'' is set in a Parisian nightclub, with the stars playing the 'regulars' at the club. The movie revolves around two main story points, a romance and a more serious conflict with death, and several minor plots. All of the stories are enlivened from time to time by extravagant musical numbers. The more serious story revolves around Captain Von Ferring (Robert Barrat), a German military officer. Ferring has gambled on the stock market and lost, now broke after dozens of failed investments, he is at the Wonder Bar to try and pull a one-night stand before killing himself the following day. Al Wonder (Al Jolson) knows about Ferring's plan. Meanwhile, an elaborate romance is unfolding. The bar's central attraction is the Latin lounge dancing group led by Inez (Dolores del Río). Al Wonder has a secret attraction to Inez, who has a burning passion for Harry (Ricardo Cortez). However, Harry is two-timing her with Liane (Kay Francis), who is married to the famous French banker Renaud (Henry Kolker). The story comes to a climax when Inez finds out that Harry and Liane plan to run away together and head to the United States. Inez, in a haze of jealousy, kills Harry. Subplots are much lighter in nature. They involve several drunken routines by two businessmen (Hugh Herbert and an uncredited Hobart Cavanaugh) and Al Wonder's various narrations as emcee of the floor show and manager of the club.Green, Stanley (1999) Hollywood Musicals Year by Year (2nd ed.), pub. Hal Leonard Corporation page 30

Cast

as Al Wonder * Kay Francis as Liane *

as Inez *

as Harry *

as Tommy *

as Simpson * Ruth Donnelly as Mrs. Simpson *

as Pratt *

as Mrs. Pratt * Fifi D'Orsay as Mitzi *

as Claire *

as Richard - the Maitre'd *

as Captain Hugo Von Ferring *

as Mr. R.H. Renaud * Spencer Charters as Pete

Pre-Code uncensored scenes

Two scenes stand above the rest. One was the

blackface Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereo ...

minstrel show The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people spec ...

finale, "Goin' to Heaven on a Mule" (featuring Jolson and Hal Le Roy), full of racial stereotypes. The other involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, "Boys will be boys! Woo!" This scene almost caused the

Production Code The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the ...

to reject the film, and was featured in the opening scenes of the

documentary film A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in te ...

'' The Celluloid Closet'' (1996).

Production

The various scenes of ''Wonder Bar'' are permeated by musical numbers which were designed and directed by Busby Berkeley. The music was first written for the Broadway stage by Geza Herczeg,

Karl Farkas Karl Farkas (28 October 1893 – 16 May 1971) was an Austrian actor and cabaret performer. Biography In accordance with the wishes of his parents, he was to study law, but decided to follow the call of the stage. After attending the Academy of ...

and , and was adapted for the big screen by Earl Baldwin. Most of the musical numbers were typically 1930s; big-band led by an entertaining band director (Al), with lavish costumes packed with showgirls (the trailers promised 'over 250 of the world's most beautiful women').

Reception

The film was one of Warners biggest hits of the year. According to Warner Bros records it earned $1,264,000 domestically and $771,000 internationally.

References

External links

* * * {{Busby Berkeley 1934 films 1934 crime drama films 1930s musical drama films American crime drama films American musical drama films American romantic drama films American romantic musical films American black-and-white films Blackface minstrel shows and films 1930s English-language films Films based on musicals Films directed by Lloyd Bacon First National Pictures films Warner Bros. films 1930s romantic musical films 1930s American films