''Suprematist Composition: White on White'' (1918) is an
abstract oil-on-canvas painting by
Kazimir Malevich
Kazimir Severinovich Malevich ; german: Kasimir Malewitsch; pl, Kazimierz Malewicz; russian: Казими́р Севери́нович Мале́вич ; uk, Казимир Северинович Малевич, translit=Kazymyr Severynovych ...
. It is one of the more well-known examples of the Russian
Suprematism
Suprematism (russian: Супремати́зм) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term ''suprematism'' refers to an abstra ...
movement, painted the year after the
October Revolution
The October Revolution,. officially known as the Great October Socialist Revolution. in the Soviet Union, also known as the Bolshevik Revolution, was a revolution in Russia led by the Bolshevik Party of Vladimir Lenin that was a key moment ...
.
Part of a series of "white on white" works begun by Malevich in 1916, the work depicts a white square, portrayed off-centre and at an angle on a ground which is also a white square of a slightly warmer tone. The work measures . Malevich dispenses with most of the characteristics of
representational art
Representation is the use of signs that stand in for and take the place of something else.Mitchell, W. 1995, "Representation", in F Lentricchia & T McLaughlin (eds), ''Critical Terms for Literary Study'', 2nd edn, University of Chicago Press, Chica ...
, with no sense of colour, depth, or volume, leaving a simple monochrome geometrical shape, not precisely symmetrical, with imprecisely defined boundaries. Although the artwork is stripped of most detail, brush strokes are evident in this painting and the artist tried to make it look as if the tilted square is coming out of the canvas. Malevich intended the painting to evoke a feeling of floating, with the colour white symbolising infinity, and the slight tilt of the square suggesting movement.
A critic from the rival
Constructivist movement quipped that it was the only good canvas in an exhibition by Malevich's
UNOVIS
UNOVIS (also known as MOLPOSNOVIS and POSNOVIS) was a short-lived but influential group of artists, founded and led by Kazimir Malevich at the Vitebsk Art School in 1919.
Initially formed by students and known as MOLPOSNOVIS, the group formed t ...
group: "an absolutely pure, white canvas with a very good prime coating. Something could be done on it."
Malevich took the work to
Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constitue ...
in 1927, where it was displayed at the Große Berliner Austellung. When he returned to
Leningrad
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
later that year, Malevich left it with the architect
Hugo Häring
Hugo Häring (11 May 1882 – 17 May 1958) was a German architect and architectural writer best known for his writings on "organic architecture", and as a figure in architectural debates about functionalism in the 1920s and 1930s, though he had a ...
; in 1930 he passed it on to Alexander Dorner, director of the
Provinzialmuseum in Hanover, who put it into storage after the Nazi party came to power in 1933. Malevich did not ask for the work to be returned, and died in 1935 without leaving instructions on the inheritance of his estate. It was put on display at the
Museum of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.
It plays a major role in developing and collecting modern art, and is often identified as one of ...
in New York in 1935, and added to the Museum's collection in 1963, and the acquisition was confirmed by the estate of Kazimir Malevich in 1999, using funds from the bequest of
Mrs. John Hay Whitney.
See also
* ''
Black Square
Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have ...
'' (1915)
References
External links
''Suprematist Composition: White on White'' (1918) Alexandra Sokolova
1918 paintings
Paintings in the Museum of Modern Art (New York City)
Paintings by Kazimir Malevich
{{20C-painting-stub