Wingu Tingima (died 8 March 2010) was an
Aboriginal art
Indigenous Australian art includes art made by Aboriginal Australian and Torres Strait Islander peoples, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving ...
ist from
central Australia
Central Australia, also sometimes referred to as the Red Centre, is an inexactly defined region associated with the geographic centre of Australia. In its narrowest sense it describes a region that is limited to the town of Alice Springs and i ...
. She was born in
Great Victoria Desert
The Great Victoria Desert is a sparsely populated desert ecoregion and interim Australian bioregion in Western Australia and South Australia.
History
In 1875, British-born Australian explorer Ernest Giles became the first European to cross th ...
, and grew up living a traditional way of life in
the bush, without any contact with
Western civilization. A member of the
Pitjantjatjara
The Pitjantjatjara (; or ) are an Aboriginal people of the Central Australian desert near Uluru. They are closely related to the Yankunytjatjara and Ngaanyatjarra and their languages are, to a large extent, mutually intelligible (all are vari ...
people, she painted spiritual stories from her
Dreaming. Along with her friend and colleague
Eileen Yaritja Stevens, Wingu became one of the most well-known artists to paint in the style of the
Western Desert.
Although she only began painting less than 10 years before her death, Wingu's work is now held in many of Australia's major art collections, including the
National Gallery of Australia and the state galleries of
New South Wales
)
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, image_map = New South Wales in Australia.svg
, map_caption = Location of New South Wales in AustraliaCoordinates:
, subdivision_type = Country
, subdivision_name = Australia
, established_title = Before federation
, es ...
,
Victoria,
South Australia
South Australia (commonly abbreviated as SA) is a state in the southern central part of Australia. It covers some of the most arid parts of the country. With a total land area of , it is the fourth-largest of Australia's states and territories ...
, the
Northern Territory
The Northern Territory (commonly abbreviated as NT; formally the Northern Territory of Australia) is an states and territories of Australia, Australian territory in the central and central northern regions of Australia. The Northern Territory ...
and Western Australia.
Life
Childhood
Wingu was born in the late 1910s or early 1920s. She was born at Nyumun, a
rock hole
A panhole is a depression or basin eroded into flat or gently sloping cohesive rock.Twidale, C.R., and Bourne, J.A., 2018''Rock basins (gnammas) revisited. ''Géomorphologie: Relief, Processus, Environnement, Articles sous presse, Varia, mis en l ...
in the
Great Victoria Desert
The Great Victoria Desert is a sparsely populated desert ecoregion and interim Australian bioregion in Western Australia and South Australia.
History
In 1875, British-born Australian explorer Ernest Giles became the first European to cross th ...
in
Western Australia
Western Australia (commonly abbreviated as WA) is a state of Australia occupying the western percent of the land area of Australia excluding external territories. It is bounded by the Indian Ocean to the north and west, the Southern Ocean to th ...
.
This is a
sacred site for
Pitjantjatjara
The Pitjantjatjara (; or ) are an Aboriginal people of the Central Australian desert near Uluru. They are closely related to the Yankunytjatjara and Ngaanyatjarra and their languages are, to a large extent, mutually intelligible (all are vari ...
men, and it is associated with the (Eagle Dreaming).
She grew up living a semi-nomadic way of life with her family in the country around Kuru Ala, very close to her place of birth. This is a sacred place for the
Kungkarungkara (Seven Sisters Dreaming), which Wingu would later feature in many of her most important paintings.
Wingu was involved in traditional desert craft from a young age. Her mother and her aunts taught her how to weave hair-string belts and ' (head rings) from hair, fur, feathers and
spinifex. She also learned to spin hair-string on a traditional hand-held spindle, and carve wooden tools such as ''wana'' (digging sticks), ''piti'' (bowls), ''wira'' (digging scoops), and ' (basins for collecting seeds). At ceremonies with other
Aṉangu
Aṉangu is the name used by members of several Aboriginal Australian groups, roughly approximate to the Western Desert cultural bloc, to describe themselves. The term, which embraces several distinct "tribes" or peoples, in particular the Nga ...
families, she and the other girls would
paint
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many ...
each other in ritual designs.
Settlement
When she was older, Wingu and her parents travelled by foot to settle in the
mission at
Ernabella, with many other Pitjantjatjara families.
Wingu worked there spinning sheep's wool to make rugs and other items for the mission.
While living at Ernabella, Wingu became close friends with
Eileen Yaritja Stevens; the two of them would later work together closely.
After the community of
Irrunytju
Wingellina or Irrunytju Community is a small Indigenous Australian community in Western Australia located about north east of Perth near the Western Australian-South Australian border in the Goldfields–Esperance region of Western Australia.
...
was established in the 1980s, Wingu moved there with her family to be closer to her home country. Stevens moved to
Nyapaṟi with her own family, and Wingu spent most of her life between the two communities.
Wingu's son, Winmati Roberts, became married to Eileen's daughter, Yaritji Stevens. As the two elder women's success in the art business increased, they became the main providers of income for their intermingled families.
Several of their grandchildren are now also painters.
As an artist
The community co-operative Irrunytju Arts was opened in 2001, and Wingu was one of its first artists.
She achieved success soon after,
and she had her first exhibition in Melbourne in 2002. In the same year, she was also featured in the annual "Desert Mob" exhibition in Alice Springs. Her work from this exhibition was chosen as a finalist for the National Aboriginal & Torres Strait Islander Art Award (NATSIAA) in 2003.
Even in her earliest work, Wingu's style was unique and stood out strongly against the styles of the other artists at Irrunytju. She used lighter shades of colour with curvier lines, while other artists at the centre were experimenting with bright colours and block shapes.
Wingu began to work in Nyapaṟi from 2006, when the community established Tjungu Palya. Wingu came to support the new centre as a working artist, while still continuing to paint for Irrunytju as well. One of Wingu's earliest works at Tjungu Palya was chosen as a finalist for that year's NATSIAA.
Wingu came to work primarily in Nyapaṟi during the next few years.
Most of the time, Wingu would paint alongside her friend Eileen. The two women often shared creative ideas, and travelled to exhibitions together. Eileen died in 2008, and Wingu left Nyapaṟi; as is the custom among Western Desert people, the grieving move away from the place where the dead had lived. Wingu moved back to Irrunytju and continued to work there.
She continued to achieve success until her death. She died on 8 March 2010, estimated to be aged around 90.
Artwork
Themes and style
Wingu's painting focused on her
spirituality
The meaning of ''spirituality'' has developed and expanded over time, and various meanings can be found alongside each other. Traditionally, spirituality referred to a religious process of re-formation which "aims to recover the original shape o ...
, depicting the
Dreaming stories (') associated with her country. Most of her paintings are about the
Kungkarungkara (', or Seven Sisters).
This ''Tjukurpa'' is closely associated with the sacred women's place of Kuru Ala, where Wingu grew up.
According to the story, the seven sisters stopped at Kuru Ala while they were travelling through the area in the
Dreamtime.
They were running away from a lustful man who was trying to catch them. He had supernatural powers and could transform himself into many things.
There are many different versions of the story,
but Kuru Ala is said to be the place where the man tricked the sisters by turning himself into a fruit tree.
The story comes from a group of stars; the sisters are the
Pleiades
The Pleiades (), also known as The Seven Sisters, Messier 45 and other names by different cultures, is an asterism and an open star cluster containing middle-aged, hot B-type stars in the north-west of the constellation Taurus. At a distance of ...
, and the man chasing them is
Orion.
Although she used traditional images, patterns and icons to paint these stories, Wingu's artwork did not illustrate them explicitly or in a way that is recognisable. The images are always obscured and the meaning hidden. She combined many styles together, including ancient desert imagery that had been passed down to her through sand drawings,
rock art
In archaeology, rock art is human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also ...
and
body painting, but by using modern tools and techniques.
One critic notes that her style would change depending on where she was painting; her brush-strokes and choice of colour differing between Tjungu Palya and Irrunytju Arts.
Recognition
Wingu's paintings of the Kungkarungkara story were chosen as finalists in the National Aboriginal & Torres Strait Islander Art Awards in 2003,
2006,
and 2008.
In 2009, Wingu's work was shown in
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
as part of the exhibition "I Have a Dream", an international tribute to
Martin Luther King Jr. Her artwork has been exhibited in many other cities, including Sydney, Canberra, Melbourne, Adelaide, Perth, Alice Springs, Broome, Darwin and Singapore. Her work is held in the
Art Gallery of Western Australia, the
Art Gallery of South Australia
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of ...
, the
Museum and Art Gallery of the Northern Territory
The Museum and Art Gallery of the Northern Territory (MAGNT) is the main museum in the Northern Territory. The museum is located in the inner Darwin suburb of Fannie Bay. The MAGNT is governed by the Board of the Museum and Art Gallery of the ...
,
Art Gallery of New South Wales
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most importa ...
,
the
National Gallery of Victoria,
the
National Gallery of Australia,
and the
Australian National University
The Australian National University (ANU) is a public research university located in Canberra, the capital of Australia. Its main campus in Acton encompasses seven teaching and research colleges, in addition to several national academies and ...
.
References
External links
Wingu Tingimaat the
Art Gallery of New South Wales
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most importa ...
{{DEFAULTSORT:Tingima, Wingu
1920s births
2010 deaths
20th-century Australian painters
20th-century Australian women artists
21st-century Australian painters
21st-century Australian women artists
Australian women painters
Indigenous Australian artists
Pitjantjatjara people