Willem Linnig The Elder
   HOME

TheInfoList



OR:

Willem Linnig the Elder or Willem Linnig Senior (7 August 1819, in
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
– 8 August 1885, in Antwerp)Willem Linnig (I)
at the
Netherlands Institute for Art History The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ...
was a
Belgian Belgian may refer to: * Something of, or related to, Belgium * Belgians, people from Belgium or of Belgian descent * Languages of Belgium, languages spoken in Belgium, such as Dutch, French, and German *Ancient Belgian language, an extinct languag ...
painter and engraver who is best known for his history and genre scenes and interiors painted in a style which is reminiscent of 17th century Flemish and Dutch genre painting. He taught for some time at the Fine Arts School of Weimar.''Willem Linnig Senior
' at Schoonselhof
N. Hostyn, "LINNIG, Egide, marineschilder en scheepsportrettist", in ''Nationaal biografisch woordenboek'', (1970), IX 481-486


Life

Willem Linnig was born in Antwerp as the son of Pieter-Josef Linnig (born in
Aschbach, Rhineland-Palatinate Aschbach () is an ''Ortsgemeinde'' – a municipality belonging to a ''Verbandsgemeinde'', a kind of collective municipality – in the Kusel district in Rhineland-Palatinate, Germany. It belongs to the ''Verbandsgemeinde'' Lauterecken-Wolfstein. ...
in Germany) and Catharina Josephina Leys. His father was a cabinetmaker. He had two brothers (Jan Theodoor) Jozef Linnig and
Egide Linnig Egide Linnig or Egidius Linnig (25 August 1821 – 13 October 1860) was a Belgians, Belgian painter, draughtsman and engraver who is best known for his marine art and occasional genre scenes. He was one of the first realist engravers in Belgium ...
who both became artists. Linnig studied at the Antwerp Academy of Fine Arts, where the prominent history and genre painter
Jan August Hendrik Leys Henri Leys, Hendrik Leys or Jan August Hendrik, Baron Leys (18 February 1815 – 26 August 1869) was a Belgian painter and printmaker. He was a leading representative of the historical or Romantic school in Belgian art and became a pioneer of th ...
was one of his teachers. One of his class mates was Victor Lagye. In 1844, Willem Linnig and his brother Egide spent some time in
The Hague The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of ...
. In the
Mauritshuis The Mauritshuis (; en, Maurice House) is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer ...
museum in The Hague, they studied the works of old and contemporary masters. In 1847 the two brothers sailed to Norway. Willem later moved to Weimar where he established in 1877 a local association of etchers (Gesellschaft für Radierkunst). He taught at the
Weimar Saxon Grand Ducal Art School The Grand-Ducal Saxon Art School, Weimar (German:Großherzoglich-Sächsische Kunstschule Weimar) was founded on 1 October 1860, in Weimar, Germany, by a decree of Charles Alexander, Grand Duke of Saxe-Weimar-Eisenach. It existed until 1910, when i ...
in Weimar from 1876 to 1882 and also served as its director. Willem's son, also named
Willem Willem () is a Dutch and West FrisianRienk de Haan, ''Fryske Foarnammen'', Leeuwarden, 2002 (Friese Pers Boekerij), , p. 158. masculine given name. The name is Germanic, and can be seen as the Dutch equivalent of the name William in English, Gui ...
, who had been trained by his father, joined him on Weimar and also taught at the local Art School. Willem Linnig the elder and his son Willem junior were among a large number of Antwerp artists who established the 'Vereeniging der Antwerpsche etsers' or 'l'Association des aquafortistes anversois' ("Association of Antwerp Etchers") founded in 1880. The co-founders included Léon Abry, , Florent Crabeels, Edgard Farasyn, Jean Pierre François Lamorinière,
Egide François Leemans Egide François Leemans or Egide Leemans (Antwerp, 28 April 1839 – Antwerp, 2 January 1883) was a Belgian painter, draughtsman and engraver.
, , , Jean Baptiste Pierre Michiels, Karel Ooms,
Max Rooses Max Rooses (10 February 1839 – 15 July 1914) was a Belgian writer, literary critic, and curator of the Plantin-Moretus Museum at Antwerp. Rooses was born in Antwerp, and went to school there up to 1858, after which he attended the University ...
, Hendrik Frans Schaefels, Lucas Victor Schaefels, Jan Stobbaerts,
Frans Van Kuyck Frans Pieter Lodewijk van Kuyck (9 June 1852, Antwerp - 31 May 1915, Antwerp) was a Belgian painter and graphic artist. He is also known for helping to establish Mother's Day in Belgium. Life and career He came from a family of artists. His f ...
, Piet Verhaert, A.-J. Verhoeven, Jozef Bal and Charles Verlat. The Vereeniging would publish an annual album containing graphic works of its members. Linnig died in Antwerp on 8 August 1885.


Work

Willem Linnig was a painter and etcher whose main subject matter was history and genre scenes. Linnig's paintings show the influence of the style and subject matter of his teacher Jan August Hendrik Leys. Leys had made a name with his meticulously painted historical scenes recounting major events from Belgium's national history, which were regarded as a key to the country’s national identity. In addition, Leys painted genre scenes inspired by 17th century
genre painting Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached ...
. Willem Linnig did not paint historical events like his master but was a faithful follower of Leys in his return to the themes and style of Flemish and Dutch genre painting of the 17th century. His works were able to reconstruct with scrupulous application the atmosphere of 17th century Antwerp. He had a preference for indoor scenes such as taverns, cottages, artist's workshops and bourgeois dwellings.''Linnig, Willem Senior.''
In: Dictionnaire des peintres belges


References


External links

{{DEFAULTSORT:Linnig, Willem 1 Artists from Antwerp 19th-century Belgian painters 19th-century Belgian male artists 20th-century Belgian painters 1819 births 1885 deaths 19th-century printmakers 20th-century Belgian male artists