Well Formed Generated Collection
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In
diatonic set theory Diatonic set theory is a subdivision or application of musical set theory which applies the techniques and analysis of discrete mathematics to properties of the diatonic collection such as maximal evenness, Myhill's property, well formedness, the ...
, a generated collection is a
collection Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collectio ...
or scale formed by repeatedly adding a constant interval in
integer notation In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave positio ...
, the generator, also known as an
interval cycle In music, an interval cycle is a collection of pitch classes created from a sequence of the same interval class.Whittall, Arnold. 2008. ''The Cambridge Introduction to Serialism'', p. 273-74. New York: Cambridge University Press. (pbk). In other wo ...
, around the
chromatic circle The chromatic circle is a clock diagram for displaying relationships among the 12 equal-tempered pitch classes making up the familiar chromatic scale on a circle. Explanation If one starts on any equal-tempered pitch and repeatedly ascends by t ...
until a complete collection or scale is formed. All scales with the
deep scale property In music, a common tone is a pitch class that is a member of, or common to (shared by) two or more scales or sets. Common tone theorem A common tone is a pitch class that is a member of, or common to, a musical scale and a transposition of ...
can be generated by any interval
coprime In mathematics, two integers and are coprime, relatively prime or mutually prime if the only positive integer that is a divisor of both of them is 1. Consequently, any prime number that divides does not divide , and vice versa. This is equivale ...
with (in twelve-tone equal temperament) twelve. (Johnson, 2003, p. 83) The C major diatonic collection can be generated by adding a cycle of
perfect fifth In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval fro ...
s (C7) starting at F: F-C-G-D-A-E-B = C-D-E-F-G-A-B. Using integer notation and modulo 12: 5 + 7 = 0, 0 + 7 = 7, 7 + 7 = 2, 2 + 7 = 9, 9 + 7 = 4, 4 + 7 = 11. The C major scale could also be generated using cycle of
perfect fourth A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to ...
s (C5), as 12 minus any coprime of twelve is also coprime with twelve: 12 − 7 = 5. B-E-A-D-G-C-F. A generated collection for which a single
generic interval In diatonic set theory a generic interval is the number of scale steps between notes of a collection or scale. The largest generic interval is one less than the number of scale members. (Johnson 2003, p. 26) A specific interval is the cl ...
corresponds to the single generator or interval cycle used is a MOS (for "moment of symmetr

or well formed generated collection. For example, the diatonic collection is well formed, for the perfect fifth (the generic interval 4) corresponds to the generator 7. Though not all fifths in the diatonic collection are perfect (B-F is a diminished fifth, tritone, or 6), a well formed generated collection has only one
specific interval In diatonic set theory a generic interval is the number of scale steps between notes of a collection or scale. The largest generic interval is one less than the number of scale members. (Johnson 2003, p. 26) A specific interval is the clo ...
between scale members (in this case 6)—which corresponds to the generic interval (4, a fifth) but to not the generator (7). The major and minor
pentatonic scale A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancien ...
s are also well formed. (Johnson, 2003, p. 83) The properties of generated and well-formedness were described by
Norman Carey Norman or Normans may refer to: Ethnic and cultural identity * The Normans, a people partly descended from Norse Vikings who settled in the territory of Normandy in France in the 10th and 11th centuries ** People or things connected with the Norm ...
and
David Clampitt David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". w ...
in "Aspects of Well-Formed Scales" (1989), (Johnson, 2003, p. 151.) In earlier (1975) work, theoretician
Erv Wilson Ervin Wilson (June 11, 1928 – December 8, 2016) was a Mexico, Mexican/United States, American (dual citizen) music theory, music theorist. Early life Ervin Wilson was born in a remote area of northwest Chihuahua (state), Chihuahua, Mexico, wher ...
defined the properties of the idea, and called such a scale a ''MOS'', an acronym for "Moment of Symmetry". While unpublished until it appeared online in 1999, this paper was widely distributed and well known throughout the
microtonal music Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of tw ...
which adopted the term. the paper also remains more inclusive of further developments of the concept. For instance, the
three-gap theorem In mathematics, the three-gap theorem, three-distance theorem, or Steinhaus conjecture states that if one places points on a circle, at angles of , , , ... from the starting point, then there will be at most three distinct distances between pairs ...
implies that every generated collection has at most three different steps, the intervals between adjacent tones in the collection (Carey 2007). A degenerate well-formed collection is a scale in which the generator and the interval required to complete the circle or return to the initial note are equivalent and include all scales with equal notes, such as the
whole-tone scale In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or ''hexatonic'' sc ...
. (Johnson, 2003, p. 158, n. 14) A bisector is a more general concept used to create collections that cannot be generated but includes all collections which can be generated.


See also

*
833 cents scale The 833 cents scale is a musical tuning and scale proposed by Heinz Bohlen based on combination tones, an interval of 833.09 cents, and, coincidentally, the Fibonacci sequence.Bohlen, Heinz (last updated 2012).An 833 Cents Scale: An experimen ...
*
Cyclic group In group theory, a branch of abstract algebra in pure mathematics, a cyclic group or monogenous group is a group, denoted C''n'', that is generated by a single element. That is, it is a set of invertible elements with a single associative bina ...
*
Distance model In music a distance model is the alternation of two different intervals to create a non-diatonic musical mode such as the 1:3 distance model, the alternation of semitones and minor thirds: C-E-E-G-A-B-C. This scale is also an example of polymoda ...
*
Pythagorean tuning Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.Bruce Benward and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh edition, 2 vols. (Boston: Mc ...


References


Sources

* *Carey, Norman and Clampitt, David (1989). "Aspects of Well-Formed Scales", ''Music Theory Spectrum'' 11: 187–206. *Clough, Engebretsen, and Kochavi. "Scales, Sets, and Interval Cycles", 79. *Johnson, Timothy (2003). ''Foundations of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals''. Key College Publishing. .


External links


Original concept of MOS as presented in a 1975 letter by Erv Wilson
{{Set theory (music) Diatonic set theory