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William James Müller (28 June 18128 September 1845), also spelt Muller, was a British landscape and figure painter, the best-known artist of the
Bristol School The Bristol School (or Bristol School of Artists) is a term applied retrospectively to describe the informal association and works of a group of artists working in Bristol, England, in the early 19th century. It was mainly active in the 1820 ...
.


Life

Müller was born at
Bristol Bristol () is a city, ceremonial county and unitary authority in England. Situated on the River Avon, it is bordered by the ceremonial counties of Gloucestershire to the north and Somerset to the south. Bristol is the most populous city in ...
, the son of J. S. Müller, a Prussian from Danzig, curator of a museum in Bristol. He first studied painting under James Baker Pyne. His early pictures were mostly of the scenery of Gloucestershire and Wales, and he learned much from his study of
Claude Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher ...
,
Ruysdael Ruisdael or Ruysdael is a Dutch surname. Notable persons with that name include: * Jacob Isaackszoon van Ruisdael ( 1629–1682), Dutch Golden Age landscape painter, best-known of his family * Salomon van Ruysdael ( 1602–1670), Dutch Golden Age l ...
, and earlier landscape-painters. He witnessed the
1831 Bristol riots The 1831 Bristol riots took place on 29–31 October 1831 and were part of the 1831 reform riots in England. The riots arose after the second Reform Bill was voted down in the House of Lords, stalling efforts at electoral reform. The arrival ...
and recorded some of the scenes in a series of "raw and brilliant oil and watercolour sketches". In 1833 he exhibited at the
Royal Academy The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its pur ...
for the first time, showing ''Destruction of Old London Bridge-Morning''. The next year he made a tour through France, Switzerland and Italy. He visited the Middle East twice. The first visit was in 1838-39 when he visited Athens, and travelled onwards to
Alexandria Alexandria ( or ; ar, ٱلْإِسْكَنْدَرِيَّةُ ; grc-gre, Αλεξάνδρεια, Alexándria) is the second largest city in Egypt, and the largest city on the Mediterranean coast. Founded in by Alexander the Great, Alexandria ...
and Cairo, where he spent two weeks before continuing up the Nile to
Luxor Luxor ( ar, الأقصر, al-ʾuqṣur, lit=the palaces) is a modern city in Upper (southern) Egypt which includes the site of the Ancient Egyptian city of ''Thebes''. Luxor has frequently been characterized as the "world's greatest open-a ...
, where he made drawings of the ruins and landscapes before returning to Cairo in mid-January. Shortly after his return he left Bristol and settled in London, where he exhibited regularly. His scenes of Egyptian streets and market proved especially popular. His second visit was to Lycia in south west Turkey in 1843-44 when Charles Fellows was removing the Xanthus Marbles for the British Museum. His journey was at the request of the archaeologist Charles Fellows – but at his own expense – Müller and his pupil Harry Johnson accompanied the government expedition to
Lycia Lycia (Lycian language, Lycian: 𐊗𐊕𐊐𐊎𐊆𐊖 ''Trm̃mis''; el, Λυκία, ; tr, Likya) was a state or nationality that flourished in Anatolia from 15–14th centuries BC (as Lukka) to 546 BC. It bordered the Mediterranean ...
. He spent three months sketching the landscape and local people around Xanthus,
Pinara Pinara ( Lycian: 𐊓𐊆𐊍𐊍𐊁𐊑𐊏𐊆 ''Pilleñni'', presumably from the adjective "round"; el, τὰ Πίναρα, formerly ''Artymnesus'' or ''Artymnesos'' according to one account) was a large city of ancient Lycia at the foot of ...
and Tlos. He spent most of the rest of his life, after his return to England, working on watercolours, and a few oils, of Lycian subjects. The work he carried out at Lycia is considered to be among his finest. In 1840 he again visited France, where he executed a series of sketches of Renaissance architecture, twenty-five of which were lithographed and published in 1841, in a folio entitled ''The Age of Francis I. of France''. He died at Bristol on 8 September 1845. Following his death, his work was in great demand; leading to the production of a considerable number of fakes. A biography by Nathaniel Neal Solly was published in 1875. Muller is buried in the Unitarian burial ground, Brunswick Cemetery, off Brunswick Square, Bristol. His grave is marked by a simple polished black stone slab inscribed "Sacred to the memory of William James Muller who died Sep 8th 1845 Aged 35 years". His age, as given in the inscription is contrary to the burial records which record it as 33. The current tomb stone may be relatively modern, as the grave was recorded as being unmarked on a 1970s survey. A bust of the painter is located at the entrance to the cloister in Bristol Cathedral. The
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
was bequeathed a rich collection of Müller's sketches by John Henderson. Biographies of Müller have been written by Solly (1875), Bunt (1948) and Greenacre and Stoddard (1991).


Publications

*William James Müller, ''Muller's sketches of the age of Francis the First, 26 large and fine tinted drawings on stone of splendid Architecture and Picturesque Old Buildings in France'' (H. Graves, 1841)


See also

*
Royal West of England Academy The Royal West of England Academy (RWA) is Bristol's oldest art gallery, located in Clifton, Bristol, near the junction of Queens Road and Whiteladies Road. Situated in a Grade 2* listed building, it hosts five galleries and an exhibition program ...


Notes


Further reading

*Nathaniel Neal Solly, ''Memoir of the life of William James Müller, a native of Bristol, landscape and figure painter: with original letters and an account of his travels and of his principal works'' (London: Chapman & Hall, 1875) 369 pp. *Cyril George Eduard Bunt, ''The Life and Art of William James Müller of Bristol'' (Leigh-on-Sea: E. Lewis, 1948) *Francis Greenacre & Sheena Stoddard, ''W.J. Müller, 1812-1845'' (Friends of Bristol Art Gallery for Bristol Museums and Art Gallery, 1991), 176 pp., , *''William James Müller 1812-1845: Exhibition to commemorate the 150th anniversary of Müller's birth held at the City Art Gallery Bristol October 18 - November 24th 1962'' (City & County of Bristol, 1962) *''William Müller, 1812-1845: Tate Gallery, 12 November 198431 March 1985'' (Tate Gallery, 1984) 6 pp. *


External links

* {{DEFAULTSORT:Muller, William James 1812 births 1845 deaths 19th-century English painters Artists from Bristol English male painters Orientalist painters 19th-century English male artists