Washing The Elephant
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''Washing the Elephant'' (, literally sweeping the elephant; English variants: "sweeping", and "white" or "sacred" elephant) is a subject in Chinese Buddhist painting, showing a group of men washing a white elephant with brushes, under the supervision of the
bodhisattva In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools ...
Manjushri Mañjuśrī (Sanskrit: मञ्जुश्री) is a ''bodhisattva'' associated with '' prajñā'' (wisdom) in Mahāyāna Buddhism. His name means "Gentle Glory" in Sanskrit. Mañjuśrī is also known by the fuller name of Mañjuśrīkumārab ...
and an
arhat In Buddhism, an ''arhat'' (Sanskrit: अर्हत्) or ''arahant'' (Pali: अरहन्त्, 𑀅𑀭𑀳𑀦𑁆𑀢𑁆) is one who has gained insight into the true nature of existence and has achieved ''Nirvana'' and liberated ...
with a
khakkhara A khakkhara ( sa, khakkhara; ; , sometimes referred to in English as a pewter staff, is a staff topped with metal rings traditionally carried by Buddhist monks, particularly in East Asian Buddhism. Originally used as a noisemaker to announce a m ...
(''xīzhàng'') staff. Manjushri is usually depicted in the costume of a meditation master in Chinese Buddhist monasteries, rather than his usual appearance in iconic paintings. The Buddhist meaning of the subject relates to "sweeping away illusion", in a pun as the Chinese words for "elephant" (象) and "illusion/form/image" (相) are both pronounced as ''xiang''. One painting is inscribed with the explanation “wash off the dust and see the Buddha of thusness”. The white elephant, widely regarded as sacred in
Buddhism Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gra ...
, may be shown as having six tusks, a form that Buddha himself took in an earlier life recounted in the Jataka tales, and also during the dream of Queen Maya, when according to Buddhist tradition, he was conceived for his last earthly life.


History

The subject is restricted to China, and was most popular during the 16th century. Ding Yunpeng, a devout Buddhist, painted the subject several times, and it became popular painted on Chinese porcelain in the Late Ming and early Qing. A vase fetched USD 137,000 in a
Christie's Christie's is a British auction house founded in 1766 by James Christie (auctioneer), James Christie. Its main premises are on King Street, St James's in London, at Rockefeller Center in New York City and at Alexandra House in Hong Kong. It is ...
auction in 2015. The earliest record of the subject in art dates from the 6th century. Tang dynasty paintings of the same theme have a traditional colour scheme of red and white with some green. A Ming dynasty painting of the same scene by Chen Hongshou in the collection of the Metropolitan Museum of Art has an inscription suggesting that Ming intellectuals considered this scene to represent "sweeping away illusion". There is little literary evidence for the origins of the elephant tale, but researchers speculate a connection with one of the stories of the '' Nirvana Sutra''. The story is the blind man who feels an elephant ( zh, c=盲人摸象, j=mang2ren2mo1xiang4)—the elephant in this tale symbolizes the "Buddha nature". A group of blind men reach touch a different part of the elephant—one feels the tusk and thinks it is a carrot, another mistakes the elephant's belly for an urn, and so on. The king seeks that Shakyamuni (Buddha) illuminate their limited perception (symbolized by blindness in the parable) that permits only partial truths.


The emperor views a scroll

In a painting of c. 1746–50 by the
Jesuit , image = Ihs-logo.svg , image_size = 175px , caption = ChristogramOfficial seal of the Jesuits , abbreviation = SJ , nickname = Jesuits , formation = , founders ...
missionary and court painter Giuseppe Castiglione of the
Qianlong Emperor The Qianlong Emperor (25 September 17117 February 1799), also known by his temple name Emperor Gaozong of Qing, born Hongli, was the fifth Emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper, reigning from 1735 t ...
viewing works from his huge art collection, the work being viewed is a scroll of the subject by Ding Yunpeng. The landscape in which the emperor sits echoes that in the painting. Around the same time, Qianlong commissioned a painting of the subject from one of his Chinese court painters, Ding Guanpeng, in which the figure of Manjushri was a portrait of the emperor. This is now in the
National Palace Museum The National Palace Museum (; Pha̍k-fa-sṳ: Kwet-li̍p kù-kiung pok-vu̍t-yèn), is a museum in Taipei, Republic of China (Taiwan). It has a permanent collection of nearly 700,000 pieces of Chinese artifacts and artworks, many of which wer ...
in Taiwan, while the painting of Qianlong is in the
Palace Museum, Beijing The Palace Museum () is a huge national museum complex housed in the Forbidden City at the core of Beijing, China. With , the museum inherited the imperial royal palaces from the Ming and Qing dynasties of China and opened to the public in 1925 ...
. A different version by Ding Yunpeng was sold in China in 2018 for RMB 10 million, then equating to USD 1,572,327.


Li Gonglin

There is a Yuan or Song dynasty ink on silk
hanging scroll A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. The hanging scroll was displayed in a room for appreciation; it is to be distinguished from the handscroll, which was narrower and ...
attributed to Li Gonglin. The painting depicts 8 foreign grooms, 2 foreign observers, four monks, and two Chinese attired in loose robes. The heavy labor is left to foreign grooms. It is in the collection of the Indiana University Art Museum. The silk painting attributed to Li Gonglin was at one time in the collection of
Xiang Yuanbian Xiang or Hsiang may refer to: * Xiang (place), the site of Hong Xiuquan's destruction of a Chinese idol early in the Taiping Rebellion * Xiang (surname), three unrelated surnames: Chinese: 項 and Chinese: 向 (both ''Xiàng'') and Chinese: 相 (' ...
(1525-1590), and this and other works were scattered as a result of subsequent military invasions, with some passing into the hands of other collectors.


Notes

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References

*"Ascot": "
Famille Rose Famille rose (French for "pink family") is a type of Chinese porcelain introduced in the 18th century and defined by the presence of pink colour overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by var ...
‘Washing The Elephant’ Vase (YFM061625)"
Ascot Court Antiques
*"Christie's"
"A BLUE AND WHITE 'WASHING THE ELEPHANT' VASE, EARLY KANGXI PERIOD, CIRCA 1670"
Lot Eassay for Lot 3569, Live Auction 3721, 2015 * Clunas, Craig, ''Chinese Painting and Its Audiences'', 2017, Princeton University Press, ISBN 9780691171937
google books
*"Tsinghua"
Tsinghua University Art Museum
another version by Ding Yunpeng Chinese painting Buddhist iconography Elephants in art Mañjuśrī Chinese iconography