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The 48th Street Theatre was a Broadway theatre at 157 West 48th Street in Manhattan. It was built by longtime Broadway producer William A. Brady and designed by architect William Albert Swasey. The venue was also called the Equity 48th Street Theatre (1922–25) and the Windsor Theatre (1937–43).


History

The 48th Street Theatre opened on August 12, 1912, with the play ''Just Like John'' by George Broadhurst. Early successes at the theatre included ''Never Say Die (play), Never Say Die'' (1912), ''Today (play), Today'' (1913), ''The Midnight Girl'' (1914), ''Eugene Walter (playwright), Just a Woman'' (1916), ''The Man Who Stayed at Home (play), The Man Who Stayed at Home'' (1918), ''The Storm (1919 play), The Storm'' (1919), and ''Opportunity (play), Opportunity'' (1920) starring Nita Naldi. The Theatre was briefly named the Actors' Equity Association, Equity 48th Street Theatre from the premiere of ''Malvaloca (play), Malvaloca'' on October 2, 1922, until the premiere of ''Spooks (play), Spooks'' on June 1, 1925. During this period they had a successful revival of Henrik Ibsen's ''The Wild Duck''. On April 18, 1926, the theatre featured the professional debut of Martha Graham as an independent dancer and choreographer. Graham and three of her students performed 18 short pieces accompanied by the music of Impressionist music, Impressionist composers. Despite poor weather, the evening was a success, which Graham attributed to "curiosity" as people attended to see "a woman who could do her own work". On November 11, 1926, the theatre premiered ''The Squall'' by Jean Bart (writer), Jean Bart, starring Blanche Yurka, Romney Brent, and Dorothy Stickney. During the final act of the performance July 26, 1927, 38-year-old screenwriter and film executive June Mathis was stricken and died following a heart attack. Notable performances at the theatre during this period included ''Puppy Love'' (1926) starring Spring Byington, ''The Pagan Lady'' (1930) starring Lenore Ulric, and ''Unexpected Husband'' (1931) starring Josephine Hull. The theatre was sold and renamed the Windsor Theatre by producer Sam H. Grisman, beginning with the premiere of ''Work Is for Horses'' on November 20, 1937. The Windsor, along with the Princess Theatre, New York City, Princess Theatre, was used for Labor Stage, a project of the International Ladies' Garment Workers' Union, which produced plays and held lectures and meetings. Perhaps the most notable play at the Windsor was a January 3, 1938, revival of Marc Blitzstein's controversial political musical ''The Cradle Will Rock'', produced by Grisman and directed by Orson Welles. On September 1, 1943, the theatre once again became the 48th Street Theatre. The most successful play in the theatre's history premiered on November 1, 1944: ''Harvey (play), Harvey'' by Mary Chase (playwright), Mary Chase and starring Frank Fay (American actor), Frank Fay, which ran for 1775 performances, won Chase the Pulitzer Prize for Drama, and was adapted into a Harvey (1996 film), 1950 film starring James Stewart. Another success at the theatre was ''Stalag 17'' (1951), which was also made into a successful Stalag 17, 1953 film. On August 23, 1955, a rooftop water tank feeding the fire sprinkler system fell through the reinforced concrete roof, and 10,000 gallons of water caused extensive damage to the interior. Dark since the end of ''Tea and Sympathy (play), Tea and Sympathy'' in June, the theatre was closed and the building was demolished later that year.


Notable productions

* 1920–21: ''The Broken Wing'' * 1922: ''The Torch-Bearers'' * 1938: ''The Cradle Will Rock'' * 1939–40: ''Pins and Needles'' * 1942: ''Under this Roof'' * 1944–49: ''Harvey (play), Harvey'' * 1951–52: ''Stalag 17'' * 1955: ''Tea and Sympathy (play), Tea and Sympathy''


References


External links

* {{Authority control Former Broadway theatres Former theatres in Manhattan Theatres completed in 1912 1912 establishments in New York City 1955 disestablishments in New York (state)